[ اللغة الانجليزية ] : third year english student second term

[ضايعه بالآداب]

بنــــــــــــــــآت الله يعااافيكم اللي راسلت هذا الايميل
just-lectures@hotmail.com



و ردة عليها و ارسلت لها الحل (دراما و شكسبير) تنسخه لنا هنا

الله لاينهينهااااا

[ضايعه بالآداب]

بنـآآت شكسبــير للدكتوره هوماآ

الامتحان رح يكون الاسبوع الثااني يوم السبت

ضح ...؟

[ضايعه بالآداب]

شموخ تكفين لاتسحبـين علي و آرسلي لي حل الكوتيشــنات
كنت بآرســلك عالخـآآض بس ماقدرت لان مشاركاتي قلـيل

مممممممممممدري من وين أذاااااااااااااااااكر ..
عندي الملازم اللي نزلتها الدكتوره بالكوبي سنتر فقققققققط

شسوي .؟

[ضايعه بالآداب]

وووووووووووووينــــــــككككـم





:bawl ing:

[لارا]

المشاركة الأصلية كتبت بواسطة ضايعه بالآداب

بنـآآت شكسبــير للدكتوره هوماآ

الامتحان رح يكون الاسبوع الثااني يوم السبت

ضح ...؟

اي بحسب الأيميل اللي ردت عليه لنا الأمتحان ثاني اسبوع وكله كوتيشن

humaadnan19@hotmail.com

[لاتغرك ضحكتي]

المشاركة الأصلية كتبت بواسطة honey eyes

خلاص أنتي الحين لاتضيعين وقتك عليه
أستني ليما تنزل الملازم وخذي بعد من أوراق منى حشيش يمكن فيها شي مفيد
وأنتي تذاكرين بنفس الوقت
أشري ع المهم واللي ينفع أنك تكتبيه وبعد الأمتحان أكيد بتكوني فاهمة أكثر
اكتبيه ع طول
باقي عندك وقت ليوم الأربعاء

ثيييييييييييينك يوووووووووو قددد الدووونياااااااا
كلامك ريحني الله يريح بالك
صدق ماعندي وقت اضيعه
عندي اختبار شكسبير يوم السبت

[لاتغرك ضحكتي]

المشاركة الأصلية كتبت بواسطة Maybe Not

لآ ..
قآلت بجيب سؤال وااحد فقط مو أوبشن ..
ممكن يكون مقـآلي وممكن يكون كوتيشن ..
لآن الأسئله محدوده ع قولهـآ ..
آلله يعييين ..
ويوفق الجمييع ..

حبيبتي يا ليت تتأكدين من صحة هالكلام
لان اللي اعرفه و من مصدر موثوق انها بتجيب سؤالين
واحد مقالي و الثاني كوتيشن وصح زي ما قلتي مافيه اوبشنز
بس سؤالييين مو واحد مستحيييييل

[لغه الزهور]

هذا حل الكوتيشنز دعواتكم ان ربي يحقق لي امنياتي




Quotation 1
act 1- scene II

HAMLET
Oh, that this too, too sullied flesh would melt,
Thaw, and resolve itself into a dew,
Or that the Everlasting had not fixed
His canon 'gainst self-slaughter! O God, God!
How weary, stale, flat, and unprofitable
Seem to me all the uses of this world!
Fie on ’t, ah fie! 'Tis an unweeded garden
That grows to seed. Things rank and gross in nature
Possess it merely. That it should come to this.
But two months dead—nay, not so much, not two.
So excellent a king, that was to this
Hyperion to a satyr. So loving to my mother
HAMLET
Ah, I wish my dirty flesh could melt away into a vapor, or that God had not made a law against suicide. Oh God, God! How tired, stale, and pointless life is to me. Damn it! It’s like a garden that no one’s taking care of, and that’s growing wild. Only nasty weeds grow in it now. I can’t believe it’s come to this. My father’s only been dead for two months—no, not even two. Such an excellent king, as superior to my uncle as a god is to a beast, and so loving toward my mother that he kept the wind from blowing too hard on her face.
That he might not beteem the winds of heaven
Visit her face too roughly.—Heaven and earth,
Must I remember? Why, she would hang on him
As if increase of appetite had grown
By what it fed on, and yet, within a month—
Let me not think on ’t. Frailty, thy name is woman!—
A little month, or ere those shoes were old
With which she followed my poor father’s body,
Like Niobe, all tears. Why she, even she—
O God, a beast that wants discourse of reason
Would have mourned longer!—married with my uncle,
My father’s brother, but no more like my father
Than I to Hercules. Within a month,
Ere yet the salt of most unrighteous tears
Had left the flushing in her gallèd eyes,
She married. O most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good,
But break, my heart, for I must hold my tongue.
Oh God, do I have to remember that? She would hang on to him, and the more she was with him the more she wanted to be with him; she couldn’t get enough of him. Yet even so, within a month of my father’s death (I don’t even want to think about it. Oh women! You are so weak!), even before she had broken in the shoes she wore to his funeral, crying like crazy—even an animal would have mourned its mate longer than she did!—there she was marrying my uncle, my father’s brother, who’s about as much like my father as I’m like Hercules. Less than a month after my father’s death, even before the tears on her cheeks had dried, she remarried. Oh, so quick to jump into a bed of incest! That’s not good, and no good can come of it either. But my heart must break in silence, since I can’t mention my feelings aloud.

