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أسئلة مراجعة لـ المسرحية الحديثة .. المحاضرة الاولى ..
[أسئلة مراجعة مجهود شخصي - المسرحية الحديثة - د/ ابراهيم الشناوي]
أسئلة مراجعة لـ مادة المسرحية الحديثة .. للمحاضرة الاولى فقط .. بالتوفيق للجميع .. مجرد عآبر ..

عدد الأسئلة: 95

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1) ............... the death of Shakespeare and his contemporaries drama in England suffered a decline for two centuries.

nineteen century

before

After

seventeen century

2) after the death of ............. and his contemporaries drama in England suffered a decline for two centuries.

shaw

Oscar

Isban

Shakespeare

3) after the death of Shakespeare and his .......... drama in England suffered a decline for two centuries.

contemporaries

wife

friend

son

4) after the death of Shakespeare and his contemporaries. ........... in England suffered a decline for two centuries.

poetry

drama

Novel

Critism

5) after the death of Shakespeare and his contemporaries drama in .......... suffered a decline for two centuries.

Brazil

Germany

England

France

6) after the death of Shakespeare and his contemporaries drama in England suffered a ......... for two centuries.

decline

developed

advanced

progressed

7) after the death of Shakespeare and his contemporaries drama in England suffered a decline for ...........

three centuries

four centuries

five centuries

two centuries

8) drama in England suffered a decline for two centuries, Even ........... in the seventeenth,

Isban

Congreve

Sheridan

Goldsmith

9) drama in England suffered a decline for two centuries, Even Congreve in the ............,

eighteenth

nineteenth

seventeenth

fourteenth

10) drama in England suffered a decline for two centuries, Even Congreve in the seventeenth, and ........ and ............ in the eighteenth,

Sheridan - Goldsmith

Isban - shaw

Shakespeare - Oscar

Naguib - wilde

11) drama in England suffered a decline for two centuries, Even Congreve in the seventeenth, and Sheridan and Goldsmith in the .............,

nineteenth

fourteenth

seventeenth

eighteenth

12) could not restore ........... to the position it held during the Elizabethan Age

drama

Novel

Poetry

songs

13) could not restore drama to the position it held during the .............

Victorian age

Augustan Age

Elizabethan Age

none of the above

14) Drama was ................... in the last decade of the 19th Century.

Not existing

Revived

Deteriorated

Dead

15) In the last decade of the 19th century drama ........

Died

vanished

Did not exist

Flourished

16) In the .......... decade of the 19th century drama flourished

begging

last

middel

first

17) Drama flourished in the last decade of the……….

19th century

18th century

17th century

16th century

18) ………. important factors were responsible for the revival of drama in 1890's

three

one

two

four

19) two important factors were responsible for the ........... of drama in 1890's

Did not exist

vanished

dead

revival

20) two important factors were responsible for the revival of ......... in 1890's

poetry

drama

Novel

story

21) two important factors were responsible for the revival of drama in .........

1890's

1899's

1870's

1830's

22) Two important factors were responsible for the revival of drama in 1890's. One was the influence of.........

Barrie

Shakespeare

Barker

Ibsen

23) the great Norwegian dramatist is ...........

Shakespeare

Ibsen

Barker

Barrie

24) English dramatists like ......... claimed the right to discuss serious social and moral problems in a calm

Barrie

Oscar Wilde

Bernard Shaw

Barker

25) Under the influence of Ibsen, the English dramatists like Bernard Shaw ………the right to discuss serious social and moral problems in a calm, sensible way

forbid

reject

claimed

denied

26) English dramatists like Bernard Shaw claimed the right to discuss ........ and ....... in a calm

serious social - moral problems

polite fun - political problem

problem of labor - romantic love

education problem - political problem

27) the second factors were responsible for the revival of drama in 1890's. was

influence of Shakespeare

influence of Bernard shaw

influence of Isban

cynical atmosphere prevailing at that time

28) cynical atmosphere prevailing allowed .......... like Oscar Wilde to treat the moral assumptions of the Victorian age with frivolity and make polite fun of their conventionality their conventionality,

men

women

child

girl

29) cynical atmosphere prevailing allowed men like ........... to treat the moral assumptions of the Victorian age with frivolity and make polite fun of their conventionality

Bernard Shaw

Oscar Wilde

Isban

Naguib

30) cynical atmosphere prevailing allowed men like Oscar Wilde to treat the moral assumptions of the ......... with frivolity and make polite fun of their conventionality

Augustan Age

Elizabethan Age

modern age

Victorian age

31) The first factor gave ......... to the Comedy of Ideas or purpose

decline

rise

revived

progress

32) The first factor gave rise to the ..............

