[ اللغة الانجليزية ] : Third year - 6th level - 0ld plan @.@

[هتان7ano0]

لينا الجزء المفقود الكلام الي هي نقلتنا ايااه نهاية المحاضرة .. اذكر انه عن النقتف كابابلتي ..

يعني ان شاء الله ان الي شررحتة عن كل رسالة يكوون واافي و كافي عن الي نقلتنا اياه ...

[هتان7ano0]

لحد يتعب نفسة ويتحمس زيادة ترا تونا باول الطريق

بشويش بشويش عشان ما تتعبوووون و تفقدوو حماسكم في نص الاسبوع ...< مجربه

[Diamond brooch]

هذا نفس السلايز حق مس ليلى

Plot Summary

Book First: the Three Women

This novel opens with a sweeping view of the Egdon Heath countryside, providing descriptions of the landscape and some sense of its history. In the next chapter, an old man — later identified as Eustacia Vye's grandfather — meets a red dye salesman, known as a reddleman. They briefly discuss Thomasin's marriage, and the old man infers from the reddleman that the wedding has been postponed.

In town, Thomasin meets her aunt and explains that her wedding was called off because of a mix-up with the license. They go to the tavern and receive assurance from Damon Wildeve, her fiancé, that he will marry Thomasin in a day or two. When the locals show up to sing to the newlyweds, they are forced to pretend that the marriage occurred.

After everyone leaves that night, Wildeve sees a bonfire up on the hill nearby the Vye house. Eustacia Vye, the exotic beauty who lives there, has heard from her grandfather that the marriage did not take place. She lit the fire, which was not unusual because many people celebrated Guy Fawkes Day with bonfires. Yet this was the same way she had attracted Wildeve the previous year; he had come to her house and they had begun a passionate affair. Confused, he goes to Eustacia again. After his visit, Wildeve decides that he does not want to marry Thomasin after all.

Diggory Venn, the reddleman, has been in love with Thomasin since childhood. He finds out about Eustacia and tries to get her to leave town. Thomasin's aunt, Mrs. Yeobright, tells Wildeve her niece is thinking of marrying Venn. When she hears this news, Eustacia decides that Wildeve is not as attractive as she had thought; she begins to have doubts about her relationship with him. Meanwhile, news comes that Mrs. Yeobright's son, Clym, has returned from Paris.

Book Second: the Arrival

Clym's arrival is important news to the locals, who remember what a bright, promising boy he was. Bored with Wildeve, Eustacia becomes infatuated with Clym. On the night that the drama troupe is going to put on a Christmas play, Eustacia finally meets Clym, although she keeps her identity hidden. She is so preoccupied with Clym that she fails to show up to tell Wildeve whether she will run off with him or not. Diggory Venn pressures her to leave Wildeve alone, and so she writes Wildeve a letter saying that she will not be involved with him anymore.

As soon as Venn admits that he is not engaged to Thomasin, Wildeve rushes to her house and sets a wedding date. When Thomasin and Wildeve get married, the witness to their wedding is Eustacia Vye — she just happenes to be in the churchyard when a witness is needed.

Book Third: the Fascination

Clym's Christmas holiday at home turns into an extended stay. He considers his life in the diamond trade in Paris to be superficial, and formulates a plan to open a school in the heath where he can teach the poor children who otherwise would get no education. He finally meets Eustacia, and is impressed with her beauty and intelligence. He informs his mother that Eustacia could be a part of his heath school.

Yet in fact, his mother doubts that Clym is serious about being a teacher at all. She accuses him of being interested in the young woman romantically. Eustacia does not like his plan to open a local school either; she sees none of the charm of Egdon Heath, and instead wants to go to Paris with him. When Clym proposes, she accepts, thinking that she can change his mind after their marriage.

After a fight with his mother, Clym marries Eustacia. In protest, his mother does not even attend. Yet she decides to send a local boy to the wedding with a hundred guineas. On the way, Wildeve dupes the boy into gambling and takes all of the money, which he considers half his anyway; Diggory Venn, who has been following him, gambles with Wildeve and wins the money from him.

Book Fourth: the Closed Door

Not knowing that the money was meant for Thomasin and Clym, Venn gives it all to Thomasin. Mrs. Yeobright assumes that Wildeve gave the money to Eustacia, his old lover. Mrs. Yeobright and Eustacia have a bitter argument.

