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E7 English Literature Students level seven Forum |
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أدوات الموضوع |
2015- 11- 22 | #81 | |
متميزة بالمستوى 7 E
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رد: النقد الأدبي تلخيص على شكل اسئلة
الله يجزاك خير بس عندي ملاحظه هنا مدري صح او لا في سؤال 9
اقتباس:
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2015- 11- 23 | #82 |
مُتميزة للمستوى السابع E
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رد: النقد الأدبي تلخيص على شكل اسئلة
lecture 9
who is Structuralism usually designates to ? group of French thinkers 2) what were they influenced by? Ferdinand de Saussure’s theory of language 3) when were they active ? the 1950s and 60s 4) what concepts did they apply? structural linguistics to the study of social and cultural phenomenon, including literature 5) where did Structuralism developed first ? in anthropology with Claude Levi-Strauss 6) where did it develop after that ? in literary and cultural studies with Roman Jackobson, Roland Barthes, Gerard Gennette 7) where did it develop after that ? in Psychoanalysis with Jacques Lacan 8) where did it develop after the ? Intellectual History with Michel Foucault and Marxist Theory with Louis Althusser. 9) what school did they form? these thinkers never formed a school but it was under the label “Structuralism” 10) when did their work circulate? their work circulated in the 1960s and 70s 11)what is structuralism interested in with literary studies? the conventions and the structures of the literary work (the text itself not the author) 12) structuralism does not seek to produce new interpretations of literary works , but what ? understand and explain how these works can have the meanings and effects that they do 13)what is semiotics ? the general science of signs the general study of signs in behaviour and communication that avoids philosophical speculation and cultural critiques that marked Structuralism. 14) who was Roland Barthes ? one of the most prominent figures in French Structuralism 15)what was his work about? the function of the author in literature 16) who wrote “The Death of the Author”? Roland Barthes 17) where did he write it ? his book Image, Music, Text 18) who translated his book? Stephen Heath 19) Barthes reminds the reader in this essay that the idea of the “author” is what ? a modren invention 20) when did the author emerge ? It emerged with English empiricism when society discovered the prestige of the individual, 21)Literature is tyrannically centred on what ? the author, his life, person, tastes and passions 22) where is the explanation of a text sought ? in the person who produced it 23)In ethnographic societies, the responsibility for a narrative is never assumed by a person but ? by a mediator, a relator 24) where is the explanation of a work always sought ? in the man or woman who produced it 25) who reigns supreme in histories of literature biographies of writers, interviews, magazines ? the author 26) Literary criticism and literature in general are enslaved to ? the author 27)The reader, the critic, the historian all read the text of literature only to try to discover ? the author, his life, his personality, his biography, psychology etc. 28)Barthes proposes that literature and criticism dispose of ? the author 29) what happens once the author is removed? the claim to decipher a text becomes quite futile 30) what happens to the professional critics who claims to be the guardian of the text ? he looses his position. All readings become equal 31) what does Roland Barthes question? the traditional idea that the meaning of the literary text and the production of the literary text should be traced solely to a single author 32)Structuralism and Poststructuralism proved what? d that meaning is not fixed by or located in the author’s ‘intention.’ 33)Barthes rejected the idea that literature and criticism should rely on what? “a single self-determining author, in control of his meanings, who fulfils his intentions and only his intentions 34)according to Roland Barthes, who speaks ? it is language that speaks and not the author who no longer determines meaning 35) why does barthe want literature to move away from the idea of the author ? to discover the reader, and more importantly, in order to discover writing 36) a text is not a message of an author but? “a multidimensional space where a variety of writings, none of them original, blend and clash.” 37)a text is made of what? multiple writings, drawn from many cultures and entering into mutual relations of dialogue, parody, contestation 38) who should be the focus of interpretation ? the reader not the author 39)what doe we mean by the text is plural? “a tissue of quotations,” a woven fabric with citations, references, echoes, cultural languages 40)the author is always conceived of as ? the past of his own book 41) book and author stand automatically on a single line divided in to what? into a before and an after 42) what do we mean but he author is thought to nourish the book ? he exists before it, thinks, suffers, lives for it, is in the same relation of antecedence to his work as a father to his child 43) when is the modern scriptor born ? simultaneously with the tex 44) who is the modern scriptor ? the hand cut off from any voice. He is borne by a pure gesture of inscription (and not of expression) |
