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النقد الادبي- المحاضرة الثامنة

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النقد الادبي- المحاضرة الثامنة السلام عليكم ورحمة الله وبركاته اسئله ابو بكر .. دعواتكم .. \بالتوفيق جميعـآ عدد الأسئلة: 36 - بعد إنهاء حل الكويز يمكنك تحميله بصيغة PDF. - سوف تحصل على نقطة إضافية في التقييم عن كل إجابة صحيحة.
1) Structuralism in literature appeared in ………….in the 1960s
	a. England
	b. Italy
	c. France
	d. Germany
2) Structuralism continues the work of ……………….in the sense that it does not seek to interpret literature; it seeks rather to investigate its structures.
	a. Puritan age writers
	b. Romantic poets
	c. Russian Formalism
	d. Renaissance
3) The most common name associated with structuralism is:
	a. Roland Barthes
	b. Tzvetan Todorov
	c. Gerard Gennete
	d. All true
4) One of the most influential contributions of structuralism to the study of literature was Gerard Gennete’s Discours du récit (Paris, 1972), translated into English as………………
	a. Narrative Discourse
	b. Narrativism
	c. Structuralism Discourse
	d. Reform
5) ..................... Discours du récit has been so systematic and so thorough in analyzing
	a. The structures of literary discourse
	b. Narratology
	c. Both
	d. Neither
6) Gennette analyzes …………main aspects of the narrative discourse
	a. Two
	b. Three
	c. Four
	d. Five
7) One of the three main aspects of the narrative discourse is……… which involves Order, Duration, Frequency.
	a. Mood
	b. Voice
	c. Time
	d. A and B
8) One of the three main aspects of the narrative discourse is……… which involves Levels of narration (the question who speaks?)
	a. Mood
	b. Voice
	c. Time
	d. All false
9) One of the three main aspects of the narrative discourse is……… which involves Distance (Mimesis vs. Diegesis), Perspective (the question who sees?)
	a. Time
	b. Mood
	c. Voice
	d. All true
10) There are two forms of time in narrative. One of these two is the time of the story which means the time in which the story happens. The other one is called the time of:
	a. Writing the story
	b. Publishing the story
	c. Narrative
	d. All true
11) ................... is the relation between the sequencing of events in the story and their arrangement in the narrative.
	a. Narrative organization
	b. Narrative order
	c. Narrative relation
	d. All false
12) A narrator ................
	a. May choose to present the events in the order they occurred
	b. Can recount them out of order
	c. Both possible
	d. Neither
13) An example of a story in which the narrator recount events out of order is ...........
	a. Historical stories
	b. Biography
	c. Detective stories
	d. Scientific Fiction
14) The mixing of temporal order produces a more gripping and complex plot. In other words it leads to..........
	a. Satisfaction
	b. Suspense
	c. Humor
	d. Sadness
15) 15. The time of the story is ……….chronological (A,B,C….)
	a. Sometimes
	b. Always
	c. Never
	d. All false
16) ..............is the point in time in which the narrator is telling his/her story.
	a. Time Zero
	b. The start of narration
	c. The point of no return
	d. Time One
17) Time Zero is .............
	a. The narrator’s present
	b. The start of the time of the story
	c. Both
	d. Neither
18) Gennette calls all irregularities in the time of narration ..............
	a. Irregular events
	b. Surprises
	c. Anachrobies
	d. All possible
19) Anachronies happen whenever a narrative ..........
	a. Stops the chronological order
	b. Starts the chronological order
	c. Both
	d. Neither
20) Analepsis is when the narrator recounts after the fact an event that took place …………than the moment in which the narrative is stopped.
	a. Later
	b. Earlier
	c. Faster
	d. All false
21) Prolepsis is when the narrator anticipates events that will occur ………….the point in time in which the story has stops
	a. After
	b. Before
	c. At
	d. All false
22) "An anachrony can reach into the past or the future, either more or less far from the "present" moment. Anachronies can have several functions in a narrative. One of these function is ………………..which often take on an explanatory role, developing a character's psychology by relating events from his past
