ملتقى طلاب وطالبات جامعة الملك فيصل,جامعة الدمام - عرض مشاركة واحدة - the first page of the second lecture (word)

kotican · 2012- 2- 28

يالله ذي اخر مرة عشاني وعدتكم مع نفسي خخخ

Summarising Floubert's aims for the novel, Jonathan Culler(1974,pp.14—16) lists threemain issues:

1- that 'content' was less important than 'style'.

2- that a novel should confront the reader as ' an aesthetic object rather than a communicatve act' .

3- that a novel should contain no identifiable authorial point of view or opinion about its subject, its characters and events: their interpretation was entirely a matter for the reader to work out .

James though more directly concerned than Flaubert with moral issues, proposed comparable goals. Novels should aim at aesthetic unity. Thus the auther, as an overt 'voice' in the novel , should not appear: readers would meet only the various point of view—the attitudes and the judgements—of the characters, and primarily through the 'central intelligence' of one man character: on furthering this aim episodes should be presented in term of 'scenes', rather than merely narrated. Such ideas and practice were extensively adopted by Modernist novelists.

What did this mean in practice ?

2012- 2- 28	#3
kotican أكـاديـمـي نــشـط الملف الشخصي: رقم العضوية : 38911 تاريخ التسجيل: Thu Oct 2009 المشاركات: 194 الـجنــس : أنـثـى عدد الـنقـاط : 129 مؤشر المستوى: 66 بيانات الطالب: الكلية: كليه الآداب الدراسة: انتساب التخصص: اللغة الانجليزية المستوى: المستوى السابع	رد: the first page of the second lecture (word) يالله ذي اخر مرة عشاني وعدتكم مع نفسي خخخ Summarising Floubert's aims for the novel, Jonathan Culler(1974,pp.14—16) lists threemain issues: 1- that 'content' was less important than 'style'. 2- that a novel should confront the reader as ' an aesthetic object rather than a communicatve act' . 3- that a novel should contain no identifiable authorial point of view or opinion about its subject, its characters and events: their interpretation was entirely a matter for the reader to work out . James though more directly concerned than Flaubert with moral issues, proposed comparable goals. Novels should aim at aesthetic unity. Thus the auther, as an overt 'voice' in the novel , should not appear: readers would meet only the various point of view—the attitudes and the judgements—of the characters, and primarily through the 'central intelligence' of one man character: on furthering this aim episodes should be presented in term of 'scenes', rather than merely narrated. Such ideas and practice were extensively adopted by Modernist novelists. What did this mean in practice ?