These lines are taken from Hamlet . This quotation, Hamlet’s first important soliloquy, occurs in Act I, scene ii (129–158). A soliloquy is an extended speech, directed to the audience rather than to other characters, in which the speaker explores their thoughts and feelings. Authors use various literary elements to give insight into the mental
composition of their characters. In Shakespeare's “Hamlet, Prince of Denmark,”
we can trace Hamlet's mental process through his soliloquies
Hamlet speaks these lines after enduring the unpleasant scene at Claudius and Gertrude’s court, then being asked by his mother and stepfather not to return to his studies at Wittenberg but to remain in Denmark, apparently against his wishes. Here, Hamlet thinks for the first time about suicide. suicide seems like a desirable alternative to life in a painful world, but Hamlet feels that the option of suicide is closed to him because it is forbidden by religion. Hamlet then goes on to describe the causes of his pain, specifically his intense disgust at his mother’s marriage to Claudius. He describes the haste of their marriage, noting that the shoes his mother wore to his father’s funeral were not worn out before her marriage to Claudius. He compares Claudius to his father (his father was “so excellent a king” while Claudius is a foul “satyr”). As he runs through his description of their marriage, he touches upon the important motifs of misogyny and the ominous omen the marriage represents for Denmark.
Elizabethan dramatists like William Shakespeare imitated the classical dramatists in creating explicit drama which involves several asides and soliloquies. Both the classical and the Elizabethans like to feed the audience with all information and to make sure that the character’s thoughts are not hidden from them.
He says that the animal that wants discourse of reason would have mourned longer. She is less than an animal. He despises his mother. He is very upset of her. He mocked her. He says that in that Great Chain of being, she does not fit to belong to man; she is less than a beast.
He ridicules his uncle also. He says that he is nothing if he is compared to his late father.
He says that she stopped crying over his late father very quickly.
So, he cannot tell them what he thinks of. He cannot go to his mother and tell her that he despises her; he tries to hold his tongue. He notices that it is improper to go to his mother and tell her these words. He cannot confront her and he cannot confront his uncle but he sees that what he has done is a religious crime; incest, and at the same time it is illegal crime because he rose to power while it is his right. It is the right of crown prince to rise to power. So, this soliloquy is important because it shows the inner conflict of Hamlet.

Hamlet's first soliloquy reveals him to be thoroughly disgusted with
Gertrude, Claudius, and the world in general. The world seems to him as being weary, stale, flat and unprofitable; He is saddened by the death of his father, who he admired as a king and husband to his mother. His grief over his father's death is compounded by his mother's hasty marriage to Claudius. The worst part is that he can not tell them how he feels.

Quotation 2- act I scene V

Thus was I, sleeping, by a brother’s hand
Of life, of crown, of queen at once dis*****ed,
Cut off even in the blossoms of my sin,

Unhouseled, disappointed, unaneled.

No reckoning made, but sent to my account

With all my imperfections on my head.

Oh, horrible, oh, horrible, most horrible!

If thou hast nature in thee, bear it not.

Let not the royal bed of Denmark be

A couch for luxury and damnèd incest.

But howsoever thou pursuest this act,

Taint not thy mind, nor let thy soul contrive

Against thy mother aught. Leave her to heaven

And to those thorns that in her bosom lodge

To prick and sting her. Fare thee well at once.

The glowworm shows the matin to be near,

And 'gins to pale his uneffectual fire.

Adieu, adieu, adieu. Remember me.

And that’s how my brother robbed me of my life, my crown,
and my queen all at once. He cut me off in the middle of a sinful life.