	a. Analepses
	b. Prolepses
	c. Both
	d. Neither
23) Another function for Anarchonies is……….which can arouse the reader's curiosity by partially revealing facts that will surface later
	a. Analepses
	b. Prolepses
	c. Both
	d. Neither
24) Traditional criticism studied, under the category of mood, the question whether literature uses mimesis or diegesis. Diegesis means:
	a. Telling
	b. Showing
	c. Reading
	d. All false
25) According to Genette, all narrative is necessarily
	a. Mimesis
	b. Diegesis
	c. Both
	d. Neither
26) The only imitation (mimesis) possible in literature is the imitation of ……………., where the exact words uttered can be repeated/reproduced/imitated
	a. Actions
	b. Sentences
	c. Words
	d. All false
27) Genette distinguishes three kinds of focalization. One of these three kinds is………… It is when the narrator knows more than the characters. He may know the facts about all of the protagonists, as well as their thoughts and gestures. This is the traditional "omniscient narrator".
	a. Internal Focalization
	b. Zero Focalization
	c. External Focalization
	d. All possible
28) From the point of view of time, there are four types of narrating:. The first one is called ………… It is the classical (most frequent) position of the past-tense narrative.
	a. Prior
	b. Subsequent
	c. Simultaneous
	d. Interpolated
29) From the point of view of time, there are four types of narrating:. The first one is called ………… It is the Predictive narrative, generally in the future tense (dreams, prophecies) [this type of narrating is done with less frequency than any other]
	a. Prior
	b. Subsequent
	c. Simultaneous
	d. Interpolated
30) From the point of view of time, there are four types of narrating:. The first one is called ………… It is the Narrative in the present contemporaneous with the action (this is the simplest form of narrating since the simultaneousness of the story and the narrating eliminates any sort of interference or temporal game).
	a. Prior
	b. Subsequent
	c. Simultaneous
	d. Interpolated
31) From the point of view of time, there are four types of narrating:. The first one is called ………… It is between the moments of the action (this is the most complex) [e.g., epistolary novels]
	a. Prior
	b. Subsequent
	c. Simultaneous
	d. Interpolated
32) A story in which the narrator is present in the story he narrates is called:
	a. Heterodiegetic Narrator
	b. Homodiegetic Narrator
	c. Presence Narrator
	d. All false
33) A story in which the narrator is absent from the story he narrates is called:
	a. Heterodiegetic Narrator
	b. Homodiegetic Narrator
	c. Presence Narrator
	d. Extradiegetic Narrative
34) A narrator is superior, in the sense of being at least one level higher than the story world, and hence has a good or virtually complete knowledge of the story he narrates. This is called.............
	a. Heterodiegetic Narrator
	b. Homodiegetic Narrator
	c. Presence Narrator
	d. Extradiegetic Narrative
35) The narrator is immersed within the same level as that of the story world, and has limited or incomplete knowledge of the story he narrates. This is called...............
	a. Intradiegetic Narrative
	b. Heterodiegetic Narrator
	c. Homodiegetic Narrator
	d. Extradiegetic Narrative
36) Genette distinguishes three kinds of focalization. One of these three kinds is………… It is when the narrator knows as much as the focal character. This character filters the information provided to the reader, and the narrator does not and cannot access or report the thoughts of other characters. Focalization means, primarily, a limitation, a limit on the capacity of the narrator to “see” and “report.” If the narrator wants to be seen as reliable, then he/she has to recognize and respect that he cannot be everywhere and know everything.
	a. Internal Focalization
	b. Zero Focalization
	c. External Focalization
	d. All possible

معلومات حول الكويز

النقد الادبي- المحاضرة الثامنة
السلام عليكم ورحمة الله وبركاته اسئله ابو بكر .. دعواتكم .. \بالتوفيق جميعـآ
تم حل الكويز 340 مرة بنسبة نجاح 62%
القسم: E7
مناقشة الكويز: النقد الادبي- المحاضرة الثامنة

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