ãáÊÞì ØáÇÈ æØÇáÈÇÊ ÌÇãÚÉ Çáãáß ÝíÕá,ÌÇãÚÉ ÇáÏãÇã

ÇáÚæÏÉ   ãáÊÞì ØáÇÈ æØÇáÈÇÊ ÌÇãÚÉ Çáãáß ÝíÕá,ÌÇãÚÉ ÇáÏãÇã > .: ÓÜÇÍÜÉ ÇáÊÚáíã Úä ÈÚÏ (ÇáÇäÊÓÇÈ):. > ãáÊÞì ØáÇÈ ÇáÊÚáíã Úä ÈÚÏ ÌÇãÚÉ Çáãáß ÝíÕá > ßáíÉ ÇáÃÏÇÈ > ÇááÛÉ ÇáÃäÌáíÒíÉ > E7
ÇáÊÓÌíá ÇáßæíÒÇÊÅÖÇÝÉ ßæíÒãæÇÚíÏ ÇáÊÓÌíá ÇáÊÚáíãÜÜÜÇÊ ÇáãÌãæÚÇÊ  

E7 English Literature Students level seven Forum

ãæÖæÚ ãÛáÞ
 
ÃÏæÇÊ ÇáãæÖæÚ
ÞÏíã 2017- 12- 17   #121
äæÑÈÇäæ
ÃßÜÇÏíÜãÜí äÜÜÔÜØ
 
ÇáÕæÑÉ ÇáÑãÒíÉ äæÑÈÇäæ
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 228256
ÊÇÑíÎ ÇáÊÓÌíá: Tue May 2015
ÇáãÔÇÑßÇÊ: 153
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 1736
ãÄÔÑ ÇáãÓÊæì: 41
äæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enough
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÂÏÇÈ
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: ÇäÌáíÒí
ÇáãÓÊæì: ÇáãÓÊæì ÇáËÇãä
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
äæÑÈÇäæ ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

Formalists located literary meaning in ...

A- The poet
B- The poem ÇáÞÕíÏå
C- The figures of speech
D- The impact of the poem on the reader
 
ÞÏíã 2017- 12- 17   #122
äæÑÈÇäæ
ÃßÜÇÏíÜãÜí äÜÜÔÜØ
 
ÇáÕæÑÉ ÇáÑãÒíÉ äæÑÈÇäæ
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 228256
ÊÇÑíÎ ÇáÊÓÌíá: Tue May 2015
ÇáãÔÇÑßÇÊ: 153
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 1736
ãÄÔÑ ÇáãÓÊæì: 41
äæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enoughäæÑÈÇäæ will become famous soon enough
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÂÏÇÈ
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: ÇäÌáíÒí
ÇáãÓÊæì: ÇáãÓÊæì ÇáËÇãä
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
äæÑÈÇäæ ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

when a narrative stops the chronological order to bring events or information
from the past ( of the time zero ), it is called
ÚäÏãÇ íæÞÝ ÓÑÏ ãÇ ÇáÊÑÊíÈ ÇáÒãäí áÌáÈ ÇÍÏÇË Çæ ãÚáæãÇÊ ãä ÇáãÇÖí (ãä ÇáÕÝÑ) íÓãì

(((Analepsis)))

when a narrative stops the chronological order to bring events or information from
the future ( of the time zero ), it is called
ÚäÏãÇ íæÞÝ ÓÑÏ ãÇ ÇáÊÑÊíÈ ÇáÒãäí áÌáÈ ÇÍÏÇË Çæ ãÚáæãÇÊ ãä ÇáãÓÊÞÈá (ãä ÇáÕÝÑ) íÓãí

(((Prolepsis)))
 
ÞÏíã 2017- 12- 17   #123
Ùá ÇáÍÞíÞÉ
ãõÊãíÒÉ ÈÇáãÓÊæì E7
 
ÇáÕæÑÉ ÇáÑãÒíÉ Ùá ÇáÍÞíÞÉ
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 248282
ÊÇÑíÎ ÇáÊÓÌíá: Sun Dec 2015
ÇáÚãÑ: 36
ÇáãÔÇÑßÇÊ: 1,690
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 15824
ãÄÔÑ ÇáãÓÊæì: 68
Ùá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond repute
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÇÏÇÈ
ÇáÏÑÇÓÉ: ÛíÑ ØÇáÈ
ÇáÊÎÕÕ: English
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
Ùá ÇáÍÞíÞÉ ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

