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إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
السلام عليكم ورحمة الله وبركآته ..
شخبآر النفسيآت .. أن شآلله يآرب عآل العال ومستعده تمااام للأمتحان .. هذا الموضوع خاص للأفاده .. لسنه ثالثه أنجليزي فقط .. الموضوع المثبت لمناقشاتكم .. بس كل وحده هنا تجي تفيد بمعلومه .. ماتسأل .. وما تشكر .. < عشان لآ تضيع الردود ويتعب الواحد وهو يدور .. دعوه بظهر الغيب تكفي :) بما إنو أنا ماعندي كل مواد ثالث .. رآح أكتب اللي عندي وانتو ماتقصروا .. أي شخص يملك معلومه ولو بسيطه .. مايبخل " تعآونوآ على البر والتقوى" نبدأ بسم الله : اللغويات : دكتوره نسرين .. الحمدلله أنتهينا من المنهج كله .. وأمتحناه بعد .. للنهائي .. أحس ان نسرين تميل للأسئله المقاليه .. اللي تبي فيها كلام وأمثله و زي كذآ .. وبعد تحب الكلام اللي هي تكتبه .. يعني الهوآمش - الأمثله .. ألخ اللي تذكرها .. هي اللي رآح تجيك بالإمتحآن .. شكسبير : دكتور شاه نوآز .. بعد ما يبي له وصف .. شفتوآ كيف اليوم جاب الامتحان سهل وحلوو .. ويتهيأ لي المنهج معه صآر خفيف .. أسئله النهآئي : رآح يجيب تحليل شخصيات + أسئله نقديه ومقآليه .. وانا ملاحظه عليه انه طول هالمسرحيه مشدد على شخصية أياقو .. فنصيحه تشددون عليها يوم المذآكره .. ومن مسرحية جوليس فهو حاب شخصية بروتس < والله أعلم ..! الشعر : دكتوره فوزيه .. هالماده على اني ارتاح وانا أذاكرها .. مادري ليش كذأ مأخرتنا فيهآ .. وع العموم ريحت .. المنهج يبدآ من the lamp وسالفة السونق او اونسنس والاكسبرينيس .. إلى P.B.Shelley وقصيدته : Ode to the west wind هالمخلوقه دقيقه جدا .. حلوا بتاني بامتحانها < تركز ع المعلومه كيف طالعه .. بالنسبه لأسلوب الأسئله فما ادري .. بكره أن شآلله رآح أروح الكليه سآعه أسأل عن درجتي وكيف رآح يجي الامتحان وبرد لكم خبر .. العربي ( فن القصه) : د\ مشاعل العلكي .. وقفت عند الشخصيه الانسانيه .. ومادري ليش احس هالمخلوقه بالنهائي راح تجيب لنا 3 أسئله وحلوآ أثنين .. ماحسها بتسأل كثير < تحب تختصر أحسها والأ ؟. كتآبة المقال : ( أحمد إبرآهيم ): انتهى المنهج عند صفحه 127 وقال الأكسرسايز اللي بعد هالصفحه إلى صفحة 138 نحلهم يكون أحسن :cheese: بس بعد حسيته يشرح بملل آخر محاضره .. وكل شي يمشيه بسرعه! قال عن النهائي انه راح يجيب 90% اكسرسايز .. وكذا مره لمح على موضوع الكمبيوتر .. والله أعلم .. نجي لآخر ما بجعبتي ( المسرح ) للدكتوره : منى حشيش .. قسسم هالمخلوقه خطييره .. " الله يعطيها العافيه " ركزوآ معي < كف:biggrin: قالت لنا انها راح تجيب لنا ثلآث أسئله .. السؤآل الأول : كوتيشنيين واحد منهم من المسرحيه الأولى .. والثآني من الثآنيه .. وأنتي حلي واحد منهم .. المسرحيه الأولى تقول هي ملت منها خلاص ههه فما راح تحدد لنا كوتيشنات .. المسرحيه الثانيه : The Rivals .. حددت 6 كوتيشنات .. 