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الكويز

₪[ تبويب أسئلة الترجمة الإبداعية - 4/5 Lectures ]₪
[د/أحمد حليمة]
من ملف (خدمة ملخصاتي) - تنسيق : مطَر ابنْ السّماء

عدد الأسئلة: 47

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1) 1) Translation is

a) simply confined to the movement of information between two distinct languages.

b) simply related to the movement of ideas and information between two different

c) not simply confined to the movement of ideas and information between two distinct languages.

d) generally confined to the translation of tow tests between English and Arabic.

2) 2) Major types of problems and difficulties in creative translation are

a) semantic meanings, rhythm in poetry and cultural traditions.

b) semantic shifts over time, rhyming and versing and cultural allusion.

c) semantic communication, versing in poetry and cultural habits.

d) dsemantic connotations, rhyming and versing and cultural denotations.

3) 3) The meanings of certain words tend to……..

change over time

semantic meanings

4) 4) The most appropriate translation of Shakespeare’s word ‘ silly sooth ’ by which he actually meant ‘simple truth’ is

تهدئة سخيفة

الحقيقة المطلقة

الحقيقة البسيطة

الحقيقة السهلة

5) 5) The most appropriate translation of: وخلا الذباب بها فليس ببارح ****** غرداً كفعل الشارب مترنم

a) In it flies live alone forever and sing happily like a rapt drunken

b) In a solitary meadow flies live and fly gleefully like a rapt drunken

c) Butterflies live alone in a meadow and sing happily like a drunken rapt in joy

d) Wasps live alone in a meadow singing happily like a joyful drunken

e) Bees sing forever alone in a meadow like a happy drunken seeking a shadow.

6) 6) The most appropriate translation of كل ذباب في النار إلا النحلة

a) Every fly will end in Hellfire except the wasp

b) All flies will end in Hellfire except the bee

c) All insects will end in the Hellfire except the bees

d) All butterflies will end in the Hellfire except the bees

7) 7) In any type of translation draft, we are bound to encounter

a) a number of ‘gaping holes’ and pitfalls.

b) a number of linguistic and cultural queries.

c) a number of major cultural problems.

d) a number of linguistic difficulties.

8) 8) The genre that can cause serious problems and difficulties for creative translators in terms of both form and content is…..

a) Novel

b) Shot story

c) Poetry

d) Drama

9) 9) The most appropriate translation of: دَعِ الأَيّامَ تَفعَلُ ما تَشاءُ ------ وَطِب نَفساً إِذا حَكَمَ القَضاءُ

ًٌa) Let the days do what they want and be happy with whatever that might happen

b) Let the days unfold and be content with whatever fate has ruled

c) Let the days take their toll whether you rise or whether you fall

d) Let life takes its toll and be happy whether you rise or fall

10) 10) transferring the poetic form implied in the

rhyming and rhythm of the line

The rhyming and versing in a poem

11) 11) in poetry what versification means?

The rhyming and versing in a poem

rhyming and rhythm of the line

12) 12) The most appropriate translation of: ‘ When he sees the face of the rose, he wants to pluck it ’ is

عندما يريد وجه الوردة يريد ان يقطفها

وان راها استحلى قطفها

ولما رائها أرادها

وبدوت في ثوب الجمال ، فكنت بين أصابع ، رباء ما احلاها

13) 13) The owl is normally used in Arabic culture to refer to

a) a bad omen and bad luck

b) a symbol of wisdom and sometimes love

14) 14) The owl is normally used in English culture to refer to

a) a symbol of wisdom and sometimes love,

b) a bad omen and bad luck

15) 15) Multiple meaning of any expression in literary translation tends to

a) give creative translators to overcome problems

b) construct technical translation editors in particular

c) pose serious problems for creative translators in particular

d) give creative translation teacher problems when explaining them

16) 16) The most appropriate translation of: نفحات الايمان في مكة والمدينة المنورة

a) ‘Fragrant gales of humbleness and serenity in Makkah and Madinah AlMunawarah’

b) ‘Scents of friendly atmosphere in Makkah and Madinah AlMunawarah’.