I had no chance to repent my sins or receive last rites. Oh, it’s horrible, horrible, so horrible! If you are human, don’t stand for it. Don’t let the Danish king’s bed be a nest of incest. But however you go about your revenge, don’t corrupt your mind or do any harm to your mother. Leave her to God and her own guilt. Now, good-bye. The glowworm’s light is beginning to fade, so morning is near. Good-bye, good-bye, good-bye. Remember me.

These lines are quoted from Shakespeare's Hamlet. it is located in act I scene V.
The ghost's first speech to Hamlet reveals Claudius' sin of fratricide . it shows the king's sin of causing disorder in the microcosm and macrocosm. We have the meeting between Hamlet and the ghost= the meeting between Hamlet the father and Hamlet the son.
The first information the ghost gives Hamlet is that it is the ghost of his father. It is going to tell him the complete story. He used to sleep in the garden of the palace. Someone came with the poison. He put the poison in his ear. It was his uncle. He wants him to revenge against his murder. He wants him not to harm his mother. Every one in the kingdom thinks that the king had died out of a natural reason.
This is comedy, because we know that Hamlet is going to hesitate. It is not true.

The tragic flaw of Hamlet is hesitation. He is always hesitant. He is not going to revenge the murder of his father. We have details about the murder. He used to sleep in the garden of his palace. He put some poison in a bottle. We have details of the crime. People thought that he died while he was sleeping. They could not recognize that he was killed by poison.

He asks him not to think that his mother took part in the plot. He wants to tell him that his mother is innocent. She is only criminal in being not loyal to him and accepted his brother as a husband after two months of his death. He asks him to leave his mother to the heaven's punishment.
This part is very important. For the first time, we are sure that the uncle was responsible for killing Hamlet the father.
What was the reaction of Hamlet after hearing the plot of killing his father?
He was intensely and emotionally moved. He became like a mad person.
He could not control himself. He had no control upon his emotions and his mind. He was very angry, very sad, and very crazy. He could not control his emotions.
He will wipe= cancel; get rid of every thing that is happy. He will be sad for ever. He will wipe away all the trivial and happy moments. He will live with the commands of the ghost. He will obey the orders of the ghost. He swears to remember and obey his father. What he will keep in his brain is his orders. He will keep only to this noble matter and will leave all the trivial and base matters.
This is verbal irony. He did not keep his oath. He was hesitant. He was given more than one chance to kill his uncle but he did not.

The ghost indicates the disorder in the macrocosm. According to the people in the middle Ages, what happens in the microcosm affects the macrocosm and what happens in the macrocosm related to what happens in the microcosm.

The ghost does not talk to any one of them but he looked at Hamlet and he beckons him; he waves to him to follow him to some spot. Hamlet was following and Horatio advises him not to go

This is the effect of Seneca's drama of revenge. It is clear that the king is sinful. His sin is not mentioned, but we understand that he has usurped the crown of Denmark. He removed the rightful king from his place in the Great Chain of being. So, he is tortured.

The late king Hamlet talks very well of his widow.

He advised Hamlet not to ill-treat mother or to talk badly to her; not to do any harm to the Queen Gertrude. She will gain the results of what she has done.

Quotation 3- Act II Scene II

'Swounds, I should take it, for it cannot be
But I am pigeon-livered and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave’s offal. Bloody, bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murdered,
Prompted to my revenge by heaven and hell,
Must, like a whore, unpack my heart with words
And fall a-cursing like a very drab,
A scullion! Fie upon ’t, foh!
About, my brain.—Hum, I have heard
That guilty creatures sitting at a play
Have, by the very cunning of the scene,
Been struck so to the soul that presently
They have proclaimed their malefactions.
For murder, though it have no tongue, will speak
With most miraculous organ. I’ll have these players
Play something like the murder of my father
Before mine uncle. I’ll observe his looks.
I’ll tent him to the quick. If he do blench,
I know my course. The spirit that I have seen
But what do I, a grim and uncourageous rascal, do? Mope around like a dreamer, not even bothering with plans for revenge, and I can say nothing—nothing at all—on behalf of a king whose dear life was stolen. Am I a coward? Is there anyone out there who’ll call me “villain” and slap me hard? Pull off my beard? Pinch my nose? Call me the worst liar? By God, if someone would do that to me, I’d take it, because I’m a lily-livered man—otherwise, I would’ve fattened up the local vultures with the intestines of that low-life king a long time ago. Bloody, inhuman villain! Remorseless, treacherous, sex-obsessed, unnatural villain! Ah, revenge! What an ass I am. I’m so damn brave. My dear father’s been murdered, and I’ve been urged to seek revenge by heaven and hell, and yet all I can do is stand around cursing like a whore in the streets. Damn it! I need to get myself together here! Hmm…. I’ve heard that guilty people watching a play have been so affected by the artistry of the scene that they are driven to confess their crimes out loud.
May be the devil, and the devil hath power
T' assume a pleasing shape. Yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I’ll have grounds
More relative than this. The play’s the thing
Wherein I’ll catch the conscience of the king.
Murder has no tongue, but miraculously it still finds a way to speak. I’ll have these actors perform something like my father’s murder in front of my uncle. I’ll watch my uncle. I’ll probe his conscience and see if he flinches. If he becomes pale, I know what to do. The ghost I saw may be the devil, and the devil has the power to assume a pleasing disguise, and so he may be taking advantage of my weakness and sadness to bring about my damnation. I need better evidence than the ghost to work with. The play’s the thing to uncover the conscience of the king.

