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[A&A]

المحاضره من ١١الى١٤ كلها وصف للسيناريو والحوار على الستيج
يعني كأنكم تتابعون المسرحيه امامكم
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ضحى دام ان قالهم انها معاده

اكيد ماله لزوم نذاكرها

والا وش رايك ؟؟

[ضحى.]

بسم الله,,

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المحاضره من ١١الى١٤ كلها وصف للسيناريو والحوار على الستيج
يعني كأنكم تتابعون المسرحيه امامكم
بس كلللها دشششش

طيب شفتي فيها شي مهم

والا كلها معلومات مكرره

[موفق]

Important Quotations Explained

1. One day I might, yes. Many years from now, when I’ve lost my looks a little. Don’t laugh. I mean, of course, a time will come when Torvald is not as devoted to me, not quite so happy when I dance for him, and dress for him, and play with him.

Explanation for Quotation 1 >>
In this quotation from Act One, Nora describes to Mrs. Linde the circumstances under which she would consider telling Torvald about the secret loan she took in order to save his life. Her claim that she might consider telling him when she gets older and loses her attractiveness is important because it shows that Nora has a sense of the true nature of her marriage, even as early as Act One. She recognizes that Torvald’s affection is based largely on her appearance, and she knows that when her looks fade, it is likely that Torvald’s interest in her will fade as well. Her suggestion that in the future she may need something to hold over Torvald in order to retain his faithfulness and devotion to her reveals that Nora is not as naïve as she pretends to be. She has an insightful, intelligent, and manipulative side that acknowledges, if only in a small way, the troubling reality of her existence.
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2. Free. To be free, absolutely free. To spend time playing with the children. To have a clean, beautiful house, the way Torvald likes it.

Explanation for Quotation 2 >>
In this quotation from her conversation with Mrs. Linde in Act One, Nora claims that she will be “free” after the New Year—after she has paid off her debt to Krogstad. While describing her anticipated freedom, Nora highlights the very factors that constrain her. She claims that freedom will give her time to be a mother and a traditional wife who maintains a beautiful home, as her husband likes it. But the message of the play is that Nora cannot find true freedom in this traditional domestic realm. As the play continues, Nora becomes increasingly aware that she must change her life to find true freedom, and her understanding of the word “free” evolves accordingly. By the end of the play, she sees that freedom entails independence from societal constraints and the ability to explore her own personality, goals, and beliefs.
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3. Something glorious is going to happen.

Explanation for Quotation 3 >>
Nora speaks these prophetic-sounding words to Mrs. Linde toward the end of Act Two as she tells her about what will happen when Torvald reads Krogstad’s letter detailing Nora’s secret loan and forgery. The meaning of Nora’s statement remains obscure until Act Three, when Nora reveals the nature of the “glorious” happening that she anticipates. She believes that when Torvald learns of the forgery and Krogstad’s blackmail, Torvald will take all the blame on himself and gloriously sacrifice his reputation in order to protect her. When Torvald eventually indicates that he will not shoulder the blame for Nora, Nora’s faith in him is shattered. Once the illusion of Torvald’s nobility is crushed, Nora’s other illusions about her married life are crushed as well, and her disappointment with Torvald triggers her awakening.
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4. From now on, forget happiness. Now it’s just about saving the remains, the wreckage, the appearance.

Explanation for Quotation 4 >>
Torvald speaks these words in Act Three after learning of Nora’s forgery and Krogstad’s ability to expose her. Torvald’s conversations with Nora have already made it clear that he is primarily attracted to Nora for her beauty and that he takes personal pride in the good looks of his wife. He has also shown himself to be obsessed with appearing dignified and respectable to his colleagues. Torvald’s reaction to Krogstad’s letter solidifies his characterization as a shallow man concerned first and foremost with appearances. Here, he states explicitly that the appearance of happiness is far more important to him than happiness itself.
These words are important also because they constitute Torvald’s actual reaction to Nora’s crime, in contrast to the gallant reaction that she expects. Rather than sacrifice his own reputation for Nora’s, Torvald seeks to ensure that his reputation remains unsullied. His desire to hide—rather than to take responsibility—for Nora’s forgery proves Torvald to be the opposite of the strong, noble man that he purports himself to be before Nora and society.
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5. I have been performing tricks for you, Torvald. That’s how I’ve survived. You wanted it like that. You and Papa have done me a great wrong. It’s because of you I’ve made nothing of my life.

Explanation for Quotation 5 >>
Nora speaks these words, which express the truth that she has gleaned about her marriage, Torvald’s character, and her life in general, to Torvald at the end of Act Three. She recognizes that her life has been largely a performance. She has acted the part of the happy, child-like wife for Torvald and, before that, she acted the part of the happy, child-like daughter for her father. She now sees that her father and Torvald compelled her to behave in a certain way and understands it to be “great wrong” that stunted her development as an adult and as a human being. She has made “nothing” of her life because she has existed only to please men. Following this -realization, Nora leaves Torvald in order to make something of her life and—for the first time—to exist as a person independent of other people.

[ضحى.]

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ضحى دام ان قالهم انها معاده

اكيد ماله لزوم نذاكرها

والا وش رايك ؟؟

بما ان المحاضرات المسجله وحده والدكتور نفسه اتوقع ان الكلام ينطبق علينا حنا كمان,,

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ضحى

[موفق]

full title · A Doll’s House
author · Henrik Ibsen
type of work · Play
genre · Realistic, modern prose drama
language · Norwegian
time and place written · 1879, Rome and Amalfi, Italy
date of first publication · 1879
tone · Serious, intense, somber
setting (time) · Presumably around the late 1870s
setting (place) · Norway
protagonist · Nora Helmer
major conflict · Nora’s struggle with Krogstad, who threatens to tell her husband about her past crime, incites Nora’s journey of self-discovery and provides much of the play’s dramatic suspense. Nora’s primary struggle, however, is against the selfish, stifling, and oppressive attitudes of her husband, Torvald, and of the society that he represents.
rising action · Nora’s first conversation with Mrs. Linde; Krogstad’s visit and blackmailing of Nora; Krogstad’s delivery of the letter that later exposes Nora.
climax · Torvald reads Krogstad’s letter and erupts angrily.
falling action · Nora’s realization that Torvald is devoted not to her but to the idea of her as someone who depends on him; her decision to abandon him to find independence.
themes · The sacrificial role of women; parental and filial obligations; the unreliability of appearances
motifs · Nora’s definition of freedom; letters
symbols · The Christmas tree; New Year’s Day
foreshadowing · Nora’s eating of macaroons against Torvald’s wishes foreshadows her later rebellion against Torvald.

[ضحى.]

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ضحى

اييييييييش؟؟؟

[موفق]

في المحاضرات الاخيرة الدكتور يقول بيجيب مقطع واسال مين القائل لا احد يقول مش مهمه