[ اللغة الانجليزية ] : third year english student second term

[Miss.LoLo]

المشاركة الأصلية كتبت بواسطة لارا

WordsWorth's and coleridge's views concerning the use of Rustics as subject matter for poetry?

ايش يعني ؟

الحين انا حصلت ذي بووردزورث واذا وصلت لكلوريدج ولقيت شي سدحته لك
بس دعواتك
[IMG]file:///C:/DOCUME~1/HMATC~1/LOCALS~1/Temp/msohtml1/01/clip_image001.gif[/IMG]Why did they choose the rustic life?
* Most of the poetry that was written in the neo-classical age was about the people in London or the world of aristocrats.
* Wordsworth is reacting sharply against that type of subject or theme. He wants to bring new subject into the poetry so instead of writing about a high class or about the city people, he preferred to talk about common or the rustic people or the people of the country.
One reason for this might be because he himself lived there in the countryside. He was familiar with these people. The second reason might be that he wanted to bring new themes into poetry.
When it comes to people who are natural, spontaneous, you are talking about country people not city people. The country people usually show their feelings and emotions. They are not reserved or artificial or fake.
the best place to get emotion from is country people because they are not afraid of showing their emotions, because there life is simple and because every day they come in contact with nature so some of the beauty of nature should paste inside themselves.
If Wordsworth is going to write about people and he is going to reflect emotions in their true sense, so he has to go the source to the country where people are showing their emotions and their passions freely without any sort of constraints. That is why he chooses the rustic people.

[so what]

السلام عليكم بنات نقد 3


بالنسبه لسوال شورت نوت ابو 10 درجات*
احتمال كبير يجي مقارنات بين المشرق والمغر


هناك بعض الاسئله اود مشاركتكم بها ,, وجدتها مكتوبه من العام.
وجودها**

Comparison between (shelly+ coleridge) in metaphorical langauge


Pleasure ( wordsworth + coleridge)

Color (*wordsworth's using of rustic + shelly - imaginstion)*

Charcter( *aristotle ideal+ coleridege genertic + wordworth ordinary )*

Commen sense ( pope and*wordsworth

[M.A.S]

بنات قريتو التكست نفسه؟
أخاف تجيب شي دقيق من اللاينز وأتوهق! مافيه وقت أقراه أبدن

[نــونــه]

the talent of the poet and the talent of the critic


تبع ووردزوورث... ابي جوابه بليز

[Miss.LoLo]

المشاركة الأصلية كتبت بواسطة m.a.s

بنات قريتو التكست نفسه؟
أخاف تجيب شي دقيق من اللاينز وأتوهق! مافيه وقت أقراه أبدن

ان شاء الله ماتجيب لان بجد مايمدينا يالله نخلص ذا
واذا جاء ان شاء الله مايطلع عن الاينز اللي بالتفريغ

[لارا]

بنات الحين

What is the differences and similarity between the language of poetry and that of prose from Wordsworth's point of view

جوابه عالسريع 3 نقاط اختلاف و 7تشابه صح ؟

[Re Re]

the modern elemnts,,

William Shakespeare uses modern technique in his play "‘A Midsummer Night's Dream’ Defamiliarization , violation the unity of time , use of Baroque technique, metatheatrical , Gendermandering ,sympolism , expressionism , surrealism , dadism , cupism and intertextuality ,



Defamiliarization

Shakespeare appeals to ‘defamiliarization’, a modern technique that is defined by Victor Shklovsky in the 19th century. He defamiliarizes the real by replacing England with Athens for the setting of the play. He mentions ‘Athens’ but the characters act and react as English people. They describe the English countryside (forest) with its plants and flowers. The real ‘Athens’ is far from any forests in reality. Similarly, Shakespeare uses few French words in the English conversation like ‘adieu’ which means ‘farewell’ for the sake of defamiliarization as well.

William Shakespeare uses this technique by moving the setting from England to a foreign country, like Athens.This is for the sake of defamiliarization and he is talking about England, the English people, their traditions, and their habits. He is criticizing them, the plants/ the flowers in England. He does something else. He uses few French words in the English conversation, like ‘adieu’ instead of ‘farewell’. This is a problem with the 16th century audience because they are not cultured. But the modern audience must be cultured. They must know some French. So, they must understand what is there.




violation the unity of time

William Shakespeare keep the unity of time from the very beginning, William Shakespeare shows us that he is not going to preserve the unity of time. Theseus tells Hippolyta that they have to wait four whole days until they make their wedding party. This is a proof that there is no unity of time. It is a modern element.


use of Baroque technique


So, Shakespeare employs the Baroque technique in ‘A Midsummer Night's Dream’. The technique became popular in the 16th century up to the 18th century in Europe. A literary work encompasses various plots each with definite beginning and ending. The events of every story move in a circle. The circles either intersect or remain separate from one another.
(move in circles)= It means that there is beginning and ending to the story. Theseus loves Hippolytaand at the end they Hermia loves Lysander and at the end they will marry. Helena loves Demetrius and they will marry at the end. The craftsmen are preparing a play and they will perform the play. Oberon and Titania are quarreling and maybe they will reconcile at the end. So, the action moves in circles and these circles are either separate or interrelated
The grotesquery in ‘ AMidsummer Night's Dream’ Bottom changes into a donkey. In literature, this changing is called metamorphoses. Are metamorphoses real or not real? For the western critics who are not Muslims do not believe that metamorphoses can happen in real life. So, they say that it is not real. It is part of imagination.
Grotesquery in the play here happens and occurs in the accident of Bottom when he metamorphoses into a donkey. Another thing is magic . King Oberon practices magic. And we consider this Grotesquery. King Oberon; the king of the fairies, will employ or practice magic. How does he practice magic? Oberon orders Puck to go and bring for him a magic flower called the pansy. In reality it is not a magical flower, but in the play they say that it is a magical one. In the play, they say that one of Cupid’s arrows by mistake fell on this flower, so it makes this flower magical. Oberon explains to Puck why he wants this flower. King Oberon tells Puck that if you take this flower and squeeze, the juice of this flower it falls on the eyelids of somebody sleeping when that person wakes up and opens his eyes, he fall in love with the first living thing that comes across him by the power of magic