These lines are quoted from Hamlet, a tragedy written by William Shakespeare. It is
a soliloquy of Hamlet. It is located in act II Scene II. it shows characteristics of Hamlet.
Hamlet is blaming himself. He says about himself that he is like a whoreHe will let the players perform a play about the murder in front of Claudius to make him remember his crime. He says the ghost may be a devil. He will make sure of that. He will know if this king commits a crime or not from the impression he gives; from his reaction. So, Hamlet feels he is coward for not being able to confront the murderer. He believes that Claudius knows that Hamlet is weak, that is why he is playing with him. Hamlet believes that he (himself) has a weak personality that is why Claudius uses him. Hamlet says in the quotation that he will take action and revenges from Claudius when he makes sure that he has committed the murder. Hamlet tells his plan to the audience. He says that he will order the players to play a murder scene in front of Claudius and then watches his reaction.
Hamlet’s plan is illogical. He is impressionistic in his attitude. Claudius is evil and cunning. He can easily hide his feelings while watching the play.
In scene II, we find a celebration. King Claudius; brother of the late king Hamlet, celebrates his coronation and marriage to the queen Gertrude. She was his sister-in-law and then she became his wife. According to the Christians, this is incest. It is very odd to marry the brother of her husband. And also the Christians find it is very strange that cousins get married and this is incest according to them. So, here Hamlet called this incest. Prince Hamlet is deeply sad because after two months from his father’s death his mother forgot her sadness on her husband and he married his brother; king Claudius. He is also very sad because this is incest in Christianity. It means that Hamlet is a good Christian. Hamlet is sad also because he lost his right to become king of Denmark. So, there are three factors that make Hamlet extremely sad.
Quotation 4- Act III Scene I

HAMLET
To be, or not to be? That is the question—
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And, by opposing, end them? To die, to sleep—
No more—and by a sleep to say we end
The heartache and the thousand natural shocks
That flesh is heir to—’tis a consummation
Devoutly to be wished! To die, to sleep.
To sleep, perchance to dream—ay, there’s the rub,
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There’s the respect
That makes calamity of so long life.
HAMLET
The question is: is it better to be alive or dead? Is it nobler to put up with all the nasty things that luck throws your way, or to fight against all those troubles by simply putting an end to them once and for all? Dying, sleeping—that’s all dying is—a sleep that ends all the heartache and shocks that life on earth gives us—that’s an achievement to wish for. To die, to sleep—to sleep, maybe to dream. Ah, but there’s the catch: in death’s sleep who knows what kind of dreams might come, after we’ve put the noise and commotion of life behind us. That’s certainly something to worry about. That’s the consideration that makes us stretch out our sufferings so long.
For who would bear the whips and scorns of time,
Th' oppressor’s wrong, the proud man’s contumely,
The pangs of despised love, the law’s delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country from whose bourn
No traveler returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.—Soft you now,
The fair Ophelia!—Nymph, in thy orisons
Be all my sins remembered.
After all, who would put up with all life’s humiliations—the abuse from superiors, the insults of arrogant men, the pangs of unrequited love, the inefficiency of the legal system, the rudeness of people in office, and the mistreatment good people have to take from bad—when you could simply take out your knife and call it quits? Who would choose to grunt and sweat through an exhausting life, unless they were afraid of something dreadful after death, the undiscovered country from which no visitor returns, which we wonder about without getting any answers from and which makes us stick to the evils we know rather than rush off to seek the ones we don’t? Fear of death makes us all cowards, and our natural boldness becomes weak with too much thinking. Actions that should be carried out at once get misdirected, and stop being actions at all. But shh, here comes the beautiful Ophelia. Pretty lady, please remember me when you pray.