1- في أكت ون سين تو .. كلام جوليآ : بدايته : Nay you are wrong .. وهالكوتيشن بالذات احسه مهم جدا جدا جدا ... < حدس .. وهي شددت عليه وهي تشرح فأشرت على أهميته .. 2- في آكت تو سين ون .. كلام سر أنتوني : بدايته : Zounds! sirrah 3- آكت ثري سين توو .. من بدايته مره .. كلام فوكلند .. : They told me Julia 4- من آكت ثري سين توو .. كلام قآله فوكلند ونفس الشي احسسه مهم جدآ .. بدآيته : In tears 5- آكت فآيف سين تو .. كلام قآلته ليديا بدايته : No Sir you could not think 6- من آكت ثري سين ون .. أول كلام قاله أبسلوت .. بدايته :Tis just as fag السؤال الثآني : من الأسئله الـ 11 للمسرحيه الأولى ,, رآح تجيب سؤالين نحل واحد منهم ... السؤال الثالث : سؤالين من المسرحيه الثانيه وحلى واحد منهم .. وعطتنا 5 أسئله .. 1- what are the theme of the play ? وجوابه : ينقسم لميجر و ماينور .., الميجر : القاب بتوين جنريشن و السنتمنتل والامتيسنتمنتل .. والماينور : الستي لايف فورس الكنتري .. والماستر سرفنت ريلشن شب .. 2- Disscuss the classical feature in the play ? جوابه انه استخدم أسلوب الخمس آكتات مع أبلوج و نهايه .. وتقولين علاقة الكلاسيك في ذآك القرن .. 3- Disscuss the element of satine as a major technical device in the play ? وبالنسبة لي يا ثقل دم هالسؤال .., جوابه طويل ومتشعب .. منه الفساد القانوني ( الرشآوي) والنقد للبرتش لو .. ونقد الأكسس او سنتمنتلتي .. وان الكاتب فشل بالمره الاولى وعاد صياغتها خلال 11 يوم غير الممثل لآن خلق الله كرهته .. وكان قاسي في هجائه للآيرش بيوبل .. 4- Discuss the influence of the philosphers and public figures of the age on characters ? تتكلمين عن الفلاسفه مع ذكر أمثله من المسرحيه ومن يعكسها وبعض الأحداث والشخصيات .. 5 - Technique .. يتضمن الكركتريستك ., استخدامه للسولوكيوي والأسايد ., وتقليده لبعض كتاب القرن السادس عشر ., والألجكل نيمز ., والكلاسكل فورمز ., وهذي موآدي من هالسنه .. دعوآتكم .. " لأخي و وآلدي .. ثم لي ., في ظهر الغييب " عشان مصلحتنا ورآحتنا .. لآ ردود للشكر أو الطلب .. اللي عندها معلومه لآ تبخل .. أو اللي حابه تستفسر عن معلومه انذكرت حيآهآ خلونا نستفيد من بعض بما انو النهائي موحد ..!! سلآإم ..! |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
thanks sweetie from your BRILLIANT efforts }}}} sorry i saw your last words just after applied the participatation |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
Up!
