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الكويز
النقد الادبي لayosha م7 part1
[أسئلة مراجعة - النقد الادبي لayosha م7 part1 - فوزي سليسلي]
اللهم صل على نبينا محمد
عدد الأسئلة: 36
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1) what is The Russian Formalist Movement
A school of literary scholarship that originated and flourished in Russia
....
2) when did they flourish
(the second decade of the 20th century (1920’s
....
3) when were they suppressed
in the 1930’s
in the 1950’s
4) who was it championed by
unorthodox philologists and literary historians
.....
5) give examples of people who championed the Russian formalist movement
Boris Eichenbaum, Roman Jakobson
Viktor Shklovsky, Boris Tomashevsky
Yuri Tynyanov
all
6) what were its centres
the Moscow Linguistic Circle founded in 1915
the Petrograd Society for the Study of Poetic Language (Opoyaz) formed in 1916
all
7) what was Opoyaz
Petrograd Society for the Study of Poetic Language
....
8) (Their project were stated in what books?
Poetics: Studies in the Theory of Poetic Language (1919
Modern Russian Poetry (1921)
.......
9) who wrote Modern Russian Poetry
Modern Russian Poets
,,,,,
10) when did the Bolshevik Revolution happen
1917
1919
11) how did Russia view literature Prior to 1917
it romanticized literature and viewed literature from a religious perspective
.....
12) what happened After 1917
literature began to be observed and analyzed
.....
13) what did the formalist perspective encourage
the study of literature from an objective and scientific lens
.....
14) who labeled the Opoyaz group as the "formalist"?
....
its opponents
15) what did the Opoyaz group prefer to be called
"the "morphological" approach or “specifiers
....
16) who ere the most Important Formalist Critics
Viktor Shklovsky, Yuri Tynianov
Vladimir Propp, Boris Eichenbaum
Roman Jakobson, Boris Tomashevsky, Grigory Gukovsky
all
17) These names revolutionized literary criticism between when and when
between 1914 and the 1930s
between 1916 and the 1950s
18) how did they do that
by establishing the specificity and autonomy of poetic language and literature
.....
19) Russian formalism exerted a major influence on thinkers like who?
Mikhail Bakhtin and Yuri Lotman
....
20) the formalist project had two objectives , what were they
The emphasis on the literary work and its component parts
The autonomy of literary scholarship
all
21) Formalism wanted to solve what
the methodological confusion which prevailed in traditional literary studies
.....
22) what did they want to establish
literary scholarship as a distinct and autonomous field of study
......
23) formalists were not interested in what
The psychology and biography of the author.
The religious, moral, or political value of literature.
The symbolism in literature.
Formalism strives to force literary or artwork to stand on its own
people (i.e., author, reader) are not important
the Formalists rejected traditional definitions of literature. They had a deep-seated distrust of psychology.
They rejected the theories that locate literary meaning in the poet rather than the poem – the theories that invoke a "faculty of mind" conducive to poetic creation.
They had little use for all the talk about "intuition," "imagination," "genius," and the like
all
24) in the subject of literature it was necessary to the formalists to do what ?
to narrow down the definition of literature
.....
25) who said "The subject of literary scholarship is not literature in its totality but literariness (literaturnost'), i.e., that which makes of a given work a work of literature.” ?
Roman Jakobson
Victor Shklovsky
26) who said "The literary scholar ought to be concerned solely with the inquiry into the distinguishing features of the literary materials.” ?
Eichenbaum
Roman Jakobson
27) Russian Formalists argued that Literature was what ?
a specialized mode of language
......
28) what did they purpose
fundamental opposition between the literary (or poetic) use of language
the ordinary (practical) use of language
all
29) Ordinary language aims at what
communicating a message by reference to the world outside the message
.....
30) Literature was what
a specialized mode of language.
It does not aim at communicating a message and its reference is not to the world but to itself.
all
31) Literariness, according to Jan Mukarovsky, consists in what
“the maximum of foregrounding of the utterance,”
.....
32) "what is “the maximum of foregrounding of the utterance
"the foregrounding of “the act of expression, the act of speech itself
.....
33) what does to foreground mean
to bring into high prominence.
.....
34) what is the result of backgrounding the referential aspect of language
poetry makes the words themselves palpable as phonic sounds
,,,,,
35) By foreground its linguistic medium the primary aim of literature is what
is to estrange or defamiliarize or make strange
....
36) who said is to estrange or defamiliarize or make strange ?
Victor Shklovsky
Eichenbaum
معلومات حول الكويز
النقد الادبي لayosha م7 part1
[أسئلة مراجعة - النقد الادبي لayosha م7 part1 - فوزي سليسلي]
تفاصيل أخرى:
اللهم صل على نبينا محمد
تم حل الكويز 184 مرة بنسبة نجاح 80%
القسم: E7
مناقشة الكويز: النقد الادبي لayosha م7 part1
 
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