ãáÊÞì ØáÇÈ æØÇáÈÇÊ ÌÇãÚÉ Çáãáß ÝíÕá,ÌÇãÚÉ ÇáÏãÇã

ÇáÚæÏÉ   ãáÊÞì ØáÇÈ æØÇáÈÇÊ ÌÇãÚÉ Çáãáß ÝíÕá,ÌÇãÚÉ ÇáÏãÇã > .: ÓÜÇÍÜÉ ÇáÊÚáíã Úä ÈÚÏ (ÇáÇäÊÓÇÈ):. > ãáÊÞì ØáÇÈ ÇáÊÚáíã Úä ÈÚÏ ÌÇãÚÉ Çáãáß ÝíÕá > ßáíÉ ÇáÃÏÇÈ > ÇááÛÉ ÇáÃäÌáíÒíÉ > E7
ÇáÊÓÌíá ÇáßæíÒÇÊÅÖÇÝÉ ßæíÒãæÇÚíÏ ÇáÊÓÌíá ÇáÊÚáíãÜÜÜÇÊ ÞÇÆãÉ ÇáÃÚÖÇÁ   ÃÚÊÈÑ ãÔÇÑßÇÊ ÇáãäÊÏì ãÞÑæÁÉ

E7 English Literature Students level seven Forum

ãæÖæÚ ãÛáÞ
 
ÃÏæÇÊ ÇáãæÖæÚ
ÞÏíã 2017- 11- 17   #21
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ÃßÜÇÏíÜãÜí ÐåÜÈÜí
 
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ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 222714
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ÇáãÔÇÑßÇÊ: 683
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ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÇáÇÏÇÈ
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: English
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
%ÍææÑ% ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

ÇáãÍÇÖÑÉ ÇáÊÇÓÚÉ
Òí ÈÞíå ÇáãÍÇÖÑÇÊ ÊÊßáã Úä ÔÎÕíÇÊ Ýí ÇáÍÑßÉ ÇáÈíäíÉ--Structuralism " "
ÐßÑäÇ æÇÍÏ ãäåã Ýí ÇáãÍÇÖÑå ÇáÓÇÈÞÉ æÇäÌÇÒÇÊå,,,,æåæ ÌíäíÊ
......åÇáãÍÇÖÑÉ ÊÊßáã Úä

1. Roland Barthes: ÕÇÍÈ__,,“The Death of the Author”


In Literary Studies
Ýí ÇáÏÑÇÓÇÊ ÇáÇÏÈíÉ

Structuralism is interested in the conventions and the structures of the literary work.
ÇáÈäíæíå ÇåÊã ÈÇáÊÞÇáíÏ æåíßíáíå ÇáÚãá

----------------------------------
According to Roland Barthes, it is language that speaks and not the author who no longer determines meaning. Consequences: We no longer talk about works but texts.
ÈÇáäÓÈå áÑæáÇä ÈÇÑÊ Çä ÇááÛÉ åí ÇáÊí ÊÊÍÏË æáíÓ ÇáãÄáÝ ÈãÚäì ÇääÇ áä äÊÍÏË Úä ÇáÇÚãÇá...Èá ÓäÊÍÏË Úä ÇáäÕæÕ


-----------------------------------------------------
The birth of the reader has a cost: the death of the Author.
æáÇÏÉ ÇáÞÇÑìÁ ßáÝÊ ãæÊ ÇáãÄáÝ

-------------------------------------------------------

áãä ÑÇÌÚÊ ÇáÇÓÆáÉ Ýí ÇÔíÇÁ ãÍØæØÉ ãä åÇáãÍÇÖÑÉ æáÇßä ãæ ßËíÑÉ ã íÊÚÏì ÓÄÇáíä...ÝáÊÚÑÝæÇ ÈÔßá ÇÌãÇáí Úä ÇáÔÎÕíÇÊ æÇíÔ ÇÓÆáÊåÇ ÈÓ ÊÞÑÄæÇ åÇáãÚáæãÇÊ Çááí ÇäÇ ÈÚÊÈÑåÇ ÑÄÓ ÇÞáÇã..ÇÑÌÚæÇ ááÇÓÆáÉ..
Çááí ÈÍÇæá ÇßÊÈå åäÇ Çäå íßÝíßã æíÛäíßã Úä ÇáÑÌæÚ ááãÍÊæì áÊÈÓØ ÇáÇãæÑ ÚäÏßã
.............................
ÝÇáÔÎÕíÇÊ ßá Çááí ÇÞÏÑ ÇÓæíå ÇÐßÑ äÞÇØå,,æÇáÈÇÞí Úáíßã