Comedy of Ideas

Comedy of romantic

Comedy of manner

comedy

33) The first factor gave rise to the Comedy of Ideas or Purpose, while the second ........ the Comedy of Manners or the Artificial Comedy.

rise

ignore

revived

skip

34) The first factor gave rise to the Comedy of Ideas or Purpose, while the second revived the ......... or the Artificial Comedy.

comedy of the romantics

Comedy of Manners

comedy of the idea

tragedy of manners

35) Bernard shaw was the greatest practitioner of the ……………

Tragedy of Manners

Comedy

Comedy of ideas

Comedy of the Romantics

36) Oscar Wilde was the greatest practitioner of the………………..

Comedy of Manners

Tragedy of Manners

Comedy of the Romantics

Comedy of comedy

37) The critics consider Shaw as the father of……………..

Comedy for comedy

Tragic-comedy

Comedy of Ideas

Comedy of Manners

38) ……………………Was the greatest practitioner of the Comedy of ideas.

Bernard Shaw

William Shakespeare

W. B. Yeats

Arthur Miller

39) Ibsen focused mainly on ....................In his drama.

Ordinary men and women

The elite

Princes and princess

Kings and queens

40) He had taught men that the real drama must deal with human emotions.

Naguib Mahfouz

Bernard Shaw

Henrik Ibsen

Oscar Wilde

41) Henrik Ibsen had taught men that the real drama must deal with………

Human politic

Human resources

Human emotions

No emotions

42) Under the influence of Ibsen the serious drama in England from 1890 onward …………to deal with themes remote in time and place

started

continue

ceased

agreed

43) The new dramatists thus gave up the ....... and pseudo- classical remoteness of their predecessors,

actual life

love

hate each other

melodramatic romanticism

44) the new dramatists began to treat in their ........... the actual English life

story

plays

books

newspaper

45) the new dramatists began to treat in their plays the actual English life first of the ..........

middle class

labouring class.

business class

aristocratic class

46) the new dramatists began to treat in their plays the actual English life first of the aristocratic class, then ...........

middle class

labouring class.

aristocratic class

business class

47) the new dramatists began to treat in their plays the actual English life first of the aristocratic class, then of the middle class and finally ...........

aristocratic class

middle class

business class

labouring class.

48) This treatment of actual life made the ........ more and more a drama of ideas,

poetry

novel

drama

story

49) This treatment of actual life made the drama more and more a drama of.........

manners

emotion

love

ideas

50) The new dramatists dealt mainly with the

Parental authority

problems of labour and of youth

Romantic love

Capitalism

51) ............. struggle to throw off the trammels of Victorian prejudice

women

Young men

girl

old men

52) Helmer seeks to..........................Nora character.

Develop

Improve

Crush

Advance

53) the ........... in these plays join eagerly the Feminist movement and glory in a new-found liberty

young men

young women

old women

children

54) ……………….in action was not a prominent feature in the new drama of ideas.

Violence

Slowness

Mystery

Rapidly

55) ………………………in action become the prominent feature in the new drama of ideas

Violence

Slowness

Mystery

Rapidity

56) In the new drama of ideas, action became ........ and frequently interrupted.

Violence

continue

fast

slow

57) drama became quieter than the romantic drama of the previous years. because .......

inner conflict was substituted for outer conflict

wars

travel around the world

outer conflict was substituted for inner conflict

58) The new researches in the ........... helped the dramatist in the study of the 'soul'

field of science

field of psychology

field of chemistry

field of mathematics

59) The new researches in the field of psychology helped the dramatist in the study of the '........ '

violent

love

soul

hateful

60) The new researches in the field of psychology helped the dramatist in the study of the 'soul', for the expression of which they had to resort to ............ .......... .

signal

roads

symbols

books

61) By means of ......... the dramatist could raise the dark and even sordid themes to artistic levels

symbolism

signal

Gestures

emotion

62) By means of symbolism the dramatist could raise the ........... and even sordid themes to artistic levels

investment

love

light

dark

63) By means of symbolism the dramatist could raise the dark and even sordid themes to .........

Average levels

advance level

artistic levels

lately levels

64) The modern dramatist emphasis on the inner conflict led to make their protagonists not men but……

Natural sense

Aliens

Women

Unseen forces

65) In the field of non-serious comedy there was a revival, in the …………century, of the Comedy of Manners.

nineteenth century

twentieth century

seventeenth century

sixteenth century

66) satirical comedy reached its climax in the hands of .........

Congreve

Isban

George Bernard

Oscar Wilde

67) satirical comedy reached its climax in the hands of Congreve in ......

1800

1600

1700

1500

68) The two important dramatists who took a predominant part in the revival of drama in the last decade of the nineteenth century were ........ and ...........

