الموضوع: المناقشات الاسبوعية مناقشات جميع مواد مستوى خامس
عرض مشاركة واحدة
قديم 2018- 2- 26   #25
ALshehri_7moody
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تاريخ التسجيل: Sat Nov 2016
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بيانات الطالب:
الكلية: طالب جامعي
الدراسة: انتساب
التخصص: كلية الأداب
المستوى: خريج جامعي
 الأوسمة و جوائز  بيانات الاتصال بالعضو  اخر مواضيع العضو
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رد: مناقشات جميع مواد مستوى خامس

هذا الحل الصحيح حتى المناقشه الخامسه لمادة الادب الانجليزي في القرن ال 17


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مناقشات الادب في القرن17


المناقشة 01
The puritan poetry can be divided into three parts.
1-Poetry of the school of Spenser. 2-Poetry of the Metaphysical school
3-Poetry of the Cavalier.

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المناقشة 02
In the puritan age: The dramatists in the puritans gave expression to passive suffering and lack of mental and physical vigor. Thus in the hands of these dramatists of the inferior type the romantic drama which had achieved great heights during the Elizabethan period,suffered a terrible decline, and when the Puritans closed the theaters in 1642,it died a natural death.
In the Restoration Drama, The theaters were closed by the authority of the Parliament which was dominated by Puritans and so no good plays were written from 1642 till the Restoration.During the Restoration Period the emphasis was on prose as the medium of expression.

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الادب الانجليزي في القرن17
الثالثه
I agree, because when he got blind,his wife and daughters left
him

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الادب الانجليزي في القرن17
المناقشه 4
It discuss The Importance of Obedience to God. The first words of Paradise Lost state that the poem’s main theme will be “Man’s first
Disobedience.” Milton narrates the story of Adam and Eve’s disobedience, explains how and why it happens, and places the story and Satan’s rebellion and Jesus’ resurrection. also,Paradise Lost presents two moral paths that one can take after disobedience:the
downward spiral of increasing sin and degradation, represented by Satan,and the road to redemption, represented by Adam and Eve.

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الادب الانجليزي في القرن17
المناقشة 05
because the common people still under the influence of Puritanism in the age of restoration and had no love for the theatres, the dramatists had to cater to the taste of aristocratic class which was highly fashionable, frivolous, cynical and sophisticated.
The Restoration Drama was confined to the upper strata of society whose taste was aristocratic.


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