عرض مشاركة واحدة
  #1  
قديم 2012- 11- 21
ـألسآحر
مشرف قسم الأنجلش سابقآ
بيانات الطالب:
الكلية: الاداب
الدراسة: انتساب
التخصص: انجليزي
المستوى: دكتوراه
بيانات الموضوع:
المشاهدات: 2262
المشاركـات: 6
 
الملف الشخصي:
رقم العضوية : 34445
تاريخ التسجيل: Mon Sep 2009
المشاركات: 2,158
الـجنــس : ذكــر
عدد الـنقـاط : 23772
مؤشر المستوى: 111
ـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond reputeـألسآحر has a reputation beyond repute
 الأوسمة و جوائز  بيانات الاتصال بالعضو  اخر مواضيع العضو
ـألسآحر غير متواجد حالياً
Literary Criticism .. homework 3

Structuralism in literature is a continuation of the work of

Renaissance Humanism

Marxist criticism

Russian Formalism

Traditional criticism

-----------------

Structuralism is not interested in the interpretation of literature, it is interested in

The spirituality of literature

The consumption of literature

The magic of literature

The structures of literature

---------------

Gerard Gennette explains that traditional criticism confuses under “Point of View”:

The question of “who sees?” and the question of “who speaks?

The question of “who writes?” and the question of “who tells?

The question of “who writes?” and the question of “who reads?”

The question of the author with the question of the narrator

----------------

Roland Barthes calls for the “Death of the Author” because:

He hates the author

He wants to liberate the author

He wants the reader to have more freedom to interpret the text

He wants to create competition between the author and the critic


بالتوفيق