A soliloquy is an extended speech, directed to the audience rather than to other characters, in which the speaker explores their thoughts and feelings. It can deal with big, generalized issues, such as Hamlet’s To be or not to be. (Act 3. Scene i.), in which he considers life,
(This part is taken from sparknotes)
This soliloquy, probably the most famous speech in the English language, is spoken by Hamlet in Act III, scene i (58–90). His most logical and powerful examination of the theme of the moral legitimacy of suicide in an unbearably painful world, it touches on several of the other important themes of the play. Hamlet poses the problem of whether to commit suicide as a logical question: “To be, or not to be,” that is, to live or not to live. He then weighs the moral consequences of living and dying. Is it nobler to suffer life, passively or to actively seek to end one’s suffering. He compares death to sleep and thinks of the end to suffering, pain, and uncertainty it might bring. he decides that suicide is a desirable course of action But, as the religious word “devoutly” signifies, there is more to the question, namely, what will happen in the afterlife. Hamlet immediately realizes as much, and he reconfigures his metaphor of sleep to include the possibility of dreaming; he says that the dreams that may come in the sleep of death must give us pause.
He then decides that the uncertainty of the afterlife, which is intimately related to the theme of the difficulty of attaining truth in a spiritually ambiguous world, is essentially what prevents all of humanity from committing suicide to end the pain of life. He outlines a long list of the miseries of experience, ranging from lovesickness to hard work to political oppression, and asks who would choose to bear those miseries if he could bring himself peace with a knife. He answers himself again, saying no one would choose to live, except that “the dread of something after death” makes people submit to the suffering of their lives rather than go to another state of existence which might be even more miserable. The dread of the afterlife, Hamlet concludes, leads to excessive moral sensitivity that makes action impossible.
In this way, this speech connects many of the play’s main themes, including the idea of suicide and death, the difficulty of knowing the truth in a spiritually ambiguous universe, and the connection between thought and action. In addition to its crucial thematic content, this speech is important for what it reveals about the quality of Hamlet’s mind. His deeply passionate nature is complemented by a relentlessly logical intellect. He has turned to religion and found it inadequate to help him either kill himself or resolve to kill Claudius. Here, he turns to a logical philosophical inquiry and finds it equally frustrating.
In Hamlet's fourth soliloquy, his mental state shows signs of
declination. He criticizes himself for not taking action to avenge his father.
He realizes that he has cause to kill Claudius, but cannot collect the nerve to go through with it. He said, “Why, what an ass am I! This is most brave,
that I...must, like a whore, unpack my heart with words” (1314). He also
expresses some doubt that the ghost was telling the truth. He said, “The spirit
that I have seen May be the devil: and the devil hath power T'assume a pleasing ). However upset he is with himself, Hamlet is sure that the play he has arranged will reveal Claudius' guilt


Quotation 5- Act III Scene III

CLAUDIUS

Thanks, dear my lord.    

CLAUDIUS

Thanks, my dear lord.

Exit POLONIUS

POLONIUS exits.

Oh, my offence is rank. It smells to heaven.
It hath the primal eldest curse upon ’t,
A brother’s murder. Pray can I not.
Though inclination be as sharp as will,
My stronger guilt defeats my strong intent,
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursèd hand
Were thicker than itself with brother’s blood?
Is there not rain enough in the sweet heavens
To wash it white as snow? Whereto serves mercy
But to confront the visage of offence?
And what’s in prayer but this twofold force,
To be forestallèd ere we come to fall
Or pardoned being down? Then I’ll look up.
My fault is past. But oh, what form of prayer
Can serve my turn, “Forgive me my foul murder”?
Oh, my crime is so rotten it stinks all the way to heaven. It has the mark of Cain on it, a brother’s murder. I can’t pray, though I want to desperately. My guilt is stronger even than my intentions. And like a person with two opposite things to do at once, I stand paralyzed and neglect them both. So what if this cursed hand of mine is coated with my brother’s blood? Isn’t there enough rain in heaven to wash it clean as snow? Isn’t that what God’s mercy is for? And doesn’t prayer serve these two purposes—to keep us from sinning and to bring us forgiveness when we have sinned? So I’ll pray. I’ve already committed my sin. But, oh, what kind of prayer is there for me? “Dear Lord, forgive me for my horrible murder”?