Studying late into the night to become a schoolmaster, Clym damages his eyes and is told to quit reading for a while. Rather than staying idle, he takes a job as a furze cutter. Being married to a furze cutter is exactly the fate that Eustacia thought she was avoiding by marrying a worldly diamond merchant from Paris. As a result, she is humiliated. Depressed about her life, she goes to a local dance and meets her old flame, Wildeve. He is now rich from an inheritance from a distant relative — just the kind of man she would have wanted to marry. Yet she refuses to get involved with him.

Wildeve cannot get Eustacia out of his mind. He goes to her house at night, but Diggory Venn plants traps along the path. To avoid Venn, Wildeve goes to the house one afternoon. That happens to be the afternoon that Mrs. Yeobright has decided to visit Clym and Eustacia's house for the first time.

With Clym exhausted and sleeping on the couch, Wildeve arrives and Eustacia invites him into the living room. Just as they decide that they will not have an affair together, Mrs. Yeobright knocks at the door. Eustacia ushers Wildeve to the back door. When she checks the front door, Eustacia finds that Mrs. Yeobright has left.

On the way back to her house, Mrs. Yeobright walks with a young boy from the area, Johnny, telling him that her son has broken her heart. He leaves her when she sits down at the side of the trail to rest. That night, after work, Clym decides to visit his mother and settle their differences. He finds her lying on the side of the road, unable to talk. Local people determine that she has been bitten by a snake. They try to cure the bite.

Meanwhile, Wildeve has returned to the house to say goodbye to Eustacia. She has him walk her to join Clym and Mrs. Yeobright. They come across the people trying to revive the sick women and Eustacia is afraid to let anyone know she is there. Mrs. Yeobright dies, and the boy she was walking with tells Clym that she said that afternoon that her son had broken her heart.

Book Fifth: the Discovery

In mourning, Clym is overcome with sorrow and grief until he finds out more about his mother's last day. It is then that he learns that there was another man in the house, and that Eustacia looked out the window at Mrs. Yeobright when she was knocking. He accuses her of having an affair, so she moves back into her grandfather's house. Wildeve comes to her and asks her to go away with him, but she refuses to be unfaithful to Clym. When he asks if there is anything he can do for her, she says he can arrange transportation to the port town of Budmouth, where she can catch a ship.

Thomasin convinces Clym to forgive Eustacia, but she has already left. That night, Wildeve tells Thomasin that he has to go away for a while; she sees him take a huge roll of bills, indicating that he is going for a long time. Thomasin tells Clym that she thinks Wildeve and Eustacia are running away together. After he goes to stop them, she goes out into the storm too. Lost, she comes across Diggory Venn's wagon and he helps her in the search. Just as Clym finds Wildeve's coach, they hear a body fall into the river near the dam. Both men jump in to save Eustacia. When Venn arrives he jumps in too, pulling out Clym and Wildeve. Wildeve and Eustacia are dead, but the doctor is able to revive Clym. He blames himself for her death in addition to the death of his mother.

Book Sixth: Aftercourses

One year later, Clym lives with Thomasin and her daughter in his mother's old house. Diggory Venn has made enough money selling reddle to buy a large dairy farm. He asks Thomasin to marry him, but she thinks that he has become too isolated to be a good husband. Just as Clym is thinking that he should probably ask Thomasin to marry him, she tells him that she would like to marry Venn. Venn and Thomasin marry and Clym becomes a famous preacher.

بنااااااااات الكلام معكوس ...

يليت وحده تعرف ترتبه او مصدر هالكلام الرابط اقصد ...

بليززززززززززز...

[نور الـ ع ـيون]

تعبت وانا ادور بالصفحات القديمة عن كيتس

تفضلو هذا اللي لقيتة وجمعتة لكم من كلام البنات وقت اختبارنا

ورجـــاء للي يعرفني لايذكر اسمي

الـ Letters حقين Keats
هي 6 رسآئل
آهم النقآط :
Adams' dream = imagination
هذا بالرساله الأولى
Negative capability
بالرساله الثانيه
Characteristics of poet

