• oxymoron (apparent contradiction, i.e., calling love “a sweet anguish.”)
• personification (giving human characteristics to a nonhuman object, i.e., “the
laughing brook,” or presenting an abstraction as a person: i.e., Justice as a
blindfolded woman holding a set of scales.)
• synecdoche (substituting a part for a whole, i.e., referring to a hundred ships as “a
hundred sails,” or saying “We have fifteen head of cattle” when you, hopefully,
have the entire animals, not just their heads.)
• metonymy (referring to something in terms of a closely-associated object, i.e., referring to a businessman as “a suit,” or to a king as “the crown,” or a preppy guy as “so J. Crew.”)

يمقن تجي ويمقن لا بس احساسي يقول بتجي منها غصبن عنه