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E7 English Literature Students level seven Forum |
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ÃÏæÇÊ ÇáãæÖæÚ |
2017- 11- 17 | #21 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
ÇáãÍÇÖÑÉ ÇáÊÇÓÚÉ
Òí ÈÞíå ÇáãÍÇÖÑÇÊ ÊÊßáã Úä ÔÎÕíÇÊ Ýí ÇáÍÑßÉ ÇáÈíäíÉ--Structuralism " " ÐßÑäÇ æÇÍÏ ãäåã Ýí ÇáãÍÇÖÑå ÇáÓÇÈÞÉ æÇäÌÇÒÇÊå,,,,æåæ ÌíäíÊ ......åÇáãÍÇÖÑÉ ÊÊßáã Úä 1. Roland Barthes: ÕÇÍÈ__,,“The Death of the Author” In Literary Studies Ýí ÇáÏÑÇÓÇÊ ÇáÇÏÈíÉ Structuralism is interested in the conventions and the structures of the literary work. ÇáÈäíæíå ÇåÊã ÈÇáÊÞÇáíÏ æåíßíáíå ÇáÚãá ---------------------------------- According to Roland Barthes, it is language that speaks and not the author who no longer determines meaning. Consequences: We no longer talk about works but texts. ÈÇáäÓÈå áÑæáÇä ÈÇÑÊ Çä ÇááÛÉ åí ÇáÊí ÊÊÍÏË æáíÓ ÇáãÄáÝ ÈãÚäì ÇääÇ áä äÊÍÏË Úä ÇáÇÚãÇá...Èá ÓäÊÍÏË Úä ÇáäÕæÕ ----------------------------------------------------- The birth of the reader has a cost: the death of the Author. æáÇÏÉ ÇáÞÇÑìÁ ßáÝÊ ãæÊ ÇáãÄáÝ ------------------------------------------------------- áãä ÑÇÌÚÊ ÇáÇÓÆáÉ Ýí ÇÔíÇÁ ãÍØæØÉ ãä åÇáãÍÇÖÑÉ æáÇßä ãæ ßËíÑÉ ã íÊÚÏì ÓÄÇáíä...ÝáÊÚÑÝæÇ ÈÔßá ÇÌãÇáí Úä ÇáÔÎÕíÇÊ æÇíÔ ÇÓÆáÊåÇ ÈÓ ÊÞÑÄæÇ åÇáãÚáæãÇÊ Çááí ÇäÇ ÈÚÊÈÑåÇ ÑÄÓ ÇÞáÇã..ÇÑÌÚæÇ ááÇÓÆáÉ.. Çááí ÈÍÇæá ÇßÊÈå åäÇ Çäå íßÝíßã æíÛäíßã Úä ÇáÑÌæÚ ááãÍÊæì áÊÈÓØ ÇáÇãæÑ ÚäÏßã ............................. ÝÇáÔÎÕíÇÊ ßá Çááí ÇÞÏÑ ÇÓæíå ÇÐßÑ äÞÇØå,,æÇáÈÇÞí Úáíßã :love 080: |
ÇáÊÚÏíá ÇáÃÎíÑ Êã ÈæÇÓØÉ %ÍææÑ% ; 2017- 11- 17 ÇáÓÇÚÉ 02:01 AM |
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2017- 11- 17 | #22 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
ÇáãÍÇÖÑÉ 10
1. Michel FoucaultÕÇÍÈ : “What is an Author?” ÊÚÑíÝ æÙíÝÉ ÇáãÄáÝ: Çäå ãÌãæÚå ãä ÇáãÚÊÞÏÇÊ æÇáÇÝÊÑÇÖÇÊ ÇáÊí:ÊäÊÌ...ÊÊÏÇæá...æÊÕäÝ..æÊÓÊåáß ÇáäÕæÕ "author function" is more like a set of beliefs or assumptions governing the production, circulation, classification and consumption of texts. (ÌÇ ÓÄÇá Úáíå ÓÇÈÞÇ) .................................................. . ÇáãÍÇÖÑÉ 11 Greimas: The Actantial Model ÞÑíãÇÓ: ÕÇÍÈ Actantial Model ãÇåí¿¿Actantial Model¿¿ ÇÏÇÉ áÊÍáíá Çí Úãá ÍÞíÞí æÊÔãá ÌãíÚ ÇáÇÚãÇá ÇáÇÏÈíÉ actantial model is a tool that can theoretically be used to analyze any real or thematized action for all literature (ÌÇ ÓÄÇá ÚáíåÇ ÞÈá ÞÓãÊ Actantial Model Çáì 6 ÇÞÓÇã æÞÓãÊ åÇáActantial Model 6 Çáì 3 ÊÚÇÑÖÇÊAxes The axis of desire - Subject – Object The axis of transmission – Sender – Receiver The axis of power – Helper – Opponent .................................................. ................... ÇáãÍÇÖÑÉ 12 Poststructuralism ãÇÈÚÏ ÇáÈäíæíÉ åÐßÑ ßá ÇáãÍÇÖÑÉ Úáì Ôßá äÞÇØ *åí ÝáÓÝÉ ÝÑäÓíÉ ááÞÑä ÇáÚÔÑíä outcome of Twentieth-century French philosophy *ÊåÊã ÈÇáËÞÇÝÉ æÇáÊÇÑíÎ æÇäå ÌÒÁ ãåã ãä ÇáãÚäì sees culture and history as integral to meaning *åí ËæÑÉ ÖÏ ÇáÈäíæíÉ ‘rebellion against’ structuralism *logo-centrism was develop by: Poststructuralism ãåã ÌÇ Ýí ÇÎÊÈÇÑÇÊ ÓÇÈÞÉ *ÇåÊãÊ ÈÏÑÇÓÉ ßíÝ ÊäÊÌ ÇáãÚÑÝÉ study of how knowledge is produced *ÑÝÖÊ Çä ÝßÑÉ ÇáäÕ Êßæä ãÝÑÏÉ ÈÇáåÏÝ Çæ ÇáãÚäì Çæ ÇáæÌæÏ Rejects the idea of a literary text having one purpose, one meaning or one singular existence - *ÈÏáæ ÇáßÇÊÈ (ÇáãÄáÝ)æÌÚáæ ÇáÞÇÑÆ åæ ÇáãÍæÑ ÇáÇÓÇÓí æÇáãæÖæÚ ÇáÑÆíÓí Poststructuralism displaces the writer/author and make the reader the primary subject of inquiry *ÊÑÝÖ åíßáÉ ËÇÈÊÉ ááäÕ rejects that there is a consistent structure to texts |
2017- 11- 17 | #23 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
ÇáãÍÇÖÑÉ 10
1. Michel FoucaultÕÇÍÈ : “What is an Author?” ÊÚÑíÝ æÙíÝÉ ÇáãÄáÝ: Çäå ãÌãæÚå ãä ÇáãÚÊÞÏÇÊ æÇáÇÝÊÑÇÖÇÊ ÇáÊí:ÊäÊÌ...ÊÊÏÇæá...æÊÕäÝ..æÊÓÊåáß ÇáäÕæÕ "author function" is more like a set of beliefs or assumptions governing the production, circulation, classification and consumption of texts. (ÌÇ ÓÄÇá Úáíå ÓÇÈÞÇ) .................................................. . ÇáãÍÇÖÑÉ 11 Greimas: The Actantial Model ÞÑíãÇÓ: ÕÇÍÈ Actantial Model ãÇåí¿¿Actantial Model¿¿ ÇÏÇÉ áÊÍáíá Çí Úãá ÍÞíÞí æÊÔãá ÌãíÚ ÇáÇÚãÇá ÇáÇÏÈíÉ actantial model is a tool that can theoretically be used to analyze any real or thematized action for all literature (ÌÇ ÓÄÇá ÚáíåÇ ÞÈá ÞÓãÊ Actantial Model Çáì 6 ÇÞÓÇã æÞÓãÊ åÇáActantial Model 6 Çáì 3 ÊÚÇÑÖÇÊAxes The axis of desire - Subject – Object The axis of transmission – Sender – Receiver The axis of power – Helper – Opponent .................................................. ................... ÇáãÍÇÖÑÉ 12 Poststructuralism ãÇÈÚÏ ÇáÈäíæíÉ åÐßÑ ßá ÇáãÍÇÖÑÉ Úáì Ôßá äÞÇØ *åí ÝáÓÝÉ ÝÑäÓíÉ ááÞÑä ÇáÚÔÑíä outcome of Twentieth-century French philosophy *ÊåÊã ÈÇáËÞÇÝÉ æÇáÊÇÑíÎ æÇäå ÌÒÁ ãåã ãä ÇáãÚäì sees culture and history as integral to meaning *åí ËæÑÉ ÖÏ ÇáÈäíæíÉ ‘rebellion against’ structuralism *logo-centrism was develop by: Poststructuralism ãåã ÌÇ Ýí ÇÎÊÈÇÑÇÊ ÓÇÈÞÉ *ÇåÊãÊ ÈÏÑÇÓÉ ßíÝ ÊäÊÌ ÇáãÚÑÝÉ study of how knowledge is produced *ÑÝÖÊ Çä ÝßÑÉ ÇáäÕ Êßæä ãÝÑÏÉ ÈÇáåÏÝ Çæ ÇáãÚäì Çæ ÇáæÌæÏ Rejects the idea of a literary text having one purpose, one meaning or one singular existence - *ÈÏáæ ÇáßÇÊÈ (ÇáãÄáÝ)æÌÚáæ ÇáÞÇÑÆ åæ ÇáãÍæÑ ÇáÇÓÇÓí æÇáãæÖæÚ ÇáÑÆíÓí Poststructuralism displaces the writer/author and make the reader the primary subject of inquiry *ÊÑÝÖ åíßáÉ ËÇÈÊÉ ááäÕ rejects that there is a consistent structure to texts |
2017- 11- 17 | #24 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
ÇáãÍÇÖÑÉ 13
Jacques Derrida Post-structuralism is a European-based theoretical movement that departs from structuralist methods of analysis. ÇáÍÑßÉ Çááí ãÇÈÚÏ ÇáÈäíæíÉ åí ÍÑßÉ ÇæÑæÈíÉÞÇãÊ Úáì ÇáÇÈÊÚÇÏ Úä ÇáÊÍáíá Çáåíßáí æ ÇáÈäíæí...íÚäí ÖÏ ÇáÍÑßÊíä Çááí ãä ÞÈá ÇÎÐäÇåã Çåã ÇáÇÓãÇÁ ÝíåÇ Jacques Lacan (psychoanalysis) ÊÍáÓá äÝÓí Michel Foucault (history ÊÇÑíÎ æÇááí åæ ãÍæÑ ãÍÇÖÑÊäÇ Jacques Derrida (philosophy Ýí ÇáÝáÓÝÉ ãÇåí ÇááÛÉ ÚäÏ Derrida language is unreliable ÇááÛÉ ÛíÑ æÇÞÚíÉ æáÇ íãßä ÇáÇÚÊãÇÏ ÚáíåÇ æÐßÑ ÇíÖÇ There is no pre-discursive reality. Every reality is shaped and accessed by a discourse. Çäå áÇ íæÌÏ æÇÞÚ ÞÈá ÇáÎØÇÈí,,,æÇä ßá ÇáæÞÇÆÚ ÊÊÔßá æÊÊßæä ÈÇáßáÇã... ((ãåã ÌÇ Ýí ÇáÇÎÊÈÇÑ ÓÇÈÞÇ .................................................. ........ ÇáãÍÇÖÑÉ14 Marxist Literary Criticism ÇáäÞÏ ÇáÇÏÈí ÇáãÇÑßÓí Karl Marx *born 1818 in Rhineland. æõáÏ ßÇÑá ãÇÑßÓ ÚÇã 1818 Ý ÑÇíäñáÇäÏ *Known as “The Father of Communism.” ÚõÑÝ ßÃÈ ÇáÔøíæõñÚíÉøñ *Marx died in 1883 ãÇÊ Ýí 1883 ------------------------------------------------------- Base-Superstructure ãä Çåã ÇÝßÇÑ ãÇÑßÓ The Base: The material conditions of life, economic relations, labor, capita ÇáÞÇÚÏÉ:åí ÇáÇáÙÑæÝ ÇáãÇÏíÉ ÈÇáÍíÇÉ..ÇáÇÞÊÕÇÏ..ÇáÚáÇÇÞÇÊ The Superstructure: This is what today is called ideology ÇáÝæÞíÉ:åí ÇáÇíÏæáæÌí ------------------------------------- ÞÇá ãÇÑßÓ ÈÃä ÇáÙÑæÝ ÇáãÇÏíÉ åí ÇáÊí ÊÍÏÏ ÖãÇÆÑ ÇáäÇÓ Marx said that it is people’s material conditions that determines their consciousness ãåã ÌÇ Ýí ÇÎÊÈÇÑ ÓÇÈÞ ------------------------------------------------------------- Marx and Engels were political philosophers ãÇÑßÓ æÇäÞáÒ ßÇäæ ÝáÇÓÝÉ ÓíÇÓííä ãåã ÌÇ Ýí ÇÎÊÈÇÑ ÓÇÈÞ ------------------------------------------------------------ ãä ÇÝßÇÑ ãÇÑßÓ: ÈÇäå áÇíãßä Ýåã ÇáÇÏÈ ãä (ÑæÇíÇÊ æãÓÑÍíÇÊ) ÎÇÑÌ ÇáÙÑæÝ ÇáÇÌÊãÇÚíÉ æÇáÇÞÊÕÇÏíÉ æÇáÚáÇÞÇÊ æÇáÇíÏáæÌíÇÊ Literary products (novels, plays, etc) cannot be understood outside of the economic conditions, class relations and ideologies of their time. ãåã ÌÇ Ýí ÇÎÊÈÇÑ ÓÇÈÞ -------------------------------------------------------------- .............................Êã ÈÍãÏ Çááå .................................................. .. |