Gendermandering

There is a technique . A woman is chasing a man. It is a reversed situation. This technique is called a gendermandering technique
Shakespeare employs the technique of gendermandering in ‘A Midsummer Night's Dream’. It is affiliated with the courtly love tradition, but it highlights a gender role reversed. It is a non-traditional technique (experimental/modern technique).
Helena takes the role of the courtly love who is supposed to be a man. She is chasing Demetrius in the forest, and Demetrius plays the role of the lady who rejects and chides/ scolds. So, the last story is reversed


Dadism

Bottom thinks how they make the hole. So, he says that a man might wear cast .It is a modern technique. We call this dadism. It is something called “Dada”. It appeared early in the 20th century. The dadist manifesto was early in the 20th century in France and Italy. They announce that beginning of a movement. William Shakespeare was ahead of his time. He experiments dadism without knowing that it is dadism. All the movements are coined in the modern age. However, Shakespeare has been experimented with this modern technique in the 16th century. So, this idea of making a man wear a cast is a dadist technique.

Expressionism
Expressionism is a movement that appeared early in the 20th century. Shakespeare was ahead of his time. He used it in the 16th century before it has been coined.
(It is also an element of grotesquery.) When something is grotesque, this means it is scaring and humorous.
[Expressionistic drama tackles a miserable plot and it is often satirical of society and people. A character in an expressionistic play like Bottom is divested and reduced to a flat shadowy character who says strange and comic things. This abstract character stays in an abstract place. For example, Bottom experienced an absurd dreamlike meaningless unrealistic like when the fairies force him to stay in Titania’s bedroom. It can be said that Shakespeare adopts theriomorphic characterization to satirize Bottom.
When you have a character who is oppressed and there is a totalitarian forcing oppressing him, expressionistic shows up in symbol. So, having an ass head on Bottom is one way of satirizing the character who submits to totalitarian forces. this is a modern technique/ experimental; nonrealistic one.







Surrealism
Shakespeare employs the Surrealistic technique to incarnate Hermia’s verbal fight with Lysander and Helena. Surrealism is an anti-realistic technique that was coined at the beginning of the 20th century. It’s used in drama to make an oppressed character fight for her freedom against a totalitarian force. The fight is like a nightmare in the play. André Breton (he is a surrealistic leader who announced the manifesto of surrealism at the beginning of the 20th century) says that violence should be confined to the language only and this is what happens in the play. However, the other surrealist leader Antonin Artaud believes that violence be shown in both; language and action. It is worth mentioning that the surrealistic fight is humorous, not painful. Hermia feels she is oppressed by Lysender for forsaking her and by Helena for betraying her and stealing her lover. Lysander tells Hermia that he really hates her but he will not harm her.
When Lysander, and Demetrius decide to look for a place off stage to fight together/ to fight for Helena’s love. And the winner in the fight will win Helena. They do not say dueling. I imagine that they will fight with the hands. Hermia clings to Demetrius. She tries to hold him back. She wants him to stay with her and not to go fight for Helena. So, he pushes her away and he curses her. He calls her ‘Ethiopian’, ‘serpent’, ‘Tartar’, ‘loathedmedicine’ and ‘hatedpotion’. This is a verbal fight. We neverfind a fight that is more humorous than violence. This is a surrealism technique

بااقي Symbolism في ملزمه 8 ماعرفت اصيغها صياغه صحيحه بس فهمتها من نفسي ..
ونفس الشي بالنسبه Metatheatrical technique
ماعرفت اصيغها صياغه صحيحه لانها ملخبطه ..

هذا سؤال المودين حق شكسبير حليته احتمال كبير يكون فيه اخطاء بس ان شاء الله لا لاني اخذته من اوراق التفريغ عموما ان اصبت فمن الله وان اخطأت فمن الشيطان ..

طبعا كتبت مقدمه وبودي واحتمال يكون غلط واحتمال يكون صح
الخاتمه ماعرفت اكتبها ياليت بنات احد يراجع اللي كتبته ويشوف اذا في اغلاط ينبهنا ..
و البود ي قسمته انو على اساس يكون اسهل للحفظ بس طبعا ماراح تكون طريقة الكتابه كذا بالامتحان وشي ثاني ياليت وحده حلوه تحط لنا خاتمه ..وتضيف الناقص وتصلح الاغلاط اذا كان فيه اغلاط

و باقي البنات يحلون الاسئله باقي

1--the play as a parody of serious love

2-The craftsmen as a source of
mockery

-Classical elements 3

4- theme in general

[Lost 3]

المشاركة الأصلية كتبت بواسطة لارا

بنات الحين

what is the differences and similarity between the language of poetry and that of prose from wordsworth's point of view

جوابه عالسريع 3 نقاط اختلاف و 7تشابه صح ؟

شوفي المرفق بيسآعدك ,’

[Hope100]

مرحبا موفقين جميعا بكرا

في اسئلة العام مكتوب definition of poetry by shelley?
في احد يعرف الاجابه لاني مالقيتها,,

[clever girl]

primary imagination====done voluntary
secondary imagination====done cosciously
fancy=====done by coice,will
يعني كلهم بالاختيار كلهم زي بعض ولا ؟؟؟؟؟؟؟؟؟؟؟؟!!!!!!!!!!!!!!!!!!!!!