الموضوع: مذاكرة جماعية تجمع النقد الادبي .... !!
عرض مشاركة واحدة
قديم 2015- 5- 9   #154
ندى العالم
أكـاديـمـي مـشـارك
 
الصورة الرمزية ندى العالم
الملف الشخصي:
رقم العضوية : 92969
تاريخ التسجيل: Tue Nov 2011
المشاركات: 2,283
الـجنــس : أنـثـى
عدد الـنقـاط : 4174
مؤشر المستوى: 84
ندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond reputeندى العالم has a reputation beyond repute
بيانات الطالب:
الكلية: جامعة فيصل
الدراسة: انتساب
التخصص: English language
المستوى: خريج جامعي
 الأوسمة و جوائز  بيانات الاتصال بالعضو  اخر مواضيع العضو
ندى العالم غير متواجد حالياً
رد: تجمع النقد الادبي .... !!

من محاضرة 8

Narrative Mood: Mimesis vs. Diegesis
- Traditional criticism studied, under the category of mood, the question whether literature uses mimesis (showing) or diegesis (telling).
- Since the function of narrative is not to give an order, express a wish, state a condition, etc., but simply to tell a story and therefore to “report” facts (real or fictive), the indicative is its only mood.
- In that sense, Genette says, all narrative is necessarily diegesis (telling). It can only achieve an illusion of mimesis (showing) by making the story real, alive and vivid.
- No narrative can show or imitate the story it tells. All it can do is tell it in a manner that can try to be detailed, precise, alive, and in that way give more or less the illusion of mimesis (showing). Narration (oral or written) is a fact of language and language signifies without imitating.
- Mimesis, for Gennete is only a form of diegesis, showing is only a form of telling.
- It is more accurate to study the relationship of the narrative to the information it presents under the headings of: Distance and Perspective