ÇáÊÚÏíá ÇáÃÎíÑ Êã ÈæÇÓØÉ %ÍææÑ% ; 2017- 11- 17 ÇáÓÇÚÉ 02:20 AM |
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2017- 11- 17 | #25 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
ÊÌãÚ ßÇÑíÒãÜÇ.. ÌÏÇð ããíÒ
https://vb.ckfu.org/t739205.html |
2017- 11- 17 | #26 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
íÇáíÊ ÇÐÇ ÚäÏßã ãáÝ áÇÓÆáÉ ÇáÇÎÊÈÇÑÇÊ æãÊÇßÏíä ãä ÕÍÊåÇ ÊäÒáæäåÇ
áÇä ÓãÚÊ Çä ÝíÉ ÇÎØÇÁ Ýí ÈÚÖ ÇáÇÓÆáÉ |
ÇáÊÚÏíá ÇáÃÎíÑ Êã ÈæÇÓØÉ %ÍææÑ% ; 2017- 11- 17 ÇáÓÇÚÉ 03:35 AM |
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2017- 11- 17 | #27 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
ßæíÒÇÊ ÚáÔÇä ÊËÈÊ ÇáãÚáæãÇÊ
Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#1 # # [ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) - lecture 1 [ ßæíÒ ] :ÇáãÍÇÖÑÉ ÇáÇæáì - ÇáäÞÏ ÇáÇÏÈí / ÇÓÆáÉ ÇÈæ ÈßÑ ßæíÒÇÊ ÇáãÍÇÖÑÉ ( 2 ) Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#2 [ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) -lecture 2 [ ßæíÒ ] : ÇáãÍÇÖÑÉ ÇáËÇäíÉ - ÇáäÞÏ ÇáÇÏÈí / ÇÓÆáÉ ÇÈæ ÈßÑ ÇáäÞÏ ÇáÇÏÈí áayosha ã2 part1 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11453 ÇáäÞÏ ÇáÇÏÈí áayosha ã2 part2 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11447 ÇáßæíÒÇÊ ááãÍÇÖÑÉ (3 ) Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#3 [ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) - lecture3 (ÇáÌÒÁ ÇáÃæá ) [ ßæíÒ ] :Literary Criticism and Theory(ÇáäÞÏ ÇáÃÏÈí ) - lecture3 (ÇáÌÒÁ ÇáËÇäí ) ÇáäÞÏ ÇáÇÏÈí áayosha ã3 part1 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11454 ÇáäÞÏ ÇáÇÏÈí áayosha ã3 part2 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11457 ÇáäÞÏ ÇáÇÏÈí áayosha ã3 part3 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11458 ÇáäÞÏ ÇáÇÏÈí (1-3) ÇáäÞÏ ÇáÇÏÈí áayosha ã4 part1 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11462 ÇáäÞÏ ÇáÇÏÈí áayosha ã4 part2 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11464 Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#4 ÇáßæíÒÇÊ ááãÍÇÖÑÉ ( 5 ) Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#5 [ ßæíÒ ] :ÇáäÞÏ ÇáÇÏÈí (4-5) ÇáäÞÏ ÇáÇÏÈí áayosha ã5 part1 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11511 ÇáäÞÏ ÇáÇÏÈí áayosha ã5 part2 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11512 ÇáäÞÏ ÇáÇÏÈí áayosha ã5 part3 