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
5 مرفق
العربي بما انه فيه انسانه اتهبل اتفرغ المحاضرات :71:
(اتمنى اني اعرفها صراحه :oao:) فبحط الي وصلني من الايميلات واذا جاني زياده برسلكم شوفوه بالمرفقات موفقين:love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
المقال مع سليم اورو
قال بيجي 20 درجه اساي و40 اكسرسايز سؤال الاساي بيجي توبيكين واحد من (الخمس توبيكات الي عطانا اياها) والثاني خارجي (خارجي يعني احتمال من الملزمه مو من التوبيكات الخمس:biggrin:)<<< البنات يقولونه وكاني انا سمعته يقول كذا بعد :(107): بس تراني حيل مفهيه :53: المووووهيم التوبيكات الخمسه اخذتهم من البنات فالي تشوف اي غلط فيهم اتنبهنا الله يجزاها خير 1- internet 2- changing school effect children negatively 3- unpleasant camping experience 4- my room is a miss 5- my future plans وقال لازم يكون الاساي خمس بارجرافات لانه اول شي بيسويه بيعد البارجرافات بيشوف المقدمه والخاتمه هل هم زينين ولا لا الثيزز سنتنس التوبيك سنتنس لكل بارجراف وال development <---- مدري وشو هذي بس اتوقع الديتيلز يعني بالعربي كل شي :lllolll: وشرح الايديتنق وقرا صفحه 124+ 125 (النقاط) |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
نجي لشي مررررررررررررررررررره مهم
جدول الامتحانات :biggrin: اكيد بوه مفهيات زيي نسوا ياخذون الجدول <---- لحقت على عمري واخذته اليوم اذا فيه غلط نبهوني بس ان شاء الله انه تمام اول اسبوع شعر مسرح نظام عربي مقال الاسبوع الثاني نقد ترجمه نثر لغويات شكسبير موفقين ولي رجعه حبايبي:love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بالنسبه لنسرين باللغويات
هي قالت انوه ماراح يجي اوبجكتف رح يكون الاختبار الفاينل زي اخر امتحان خذيناه معها هي بتمسك الورق وتصحح ... تعاريف وامثله واكملي الفراغ وهيكــ بالتوفيييق:love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
السلام عليكم :106:
بالنسبة لشكسبير مع هوما >> ادري الاسئلة موحدة بس احس قربت لنا كثير وحددت لنا كوتيشنز :biggrin: ركزوا معي >> ماتقلد :biggrin: - رح يجي كوتيشن من اوثيلو والثاني من يوليوس ( ماذكر انها قالت انهم رح يكون شويسز بس اتوقع كل مسرحية منها كوتيشنين ) - التوبيكز اللي عطنا اياهم نسوي عليهم برزنتيشن " 1/ Julius Caesar is a drama without a hero... 2/ Brutus is the tragic hero of the play' Julius Caesar'... 3/ The use of supernatural elements in 'Julius Caesar'.....this topic has been taken 4/ Julius Caesar is the tragic hero of the play... 5/ " character is destiny' illustrate this maxim with reference to the play... 6/ Compare and contrast the character of Brutus and Julius Caesar... " - من الهاند الاوت اللي عن شكسبير تراجيدي وهالسوالف قالت ركزوا على 1- الدفنشن لشكسبير تراجيدي مفهومها يعني 2- شكسبير تراجيدي اكوردينغ تو جوليس سيزر 3- شكسبير تراجيدي اكوردينغ تو اوثيلو - supernatural elements كثييييييييير شددت على هالشيء طبعا في جوليوس هالشيء - ركزوا على الكاركترز بشكل عام ولكن شددت على كركتر اوثيلو نفسه وجوليوس وكيف انهم تراجيك هيرو وتعرفون الـ flaws اللي حقهم - أهمية الهاندكرشيف حق دزديمونة وكيف انهم في سيمبوليك وانه في كل مرحلة من مراحل المسرحية كان يمثل شيء معين في البداية كان يمثل الحب اللي بين اوثيلو ودزديمونة وبعدين صار يمثل دليل على عدم الثقة من قبل اوثيلو وخيانة دزديمنة بالعربي يعني تعرفون دووووره واهميته في المسرحية - اهمية او فكرة القتال والصراع بين القوود والايفل طبعا القود ويمثلها اوثيلو والايفل يمثله ايقو ...__>> بالعربي مقارنة بين الشخصيتين - ايقو هو المحركة الرئيسي لجميع الاحداث والتراجيدي في المسرحية اما الباقي كانت ادوراهم شبه ثانوية .. اشرحي :119: وحددت كم كوتيشنز قالت لنا ركزوا عليهم بكتبهم لكم بعدين >> ابدا ماتعبت :tongue: بس اهم شي قالت لا تركزوا على الثيم والايمجري والموتيفز والخرابيط اقروهم يعني ... |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
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يآسلآم عليكم :cheese: .. اليوم انا رحت الكليه .. سألت الشعر لدكتوره فوزيه الهويش .. قآلت أنو رآح يجي الامتحان مقآلي وشورت كوسشن .. أغسلوآ يدكم من الآلي أنتوا ثآلث < جملتها :(177): .. وبالنسبه للأسئله رآح يكون فيه كذآ خيار وانتي اختاري اللي تعرفيه وحليه .. موفقين .. [/align] |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
مس هيفا قالت رح يكون فيه 2 اساي كوسشنز
وفيه شورت كوسشنز وكوتيشنز وفيه تشويسز :smile: وقالت حاولو تربطون بين النقاد بالنقاط اللي قالت عنها وركزووو على التكست :106: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