The relationship between the time of the story and the time of the narrative
, according to Gerard Gennette, is called:
ÇáÚáÇÞÉ Èíä æÞÊ ÇáÞÕÉ æ æÞÊ ÇáÓÑÏ æÝÞÇ áÌíÑÇÑÏ ÌäíÊ ÊÓãì

Narrative Order ÊÑÊíÈ ÇáÓÑÏ
 
ÞÏíã 2017- 12- 17   #124
Ùá ÇáÍÞíÞÉ
ãõÊãíÒÉ ÈÇáãÓÊæì E7
 
ÇáÕæÑÉ ÇáÑãÒíÉ Ùá ÇáÍÞíÞÉ
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 248282
ÊÇÑíÎ ÇáÊÓÌíá: Sun Dec 2015
ÇáÚãÑ: 36
ÇáãÔÇÑßÇÊ: 1,690
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 15824
ãÄÔÑ ÇáãÓÊæì: 68
Ùá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond repute
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÇÏÇÈ
ÇáÏÑÇÓÉ: ÛíÑ ØÇáÈ
ÇáÊÎÕÕ: English
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
Ùá ÇáÍÞíÞÉ ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

Gerard Gennette show that the question of "focalization" in literature is
ãÓÃáÉ æÌåÉ äÙÑ focalization áÌíÑÇÑÏ ÌíäíÊ åæ Íæá

Who sees the action?
ãä íÑì ÇáÍÏË ¿


ÇãÇ ãÓÃáÉ Voice ÇáÕæÊ Íæá

ÇáÐí íÑæí ÇáÚãá ¿
? Who narrates the action
 
ÞÏíã 2017- 12- 17   #125
ãáÇíßÇ
ÃßÜÇÏíÜãÜí äÜÜÔÜØ
 
ÇáÕæÑÉ ÇáÑãÒíÉ ãáÇíßÇ
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 126356
ÊÇÑíÎ ÇáÊÓÌíá: Tue Nov 2012
ÇáãÔÇÑßÇÊ: 160
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 3933
ãÄÔÑ ÇáãÓÊæì: 53
ãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond repute
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: College of Arts \ KFU
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: Engish Literature❥
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
ãáÇíßÇ ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

Çä ÔÇÁ Çááå íßÑÑ ãÊÝÇÆáÉ ãä ÈÚÏ Úáã ÇáÇÌÊãÇÚ ÇáÚíÏ æÑÈí íÓåá Úáì ÇáÌãíÚ íÇÑÈ

ÇÓÇáå ÇáãÑÇÌÚå ÇÚÏÇÏ ÓáØÇäå ããÊÇÒÉ ÌÏÇÇÇÇÇÇÇÇÇÇÇÇÇÇÇÇÇÇ æãÊÑÌãå æãÑíÍå ^^
 
ÞÏíã 2017- 12- 17   #126
ÒíäÈ ÇááãÚí
ÃßÜÇÏíÜãÜí ÃáÜãÜÇÓÜí
 
ÇáÕæÑÉ ÇáÑãÒíÉ ÒíäÈ ÇááãÚí
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 201977
ÊÇÑíÎ ÇáÊÓÌíá: Fri Sep 2014
ÇáãÔÇÑßÇÊ: 1,262
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 27812
ãÄÔÑ ÇáãÓÊæì: 81
ÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond reputeÒíäÈ ÇááãÚí has a reputation beyond repute
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÌÇãÚÉ Çáãáß ÝíÕá
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: ÂÏÇÈ E
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
ÒíäÈ ÇááãÚí ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

😎😎
ÇáãáÝÇÊ ÇáãÑÝÞÉ
äæÚ ÇáãáÝ: pdf ãÑÇÌÚÉ Ùá ÇáÍÞíÞÉ.pdf‏ (554.1 ßíáæÈÇíÊ, ÇáãÔÇåÏÇÊ 11) ÊÍãíá ÇáãáÝÅÖÇÝÉ ÇáãáÝ áãÝÖáÊßÚÑÖ ÇáãáÝ
 
