أختي (مين فدك):
هاي الأحداث حق المسرحيه(اختبار بكره بس مو كل الاحداث) وبالنسبه للتعليقات توي اكتبها واضبطها لما اخلصها
بأحطها هنا بس راجعيها عشان مترجعوا وتقولوا وايت روز عندها أغلااط او شي .
لأن سمعت بنات يقولوها وزعلت زكنت ناويه ماعد أنزل شي بس في بنات كاسرين خاطري.
Act I, scenes i–ii
Summary: Act I, scene i
- Antonio, a Venetian merchant, complains to his friends, Salerio and Solanio, that a sadness has overtaken him and dulled his faculties, although he is at a loss to explain why. Salerio and Solanio suggest that his sadness must be.
- Bassanio , tells Antonio he has fallen in love with Portia, a rich heiress from Belmont.
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Summary: Act I, scene ii
- At Belmont, Portia complains to her lady-in-waiting, Nerissa, that she is weary, for herself whether to take a husband.
- Portia’s various suitors must choose between three chests, gold, silver and lead.
- The man who guesses correctly will win Portia’s hand in marriage, but those who guess incorrectly must swear never to marry anyone.
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Act I, scene iii
- Shylock, a Jewish moneylender, agrees to loan Bassanio three -thousand ducats for a term of three months. Bassanio assures Shylock that Antonio will guarantee the loan, but Shylock is doubtful because Antonio’s wealth is currently invested in business ventures that may fail.
- As he calculates the interest on Bassanio’s loan, Shylock remembers the many times that Antonio has cursed him.
- Antonio responds that he is likely to do so again.
- Antonio forfeit a pound of his own flesh should the loan not be repaid in due time. Bassanio warns Antonio against entering such an agreement.
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Act II, scenes i–iv
Summary: Act II, scene i
- In Belmont, the prince of Morocco arrives to attempt to win Portia’s hand in marriage. The prince asks Portia not to judge him by his dark complexion, assuring her that he is as valorous as any European man.
- the prince asks Portia to lead him to the caskets, where he may venture his guess. She reminds him that the penalty for guessing incorrectly is that he must remain unmarried forever. The prince accepts this stipulation, and Portia leads him off to dinner.
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Summary: Act II, scene ii
- Lancelot Gobbo, a servant of Shylock’s, struggles to decide whether or not he should run away from his master.
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Summary: Act II, scene iii
- Shylock’s daughter Jessica bids good-bye to Lancelot. She tells him that his presence made life with her father more bearable. Jessica gives Lancelot a letter to carry to Bassanio’s friend Lorenzo, and Lancelot leaves, almost too tearful to say good-bye. Jessica, left alone, confesses that although she feels guilty for being ashamed of her father, she is only his daughter by blood, and not by actions. Still, she hopes to escape her damning relationship to Shylock by marrying Lorenzo and converting to Christianity.
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Summary: Act II, scene iv
- Lancelot enters bearing Jessica’s letter. Lorenzo recognizes the writing.
- Lorenzo bids Lancelot to return to Shylock’s house in order to assure Jessica, secretly, that Lorenzo will not let her down.
- Lorenzo orders his friends to prepare for the night’s festivities.
- Lorenzo relates to Graziano that Jessica will escape from Shylock’s house by disguising herself as Lorenzo’s torchbearer.
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Summary: Act II, scene v
- Shylock warns Lancelot that Bassanio will not be as lenient a master as Shylock himself has been, and that Lancelot will no longer be at liberty to overeat and oversleep. Shylock calls for Jessica and tells her that he has been summoned for dinner.
- Shylock asks Jessica to keep the doors locked and not look out.
- Lancelot whispers to Jessica that she must disobey her father and look out the window for the Christian.
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Summary: Act II, scene vi
- As planned, Graziano and Salerio meet in front of Shylock’s house. They are especially anxious because Lorenzo is late, and they think that lovers tend always to be early.
- Lorenzo joins them, apologizes for his tardiness, and calls up to Jessica, who appears on the balcony dressed as a page. Jessica tosses him a casket of gold and jewels. Jessica descends and exits with Lorenzo and Salerio. Just then, Antonio enters to report that Bassanio is sailing for Belmont immediately.
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Summary: Act II, scene vii
- Back in Belmont, Portia shows the prince of Morocco to the caskets, where he will attempt to win her hand by guessing which chest contains her portrait.
- After much pondering, the prince chooses the gold casket, reasoning that only the most precious ****************l could house the picture of such a beautiful woman. He opens the chest to reveal a skull with a scroll in its eye socket. After reading a short poem chastising him for the folly of his choice, the prince makes a hasty departure. Portia is glad to see him go and hopes that “[a]ll of his complexion choose me so”.
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Summary: Act II, scene viii
- Shylock’s rage upon learning of Jessica’s elopement, Solanio describes the scene to Salerio. Shylock, he reports, railed against the loss of his daughter and his ducats, and he shouted a loud, urgent appeal for justice and the law to prevail. Solanio hopes that Antonio is able to pay his debt, but Salerio reminds him of rumors that the long-awaited ships have capsized in the English Channel.
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