أضف إلى هذآ أنه يبي المقآل لآ يقل عن 300 كلمه .. |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
Definition of a Shakespearean Tragedy Othello, the Moor of Venice is a tragedy by William Shakespeare, , and based on the Italian short story "Un Capitano Moro" ("A Moorish Captain") by Cinthio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his wife Desdemona; his lieutenant, Cassio; and his trusted Iago. Its varied and current themes of racism, love, jealousy, and betrayal.A Shakespearean tragedy is the polar opposite of a comedy; it "...exemplifies the sense that human beings are inevitably doomed through their own failures or errors, or even the ironic action of their virtues, or through the nature of fate, destiny, or the human conditionto suffer, fail, and die...." In other words, it is a drama with an unhappy ending. Shakespeare Tragedy according to Othello : 1. When we read 'Othello' , we are deeply touched with the feeling of pity and fear for Othello, the tragic hero of the play. We know that Othelo loved his wife Desdemona more than his life. He loved her to the level of madness. Therefore , he could not even think of sharing his love with anyone else. When Iago falsely told him that his wife was having a secret love affair with Casio, he could not bear it. He murdered her in a moment of extreme excitement. But when he knew the truth, he came back to his sense and willingly embrace death . He paid back his love with his life. So, we really and deeply feel pity for him. We also shake with fear thinking that we might be in his position and the tragedy might come down in our own life. We like to identify ourselves with Othello.In this way the purgation of pity and fear is completed within us. According to Aristotle this is called 'cathersis' and it is the main requirement of a tragedy. So we can say that 'Othello' is a great tragedy. وبإنتظآرك تكتبين الكوتيشن .. تسسلمين مقدمآ .. ولكِ دعوآتي .. |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
Shakespeare Compare Between Iago and Othello ? The tragedy "Othello" by William Shakespeare is a story based upon the revenge of two characters, Othello and Iago. These two characters help to prove Murphey's Law which states that if something wrong can happen it will: for Othello it is the wrongful killing of his wife and friend, for Iago it is getting caught for his actions and finally being tortured. Many historians, actors, and readers would like to argue that Othello and Iago are very complex but at a closer look you will notice that their actions are purely based upon revenge for their iniquities. "I follow him to serve my turn upon him," said Iago (9:45). From the beginning of the story Iago has a cruel intent bent on destroying Othello merely because the job that he sought after was given to young Cassio. Exactly why his hatred burns so bright is unclear because it was not uncommon to lose a position to another soldier. With or without reasonable justification for revenge, Iago immediately starts to tear Othello apart by informing Brabantio (Desdemon's father, Othello;s wife) that she is out with a black ram and committing unjust acts. As time progresses Iago becomes more wrapped up in his lies that he even begins to believe that Othello has slept with his own wife, Emelia, and now he has even more reason to hate "the Moor", "I hate the Moor and it is thought abroad that `twixt my sheets `has done my office"( 55:429-431). Iago is so obsessed with his revenge on Othello that he does not care what happens to anyone else so long as he is happy. In the process of hurting Othello he manages to have Roderigo killed, Cassio severely injured, his own wife Emelia is slain by his own hands, Desdemona dies at the hands of her husband Othello, and after everything Othello kills himself. Sadly Iago accomplishes his revenge but with so many casualties and then he himself is tortured and killed for his part in the great conspiracy, but before he is punished he has to see that Cassio will be the one to take Othello's place (a strange irony since it was Cassio that Iago was jealous of). In all situations we see Othello standing tall as a "War General." It is