ÞÏíã 2017- 12- 17   #127
ÇãíÑå ÈÓãæ äÝÓí
ÃßÜÇÏíÜãÜí
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 297501
ÊÇÑíÎ ÇáÊÓÌíá: Thu Dec 2017
ÇáãÔÇÑßÇÊ: 21
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 153
ãÄÔÑ ÇáãÓÊæì: 0
ÇãíÑå ÈÓãæ äÝÓí will become famous soon enoughÇãíÑå ÈÓãæ äÝÓí will become famous soon enough
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ØÇáÈå
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: ÇäÌáíÒí
ÇáãÓÊæì: ÇáãÓÊæì ÇáËÇãä
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
ÇãíÑå ÈÓãæ äÝÓí ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

semo qween:
🌸🌸


ãÞÊØÝÇÊ äÞÏíå 🙈

ÃÝáÇØæä ÝíáÓæÝ íæäÇäí.. ÇáäÞÇÏ ÇáÑæãÇäíííä ãÇÝí Ôí Úäåã ÇÈÏÇ ÇáÇ Çäåã ÞáÏæ ÇáíæäÇäííä Ýí ËÞÇÝÇÊåã



ÓíäíßÇ áå ãÞæáÊíä æÍÏ ÊÈÏÃno past æÇáËÇäíÉ a man



ÈÑÖæ ãÞæáå åæÑÇÓ íæäÇä ÇáÇÓíÑå ÇÓÑÊ ÛÇÒíåÇ ÌÇÁ ÚáíåÇ ÇßËÑ ãä ÕíÛå

æÍÏå Çäæ ÇáÛÇÒí ßÇä ÇáÑæãÇä
ÇáËÇäíå Çäæ ßÇä íÚÈÑ Úä ÇáäÞÕ.. ããßä íÓÇá Úä ÇáÞÇÆá ! ÇäÊÈåæáåÇ


ÇáÍíä ÇáÑæãÇä íÞáÏæÇ ÇáÞÑíÓ Greece 🇬🇷 Ýí ßá Ôí íÈÛæÇ íÕíÑæÇ ÇÏÈÇÁ ãËáåã
ÚÔÇä ßÐÇ ÓíäÓÇ ÞÇá åÇáßáÇã
ÇáÔÎÕ Çááí íÍÇæá íÞáÏ ÔÎÕ ÇÎÑ ãÇÑÇÍ íáÞì Ôí íÝíÏå ¡¡("A man who follows another not only finds nothing, he is not even
looking
ÇáÞÇÆá Seneca




ÝÚáÇ ßá ÇÓÆáå ÇáÊÞáíÏ íØáÚ ÇáÑæãÇä..ÞáÏæ ÈÑÖæ ãÚÙã ÇáËÞÇÝÇÊ ÇáßáÇÓíßíå. æÇáÇæÑæÈííä ÈÚÏ íÞáÏæÇ ÇáÑæãÇä æÇáÞÑíÓ ..ßá ÇÏÈåã ãä ÇáÇÎÑ fake






ÇÝáÇØæä íÞæá ãÝÑæÖ ãÇíÓãÍæä ÈÇÇáÔÚÑ ÈÇáãÏíäå áÃä :
Poetry cripples the mind.
æ
It weakens the critical faculty

æ
breeds conformity.

ßá ãÑå íÛíÑ ÈÇáÎíÇÑÇÊ æÇáÇÌÇÈå Êßæä æÍÏå ãäåã

👌🏻👍🏻
Poetry cripples the mind.
íÔá ÇáÚÞá

It weakens the critical faculty
íÖÚÝ ÇáÞÏÑÇÊ ÇáäÞÏíå

breeds conformity.
íæáÏ ÇáãØÇÈÞå




🌸🌸🌸🌸

ÓßäÇäÇ 😛 = ÓíäíßÇ Seneca


ßÊÈ

(1)
No past life has been lived to lend us glory, and that which has existed before us is not ours
ÇáãÇÖí áÇíåÏíäÇ ÇáãÌÏ æãÇÞÏ ÎáÝå ÇáÓÇÈÞæä áíÓ ãä ÍÞäÇ

.•

(2)

man who follows another not only finds nothing; he is not even looking."
ÇáÇäÓÇä ÇáÐí íÊÈÚ ÅäÓÇäÇð ÂÎÑ áä íÌÏ ÔíÆÇð æáÇíÚÏ ÍÊì ÈÇÍËÇð

ÞÇã ÇáÇæÑæÈíä..Europeans
Ýí ÚÕÑ ÇáäåÖÉ Renaissance
👇🏻

ÈÅÚÇÏÉ ÇßÊÔÇÝ ÇáßÊÈ ÇáíæäÇäíÉ æÇáÑæãÇäíÉ rediscovered the books of the Greeks and Romans


.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.


