[ اللغة الانجليزية ] : Third year - 6th level - 0ld plan @.@

[wishesssss]

المشاركة الأصلية كتبت بواسطة طيرالحب

بناات من عندهاتفريغ النثربعد الميدترم

نفس السؤال بليز بنات ودي اذاكر هالمادة واخلص

[ليان محمد]

بنات ابي ايميل دكتور احمد ابراهيم ضروري بليــــــــــــــــز

[طيرالحب]

aibrahim@ud.edu.sa

[Bro.kalali]

ايميل الدكتور احمد ابراهيم

aibrahim@ud.edu.sa

[Bro.kalali]

بنات شكسبير احد عندها تفريغ

[مدام سوسو]

السلام عليكم ورحمة الله

بنات الله يعافيكم .... ابي اسم عنوان المسرحيات اللي خذتوها
انا طالبة استثنائي ولا ادري عن شي

واللغويات بس ثلاث شباتر اكيد ؟؟

ارجو الرد

[ليان محمد]

بنات ماحد عنده ايميل الهوتميل للدكتور احمــــــــــــد

[طيرالحب]

aelkomy@hotmail.com

[wishesssss]

يارب تنزلون تفريغ النثر من بعد المحاضرة الخامسة

[M.A.S]

المشاركة الأصلية كتبت بواسطة Aro0oj

Themes

Time

The role of time and the effect of its passage are major themes in the novel. As the story spans eighteen months, the landscape of the heath remains unchanged — that consistency is reflected in the people who live on the heath for generation after generation. They are creatures of tradition, following the same wedding rituals, the same harvest rituals, the same holiday traditions and the same folk remedies (such as the traditional cure for an adder's bite) that has been handed down to them. Sometimes traditional beliefs lead to hostility, like the fear of Eustacia Vye being a witch.

The characters who encounter difficulty are the ones who are not content to live in rhythm with country life. Most notably, Eustacia is impatient with life on the heath, wishing for the "bustle" of Paris. Wildeve is also bored with life on the heath. When he inherits a large sum of money, he plans to tour the world. Clym is the most divided character in the novel; Eustacia assumes that he is too worldly to settle down in the country, but he is able to appreciate the beauty of the land's timelessness.

[W]hen he looked from the heights on his way he could not help indulging in a barbarous satisfaction at observing that, in some of the attempts at reclamation from waste, tillage, after holding on for a year or two, had receded again in despair, the ferns and furze-tufts stubbornly reasserting themselves.

Nature

Hardy introduces his readers to the landscape of Egdon Heath before introducing any characters. This emphasizes the important role that the natural landscape will play in the story. His description of the natural setting can be taken as symbolic of the people who live there — "neither ghastly, hateful, nor ugly: neither commonplace, unmeaning nor tame; but, like man, slighted and enduring." It can also be taken as a simple acknowledgment that people come to resemble the place where they live.

For instance, the extreme heat of the August day when Mrs. Yeobright is turned away from Clym's cottage may be perceived as symbolic of her turmoil. Hardy addresses this issue directly when he has Eustacia wander out into a violent storm on the night of her greatest mental anguish: "Never was harmony more perfect than that between the chaos of her mind and the chaos of the world without." If the people of Egdon Heath seem carefree, it is because they are comfortable in their surroundings.

The character who appears to be most in tune with nature's mysteries is Diggory Venn. He does not look like a human because of the red dye that has seeped into his skin and hair, and he does not operate by the rules of human interaction, instead appearing and disappearing mysteriously at night. It is not surprising that in the end he becomes a dairy farmer — making his living with domesticated animals, in harmony with nature but not completely subject to its whims.

Conscience

The characters in The Return of the Native are motivated by their consciences more than any other driving force. Their attempts to avoid social confrontation are not guided by concern about what others will think, but by what harm they will do to others. This is evident in the opening chapters, with Thomasin's return after her aborted attempt to be married; although eloping is considered shameful, Thomasin and Wildeve are unconcerned about that social stigma, which is quickly forgotten anyway.

On the other hand, Wildeve is unwilling to go through with his wedding to Thomasin when he feels that he might end up regretting it and longing for Eustacia. When they do marry, it is not to satisfy the social requirement, but because of Wildeve's failed romantic life. Diggory Venn is driven to assure Thomasin's happiness, passing up opportunities that could benefit him in order to protect her. Telling her about Wildeve's involvement with Eustacia might make her forget Wildeve — thereby clearing the way for him — but Venn cannot hurt her. So he keeps silent.

Late in the novel, when Eustacia realizes that Wildeve has become the rich, worldly husband that she always wanted, she does not run away with him because she cannot hurt Clym. At her house, he says that he could not abandon his wife either, but later, when Eustacia is leaving town, he is willing to run away with her, still making sure that Thomasin will receive half of his inheritance.

شكككرراً!
بليز كان فيه سلايدات عن نظرية داروين وسلايدات عن ال naturalism
حسيتهم مهمين! بليز اللي كاتبة معها تحاول تدورها بقوقل! أنا ما كتبت معها للأسف