his job position that allows him to be deceived and tricked by Iago. Othello won Desdemona's heart by his exotic stories of traveling and war but with the war at Cyprus ended he no longer had anything (in his opinion) to be proud of and prove he was a true man. "whilst you were here, overwhelmed with your grief- A passion most unsuiting such a man" (177:91-92) Iago implies that Othello is becoming soft and no longer being as a soldier should be. Desperate to cling to his former identity as a soldier while his current identity as a lover crumbles, Othello begins to confuse the one with the other. His expression of his jealousy quickly devolves from the conventional "farewell the tranquil mind" to the absurd. "Farewell the plumed troops and the big wars that make ambition virtue! O, farewell, farewell the neighing steed and the shrill trump, the spirit-stirring drum, th'ear piercing fife, the royal banner, and all quality, pride, pomp, and circumstances of glorious war!" (143:400-406) says Othello in despair. His life comes to a crashing halt at the thought of Cassio having sex with Desdemona, but Othello still desires to hold true to his nature never questions either of the suspected parties because in the army you move forward in full charge, asking questions only after the battle has been won. Everything that Othello does resembles that of a general. He orders his wife around, and never stands to be questioned. When he receives his ocular proof that is like raising the Guillotine, he asks Iago to kill Cassio for honor. While his wife sleeps he stands above her and not wanting to damage her precious winter white skin he begins to strangle her. Even in the process of killing Desdemona he shows the signs of a good general for he believes that it is for the best of all man kind that he will kill her and end her evil ways. The cause for five deaths all lies in the twisted hearts of jealous men seeking revenge for being wronged. Othello and Iago both were suppose to be of a christian society but the lives they lived were not that of Christ. Complex are these two characters? No, they simply are weak creatures controlled by the evil powers of the world, money, jealousy, pride, and one that is both good and bad: LOVE. If only they would have been able to see themselves from others eyes maybe than they could have controlled their rage and revenge. < صآيره هبوله تسأل السؤال وبعدها تجآوب :$ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
The Character of Iago in Othello In the Shakespeare play of Othello, Iago plays an important role. Iago is a compelling sophisticated villain, who revels in his own ability to dissemble. Shakespeare's Iago is one of Shakespeare's most complex villains. At first glance Iago is pure evil. Perhaps the most interesting character in the tragic play Othello is `honest Iago' during the play Iago uses carefully thought out words and actions which enable him to manipulate others and do things in a way which benefits him and allows him to move closer to his goals. He is a villain who is adept to quick-witted improvisation. Iago's pride is laced with sly vindictiveness; also he is egotistical and independent, convincingly able to adapt his tone and style to any situation. All of these personality traits are unveiled to the audience at certain moment of his choosing. In this essay we shall investigate the character of `honest' Iago. Act one of Othello, is all based around one evening's events in Venice. It is a very fast paced act, where many things happen in a short time span. The opening of the act is an argument with Iago and Roderigo, in which you first see the seeds of Iagos character immerging. In the opening scene, Iago displays many of the characteristics that are to epitomise his pivotal role in the progress of the tragedy. Perhaps his most revealing declaration at this early point is his proud boast `I am not what I am'. Though Roderigo is evidently meant to take this as reassurance that Iago only feigns allegiance to Othello for his own ends, the deeper implications of Iago's words are soon to become apparent to the audience, for