c) ‘Gusts of familiarity sociableness in Makkah and Madinah AlMunawarah’.

d) ‘Outburst of cheerfulness and affectin in Makkah and Madinah AlMunawarah

17) 17) The most appropriate translation of: نفحات الايمان في مكة والمدينة المنورة

a) Scents of faith in Makkah and Madinah Almunawarah.

b) Senses of serenity in Makkah and Madinah Almunawarah.

c) Feelings of humbleness in Makkah and Madinah Almunawarah

d) Emotions of love and peace in Makkah and Madinah Almunawarah.

18) 18) The most appropriate translation of : نفحات الايمان في مكة

a) breezes of humbleness and modesty in Makkah

b) Outbursts of serenity and faith in Makkah

c) Nights of friendless and faith in Makkah

d) stream of happiness and faith in Makkah

19) 19) The most appropriate translation of : نفحات الأنس في دبي

a) Breezes of humbleness and sincerity in Dubai

b) Breezes of amiable and joyful atmosphere in Dubai

c) Nights of friendliness and intimacy in Dubai

d) Streams of happiness and joys in Dubai

20) 20) The most appropriate translation of the technical term 'love' into Arabic is:

حب

عشق

كلاهما معا

حسب معناها في النص

21) 21) the most appropriate translation of term 'Divine love' is

حب مقدس

حب روحي

حب سماوي

حب رباني

22) Lecture 5

Lecture 5

23) 1) Methods that emphasise Source Language such as

Word-for-word translation, Literal Translation, Faithful Translation and Semantic Translation

Adaptation, Free Translation, Idiomatic Translation and Communicative Translation

24) 2) Methods that emphasise Source Language in translation such as

World for world ,literal, faithful, semantic translations

Target Language

25) 3) methods that emphasise Target Language, such as

World for world ,literal, faithful, semantic translations

Adaptation, Free Translation, Idiomatic Translation and Communicative Translation

26) 4) Adaptation free translation are methods that emphasize …..

a) Source Language

b) Target Language

c) Second language

d) None of the above

27) 5) methods that emphasize the target Language are

a) word – for – word , literal , faithful and semantic methods

b) sense – for – sense literal , idiomatic and semantic methods

c) idea – for – idea , faithful , communicative and semantic methods

d) adaptation , free , idiomatic and communicative methods

28) 6) For Newmark (1988), methods that emphasize Target Language are

a) word- for-word, free, faithful and communicative methods.

b) word-for-sense, semantic, idiomatic and adaptation methods.

c) adaptation, free, idiomatic and communicative methods.

d) idea- for -word, free, idiomatic and holistic methods.

29) 7) The most appropriate translation of: كان يوما ملتهبا كطفل نالت منه الحمى

ًa) It was a very hot afternoon as the child experienced the heat of a fever.

b) It was a scorching summer afternoon. The heat was feverish.

c) It was as hot as a child suffering from fever.

d) The day was as hot as a child with a fever.

30) 8) one of the four that Landers suggests when translating a literary text

a) read the entire text at least once

b) read the entire text at least twice

c) write the entire text at least once

d) translate the entire text at least once

31) 9) Creative translation involves ..

a) a literal and accurate draft of the original and then ‘weaning away’ from the original

b) a draft of the original and then rewriting it.

c) a stage for drafting and another for rewriting the draft.

d) a three stage approach: drafting, redrafting and then translating

32) 10) David Pendlebury (2005) suggests A Two-Stage approach to creative translation :

a) a literal and accurate draft of the original and then ‘weaning away’ from the original

b) a draft of the original and then rewriting it.

c) a stage for drafting and another for rewriting the draft.