:love 080:

ÇáÊÚÏíá ÇáÃÎíÑ Êã ÈæÇÓØÉ %ÍææÑ% ; 2017- 11- 17 ÇáÓÇÚÉ 02:01 AM
 
ÞÏíã 2017- 11- 17   #22
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ÃßÜÇÏíÜãÜí ÐåÜÈÜí
 
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ÇáãáÝ ÇáÔÎÕí:
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ãÄÔÑ ÇáãÓÊæì: 147
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ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÇáÇÏÇÈ
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: English
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
%ÍææÑ% ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

ÇáãÍÇÖÑÉ 10

1. Michel FoucaultÕÇÍÈ
: “What is an Author?”

ÊÚÑíÝ æÙíÝÉ ÇáãÄáÝ:
Çäå ãÌãæÚå ãä ÇáãÚÊÞÏÇÊ
æÇáÇÝÊÑÇÖÇÊ
ÇáÊí:ÊäÊÌ...ÊÊÏÇæá...æÊÕäÝ..æÊÓÊåáß ÇáäÕæÕ

"author function" is more like a set of beliefs or assumptions governing the production, circulation, classification and consumption of texts.
(ÌÇ ÓÄÇá Úáíå ÓÇÈÞÇ)

.................................................. .
ÇáãÍÇÖÑÉ 11

Greimas: The Actantial Model
ÞÑíãÇÓ: ÕÇÍÈ Actantial Model

ãÇåí¿¿Actantial Model¿¿
ÇÏÇÉ áÊÍáíá Çí Úãá ÍÞíÞí æÊÔãá ÌãíÚ ÇáÇÚãÇá ÇáÇÏÈíÉ
actantial model is a tool that can theoretically be used to analyze any real or thematized action
for all literature
(ÌÇ ÓÄÇá ÚáíåÇ ÞÈá

ÞÓãÊ Actantial Model Çáì 6 ÇÞÓÇã


æÞÓãÊ åÇáActantial Model 6 Çáì 3 ÊÚÇÑÖÇÊAxes
The axis of desire - Subject – Object

The axis of transmission – Sender – Receiver

The axis of power – Helper – Opponent

.................................................. ...................
ÇáãÍÇÖÑÉ 12

Poststructuralism
ãÇÈÚÏ ÇáÈäíæíÉ

åÐßÑ ßá ÇáãÍÇÖÑÉ Úáì Ôßá äÞÇØ

*åí ÝáÓÝÉ ÝÑäÓíÉ ááÞÑä ÇáÚÔÑíä
outcome of Twentieth-century French philosophy

*ÊåÊã ÈÇáËÞÇÝÉ æÇáÊÇÑíÎ æÇäå ÌÒÁ ãåã ãä ÇáãÚäì
sees culture and history as integral to meaning

*åí ËæÑÉ ÖÏ ÇáÈäíæíÉ
‘rebellion against’ structuralism

*logo-centrism was develop by: Poststructuralism ãåã ÌÇ Ýí ÇÎÊÈÇÑÇÊ ÓÇÈÞÉ

*ÇåÊãÊ ÈÏÑÇÓÉ ßíÝ ÊäÊÌ ÇáãÚÑÝÉ
study of how knowledge is produced

*ÑÝÖÊ Çä ÝßÑÉ ÇáäÕ Êßæä ãÝÑÏÉ ÈÇáåÏÝ Çæ ÇáãÚäì Çæ ÇáæÌæÏ
Rejects the idea of a literary text having one purpose, one meaning or one singular existence
-
*ÈÏáæ ÇáßÇÊÈ (ÇáãÄáÝ)æÌÚáæ ÇáÞÇÑÆ åæ ÇáãÍæÑ ÇáÇÓÇÓí æÇáãæÖæÚ ÇáÑÆíÓí
Poststructuralism displaces the writer/author and make the reader the primary subject of inquiry

*ÊÑÝÖ åíßáÉ ËÇÈÊÉ ááäÕ
rejects that there is a consistent structure to texts
 
ÞÏíã 2017- 11- 17   #23
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ÃßÜÇÏíÜãÜí ÐåÜÈÜí
 