Iago is a self-serving malcontent who practises deceit whenever it is expedient. Iago becomes very jealous of Othello because of his position in the Venetian Army. Iago feels that black men cannot rise above him because they are black. Iago frequently refers to Othello as the `Moor' and the `Black Ram', with these statements Iago is implying that Othello is worse than white people and because of his race he should not hold the position he does in the army. Out of this racism also extents the jealousy of Othello´ wife, Desdemona. With this in mind Iago feels that Othello has slept with his wife Emila, `leapt into his seat', he wants revenge for this too, `not out of absolute lust', but so he can get back at Othello. The act starts with Iago and Roderigo, having an argument over Desdimona. Iago is telling Roderigo that Desdemona has gotten married to Othello. During act one scene one Iago uses a lot on animal imagery, to convey his anger and dislike of Othello such as `an old black ram Is tupping your white ewe' (Act 1 Scene 1 Lines 89-90), and `Barbary horse' (Act 1 Scene 1 Line 112). Also in the first quote Iago uses the comparison between black and white that, has always been seen as a comparison and the difference between good and evil. During scene one Iago persuades Roderigo to go and tell Brabantio, Desdemona's father that she has eloped with Othello, `call up her father, Rouse him, make after him, poison his delight' (Act 1 Scene 1 Lines 68-69). In this quote Iago refers to poison, Iago during the course of the play poisons peoples minds. As Roderigo cannot rouse Brabantio, Iago takes over and leaves before Brabantio comes down. Iago has reasons for hating Cassio, the main reason would be that Othello has given him a job that Iago, thinks he deserves `I know my price, I am worth no worse place' (Act 1 Scene 1 Line11). Iago presents himself as the experienced, reliable soldier who has been passed over for promotion. The job has been given to a man who has acquired `bookish theory' (Act 1 Scene 1 Line 24) but lacks the experience. Iago's unflattering description of Michael Cassio creates scepticism about his character as well as the man that appointed him. Iago reveals his misogyny when describing Cassio as `A fellow almost damned in fair wife' (Act 1 Scene 1 Line 21), for, as far as Iago is concerned, beautiful women invariably betray their husbands. Towards the close of the action, Brabantio's servants enter with torches. It is perhaps ironic that a scene, which features so much deceit, should begin in darkness yet end in light, for Brabantio's assessment of Desdemona's absence (based as it is on the misleading language of Iago and Roderigo) proves to be mistaken. In the context of a play where black and white do not necessarily denote good and evil, however, this seems entirely appropriate. During scenes two and three Shakespeare has held back from introducing the title character of Othello directly. He has mainly been called `the moor' or `his moorship' and does not appear until nearly 200 lines have passed. This has given Iago time to create an image of Othello. The scene's opening exchange means that before we have met either character, both Othello and Cassio have been pre-judged by the report Iago gives of them. This is one of a number of ways in which Shakespeare cleverly introduces the idea of reputation, and the theme of judgement. When Othello is introduced he is seen to be an intelligent commander speaking in poetic prose, thus enforcing Iago's pure hatred for him. Iago is also revealed as manipulative, amoral and cruel in the extreme, relishing the suffering that he and Roderigo inflict on Brabantio. During the scene Iago's concern has been to demonstrate his loyalty through an account of how he was almost provoked into fighting on Othello's behalf, enforcing the view of an `honest Iago'. Iago believes that Roderigo is bringing Brabantio to confront Othello. Having set up the scene, he expects to be able to demonstrate the reliability of his advice. He did not expect the entrance of Cassio, who know of Othello and Desdimona `from first to