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أكـاديـمـي فـعّـال
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رد: Rome
The City Reborn: How the City Came Back to Life
Rome now is one of the grandest cities in the world. Millions of pilgrims and tourists come every year to admire, and be awed by, its treasures of architecture, art, and history. But is was not always this way. By the fourteenth century, the great ancient city had dwindled to a miserable village. Perhaps 20,000 people clung to the ruins despite the ravages of disease and robber barons. Popes and cardinals had fled to Avignon in southern France. Rome was dwarfed in wealth and power by the great commercial cities and territorial states farther north, from Florence to Venice. In the Renaissance, however, the popes returned to the See of Saint Peter. Popes and cardinals straightened streets, raised bridges across the Tiber, provided hospitals, fountains, and new churches for the public and splendid palaces and gardens for themselves. They drew on all the riches of Renaissance art and architecture to adorn the urban fabric, which they saw as a tangible proof of the power and glory of the church. And they attracted pilgrims from all of Christian Europe, whose alms and living expenses made the city rich once more. The papal curia--the central administration of the church- -became one of the most efficient governments in Europe. Michelangelo and Raphael, Castiglione and Cellini, Giuliano da Sangallo and Domenico Fontana lived and worked in Rome. Architecture, painting, music, and literature flourished. Papal efforts to make Rome the center of a normal Renaissance state, one which could wield military as well as spiritual power, eventually failed, but Rome remained a center of creativity in art and thought until deep into the seventeenth century.
The popes had always had a library, but in the middle of the fifteenth century they began to collect books in a new way. Nicholas V decided to create a public library for "the court of Rome"--the whole world of clerics and laymen, cardinals and scholars who inhabited the papal palace and its environs. He and Sixtus IV provided the library with a suite of rooms. These were splendidly frescoed, lighted by large windows, and furnished with elaborate wooden benches to which most books were chained. And, unlike some modern patrons, the popes of the Renaissance cared about the books as well as about the buildings that housed them. They bought, borrowed, and even stole the beautiful handwritten books of the time. The papal library soon became as spectacular a work of art, in its own way, as the Sistine Chapel or Saint Peter's. It grew rapidly; by 1455 it had 1200 books, 400 of them Greek; by 1481, a handwritten catalogue by the librarian, Platina, showed 3500 entries--by far the largest collection of books in the Western world. And it never stopped growing, thanks to bequests, purchases, and even, sometimes, military conquests.
From the start, the library had a special character. It included Bibles and works of theology and canon law, but it specialized in secular works: above all, the Greek and Latin classics, in the purest ****************s that the popes and their agents could find, for the popes and their servants saw these as the most powerful source of knowledge and counsel that the world possessed. The Vatican Library, in fact, became a center of the revival of classical culture known as the Renaissance. Its librarians were often distinguished scholars. Historians and philosophers, clerics and magicians visited the collections and borrowed books from them. By 1581, when the French writer Michel de Montaigne visited Rome, the treasures of the Vatican had become a mandatory stop on any well-informed traveller's Roman itinerary. To his delight, Montaigne was shown ancient Roman and ancient Chinese manu************************s, the love letters of Henry VIII, and the classics of history and philosophy (many of which can be seen in this exhibition). Then, as now, the Vatican Library was one of the greatest in the Western world.
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