ملتقى طلاب وطالبات جامعة الملك فيصل,جامعة الدمام - عرض مشاركة واحدة - اللغة الانجليزية || .... Fourth year only .... ||

سماوات · 2011- 1- 23

هلا بنات ,... هذا البرقراف اللي لقيته عن حياة الكاتب و الماستر بلدر

احس ما اقدر اوسعه الى آسي

Ibsen's Life

In what way might this play be about Ibsen’s own life? Some critics suggest that the three phases of the Master Builder’s building-art represents Ibsen’s three phases of play-art. The churches built in the early stage of Solness’ career correspond to Ibsen’s early romantic plays. Solness’ “homes for human beings” signify the author’s middle period social plays. The “Castles in the air,” that Solness intended to build are comparable to Ibsen’s later period of symbolic, spiritual dramas (Monarch). Critics have also considered that additional autobiographical themes in this work are about an aging artist who is both self-doubting the worth of his art and fearful about being displaced by the new generation (Feldberg). Some think that The Master Builder is Ibsen’s response to Knut Hamson, a Norwegian writer, who asserted that Ibsen should give up his influence in Norwegian theater to the younger generation (Gale Group “Henrik”).

2011- 1- 23	#2201
سماوات أكـاديـمـي فـعّـال الملف الشخصي: رقم العضوية : 49805 تاريخ التسجيل: Mon Mar 2010 المشاركات: 270 الـجنــس : أنـثـى عدد الـنقـاط : 300 مؤشر المستوى: 67 بيانات الطالب: الكلية: كلية الآداب بالدمام الدراسة: انتساب التخصص: ادب انجليزي المستوى: المستوى الثامن	رد: \|\| .... Fourth year only .... \|\| هلا بنات ,... هذا البرقراف اللي لقيته عن حياة الكاتب و الماستر بلدر احس ما اقدر اوسعه الى آسي *Ibsen's Life* In what way might this play be about Ibsen’s own life? Some critics suggest that the three phases of the Master Builder’s building-art represents Ibsen’s three phases of play-art. The churches built in the early stage of Solness’ career correspond to Ibsen’s early romantic plays. Solness’ “homes for human beings” signify the author’s middle period social plays. The “Castles in the air,” that Solness intended to build are comparable to Ibsen’s later period of symbolic, spiritual dramas (Monarch). Critics have also considered that additional autobiographical themes in this work are about an aging artist who is both self-doubting the worth of his art and fearful about being displaced by the new generation (Feldberg). Some think that The Master Builder is Ibsen’s response to Knut Hamson, a Norwegian writer, who asserted that Ibsen should give up his influence in Norwegian theater to the younger generation (Gale Group “Henrik”).