d) a three stage approach: drafting, redrafting and then translating

33) 11) in translating poetry , the most appropriate approach

a) an aesthetic approach

b) a semantic approach

c) a holistic approach

d) a communicative approach

34) 12) One of the most appropriate approach used to translating poetry is ..

a) a holistic approach

b) a communicative approach

c) an aesthetic approach

d) a semantic approach

35) 13) The holistic approach is the most appropriate approach to translating :

a) sacred texts

b) short stories communicative approach

c) poetry

d) Shakespeare’s plays

36) 14) adopting different elements of the ST, as well as the phonemic unit;

the literal meaning; the metre and the rhythm of the ST

creative translation is both bilingual and bicultural

37) 15) one of the esthetic qualities you can abundantly in Arabic literature is

a) exaggeration

b) repetition

c) parallelism

d) negotiation

38) 16) Paz’s approach manifests the significance that translation is

bilingual and bicultural activity

creative translation is lingual and cultural

39) 17) For Weinberger and Paz (1978:47)

a) creative translation is both bilingual and bicultural

b) Creative translation is neither bilingualn or bicultural

c) Creative translation is bilingual and personal

d) creative translation is lingual and cultural

40) 18) When Fatimah Annaib translated 'Shall I compare thee to a summer's day' as

a) She achieved both the linguistic and cultural dimension of the poem".

b) She achieved the cultural dimension of the poem".

c) She failed to capture the cultural dimension of the poem".

d) She failed to achieve the linguistic dimension of the poem".

41) 19) When Fatima Alnalb translated "Shall I compare thee to a summer's day' as "

a) She achieved both linguistic and cultural dimensions of the poem.

b) She achieved the cultural dimensions of the poem.

c) She failed to capture the cultural dimensions of the poem.

d) She failed to achieve the linguistic dimensions of the poem

42) 20) The most appropriate translation of: “Shall I compare thee to a summer’s day? thou art more lovely and more temperate “ is ..

من ذا يقارن حسنك المغري بصيف قد تجلى وفنون سحرك قد بانت في ناظري اسمى و أغلى

هلا قارنتك بصيف جميل فتكوني اجمل منه واحلى

انت اكثر جمالا من الربيع الجميل والطف من النسيم العليل

من ذا يقارن حسنك المغري بربيع قد تجلى _ وفنون سحرك قد باتت في ناظري اسمى واغلى

43) 21) English summer is a symbol of beauty and liveliness like

a) Arabic summer

b) Arabic spring

c) Arabic winter

d) Arabic autumn

44) 22) English summer is ……..

A Symbol of beauty & liveliness

Arabic summer

45) 23) The most appropriate translation of: Alone , my love , with you alone in the boat of love , we sing and dance

معك يا حبي معك استوحد نقوم في قارب الشوق نرقص باغانينا

وحيد معك لوحدنا في قارب الحب نرقص ونغني مع بعض

وحدنا احبابا وحدنا عشاقا في زورق الحب نعلو رقصا وطربا

وحدي معك يا حبي انا وحدي في قارمن حبي نرقص ونغني

46) 24) The most appropriate translation of: “ Alone my love , with you alone “

وحدي معك يا حبي، انا وحدي..... في قارب الحب نرقص ونغني

يا حبي الوحيد.... قد جئت بألمعية، في قارب الحبيب .... رقص واغنيه

وحدي معك حبيبي.... في سفينه الحب نلعب ونغني

وحدنا حبيبي .... في سفينه الحب نلعب ونرقص

47) 25) The most appropriate translation of: " Alone my love, with you alone. In the boat of love we sing and dance" is

وحدي معك يا حبي، انا وحدي..... في قارب الحب نرقص ونغني

يا حبي الوحيد.... قد جئت بألمعية، في قارب الحبيب .... رقص واغنيه

وحدي معك حبيبي.... في سفينه الحب نلعب ونغني

وحدنا حبيبي .... في سفينه الحب نلعب ونرقص

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