ملتقى طلاب وطالبات جامعة الملك فيصل,جامعة الدمام - عرض مشاركة واحدة - مذاكرة جماعية ليالي سعيدة مع نقطة تفتيش المسرحية الحديثة

صالح الروقي · 2013- 12- 30

اهم النقاط بالمحاضره الأولى

After the death of Shakespeare and his contemporaries drama in England suffered a decline for two centuries.

Congreve in the seventeenth, and Sheridan and Goldsmith in the eighteenth, could not restore drama to the position it held during the Elizabethan Age.

Drama was revived in the last decade of the 19th Century

Two important factors were responsible for the revival of drama in 1890's
the influence of Ibsen, the great Norwegian dramatist-
the cynical atmosphere prevailing at that time-

influence of Ibsen the serious drama in England from 1890 onward ceased

the real drama must deal with human emotions

This treatment of actual life made the drama more and more a drama of ideas, which were, for the most part revolutionary

In the new drama of ideas, action became slow and frequently interrupted

In the field of non-serious comedy there was a revival, in the twentieth century, of the Comedy of Manners

The modern period, to -a great. Extent is like the Augustan period, because of the return of the witty, satirical comedy which reached its climax in the hands of Congreve in 1700

The two important dramatists who took a predominant part in the revival of drama in the last decade of the nineteenth century were George Bernard Shaw and Oscar Wilde, both Irishmen

Shaw was the greatest practitioner of the Comedy of Ideas, while Wilde that of the new Comedy of-Manners

Wilde may be considered, therefore, as the father of the comedy of pure entertainment as Shaw is the father of the Comedy of Ideas

the artificial comedy and the comedy of ideas, another type of drama was developed in England under the influence of the Irish Dramatic Movement whose originators were Lady Gregory and W.B. Yeats

The two important dramatists belonging to this movement are J.M. Synge and Sean O'Casey

There has been the revival of Poetic Drama in the twentieth century, whose most important practitioner was T. S. Eliot

Henrik Ibsen (1828-1906) is considered the father of modem realistic drama

فيه اسماء وتواريخ مااضفتها لكن تقريباً هذي النقاط اللي شفتها مهمه بالمحاضره بعد مذاكرتي

2013- 12- 30	#68
صالح الروقي أكـاديـمـي فـضـي الملف الشخصي: رقم العضوية : 129615 تاريخ التسجيل: Mon Dec 2012 المشاركات: 498 الـجنــس : ذكــر عدد الـنقـاط : 5619 مؤشر المستوى: 63 بيانات الطالب: الكلية: الأدب الدراسة: انتساب التخصص: اللغة الانجليزية المستوى: خريج جامعي	رد: ليالي سعيدة مع نقطة تفتيش المسرحية الحديثة اهم النقاط بالمحاضره الأولى After the death of Shakespeare and his contemporaries drama in England suffered a decline for two centuries. Congreve in the seventeenth, and Sheridan and Goldsmith in the eighteenth, could not restore drama to the position it held during the Elizabethan Age. Drama was revived in the last decade of the 19th Century Two important factors were responsible for the revival of drama in 1890's the influence of Ibsen, the great Norwegian dramatist- the cynical atmosphere prevailing at that time- influence of Ibsen the serious drama in England from 1890 onward ceased the real drama must deal with human emotions This treatment of actual life made the drama more and more a drama of ideas, which were, for the most part revolutionary In the new drama of ideas, action became slow and frequently interrupted In the field of non-serious comedy there was a revival, in the twentieth century, of the Comedy of Manners The modern period, to -a great. Extent is like the Augustan period, because of the return of the witty, satirical comedy which reached its climax in the hands of Congreve in 1700 The two important dramatists who took a predominant part in the revival of drama in the last decade of the nineteenth century were George Bernard Shaw and Oscar Wilde, both Irishmen Shaw was the greatest practitioner of the Comedy of Ideas, while Wilde that of the new Comedy of-Manners Wilde may be considered, therefore, as the father of the comedy of pure entertainment as Shaw is the father of the Comedy of Ideas the artificial comedy and the comedy of ideas, another type of drama was developed in England under the influence of the Irish Dramatic Movement whose originators were Lady Gregory and W.B. Yeats The two important dramatists belonging to this movement are J.M. Synge and Sean O'Casey There has been the revival of Poetic Drama in the twentieth century, whose most important practitioner was T. S. Eliot Henrik Ibsen (1828-1906) is considered the father of modem realistic drama فيه اسماء وتواريخ مااضفتها لكن تقريباً هذي النقاط اللي شفتها مهمه بالمحاضره بعد مذاكرتي