:: هــنــا مــــراجـــعـــة آلـروآيــةة آلحــديثــه للآختبآر النهآإئـي ::

[AL-HARBI ' e ']

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نسيت اقولكم ترا هذي فوكاب Vocabulary

[m4me]

Charlie Marlow
Marlow is a British seaman whose obsession with Africa brings him into the interior on the Company’s steamboat. Marlow and KurtzMarlow’s feelings on the mysterious Mr. Kurtz go through several...
Mr. Kurtz
Kurtz and AmbitionMr. Kurtz is a star agent of the Company who works in true ivory country, deep in the interior of Africa. Everyone who knows Kurtz (even his fiancée, who doesn’t know h...
The Manager
The manager is a mediocre fellow within the Company, situated at the Central Station. In appearance, he is unremarkable, except for his cold blue eyes and vacuous smile. That expression gives Marlo...
The Brickmaker
The brickmaker is another rather useless worker in the crew at Central Station. Despite his name, he does little to fulfill his title. This obvious idleness is one of the reasons Marlow – a m...
The Harlequin
The harlequin is a Russian man who helps Kurtz and is considered his "disciple." He dresses in colorful *****ed clothing, which earns him his nickname of – yes, you got it – the harlequin. He w...
The Intended
The Intended is Kurtz’s fiancée who stays in Belgium while Kurtz travels to the African interior to make his fortune. She is beautiful and often connected with imagery of light and heaven. As M

[m4me]

Character List
Marlow - The protagonist of Heart of Darkness. Marlow is philosophical, independent-minded, and generally skeptical of those around him. He is also a master storyteller, eloquent and able to draw his listeners into his tale. Although Marlow shares many of his fellow Europeans’ prejudices, he has seen enough of the world and has encountered enough debased white men to make him skeptical of imperialism.
Kurtz - The chief of the Inner Station and the object of Marlow’s quest. Kurtz is a man of many talents—we learn, among other things, that he is a gifted musician and a fine painter—the chief of which are his charisma and his ability to lead men. Kurtz is a man who understands the power of words, and his writings are marked by an eloquence that obscures their horrifying message. Although he remains an enigma even to Marlow, Kurtz clearly exerts a powerful influence on the people in his life. His downfall seems to be a result of his willingness to ignore the hypocritical rules that govern European colonial conduct: Kurtz has “kicked himself loose of the earth” by fraternizing excessively with the natives and not keeping up appearances; in so doing, he has become wildly successful but has also incurred the wrath of his fellow white men.
General manager - The chief agent of the Company in its African territory, who runs the Central Station. He owes his success to a hardy constitution that allows him to outlive all his competitors. He is average in appearance and unremarkable in abilities, but he possesses a strange capacity to produce uneasiness in those around him, keeping everyone sufficiently unsettled for him to exert his control over them.
Brickmaker - The brickmaker, whom Marlow also meets at the Central Station, is a favorite of the manager and seems to be a kind of corporate spy. He never actually produces any bricks, as he is supposedly waiting for some essential element that is never delivered. He is petty and conniving and assumes that other people are too.
Chief accountant - An efficient worker with an incredible habit of dressing up in spotless whites and keeping himself absolutely tidy despite the squalor and heat of the Outer Station, where he lives and works. He is one of the few colonials who seems to have accomplished anything: he has trained a native woman to care for his wardrobe.
Pilgrims - The bumbling, greedy agents of the Central Station. They carry long wooden staves with them everywhere, reminding Marlow of traditional religious travelers. They all want to be appointed to a station so that they can trade for ivory and earn a commission, but none of them actually takes any effective steps toward achieving this goal. They are obsessed with keeping up a veneer of civilization and proper conduct, and are motivated entirely by self-interest. They hate the natives and treat them like animals, although in their greed and ridiculousness they appear less than human themselves.
Cannibals - Natives hired as the crew of the steamer, a surprisingly reasonable and well-tempered bunch. Marlow respects their restraint and their calm acceptance of adversity. The leader of the group, in particular, seems to be intelligent and capable of ironic reflection upon his situation.
Russian trader - A Russian sailor who has gone into the African interior as the trading representative of a Dutch company. He is boyish in appearance and temperament, and seems to exist wholly on the glamour of youth and the audacity of adventurousness. His brightly *****ed clothes remind Marlow of a harlequin. He is a devoted disciple of Kurtz’s.
Helmsman - A young man from the coast trained by Marlow’s predecessor to pilot the steamer. He is a serviceable pilot, although Marlow never comes to view him as much more than a mechanical part of the boat. He is killed when the steamer is attacked by natives hiding on the riverbanks.
Kurtz’s African mistress - A fiercely beautiful woman loaded with jewelry who appears on the shore when Marlow’s steamer arrives at and leaves the Inner Station. She seems to exert an undue influence over both Kurtz and the natives around the station, and the Russian trader points her out as someone to fear. Like Kurtz, she is an enigma: she never speaks to Marlow, and he never learns anything more about her.
Kurtz’s Intended - Kurtz’s naïve and long-suffering fiancée, whom Marlow goes to visit after Kurtz’s death. Her unshakable certainty about Kurtz’s love for her reinforces Marlow’s belief that women live in a dream world, well insulated from reality.
Aunt - Marlow’s doting relative, who secures him a position with the Company. She believes firmly in imperialism as a charitable activity that brings civilization and religion to suffering, simple savages. She, too, is an example for Marlow of the naïveté and illusions of women.
The men aboard the Nellie - Marlow’s friends, who are with him aboard a ship on the Thames at the story’s opening. They are the audience for the central story of Heart of Darkness, which Marlow narrates. All have been sailors at one time or another, but all now have important jobs ashore and have settled into middle-class, middle-aged lives. They represent the kind of man Marlow would have likely become had he not gone to Africa: well meaning and moral but ignorant as to a large part of the world beyond England. The narrator in particular seems to be shaken by Marlow’s story. He repeatedly comments on its obscurity and Marlow’s own mysterious nature.
Fresleven - Marlow’s predecessor as captain of the steamer. Fresleven, by all accounts a good-tempered, nonviolent man, was killed in a dispute over some hens, apparently after striking a village chief.