Granville Barker - Galsworthy

Somerset Maugham - Noel Coward

Congreve - Ibsen

George Bernard Shaw - Oscar Wilde

69) Bernard Shaw and Oscar Wilde, both .............

Germanium

Irishmen

Francine

Englishmen

70) Shaw represented the.......... of the Anglo-lrish tradition.

Dark side

Restoration side

Puritan side

Bright

71) Shaw was a great .........

thinker

artist

player

Politician

72) .......... was not a deep thinker as Shaw; and his attitude to life was essentially a playful one.

Ibsen

Oscar Wilde

Congreve

Galsworthy

73) Oscar Wilde gained great success as a writer because he was..................

Handsome

A romantic writer

Mischievous

A social entertainer

74) father of the comedy of pure entertainment

Congreve

Shaw

Oscar Wilde

Ibsen

75) Other modern writers who have followed Wilde directly are ........... and ...........

Somerset Maugham - Noel Coward

Granville Barker - Galsworthy

James Birdie - Priestly

Congreve - Ibsen

76) artificial comedy of the last fifty years in England ........... well with the artificial comedy of the Restoration.

compare

does not compare

similar

a little different

77) the ......... grows out of date more rapidly than any other type of drama.

comedy

tragedy of ideas

comedy of ideas

comedy of manners

78) was a genius. His intellectual equipment was far greater than that of any of his contemporaries

Somerset Maugham

Oscar Wilde

George Bernard Shaw

Noel Coward

79) unlike Ibsen's grim and serious temperament, Shaw was characterized by ............

Jest and verbal wet

Horror scenes

Sadness and misery

Tragic scenes

80) shaw In each of his plays he presented a certain problem connected with ..........

past life

modern life

future life

difficult life

81) Shaw added ............... to his plays to make his ideas more understandable.

Different themes

More characters

Prefaces

Tables of contents

82) Shaw added prefaces to his plays to make his ideas more.................

Difficult

Explicit

Ambiguous

Mysterious

83) Other modern dramatists who followed the example of Bernard Shaw and wrote comedies of ideas' were ........... but none of them attained the standard reached by Shaw

Granville Barker, Galsworthy

James Birdie, Priestly,

Sir James Barrie and John Masefield,

all of them

84) Besides the artificial comedy and the comedy of ideas, another type of drama was developed in England under the influence of the .............

England Dramatic Movement

Irish Dramatic Movement

Europe Dramatic Movement

France Dramatic Movement

85) whose originators Irish Dramatic Movement were :

Lady Gregory and W.B. Yeats

Bernard Shaw and Oscar Wilde

Granville Barker and Galsworthy

Sir James Barrie and John Masefield

86) The two important dramatists belonging to Irish Dramatic Movement are ...............

Sir James Barrie and John Masefield

Lady Gregory and W.B. Yeats

J.M. Synge and Sean O'Casey

Bernard Shaw and Oscar Wilde

87) T. S. Eliot was the most important practitioner of the ........................

Poetic drama

Social drama

Recreational drama

Religious drama

88) There has been the revival of ........... in the twentieth century

Religious drama

Recreational drama

Social drama

Poetic drama

89) There has been the revival of Poetic Drama in the ............

fourteenth century

twentieth century

seventeenth century

nineteenth century

90) Most of the poetic plays written in modern times have a .............. theme.

Political

Universal

Religious

Liberation

91) Ibsen started his dramatic career by writing………

Absurd plays

Poetic plays

Realistic plays

Comic plays

92) is considered the father of modern realistic drama.

Henrik Ibsen

Somerset Maugham

Oscar Wilde

Noel Coward

93) With his voluntary exile to Rome, he embarked upon his .......... which produced the poetic dramas of Brand

first stage

second stage

third stage

fourth stage

94) With his stay in Germany, the .......... started,

first stage

second stage

third stage

fourth stage

95) تم بفضل الله الانتهاء من كتابة الكويز , ان اصبت فمن الله و ان اخطأت فمني و من الشيطان , و بالتوفيق للجميع , و فالكم A+ ..

سبحان الله

الحمدلله

لا اله الا الله

الله اكبر

سبحان الله و الحمدلله و لا اله الا الله و الله اكبر

أسئلة مراجعة لـ المسرحية الحديثة .. المحاضرة الاولى ..
[أسئلة مراجعة مجهود شخصي - المسرحية الحديثة - د/ ابراهيم الشناوي]
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أسئلة مراجعة لـ مادة المسرحية الحديثة .. للمحاضرة الاولى فقط .. بالتوفيق للجميع .. مجرد عآبر ..
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مناقشة الكويز: أسئلة مراجعة لـ المسرحية الحديثة .. المحاضرة الاولى ..