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11513 ßæíÒÇÊ ãÍÇÖÑÉ ( 6 ) Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#6 ÇáäÞÏ ÇáÇÏÈí (6-7) ÇáäÞÏ ÇáÇÏÈí áayosha ã6 part1 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11509 ÇáäÞÏ ÇáÇÏÈí áayosha ã6 part2 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11510 Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#7 ÇáäÞÏ ÇáÇÏÈí áayosha ã7 part1 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11506 ÇáäÞÏ ÇáÇÏÈí áayosha ã7 part2 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11504 ßæíÒÇÊ ãÍÇÖÑÉ 8 Literary Criticism (ÃÓÆáÉ ÔÇãáå ááãäåÌ )#8 ÇáäÞÏ ÇáÇÏÈí- ÇáãÍÇÖÑÉ ÇáËÇãäÉ ÇáäÞÏ ÇáÇÏÈí áayosha ã8 part1 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11501 ÇáäÞÏ ÇáÇÏÈí áayosha ã8 part2 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11502 ßæíÒÇÊ ãÍÇÖÑÉ 9 [ ßæíÒ ] :ÇáäÞÏ ÇáÇÏÈí (9-10) ÇáäÞÏ ÇáÇÏÈí áayosha ã9 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11470 ßæíÒÇÊ ãÍÇÖÑÉ 10 [ ßæíÒ ] :ÇáäÞÏ ÇáÇÏÈí (9-10) ÇáäÞÏ ÇáÇÏÈí áayosha ã10 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11469 ßæíÒÇÊ ãÍÇÖÑÉ 11 ÇáäÞÏ ÇáÇÏÈí (11 -12 ) ÇáäÞÏ ÇáÇÏÈí áayosha ã11 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11468 ßæíÒÇÊ ãÍÇÖÑÉ 12 ÇáäÞÏ ÇáÇÏÈí (11 -12 ) ÇáäÞÏ ÇáÇÏÈí áayosha ã12 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11467 ßæíÒÇÊ ãÍÇÖÑÉ 13 ÇáäÞÏ ÇáÇÏÈí (13-14) ÇáäÞÏ ÇáÇÏÈí áayosha ã13 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11507 ßæíÒÇÊ ãÍÇÖÑÉ 14 ÇáäÞÏ ÇáÇÏÈí (13-14) ÇáäÞÏ ÇáÇÏÈí áayosha ã14 http://www.ckfu.org/vb/quiz.php?do=take&quiz_id=11466 . ÇÓÆáÉ ÇÎÊÈÇÑ ÇáäÞÏ ÇáÇÏÈí ÇáÝÕá ÇáÇæá 1435 æåí äÝÓÇ Çáí ÊßÑÑÊ ÇáÓãÓÊÑ Çáí ÑÇÍ 1437 ÇáÝÕá ÇáÇæá ßæíÒ ÇÓÆáÉ ÇÎÊÈÇÑ ÇáäÞÏ ÇáÇÏÈí ÇáÝÕá ÇáÇæá 1435 - ãáÊÞì ØáÇÈ æØÇáÈÇÊ ÌÇãÚÉ Çáãáß ÝíÕá,ÌÇãÚÉ ÇáÏãÇã åÐÇ 19 åÐÇ 24 ÇáãáÝÇÊ ÇáãÑÝÞÉ |
2017- 11- 17 | #28 |
ãõÊãíÒÉ ÈÇáãÓÊæì E7
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
íÚØíß ÇáÚÇÝíÉ ÍæÑ
Çááå íÓÚÏß íÇÇÇÇ ÑÈ |
2017- 11- 17 | #29 |
ÃßÜÇÏíÜãÜí ÐåÜÈÜí
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
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2017- 11- 18 | #30 |
ãõÊãíÒÉ ÈÇáãÓÊæì E7
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ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí
ÔÑÍ æÊáÎíÕ ÇáäÞÏ ÇáÃÏÈí Dody cool
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[ ãÐÇßÑÉ ÌãÇÚíÉ ] : ÇáäÞÏ ÇáÃÏÈí | æáíÇã íÇã | E7 | 2 | 2017- 8- 16 10:35 AM |
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