Óãí ÚÕÑ ÇáäåÖÉ 👈🏻(Renaissance) ÈåÐÇ ÇáÇÓã ¿

áÇä ÇáäÇÓ Ýí ÇæÑæÈÇ
👇🏻
ÃÑÇÏæÇ ÅÚÇÏÉ ÅÍíÇÁ (revive)
👇🏻
ÇáãÚÇÑÝ ÇáÞÏíãÉ (the ancient learning)
👇🏻
Ýí ÑæãÇ ÇáÞÏíãÉ æÇáíæäÇä


.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.


ÙåæÑ ÇáÇÏÈ "literature" Ýí ÚÕÑ ÇáäåÖÉ
Ýí ÇæÑæÈÇ ßÇä áå
👇🏻
ÏÇÝÚ (motivation )æåÏÝ (purpose)
👇🏻
ÓíÇÓí (political ) Þæí

.•.•.•.•.•.•.•.•.•.•.•.•.•.•.•.

Ýí ÚÕÑ ÇáäåÖÉ ßÇäÊ ÇæÑæÈÇ
👇🏻
ÇÞá (less) ÊØæÑ(Çsophisticated)
👇🏻
ÈßËíÑ ããÇ ßÇäÊ ÚáíÉ ÑæãÇ æÇáíæäÇä

>>

🌸🌸

* ÇÝáÇØæä ÐßÑ Çäæ ÇáÔÚÑ ÊÞáíÏ Ýí ÑæÇíÉ
Republic ÇáÌãåæÑíÉ


( ÇáÝáÇÓÝå )
ÇÑÓØæ + ÇÝáÇØæä

( ÇáÔÚÇÑ )
åæÑÇÓ + ÝíÑÌá

( ÇáÈáÇÛííä rhetorical )
ÓíÓÑæ + ßáäÊäíÇä


æÝÞÇ á Gerard Gennette

voice = ( who *narrates* the action )

Focallzation = ( who *sees* the action )



* íãßä æÕÝ ÇáËÞÇÝÉ ÇáíæäÇäíå ÇáÞÏíãå ÈÇäåÇ ( ËÞÇÝÉ ÍíÉ A living culturr )

* íãßä æÕÝ ÇáËÞÇÝå ÇáÑæãÇäíå ÇäåÇ ( ËÞÇÝÉ ãÊÍÝ
A museum culture )

The most accurate definition of the " plot " in Aristotle's theory of tragedyis


🔵The arrangement of the events in a cause-effect chain incidents

ÇáÍÈßÉ Ýí ÇáÊÑÇÌíÏíÇ È äÙÑíÉ ÇÑÓØæ åí

( ãÃÓÇæí ÞáäÇ Íßíå ÚÔÇä ßÐÇ íÑÊÈ ÇáÇÍÏÇË Ýí ÇáÓÈÈ æ ÇáÊÇËíÑ Ýí ÓáÓáÉ ÍæÇÏË)

🔴 Vladimir Propp tested Ähis theories on

íÎÊÈÑ ÝáÇÏíãíÑ ÈÑæÈ äÙÑíÇÊå Ú
🔵Russian fairytales

(ÝáÇÏíãíÑ ÑÆíÓ ÑæÓíÇ ÍÇáíÇ )
È ÇáÕÏÝÉ ÚÑÝÊ 😂

🔴 In poetry, said Jakobson, the communicative function should be

ÞÇá ÌÇßÓæä Çä ÇáæÙíÝÉ ÇáÊæÇÕáíå Ýí ÇáÔÚÑ íÌÈ Çä Êßæä

- Reduce to minimum
ãÎÊÕÑÉ Çáì ÇáÍÏ ÇáÇÏäì
( ÌÇßÓæä ãæÙÝ Ýí ÇáÑÏÓí æÙíÝÊå ÊæÇÕá ãÚ ÇáÔÚÑ ÈÓ áÇÒã Êßæä ãÎÊÕÑÉ Çáì ÇáÍÏ ÇáÇÏäì )

(ÌÇßÓæä ,, Reduce )

🔴 With structuralism, literary criticism develops the ambition to study literature from
ãÚ ÇáÈäíæíÉ ..ÇáäÞÏ ÇáÇÏÈí ØæÑ ØãæÍ ÏÑÇÓÉ ÇáÇÏÈ ãä ..
🔵 Strictly scientific perspective

( ÈäíæíÉ ..ØãæÍ æ ÏÑÇÓÉ ¡ Úáãí ÈÍÊ )

(ambition to study¡¡ Strictly scientific )

🔴 In Narrative Discourse, Gerard Gennette defines the "time of the story" as

Ýí ÓÑÏ ÇáÎØÇÈ ÍÏÏ ÌíÑÇÑÏ ÌíäÊí ÇáæÞÊ Ýí ÇáÞÕå ..
🔵 The time in which the story happens