[m4me]

ما أشوفكم مركزين على المقاطع الي قال الدكتور مهمة

ص44 - ص67 - ص72 - ص141 - ص147

[Mr.Literature]

الدكتور ذكر ان النقد مهم جدا

ممكن احد يشرح لنا وش المقصود بالنقد وش ممكن تجي عليه اسئله

[l7n al7yah]

عندي سؤال لحد يظنه غباء او سؤال متأخر

بس جد جد شنو احفظظظظظظظ بالضبظ ؟
الحين مثلا التحليل احفظه ؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟ ولا بس افهم ؟؟؟؟؟؟؟

شنو الحفظ بالرواية ؟
لان جد مو قادرة اخلصها

[الطاير]

اقري اكثر من مره..... سوى اسئله ......لخص اللي تشوفين انه الزبده.........احفظي اللي تشوفين انه يحتاج حفظ

[الطاير]

سوال

who killed fresleven

[Angel human]

المشاركة الأصلية كتبت بواسطة m4me

ما أشوفكم مركزين على المقاطع الي قال الدكتور مهمة

ص44 - ص67 - ص72 - ص141 - ص147

الصفحآت هذي من وين

[3HOOD]

المشاركة الأصلية كتبت بواسطة AL-HARBI ' e '

• oxymoron (apparent contradiction, i.e., calling love “a sweet anguish.”)
• personification (giving human characteristics to a nonhuman object, i.e., “the
laughing brook,” or presenting an abstraction as a person: i.e., Justice as a
blindfolded woman holding a set of scales.)
• synecdoche (substituting a part for a whole, i.e., referring to a hundred ships as “a
hundred sails,” or saying “We have fifteen head of cattle” when you, hopefully,
have the entire animals, not just their heads.)
• metonymy (referring to something in terms of a closely-associated object, i.e., referring to a businessman as “a suit,” or to a king as “the crown,” or a preppy guy as “so J. Crew.”)

يمقن تجي ويمقن لا بس احساسي يقول بتجي منها غصبن عنه

من اي محاضره ؟!