بناااااااااااااااات جاوبونا تكفوون وش سالفة تشكسبير خاصه المسرحيه الاولى اقتباس: اتوقع شاه كالعادة كريتكال كوسشنز عن مين الهيرو وليه ووشو هذا وينه فيه تراني فهاوه كبيره ووشي ثاني انا باديه بالمسرحيه على طول تهقون يجيب شي من المحاضره الاولى اللي هي انرودكشن عن الدراما وكذا !!!! جاوبو تكفوووون وبنات حماه وش الكوتيشنز اللي حددتهم بليييييييييييييز

المشاركة الأصلية كتبت بواسطة me 3alya (المشاركة 2553278) اهللللن سنيوريييتا :biggrin: اللغوياااات دام نسرين اللي حاطتها :mh001: شووور بتكوون كذا بالنسبه لشكسبير يقولون البنات ان كلهم حاطين الاسئله سوااا شاه نواز و هوما وليلى :(269): يعني الاختبااار بكرا حمااااس :33_asmilies-com: بس اللي ابي اعرفه انوو بنات هووما يقولون قالت لهم انوو التعريفات حقت شكسبير للتراجيدي مهمه وحنا شاه نوااااز ماطراااها اببببد :mh12: السؤااال لبنات هوووما < بالمد جابت لكم تعريييفات والا بس تفلسفت عالفاينال !!!!!

المشاركة الأصلية كتبت بواسطة me 3alya (المشاركة 2553278) اهللللن سنيوريييتا :biggrin: اللغوياااات دام نسرين اللي حاطتها :mh001: شووور بتكوون كذا بالنسبه لشكسبير يقولون البنات ان كلهم حاطين الاسئله سوااا شاه نواز و هوما وليلى :(269): يعني الاختبااار بكرا حمااااس :33_asmilies-com: بس اللي ابي اعرفه انوو بنات هووما يقولون قالت لهم انوو التعريفات حقت شكسبير للتراجيدي مهمه وحنا شاه نوااااز ماطراااها اببببد :mh12: السؤااال لبنات هوووما < بالمد جابت لكم تعريييفات والا بس تفلسفت عالفاينال !!!!!

The most dominant symbol in the play is the handkerchief that circulates throughout the play. Because Othello gave it to Desdemona as a first gift, the handkerchief functions as a token of his love, which Desdemona cherishes (3.3.1). This is why Iago convinces his wife to steal it from Desdemona – he knows that it has a lot of sentimental value and that Othello will be angry when he finds out his wife no longer has it.

Iago also knows that, for Othello, the handkerchief symbolizes Desdemona's fidelity. When it shows up in Cassio's possession, Othello is convinced that Desdemona is unfaithful. The white napkin, as we know, is spotted with red strawberries and Othello tells Desdemona that the strawberries were hand stitched with thread that has been dyed with blood from "maidens' hearts" or, virgins' blood (3.4.10). In this way, the handkerchief resembles a white wedding sheet that's also been stained with a virgin's blood. So, in Othello's mind, as long as Desdemona has the handkerchief in her possession, she's chaste. But, the moment she "loses it," she looses her chastity.

The handkerchief also seems to function as a symbol of Othello's mysterious past and his "exoticness." He tells Desdemona that an Egyptian "charmer" gave it to his mother and that it would keep his father "faithful" and under her spell (3.4.9). That such a small object has such enormous weight in the play testifies to the sensitivity of jealous minds, and the way that small incidents can be
magnified psychologically into "proofs" of love or betrayal

.

The title The Tragedy of Julius Caesar really gave that one away. There’s murder, betrayal, loss and all of the usual tragic elements; there aren’t really even many funny parts; and there’s absolutely no sex. However, this play doesn't end on a completely negative note – there’s some definite justice at the end, where you feel like your heroes are somewhat vindicated. Hamlet dies senselessly, Macbeth hasn’t learned anything, Romeo and Juliet die from misunderstandings and bad timing – all of the other tragedies leave a little to be desired. But in this play, though the end is unhappy, you leave with a real sense of poetic justice – Brutus did die, but he died by his own hands, on his own terms. Better yet, he did right by his friend Caesar, and having recognized that he had failed in the big picture, he proceeded as nobly as he could. The tragedy isn’t in the hope that things could’ve turned out better, but that this grief and loss was a necessary way to tell the story of an inherently tragic figure on a tragic quest

دعوآتكم بليييييييييييييييييز :mh318::love080: