ãáÊÞì ØáÇÈ æØÇáÈÇÊ ÌÇãÚÉ Çáãáß ÝíÕá,ÌÇãÚÉ ÇáÏãÇã

ÇáÚæÏÉ   ãáÊÞì ØáÇÈ æØÇáÈÇÊ ÌÇãÚÉ Çáãáß ÝíÕá,ÌÇãÚÉ ÇáÏãÇã > .: ÓÜÇÍÜÉ ÇáÊÚáíã Úä ÈÚÏ (ÇáÇäÊÓÇÈ):. > ãáÊÞì ØáÇÈ ÇáÊÚáíã Úä ÈÚÏ ÌÇãÚÉ Çáãáß ÝíÕá > ßáíÉ ÇáÃÏÇÈ > ÇááÛÉ ÇáÃäÌáíÒíÉ > E8
ÇáÊÓÌíá ÇáßæíÒÇÊÅÖÇÝÉ ßæíÒãæÇÚíÏ ÇáÊÓÌíá ÇáÊÚáíãÜÜÜÇÊ ÇáãÌãæÚÇÊ  

E8 English Literature Students Level eight Forum

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ÍãÇÇÇÏå ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
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^ ÕÚÈ ÇÍÏ íÌÇæÈß ÕÑÇÍå æíÞæáß ÊßÝí ¡
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Çã ÍÇÊã
 
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MoG
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ÇáÕæÑÉ ÇáÑãÒíÉ MoG
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ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: ÞÈá ÇáÌÇãÚå
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: ØÇáÈ æÊÎÕÕí ÇäÌáíÒí ÇÏÇÈ
ÇáãÓÊæì: ÇáãÓÊæì ÇáÎÇãÓ
 ÇáÃæÓãÉ æ ÌæÇÆÒ  ÈíÇäÇÊ ÇáÇÊÕÇá ÈÇáÚÖæ  ÇÎÑ ãæÇÖíÚ ÇáÚÖæ
MoG ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
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ÇÞÊÈÇÓ:
ÇáãÔÇÑßÉ ÇáÃÕáíÉ ßÊÈÊ ÈæÇÓØÉ ÍãÇÇÇÏå ãÔÇåÏÉ ÇáãÔÇÑßÉ
ÍÇÇÇÇæá ÞÏÑ ÇáÇÓÊØÇÚå Çäß ÊÞÑÇ Çæá 17 ÕÝÍå ãä ãáÒãÉ ßÇÑÒãÇÇ ÇáÇÖÇÝíå < ÊÑì ãáÒãå ãÚåÇ ÊÑÌãå æÝíåÇ ãÓÇÍÇÊ ßÈíÑå ÝÇÖíå íÚäí ÊÞÏÑ ÊÞæá ÍÌãåÇ ÇáÇÕá 8-9 ÕÝÍÇÊ
ÚäÏß ÑÇÈØ åÇáãáÒãå ¿ ãÏÑí æíä ÇÍÕáåÇ
 
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ÇáÏÑÇÓÉ: ÛíÑ ØÇáÈ
ÇáÊÎÕÕ: ÇäÌáíÒí
ÇáãÓÊæì: ÏßÊæÑÇå
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ÍãÇÇÇÏå ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
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ÇáãÔÇÑßÉ ÇáÃÕáíÉ ßÊÈÊ ÈæÇÓØÉ MoG ãÔÇåÏÉ ÇáãÔÇÑßÉ
ÚäÏß ÑÇÈØ åÇáãáÒãå ¿ ãÏÑí æíä ÇÍÕáåÇ
http://vb.ckfu.org/1057713860-post264.html

ËÇáË ãáÝ ÇÚÊÞÏ ÇáãÍÊæì ÇáÇÖÇÝí áÇÏÈ ÇáÇØÝÇá ãÊÑÌã ßÇÑÒãÇ ¡
 
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Against Gravity
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ÇáÕæÑÉ ÇáÑãÒíÉ Against Gravity
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ÈíÇäÇÊ ÇáØÇáÈ:
ÇáßáíÉ: College of Arts
ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: English Language
ÇáãÓÊæì: ÎÑíÌ ÌÇãÚí
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Against Gravity ÛíÑ ãÊæÇÌÏ ÍÇáíÇð
ÑÏ: ãÌáÓ ãÐÇßÑÉ ãÇÏÉ ÃÏÈ ÇáÃØÝÇá ,, 1438åÜ ÇáÝÕá ÇáËÇäí


