رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

يب :biggrin:
نفسها

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

عندي احساس << بدينآآآ:biggrin:
إذا بتجي مقارنه بتكون بين الكوندشن أو االعلاقات

احس بيجي ريلزم أو ثيتر اوف ابسورد

شخصية بووزو احس جايه جايه :biggrin:

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

جزاك الله كل خير وجعله في مسزان حسناتك

يارب تنجحين ب a+

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

أبي شي عن السيمبولز بالمسرحيه الثانيه :bawling:

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

+ 1

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

*
Symbols
rising of the moon

There’s also the issue of the moon, as its appearance in the sky is the real signal that night has come and the men can stop waiting for Godot

tree
The tree is the only distinct piece of the setting,; Jesus was crucified on a cross, but that cross is sometimes referred to as a "tree," as in, "Jesus was nailed to the tree." That Vladimir and Estragon contemplate hanging themselves from the tree is likely a reference to the crucifixion

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

Naturalism A closer representation to everyday, real life conversation with its thoughts with at times a repetition
Truthful and believeable with a use of silences and pause - this is a naturalistic speech naturalism need not be narrative . Naturalism reflects accurately the surface of life, Naturalism was just a lot more hard core about representing everyday life exactly as it is. Naturalist plays wanted to show a slice of life exactly as it is. Characters might talk on and on about nothing in particular and the plays might have no obvious climax – just like most days are for most people...realism is concerned with the truth of the experience conveyed lead to a call for social change For eight years I've been waiting patiently; I knew, of course, that such things don't happen every day. Then, when this trouble came to me - I thought to myself; Now! Now the wonderful thing will happen! All the time Krogstad's letter was out there in the box, it never occurred to me for a single moment that you'd think of submitting to his conditions. I was absolutely convinced that you'd defy him - that you'd tell him to publish the thing to all the world; and that then Nora's speech (realism) realistic Realism shouldn't be confused with its Naturalism. Though the two styles were being developed around the same time, they have some significant differences. Basically,
Realism, however, is unafraid to be a little unrealistic. Look at A Doll's House. Sure the characters talk in a generally conversational way, but the plot is obviously and unapologetically contrived. There are melodramatic devices like secret revealing letters. The doorbell rings at convenient times, bringing trouble for Nora. People enter and exit just when Ibsen needs to move on to the next scene and bring on new ideas. This wasn't a bad thing to Ibsen. His goal was to examine ideas, to challenge individuals to really think about their society, not to present photographic reality. A Doll's House is widely considered to be one of the prime examples of realism



جمعت اهم شي في المقارنه الله يوفقناا ياااااااارب :000:

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

a “well-made play” calls for a denouement, a resolution which is entirely logical and hence, clear. It is not supposed to have any unsolved issues or loose ends to puzzle the audience. As with a “well-made play”, here all the secrets are revealed, the letter is read, and Torvald forgives Nora. Following the logic of cause and effect, that should be the end of “A Doll’s House”; if it were a “well-made play”. It is here that Ibsen converts this form

رد: l|][Ξ¯▪ Last Year 1st Semester ▪¯Ξ][|
 

Analysis of Samuel Beckett's Waiting for Godot
Waiting for Godot is an absurd play by Samuel Beckett. It tells about two tramps (Estragon and Vladimir) who are waiting by a tree for the arrival of Mr. Godot. Estragon and Vladimir through the play have made no progression: waiting for Godot. The play is primarily about hope. It revolves around Vladimir and Estragon and their pitiful wait for hope to arrive. The hopelessness of their lives described by the phrase "Nothing to be done".
A direct result of this hopelessness is the daily struggle of how to pass the time. Most of the play tells about their efforts which will help them pass the time. This explains why they stay together. Both Vladimir and Estragon admit to being happier when they apart so the main reason why they continue their relationship is because they need one another to pass the time. Since passing the time is their mutual occupation, they try to find games to help them achieve their goal. As a result, they engage in insulting one another and in asking each other question. Conversation to both is a game to pass the time until Godot comes. There were also times when they consider suicide as another way of escaping their hopelessness. Estragon wants them to hang themselves, but they find it would be too risky.
About the language, this play serves the characteristics of absurd play's conversation. The most distinguished characteristic is repetition. We can see many repetitions in this play. These repetitious conversations symbolize the lack of meaning in life. This play is a repetition of circular motions, echoes, actions, and gestures.
Estragon: Let's go
Vladimir: We can't
Estragon: Why not?
Vladimir: We're waiting for Godot.
This conversation occurs several times in the play. Estragon's requests to leave...