2015- 11- 23 | #83 |
مُتميزة للمستوى السابع E
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رد: النقد الأدبي تلخيص على شكل اسئلة
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2015- 11- 23 | #84 |
أكـاديـمـي
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رد: النقد الأدبي تلخيص على شكل اسئلة
كلمات الشكر والتقدير لا تفي بحقكم اخت عيوش ونهر العطا جعلها الله في موازين حسسناتكم ويرزقكم اكثر مما تتمنون
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2015- 11- 24 | #85 |
مُتميزة للمستوى السابع E
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رد: النقد الأدبي تلخيص على شكل اسئلة
المحاضرات من 1-9
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2015- 11- 24 | #86 |
مُتميزة للمستوى السابع E
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رد: النقد الأدبي تلخيص على شكل اسئلة
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2015- 11- 24 | #87 |
المشرفة العامة سابقاً
اللغة الإنجليزية |
رد: النقد الأدبي تلخيص على شكل اسئلة
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2015- 11- 25 | #88 |
أكـاديـمـي ذهـبـي
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رد: النقد الأدبي تلخيص على شكل اسئلة
جزاك الله الف خير
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2015- 11- 25 | #89 |
مُتميزة للمستوى السابع E
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رد: النقد الأدبي تلخيص على شكل اسئلة
lecture 10
1) who wrote "What is an Author?”? Michel Foucault 2)what does Foucault questions ? the most basic assumptions about authorship 3) who said It "came into being,” he explains, at a particular moment in history, and it may pass out of being at some future moment ? Michel Foucault 4) what is he talking about ? authorship 5)how does Foucault describe the way we see authors? as individuals, heroic figures who somehow transcend or exist outside history 6) who urged critics to realize that they could "do without [the author] and study the work itself ? Barthes 7) what did Foucault think of that? it’s not realistic. 8)Foucault suggests that critics like Barthes and Derrida never really get rid of the author but do what ? instead merely reassigns the author's powers and privileges to "writing" or to "language itself 9)Foucault doesn't want his readers to assume that the question of authorship has what ? already been solved by critics like Barthes and Derrida. 10)Foucault says the names of authors often serve as what ? a "classifactory" function. 11) how is an average bookstore is organized ? by author 12) who introduced the concept of the "author function “? Foucault 13)what is the "author function”? It is not a person and it should not be confused with either the "author" or the "writer." it’s more like a set of beliefs or assumptions governing the production, circulation, classification and consumption of texts. 14)Foucault identifies and describes how many characteristics of the "author function” ? 4 15) what are they ? 1. The "author function" is linked to the legal system 2. The "author function" does not affect all texts in the same way 3. The "author function" is more complex than it seems to be 4. The term "author" doesn't refer purely and simply to a real individual 16) what do we mean by linked to a legal system ? There is the need here to have names attached to statements made in case there is a need to punish someone for transgressive things that get said. 17)explain does not affect all texts in the same way? it doesn't seem to affect scientific texts as much as it affects literary texts. If a chemistry teacher is talking about the periodic table, you probably wouldn't stop her and say, "Wait a minute--who's the author of this table?" If I'm talking about a poem, however, you might very well stop me and ask me about its author 18)what do we mean by doesn't refer purely and simply to a real individual ? The "author" is much like the "narrator," Foucault suggests, in that he or she can be an "alter ego" for the actual flesh-and-blood "writer.” 19)Foucault shows that the "author function" applies not only to individual works but what ? larger discourses 20)who raises the possibility of doing a "historical analysis of discourse “? Foucault 21) what has operated differently in different places and at different times ? the "author function" 22) how did Foucault begin his essay? by questioning our tendency to imagine "authors" as individuals isolated from the rest of society 23) who argues that the author is not a source of infinite meaning, but rather part of a systemof beliefs that serve to limit and restrict meaning ? Foucault 24) what does Foucault agree with Barthes on? that the "author function" may soon "disappear 25) what does he disagree with him ? that instead of the limiting and restrictive "author function," we will have some kind of absolute freedom 26) what does he think will happen ? one set of restrictions and limits (the author function) will give way to another set there must and will always be some "system of constraint" working upon us |
2015- 11- 25 | #90 |
مُتميزة للمستوى السابع E
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رد: النقد الأدبي تلخيص على شكل اسئلة
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مواقع النشر (المفضلة) |
الذين يشاهدون محتوى الموضوع الآن : 1 ( الأعضاء 0 والزوار 1) | |
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المواضيع المتشابهه | ||||
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