ÇáãÍÇÖÑÉ ÇáÓÇÏÓÉ æÇáÓÇÈÚÉ ãä ÇáãáÝ ÇáÃÕáí
ÊÊÍÏË Úä ÇáÚäÇÕÑ ÇáÃÏÈíÉ áÃÏÈ ÇáÇØÝÇá
ßá ÚäÕÑ ÊÚÑíÝå æÇäæÇÚå æÇãËáÉ ßÊÈ Úáíå

ÇáãÍÇÖÑÉ ÇáÓÇÏÓÉ ÈÇáÈÏÇíÉ ÊÍÏË Úä : ÇáæÇÞÚíÉ æÇäåÇ ÊÊÍÏË Úä ÇáÍíÇÉ ÇáíæãíÉ
æ Earlier realistic novels ßÇäÊ ÊÎÊáÝ Úä ÇáÑæÇíÇÊ ÇáæÇÞÚíÉ ÇáÍÏíËå Ýí ÇáÓÈÚíäÇÊ 1970s
ãËá Anne of Green Gables and the Secret Garden
æßÇäÊ ÊÊÍÏË Úä ãÔÇßá ÇáäÖæÌ Çæ ÇáÈáæÛ ÇáãÚÊÇÏÉ æÊÓãì æÇÞÚíÉ ÇÌÊãÇÚíÉ Çæ ÑæÇíÇÊ ÚÇÆáíå

ÇáæÇÞÚíÉ ÇáÌÏíÏÉ
ãÇÈÚÏ ÚÇã 1970
æÇáÚÏíÏ ãä åÐå ÇáÑæÇíÇÊ ÊÊÍÏË Úä ÇáÌÇäÈ ÇáãÙáã ãä ÇáÍíÇÉ æßÊÈÊ Úä ãæÇÖíÚ ÓÇÈÞÇ áã Êßä ãäÇÓÈÉ ááÇØÝÇá.
ÃÍíÇäÇ ßÇäÊ ÊÏÚì ÑæÇíÇÊ ãÔÇßá ÇÌÊãÇÚíÉ Social problem novels Úä ÇáØáÇÞ ÇáÚÕÇÈÇÊ ¡..

Ëã ÇáÚäÇÕÑ ÇáÃÏÈíÉ ÃæáåÇ :
ÇáÔÎÕíÇÊ Characters
ÊÚÑíÝåÇ æÇÖÍ ãÇíÍÊÇÌ
in children's literature character is used to mean a person or personified animal or object.

Types of character;
o Round character: fully developed in the story –central and protagonists.
ÇáÑÇæäÏ : ÊØæÑÊ ÈÔßá ßÇãá Ýí ÇáÞÕÉ åí ÇáãÍæÑ æÈØá ÇáÞÕÉ.
o flat characters: less important characters but essential to action.
ÇáÝáÇÊ : ÃÞá Çåãíå áßäåÇ ÖÑæÑíå ááÚãá Çæ ÇáÞÕÉ
o dynamic characters: changes in the course of the action.
ÇáÏÇíäãÇíß ÔÎÕíÇÊ ÊÊÛíÑ ÎáÇá ÇÍÏÇË ÇáÚãá
o Static characters: no change in the course of the story
ÇáÓÊÇÊß ÔÎÕíÉ ãÇÊÊÛíÑ ÇÈÏÇ .
....
ÇáÝáÇÊ ÔÎÕíÉ ÕÛíÑå Çæ ÛíÑ ãåãå ÊÊãíÒ ÈÕÝÇÊ ÊÊäÇÞÖ ãÚ ÇáÔÎÕíÉ ÇáÇÓÇÓíÉ Çæ ÈØá ÇáÞÕÉ.
ÃãËáÉ áÏÑÇÓÉ ÇáÔÎÕíÉ
Amazing Grace-Hoffman
My Great Aunt Arizona-Gloria Huston