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ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 222714
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ãÄÔÑ ÇáãÓÊæì: 147
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ÈíÇäÇÊ ÇáØÇáÈ:
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ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: English
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
%ÍææÑ% ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

ÇáãÍÇÖÑÉ 10

1. Michel FoucaultÕÇÍÈ
: “What is an Author?”

ÊÚÑíÝ æÙíÝÉ ÇáãÄáÝ:
Çäå ãÌãæÚå ãä ÇáãÚÊÞÏÇÊ
æÇáÇÝÊÑÇÖÇÊ
ÇáÊí:ÊäÊÌ...ÊÊÏÇæá...æÊÕäÝ..æÊÓÊåáß ÇáäÕæÕ

"author function" is more like a set of beliefs or assumptions governing the production, circulation, classification and consumption of texts.
(ÌÇ ÓÄÇá Úáíå ÓÇÈÞÇ)

.................................................. .
ÇáãÍÇÖÑÉ 11

Greimas: The Actantial Model
ÞÑíãÇÓ: ÕÇÍÈ Actantial Model

ãÇåí¿¿Actantial Model¿¿
ÇÏÇÉ áÊÍáíá Çí Úãá ÍÞíÞí æÊÔãá ÌãíÚ ÇáÇÚãÇá ÇáÇÏÈíÉ
actantial model is a tool that can theoretically be used to analyze any real or thematized action
for all literature
(ÌÇ ÓÄÇá ÚáíåÇ ÞÈá

ÞÓãÊ Actantial Model Çáì 6 ÇÞÓÇã


æÞÓãÊ åÇáActantial Model 6 Çáì 3 ÊÚÇÑÖÇÊAxes
The axis of desire - Subject – Object

The axis of transmission – Sender – Receiver

The axis of power – Helper – Opponent

.................................................. ...................
ÇáãÍÇÖÑÉ 12

Poststructuralism
ãÇÈÚÏ ÇáÈäíæíÉ

åÐßÑ ßá ÇáãÍÇÖÑÉ Úáì Ôßá äÞÇØ

*åí ÝáÓÝÉ ÝÑäÓíÉ ááÞÑä ÇáÚÔÑíä
outcome of Twentieth-century French philosophy

*ÊåÊã ÈÇáËÞÇÝÉ æÇáÊÇÑíÎ æÇäå ÌÒÁ ãåã ãä ÇáãÚäì
sees culture and history as integral to meaning

*åí ËæÑÉ ÖÏ ÇáÈäíæíÉ
‘rebellion against’ structuralism

*logo-centrism was develop by: Poststructuralism ãåã ÌÇ Ýí ÇÎÊÈÇÑÇÊ ÓÇÈÞÉ

*ÇåÊãÊ ÈÏÑÇÓÉ ßíÝ ÊäÊÌ ÇáãÚÑÝÉ
study of how knowledge is produced

*ÑÝÖÊ Çä ÝßÑÉ ÇáäÕ Êßæä ãÝÑÏÉ ÈÇáåÏÝ Çæ ÇáãÚäì Çæ ÇáæÌæÏ
Rejects the idea of a literary text having one purpose, one meaning or one singular existence
-
*ÈÏáæ ÇáßÇÊÈ (ÇáãÄáÝ)æÌÚáæ ÇáÞÇÑÆ åæ ÇáãÍæÑ ÇáÇÓÇÓí æÇáãæÖæÚ ÇáÑÆíÓí
Poststructuralism displaces the writer/author and make the reader the primary subject of inquiry

*ÊÑÝÖ åíßáÉ ËÇÈÊÉ ááäÕ
rejects that there is a consistent structure to texts
 
ÞÏíã 2017- 11- 17   #24
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ÃßÜÇÏíÜãÜí ÐåÜÈÜí
 
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ÈíÇäÇÊ ÇáØÇáÈ:
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ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

ÇáãÍÇÖÑÉ 13


Jacques Derrida

Post-structuralism is a European-based theoretical movement that departs from structuralist methods of analysis.
ÇáÍÑßÉ Çááí ãÇÈÚÏ ÇáÈäíæíÉ åí ÍÑßÉ ÇæÑæÈíÉÞÇãÊ Úáì ÇáÇÈÊÚÇÏ Úä ÇáÊÍáíá Çáåíßáí æ ÇáÈäíæí...íÚäí ÖÏ ÇáÍÑßÊíä Çááí ãä ÞÈá ÇÎÐäÇåã