Keat
Negative capability is the state of creative obsession that allows one to transcend any intellectual or social constraints and to perceive and to think more than any ……………… position of human nature allows. It describes the capacity of human beings to reject the constrains of a close system or context, and to both experience phenomenon free from any bonds or restriction, as well as to assert their well and individuality upon their activity. It means being capable of eliminating once own personality in order imaginatively to enter into that of another person or in extreme cases an animal or an object. It is the ability to see beauty that are seen as negative and experience everything, good or bad.
According to Keat, true poetry is no explained, but carefully absurd as reveled through the senses. The poet's job is to be receptive to a different type of reality, one in which uncertainties and mysteries cannot be resolved or explained.
The art of negative capability is a way of writing into the unknown. The reward is poetry that resonates at a deeper level with the reader, and surprises even the poet

والنقطه الاخيره يشرحها Characteristics of poet

**************************************************

سويت حركه , مآتوقعت بطلع معهآ بنتيجه
كتبت أول سطر تملينا اياه بقوقل , وطلع البقيه
آتمنيت لو الموقع منفتح لي كآن أقولكم بدري ~

http://www.keatsian.co.uk/keatsian-ideas.htm

نفس الكلام اللي هنا :

- Negative Capability is being capable of eliminating one's own personality,
in order imaginatively to enter into that of another person,
or, in extreme cases, an animal or an object.'
Negative capability is 1. the ability to engage.
To see beauty in things that are seen as negative,
and experience everything; good or bad. You can get inspiration from everything.

بعدين آخر برقرآف بهالصفحه
http://elizabethharrington.suite101....bility-a132361
اللي يبدأ بـ According to Keats .


********************


وهذا نزلتة الاخت جميلة


http://www.ckfu.org/vb/attachment.ph...3&d=1335743140


http://www.ckfu.org/vb/attachment.ph...2&d=1335743140

موفقين يارب

[Diamond brooch]

Keat

Negative capability is the state of creative obsession that allows one to transcend any intellectual or social constraints and to perceive and to think more than any ……………… position of human nature allows. It describes the capacity of human beings to reject the constrains of a close system or context, and to both experience phenomenon free from any bonds or restriction, as well as to assert their well and individuality upon their activity. It means being capable of eliminating once own personality in order imaginatively to enter into that of another person or in extreme cases an animal or an object. It is the ability to see beauty that are seen as negative and experience everything, good or bad.

According to Keat, true poetry is no explained, but carefully absurd as reveled through the senses. The poet's job is to be receptive to a different type of reality, one in which uncertainties and mysteries cannot be resolved or explained.

The art of negative capability is a way of writing into the unknown. The reward is poetry that resonates at a deeper level with the reader, and surprises even the poet.

^ وصلني هذا الشي عالايميل
من بنت جزاها الله خير
الكلام اللي تنقله الدكتوره في المحاضره
طبعا ما ادري اذا كامل او لا
لاني ما حضرت المحاضره
ان شاء الله يفيدكم
منقول..

>> بناااااااات هذا الناقص تقصدون ولا شي ثاني...!

[لاتغرك ضحكتي]

مسحت المشاركه
سبقتوني

[نور الـ ع ـيون]

الله يوفقنا يارب

[لاتغرك ضحكتي]

طيب بنات اتركوا كيتس على جنب

شفتوا محاضرة شيلي

نااااااااااااااااااااااااااااااااااااااااااااااقصه

الكلام بين كل كلمه و الثانيه فراغ

مثال:


Peacock ---- that the poet is useless and that the honor of poetry ------utility.

بليز بناااااااااات اللي تكتب مع الدكتوره تنقذنااااااااااا
ما سووا فينا خير هالمصريات اللي يفرغون

[heavy rain20]

بنات سؤال ضروري مدري اذا عبيط او لا خخخخخخخ بس احين النصوص الي عندنا الي سوينا عليها عروض ندرسها او لا راح تذاكرون شي من النصوص لو نسال دكتوره يمنى ع الايميل ؟

طبعآ قصدي ان نقراها لانه ما في عندنا شي عليها

[نور الـ ع ـيون]

المشاركة الأصلية كتبت بواسطة heavy rain20

بنات سؤال ضروري مدري اذا عبيط او لا خخخخخخخ بس احين النصوص الي عندنا الي سوينا عليها عروض ندرسها او لا راح تذاكرون شي من النصوص لو نسال دكتوره يمنى ع الايميل ؟

طبعآ قصدي ان نقراها لانه ما في عندنا شي عليها

لو تسألينها بتقول اي معاكم