( ÇáÌÑÇÏ Ìääí æÞÊ íÓÑÏæ Úäå ÎØÇÈ Ýí ÇáÞÕÉ æ æÞÊ ÇáÇÍÏÇË )

,( Gerard Gennette .. story happens)

🔴 Structuralism seeks to

ÊÓÚì ÇáÈäíæíÉ Çáì

🔵 Investigate the structures of literature


( Ôí ÊÈäíäå ÇßíÏ Èíßæä Ýíå ÊÍÞíÞ Ýí Çáåíßá ÇáÚÇã )
( ÈäíæíÉ ÊÍÞíÞ Ýí åíßá ÇáÇÏÈ )

🔴Gerard Gennette calls "narrative order

ÌíÑÇÑÏ ÌíäÊí íÓãí ÊÑÊíÈ ÇáÓÑÏ È

⭕The relationship between the time of the story and the time of the narrative

ÚáÇÞÉ Èíä æÞÊ ÇáÞÕÉ æ æÞÊ ÇáÓÑÏ

🔴 Who said: " There is no pre-discursive reality. Every reality is shaped and accessed by
? "discourse a
-
ãä ÇáÞÇÆá /
ãÇÝí æÇÞÚ ÞÈá ÇáßáÇã ßá æÇÞÚ íÊÔßá ÈæÇÓØÉ ÇáßáÇã

⭕ Jacques Derrida

ÌÇß ÏÑíÏÇ
( ÏÇíã åÑÌ ÌÇß ÏÑÑ æÇÞÚí )

ÇÐÇ ÓÃá Úä
🔴 æÞÊ ÇáÞÕÉ äÎÊÇÑ æÞÊ ÇáÇÍÏÇË
taim of the story=story happens
ÇÐÇ ÓÃá Úä
🔴 æÞÊ ÇáÓÑÏ äÎÊÇÑ ÈíäÞ ÊæáÏ

taim of the Narrative = story is being told

🔴When a narrative stops the chronological order to bring events or information from
the past (of the time zero) of from the future (of the time zero), it is called

ÚäÏãÇ íæÞÝ ÇáÑÇæí ÊÓáÓá ÇáÒãäí áÊÐßÑ ÇÍÏÇË æ ãÚáæãÇÊ Ýí ÇáãÇÖí æ ÇáãÓÊÞÈá ãä ÓÇÚÉ ÇáÕÝÑ íÓãì

Anachronies

( ÈÚÖåã íÊÐßÑæä ÇáãÇÖí æ ÇáÍÇÖÑ ÊÌíåã
Ú ÞæáÉ Âãæä ÇÒãÉ chronies )

🔴When a narrative stops the chronological order to bring events or information from
the *past* (of the time zero) of from the *future* (of the time zero), it is called

ÚäÏãÇ íæÞÝ ÇáÑÇæí ÊÓáÓá ÇáÒãäí áÊÐßÑ ÇÍÏÇË æ ãÚáæãÇÊ Ýí ÇáãÇÖí æ ÇáãÓÊÞÈá ãä ÓÇÚÉ ÇáÕÝÑ íÓãì

🔵Anachronies

( ÈÚÖåã íÊÐßÑæä ÇáãÇÖí æ ÇáÍÇÖÑ ÊÌíåã
Ú ÞæáÉ Âãæä ÇÒãÉ chronies )

_____________________
🔴When a narrative stops the chronological order to bring events or information from
the *past* (of the time zero)


🔵analepsis

( ÇäÇ ÇÍÈ ÇááíÒ ÇÐßÑå æÇÍäÇ ÕÛÇÑ äÌÊãÚ Ú ÍÈÊíä æÍäÇ ãäÇ 5 😬 Çáãåã Çä åÇáÔí ÈÇáãÇÖí Çáíæã æÇÍÏ íÇááå íßÝí 😣🏃🏼ž♀)

_____________________

🔴When a narrative stops the chronological order to bring events or information from
the *future* (of the time zero)

🔵prolepsis

( äÝÓå ÇááíÒ äÇæíå ÇÚØí ÚíÇáí È ÇáãÓÊÞÈá ÇÐÇ ÈÑæ Ýíäí 🙄 )🏃🏼ž♀😂

ÇÝáÇØæä
: Çæá Ôí
Óãì ( mimesis ¡ diegesis )

(mimesis+ imitation+shows )➡ *First person*
_
(ãíãí ÊÞáíÏ æ ÚÑÖ ) ____________________