Çåã ÇáÇÓãÇÁ ÝíåÇ

Jacques Lacan (psychoanalysis) ÊÍáÓá äÝÓí
Michel Foucault (history ÊÇÑíÎ

æÇááí åæ ãÍæÑ ãÍÇÖÑÊäÇ Jacques Derrida (philosophy Ýí ÇáÝáÓÝÉ

ãÇåí ÇááÛÉ ÚäÏ Derrida
language is unreliable
ÇááÛÉ ÛíÑ æÇÞÚíÉ æáÇ íãßä ÇáÇÚÊãÇÏ ÚáíåÇ

æÐßÑ ÇíÖÇ
There is no pre-discursive reality. Every reality is shaped and accessed by a discourse.
Çäå áÇ íæÌÏ æÇÞÚ ÞÈá ÇáÎØÇÈí,,,æÇä ßá ÇáæÞÇÆÚ ÊÊÔßá æÊÊßæä ÈÇáßáÇã...
((ãåã ÌÇ Ýí ÇáÇÎÊÈÇÑ ÓÇÈÞÇ



.................................................. ........
ÇáãÍÇÖÑÉ14



Marxist Literary Criticism
ÇáäÞÏ ÇáÇÏÈí ÇáãÇÑßÓí

Karl Marx

*born 1818 in Rhineland. æõáÏ ßÇÑá ãÇÑßÓ ÚÇã 1818 Ý ÑÇíäñáÇäÏ

*Known as “The Father of Communism.” ÚõÑÝ ßÃÈ ÇáÔøíæõñÚíÉøñ

*Marx died in 1883 ãÇÊ Ýí 1883

-------------------------------------------------------

Base-Superstructure

ãä Çåã ÇÝßÇÑ ãÇÑßÓ

The Base: The material conditions of life, economic relations, labor, capita
ÇáÞÇÚÏÉ:åí ÇáÇáÙÑæÝ ÇáãÇÏíÉ ÈÇáÍíÇÉ..ÇáÇÞÊÕÇÏ..ÇáÚáÇÇÞÇÊ

The Superstructure: This is what today is called ideology
ÇáÝæÞíÉ:åí ÇáÇíÏæáæÌí

-------------------------------------
ÞÇá ãÇÑßÓ ÈÃä ÇáÙÑæÝ ÇáãÇÏíÉ åí ÇáÊí ÊÍÏÏ ÖãÇÆÑ ÇáäÇÓ
Marx said that it is people’s material conditions that determines their consciousness
ãåã ÌÇ Ýí ÇÎÊÈÇÑ ÓÇÈÞ
-------------------------------------------------------------

Marx and Engels were political philosophers
ãÇÑßÓ æÇäÞáÒ ßÇäæ ÝáÇÓÝÉ ÓíÇÓííä
ãåã ÌÇ Ýí ÇÎÊÈÇÑ ÓÇÈÞ
------------------------------------------------------------

ãä ÇÝßÇÑ ãÇÑßÓ:

ÈÇäå áÇíãßä Ýåã ÇáÇÏÈ ãä (ÑæÇíÇÊ æãÓÑÍíÇÊ) ÎÇÑÌ ÇáÙÑæÝ ÇáÇÌÊãÇÚíÉ æÇáÇÞÊÕÇÏíÉ æÇáÚáÇÞÇÊ æÇáÇíÏáæÌíÇÊ
Literary products (novels, plays, etc) cannot be understood outside of the economic conditions, class relations and ideologies of their time.
ãåã ÌÇ Ýí ÇÎÊÈÇÑ ÓÇÈÞ
--------------------------------------------------------------


.............................Êã ÈÍãÏ Çááå .................................................. ..

ÇáÊÚÏíá ÇáÃÎíÑ Êã ÈæÇÓØÉ %ÍææÑ% ; 2017- 11- 17 ÇáÓÇÚÉ 02:20 AM
 
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ÈíÇäÇÊ ÇáØÇáÈ:
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

ÊÌãÚ ßÇÑíÒãÜÇ.. ÌÏÇð ããíÒ
https://vb.ckfu.org/t739205.html
 
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ÇáÊÎÕÕ: English
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
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ÇáÊÚÏíá ÇáÃÎíÑ Êã ÈæÇÓØÉ %ÍææÑ% ; 2017- 11- 17 ÇáÓÇÚÉ 03:35 AM
 
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ÇáÊÎÕÕ: English
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ßæíÒÇÊ ÚáÔÇä ÊËÈÊ ÇáãÚáæãÇÊ

Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#1
# #

[ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) - lecture 1


[ ßæíÒ ] :ÇáãÍÇÖÑÉ ÇáÇæáì - ÇáäÞÏ ÇáÇÏÈí / ÇÓÆáÉ ÇÈæ ÈßÑ





ßæíÒÇÊ ÇáãÍÇÖÑÉ ( 2 )

Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#2


[ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) -lecture 2

[ ßæíÒ ] : ÇáãÍÇÖÑÉ ÇáËÇäíÉ - ÇáäÞÏ ÇáÇÏÈí / ÇÓÆáÉ ÇÈæ ÈßÑ





ÇáäÞÏ ÇáÇÏÈí áayosha ã2 part1
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11453

ÇáäÞÏ ÇáÇÏÈí áayosha ã2 part2
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11447



ÇáßæíÒÇÊ ááãÍÇÖÑÉ (3 )


Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#3

[ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) - lecture3 (ÇáÌÒÁ ÇáÃæá )
[ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) - lecture3 (ÇáÌÒÁ ÇáËÇäí )


ÇáäÞÏ ÇáÇÏÈí áayosha ã3 part1

http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11454


ÇáäÞÏ ÇáÇÏÈí áayosha ã3 part2

http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11457


ÇáäÞÏ ÇáÇÏÈí áayosha ã3 part3

http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11458


ÇáäÞÏ ÇáÇÏÈí (1-3)




ÇáäÞÏ ÇáÇÏÈí áayosha ã4 part1
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11462

ÇáäÞÏ ÇáÇÏÈí áayosha ã4 part2
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11464


Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#4




ÇáßæíÒÇÊ ááãÍÇÖÑÉ ( 5 )

Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#5

[ ßæíÒ ] :ÇáäÞÏ ÇáÇÏÈí (4-5)


ÇáäÞÏ ÇáÇÏÈí áayosha ã5 part1
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11511

ÇáäÞÏ ÇáÇÏÈí áayosha ã5 part2
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11512

ÇáäÞÏ ÇáÇÏÈí áayosha ã5 part3
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11513



ßæíÒÇÊ ãÍÇÖÑÉ ( 6 )






Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#6


ÇáäÞÏ ÇáÇÏÈí (6-7)




ÇáäÞÏ ÇáÇÏÈí áayosha ã6 part1


http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11509




ÇáäÞÏ ÇáÇÏÈí áayosha ã6 part2


http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11510






Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#7



ÇáäÞÏ ÇáÇÏÈí áayosha ã7 part1



http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11506



ÇáäÞÏ ÇáÇÏÈí áayosha ã7 part2



http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11504



ßæíÒÇÊ ãÍÇÖÑÉ 8



Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#8

ÇáäÞÏ ÇáÇÏÈí- ÇáãÍÇÖÑÉ ÇáËÇãäÉ




ÇáäÞÏ ÇáÇÏÈí áayosha ã8 part1


http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11501








ÇáäÞÏ ÇáÇÏÈí áayosha ã8 part2




http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11502


ßæíÒÇÊ ãÍÇÖÑÉ 9


[ ßæíÒ ] :ÇáäÞÏ ÇáÇÏÈí (9-10)




ÇáäÞÏ ÇáÇÏÈí áayosha ã9


http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11470



ßæíÒÇÊ ãÍÇÖÑÉ 10




[ ßæíÒ ] :ÇáäÞÏ ÇáÇÏÈí (9-10)




ÇáäÞÏ ÇáÇÏÈí áayosha ã10


http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11469



ßæíÒÇÊ ãÍÇÖÑÉ 11




ÇáäÞÏ ÇáÇÏÈí (11 -12 )


ÇáäÞÏ ÇáÇÏÈí áayosha ã11


http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11468



ßæíÒÇÊ ãÍÇÖÑÉ 12


ÇáäÞÏ ÇáÇÏÈí (11 -12 )
ÇáäÞÏ ÇáÇÏÈí áayosha ã12
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11467

ßæíÒÇÊ ãÍÇÖÑÉ 13

ÇáäÞÏ ÇáÇÏÈí (13-14)
ÇáäÞÏ ÇáÇÏÈí áayosha ã13
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11507





ßæíÒÇÊ ãÍÇÖÑÉ 14

ÇáäÞÏ ÇáÇÏÈí (13-14)


ÇáäÞÏ ÇáÇÏÈí áayosha ã14
http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11466



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ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
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