ËÇäíÇ :
Setting: the time and place where the story occurs.
ÇáæÞÊ æÇáãßÇä Çááí ÍÏËÊ Ýíå ÇáÞÕÉ .
ÎÕÇÆÕ ÇáÓÊäÞ:
ÇáæÞÊ ãÍÏÏ ÇãÇ ãÇÖí Çæ ÍÇÖÑ Çæ ãÓÊÞÈá.
ÇáãßÇä íÊØæÑ ãä ÎáÇá ÇáäÕ Çæ ÑÓæã ÊæÖíÍíÉ.
ÇáÓÊäÞ íÚØí ÊÝÇÕíá íÚÒÒ ÇáÍÈßÉ æÇáÔÎÕíÇÊ.
ÃäæÇÚ ÇáÓÊäÞ : ÇáæÞÊ æÇáãßÇä íÄËÑ Úáì ÇáÚãá æÇáËíã æÇáÔÎÕíÇÊ . ÇáÔÎÕíÇÊ ÊÊÕÑÝ ÈÔßá ãÚíä ÈÓÈÈ ÇáæÞÊ æÇáãßÇä.
ÃãËáå ßÊÈ ÌíÏå Úä ÇáÓÊäÞ
Gleam and Glow-Eve Bunting .
Grandfather's Journey- Allen Say.
The Relatives Came- Cynthia Rylant

ËÇáËÇ : ÇáÍÈßÉ Plot
æåæ ÊÓáÓá ãä ÇáÃÍÏÇË íÙåÑ ÇáÔÎÕíÇÊ Ýí ÇáÚãá íÊã ÇÎÊíÇÑå ãä ÞÈá ÇáãÄáÝ ßÃÝÖá æÓíáÉ ááÞÕÉ.
ÚäÇÕÑå ËáÇËå:
Narrative order: ÇáØÑíÞÉ Çááí íÎÊÇÑ ÝíåÇ ÇáßÇÊÈ áßÔÝ ÇáÞÕÉ ááÞÑÇÁ
Chronological order: ÇáÇÍÏÇË ãÑÊÈØå ÈÊÑÊíÈ ÍÏæËåÇ.
flashbacks: ÇáßÇÊÈ íÚØá disrupts ÊÓáÓá ÇáæÞÊ ÇáÚÇÏí ãä ÃÌá Ãä íÐßÑ ÔÆ ãÇÖí Çæ ÍÏË ÓÇÈÞ

conflict: ÇáäÒÇÚ ÃæÇáÕÑÇÚ Çááí íæÇÌåå ÈØá ÇáÞÕÉ
æíßæä ÅãÇ ÕÑÇÚ ÔÎÕ ÖÏ äÝÓå
Ãæ ÔÎÕ ÖÏ ÔÎÕ
Ãæ ÔÎÕ ÖÏ ÇáãÌÊãÚ
Ãæ ÔÎÕ ÖÏ ÇáØÈíÚÉ.


Climax: ÇáÐÑæÉ æäÞØÉ ÊÍæá Ýí ÇáÕÑÇÚ íÚÑÝ ÇáÞÇÑÆ äÊíÌÉ ÇáÚãá.
Denouement: ÇáÇÓÊäÊÇÌ Çæ ÑÈØ ááÇÍÏÇË íÚØí ÇáÞÇÑÆ ÝßÑå Çä ÇáÚãá ÎáÇÕ ÇßÊãá ÈÇáäåÇíÉ.

ÃãËáÉ ßÊÈ Úáì ÇáÍÈßÉ :
The Ugly Duckling.
Harriet and the Promised I and.

ÑÇÈÚÇ : Point of View :
åæ ÇáÌÇäÈ Çááí íÔæÝå ÇáÞÇÑÆ æåæ íÞÑà ÇáÞÕÉ ãä Çááí íÓÑÏ ÇáÃÍÏÇË åá åæ ÔÎÕ ÎÇÑÌ ÇáÚãá Çã ÈØá ÇáÞÕÉ äÝÓå æßÐÇ..