(diegesis+ narration+telling)
*third person*
( ÏÞí Úáí ÇÓÑÏ áß æ ÇÍßí áß)


ÞÇá Çä ÇáÔÚÑ íÎá È ÇáÚÞá
( cripples the mind ÎÑÈ ÚÞá)

ÞÇá Çä ÇáÑæÇíå ããßä Êßæä ÓÑÏ Çæ ÊÞáíÏ Çæ ÇËäíäåã


ÇÚãÇá ÇÝáÇØæä 👳🏼
 
ÞÏíã 2017- 12- 17   #128
ãáÇíßÇ
ÃßÜÇÏíÜãÜí äÜÜÔÜØ
 
ÇáÕæÑÉ ÇáÑãÒíÉ ãáÇíßÇ
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 126356
ÊÇÑíÎ ÇáÊÓÌíá: Tue Nov 2012
ÇáãÔÇÑßÇÊ: 160
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 3933
ãÄÔÑ ÇáãÓÊæì: 53
ãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond reputeãáÇíßÇ has a reputation beyond repute
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: College of Arts \ KFU
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: Engish Literature❥
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
ãáÇíßÇ ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

The conceput of (self) a singular and coherent entity
ãÝåæã ÇáÐÇÊ åæ ßÇÆä æÇÍÏ ãÊãÇÓß


ÈäíÉ ÎíÇáíå
a fictional construct
 
ÞÏíã 2017- 12- 17   #129
Njj
ÃßÜÇÏíÜãÜí
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 245148
ÊÇÑíÎ ÇáÊÓÌíá: Tue Dec 2015
ÇáãÔÇÑßÇÊ: 20
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 5384
ãÄÔÑ ÇáãÓÊæì: 0
Njj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enoughNjj will become famous soon enough
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÌÇãÚÉ Çáãáß ÝíÕá
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: ÃÏÈ ÇäÌáíÒí
ÇáãÓÊæì: ÇáãÓÊæì ÇáËÇãä
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
Njj ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

The distinction between Mimesis and Diegesis was developed by
. Roman literary critics - -
Arab philosophers
- Greek philosophers
- Christian priests
Çí ÇÌÇÈå ÕÍíÍå Çá Roman or Greek 😣
 
ÞÏíã 2017- 12- 17   #130
Ùá ÇáÍÞíÞÉ
ãõÊãíÒÉ ÈÇáãÓÊæì E7
 
ÇáÕæÑÉ ÇáÑãÒíÉ Ùá ÇáÍÞíÞÉ
ÇáãáÝ ÇáÔÎÕí:
ÑÞã ÇáÚÖæíÉ : 248282
ÊÇÑíÎ ÇáÊÓÌíá: Sun Dec 2015
ÇáÚãÑ: 36
ÇáãÔÇÑßÇÊ: 1,690
ÇáÜÌäÜÜÓ : ÃäÜËÜì
ÚÏÏ ÇáÜäÞÜÇØ : 15824
ãÄÔÑ ÇáãÓÊæì: 68
Ùá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond reputeÙá ÇáÍÞíÞÉ has a reputation beyond repute
ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÇÏÇÈ
ÇáÏÑÇÓÉ: ÛíÑ ØÇáÈ
ÇáÊÎÕÕ: English
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
Ùá ÇáÍÞíÞÉ ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ÇáäÞÏ ÇáÃÏÈí

Formalists located literary meaning in ...

A- The poet
B- The poem
C- The figures of speech
D- The impact of the poem on the reader



ãßÊæÈ ÈÇáãáÒãÉ
Çä ÇáÔßáíæä íÑÝÖæä ÊÍÏíÏ ÇáãÚäì ÇáÇÏÈí ãä ÎáÇá ÇáÔÇÚÑ ÈÏáÇ ãä ÇáÞÕíÏÉ
ÇäÇ ÍØíÊ ÇáÇÌÇÈÉ ÇáÔÇÚÑ ÈÇáãÑÇÌÚÉ æ áßä ÇÚÊÞÏ ÇäåÇ ÇáÞÕíÏÉ
áÇä ÇáÓÄÇá ãÇ Ýíå ÑÝÖ Òí ãÇåæ ãßÊæÈ ÈÇáãáÒãÉ



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ãæÇÞÚ ÇáäÔÑ (ÇáãÝÖáÉ)

« ÇáãæÖæÚ ÇáÓÇÈÞ | ÇáãæÖæÚ ÇáÊÇáí »

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