These lines are quoted from Hamlet, Shakespeare's famous tragedy. These lines are found in Act III, scene III. It is a soliloquy of king Claudius .
Claudius says an important soliloquy. In this soliloquy, he confesses his crime and he prays to God to forgive him. He knows he will be damned by God. He is sure that God will not forgive him because he says cannot give up the crown or the queen. He has a chance to be saved but he says he cannot give up the crown or the queen. He knows he will go to hell. He prays to God. Hamlet enters while he is praying. He refuses to kill him while praying because he says if I kill him while praying, he will go to heaven. Maybe he is hesitating again. So, he says if he kills him now, he will go to heaven and he wants him to go to hell. So, he will wait until I kill him if he is drunk asleep or when he is in bed with his mother (because this is an incestuous marriage and he is committing a sin). Hamlet is giving a pretext. This is a pretext for his inaction.
Quotation 6 – Act III Scene IV

HAMLET
Oh, throw away the worser part of it,
And live the purer with the other half.
Good night—but go not to mine uncle’s bed.
Assume a virtue if you have it not.
That monster, custom, who all sense doth eat,
Of habits devil, is angel yet in this:
That to the use of actions fair and good
He likewise gives a frock or livery
That aptly is put on. Refrain tonight,
And that shall lend a kind of easiness
To the next abstinence, the next more easy.
HAMLET
Then throw away the worse half, and live a purer life with the other! Good night to you. But don’t go to my uncle’s bed tonight. At least pretend to be virtuous, even if you’re not. Habit is a terrible thing, in that it’s easy to get used to doing evil without feeling bad about it. But it’s also a good thing, in that being good can also become a habit.
Say no to sex tonight, and that will make it easier to say no the next time, and still easier the time after that. Habit can change even one’s natural instincts, and either rein in the devil in us, or kick him out. Once again, good night to you, and when you want to repent, I’ll ask you for your blessing too. I’m sorry about what happened to this gentleman (pointing to POLONIUS), but
For use almost can change the stamp of nature,
And either rein the devil or throw him out
With wondrous potency. Once more, good night,
And when you are desirous to be blessed,
I’ll blessing beg of you. (points to POLONIUS)
For this same lord,
I do repent. But heaven hath pleased it so,
To punish me with this and this with me,
That I must be their scourge and minister.
I will bestow him and will answer well
The death I gave him. So, again, good night.
I must be cruel only to be kind.
Thus bad begins and worse remains behind.
One word more, good lady—
God wanted to punish me with this murder, and this man with me, so I’m both Heaven’s executioner and its minister of justice. This is bad, but it’ll get worse soon. Oh, and one other thing, madam

These lines are quoted from Hamlet, the Shakespearian tragedy. They are found in act III scene IV. These lines are uttered by Hamlet. He is speaking to his mother. They are in his mother's room.

This is the meeting between Hamlet and his mother. He goes to her with the spirit of Nero in him. He talks very badly to her. She blames him for offending Claudius. When she defends her husband, she irritates Hamlet more. He starts to confront her that she had committed a sin which is incest to accept to marry her husband’s brother. He told her that he is not mad and he is talking truth to her. He told her also that Claudius has killed his father. This is the first time to hear about that. Gertrude does not know. She does not believe Hamlet and thinks that Hamlet is mad. She believes her son has gone mad. Hamlet at this moment wished to be like Pyrrhus; the son of Achilles, who kills Claudius in front of the queen. Hamlet was talking violently with the queen accusing her with the sins she is committing and coming very close to her, holding her, and seizing her. So, she screamed and she asked him if he want to kill her and she cried for help. Polonius behind the curtain got scared and he echoed what she was saying {What, ho! help, help, help!} and he moved, so the curtain moved. So, Hamlet immediately got his sword out and killed Polonius. At this moment, he is like Pyrrhus who killed the king in front of the queen. Polonius shocked him by coming out of the curtain and saying {O, I am slain!}. So, Hamlet got shocked; he thought it is Claudius. Hamlet felt very sad. He did not to kill Polonius. Polonius is an innocent man. He is foolish and Hamlet despises him but he does not deserve to be killed for his foolishness and for his evil. This is not a punishment for evil to be killed.

[najooom]

لغة الزهور مشكورة حبيبتي ماتقصري جعلك بالــ A+
^__^

بعد نبي حل الاسئلة اللي اعطتنا اياهم بالكلاسات

[heavy rain20]

ابي حل اسئلة الدررررررررررررررررررررررررررررررراما

كم يوم صار لي وانا اسال عنهم مع بتوووووووووول احد يرد علي بليز