ÇäæÇÚ ÇáÈæíäÊ ÇæÝ Ýíæ
First Person : Story told through first narrator "I"
ÇáÞÕÉ íÊã ÇÈáÇÛäÇ ÈåÇ ãä ÎáÇá ÔÎÕ íÓÑÏåÇ ÈÇáÖãíÑ ÃäÇ íãÚäì ÚÇÕÑåÇ Çæ Êã ÇÈáÇÛåÇ áå ÃÝÚÇáå æãÔÇÚÑå ÊÃËÑ Úáì ÇáÞÕÉ.
åÐå ÇáÔÎÕíÉ ãÍÏæÏÉ æÌåÉ ÇáäÙÑ áÇäåÇ áÇÊÎÈÑäÇ ÈãÇÐÇ íÝßÑ ÇÍÏ ÔÎÕíÇÊ ÇáÞÕÉ ÅáÇ ÍíäãÇ íÐßÑ Ðáß ÔÎÕíÉ ÃÎÑì ÈÇáÞÕÉ.

Objective point of view
ÇáãÄáÝ íÏÚ ÇáÃÍÏÇË ÊÊßáã Úä äÝÓåÇ . æíÐßÑ ÝÞØ ÃÍÏÇË æÇÚãÇá ÇáÔÎÕíÇÊ æíÊÑß ááÞÇÑÆ ÇáãÌÇá Ýí ÇßÊÔÇÝ ÇÝßÇÑåã æãÔÇÚÑå.

Omniscient point of view
ÇáÞÕÉ íÊã ÑæÇíÊåÇ Çæ ÓÑÏåÇ ãä ÎáÇá ÇáÔÎÕ ÇáËÇáË Third person , they, he or she
ÇáÑÇæí íÚÑÝ ßá ãÔÇÚÑ æÇÝßÇÑ ßÇÝÉ ÇáÔÎÕíÇÊ Ýí ÇáÞÕÉ.
limited Omniscient point of view
ÇáÑÇæí ãÚÑÝÊå ÊÞÊÕÑ Úáì ÔÎÕíÉ æÇÍÏÉ ÝÞØ æíÌåá ãÔÇÚÑ æÇÝßÇÑ ÈÞíÉ ÇáÔÎÕíÇÊ.

ßÊÇÈ ãËÇá Úáì ÃÇáÜ Point of view
Three Stories You Can Read to Your Dog – Sara Miller


ÎÇãÓÇ : Theme
ãæÖæÚ Ãæ ÇáÝßÑÉ Çæ ÇáÑÓÇáÉ Çááí íÈí íæÕáåÇ áäÇ ÇáßÇÊÈ ãä ÎáÇá ÞÕÊå
ÇáËíã ÛÇáÈÇ Úä ÇáÊÚÇãá ãÚ ÇáãÌÊãÚ æØÈíÚÉ ÇáÇäÓÇä Çæ ÇáÎíÑ ÖÏ ÇáÔÑ æÛíÑåÇ
ããßä íÐßÑå ÇáãÄáÝ ÈÔßá ÕÑíÍ Ãæ Öãäí • Authors reveal theme explicitly as well as implicitly .
ÇáÞÕÉ ããßä ÊÍÊæí Úáì ÇßËÑ ãä Ëíã
Ëíã ÑÆíÓí Primary theme
æËÇäæí ÇÞá Çåãíå ãä ÇáÑÆíÓí Secondary theme

æÎáÕÊ ÇáÓÇÏÓÉ .. Ýí äåÇíÉ ÇáÓÇÈÚÉ ÐßÑ ÊÚÑíÝ ááËíã ÃíÖÇ æÇäæÇÚå æåí Friendship, Family, Prejudice, Growing up

æßá æÇÍÏ ãäåã Ýíå ãËÇá ßÊÇÈ .


ÈÏÇíÉ ÇáÓÇÈÚÉ Úä ÚäÇÕÑ ÃÏÈíÉ
æßáåÇ ÊÚÑíÝÇÊ ÑÇÌÚæåÇ ãÚ ÇáÊÚÑíÝ Çááí ÈÇáãáÝ ÇáÇÖÇÝí ááÌäÑÇ ÐßÑÊåÇ ÈÇáÑÏæÏ Çááí ÞÈá..


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ÇáÏÑÇÓÉ: ÇäÊÓÇÈ
ÇáÊÎÕÕ: ÇááÛÉ ÇáÇäÌáíÒíÉ
ÇáãÓÊæì: ÇáãÓÊæì ÇáÓÇÈÚ
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Against Gravity
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