last' (Act 1 Scene 3 Line 95), Iago at this point is not in control. Iago's expressed opinion of Othello can no longer stand, for by his words and actions Othello has shown great judgement under pressure. Act one ends as it began with a conversation between Iago and Roderigo. Iago again is in control of this conversation as Roderigo is a follower not a leader while Iago is a silent cunning leader, whom takes control from the back door not the front. When Roderigo discovers that Iago has been hoarding his money he screams at Iago and threatens him. However, when Iago tells him some fanciful plot in order to capture Desdemona's heart Roderigo forgets Iago's theft and agrees to kill Cassio. When talking to Roderigo he is talking in blank verse but while talking in his soliloquy he talks in prose and rhyming couplets. His disappointment in failing to get the promotion he sought after is not mentioned here. Iago is a character that thrives on the flaws in people's characters in Othello, especially Roderigo's. Iago's soliloquy at the end of act one is a bitter speech of hatred and revenge to be taken out on Othello. It is full of animal imagery such as `as asses are' (Act 1 Scene 3 Line 396). The Iago soliloquy he states that `I hate the moor' (Act 1 Scene 3 Line 360-361). Iago also mentions `Hell and night' (Act 1 Scene 3 Line 397), which are both dark images of evil, that Iago represents so well. `Must bring this monstrous birth to the world's light' (Act 1 Scene 3 Line 398), is the start of the idea for the downfall of Othello and Cassio. The opening act of Othello is Iago's act where you learn about the character of Iago, who is not just one character but also many who are all vital to the plot of the play. The opening scene provides an entirely appropriate beginning to Othello, offering as it does an intriguing first encounter with Iago, and an early exploration of the themes of deception, prejudice and judgement, which have a prominent place in the rest of the play. Iago is shown to be `honest', but to each individual character he is honest and truthful to them, but not to everyone. |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
الله يعطيكم العافيه و ان شاء الله تفرحون بال A+
د. نجلاء قالت ان فيه سؤال عن ال باك قراوند renaissance restoration واحد منهم بيجي يعني اما باك قراوند سدني او باك قراوند درايدن |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
دكتورة نجلاء قالت
اول سؤال بيجي كريتيكال اببرييشياشون .........20 درقه ثاني سؤال 3 شورت نوتز الاول عن الباك قراون زي ماقالت (المسفيم)>>سوري عجزانه انقل. والثاني والثالث من التكست طبعن نحل منهم 2 بس.....عليه 20 درقه اخر سؤال بيجي شورت كويستشونز 6 ونختار منهم 5 ونحلههم....من 20 درجه هالكلام بالنقد وكويس بنات :d5:شغل جميل |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات انا مع ليلى باطوق ما جابت طاري دفينيشنز
مع انها حطت ملزمه بالكوبي سنتر وقالت بتحددلنا كمن شي فيه بس مرتين تجيب ملزمتها واحنا ما نجيب شي فما تكلمت عنهم مدري اسحب عليهم بما انها ما قالت شي :(269): ولا اقراهم لانها حطت الملزمه بالكوبي سنتر بس ماتوقع بتجيب شي ما قالته :mh12: ماذكر مره قالت هذا دفنشن كذا :mh12: الا اذا انا مفهيه عاد :biggrin: بسال ولي رجعه ان شاء الله :love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بالنسبه للحضارة اغلبه الي
ويوم حاولنا انسحب منها كلام قالت المقالي اشوي يعني سؤال واحد افهموها وعددي بعد (بس ما يندرا عن هالكولج كل يوم لهم راي اخاف انها تقول كذا همن يجي الامتحان شكل ثاني) الفصل حق الزكاه مره مهم الاشياء الي فيها مقادير زي 20 مثقال وخمسميه ومدري كم غرام تحفظينها يعني تحفظين من الجهتين المثقال وكم يساويه بالغرام الفصل السابع مهم خاصه شروط الحسبه الي بصفحه 199 (هو بارجراف صغير لكن فيه 7 شروط) الاصناف الثمانيه مهمه الي بصفحه 174 وتوابعها <---- حلوة توابعها :biggrin: صفحه 203 الى 205 قراءه على قولتها والاختبار من 70 وبس هذا مافي جعبتي :love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
طيب وين احصل الجواب حقهم |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
والله يعطيكم العافية يارب على هالمجهود
وربي يوفقك يانقوش ان شاء الله لي عوده بكرهـ للموضوع << عليها اختبار قرامر :icon9: وبحط لكم توبيكات النثر لـ مها سلام طبعا قالت الاسئلة 4 احتمال 2 من جين اير و 2 من اوليفر او 3 من جين و 1 من اوليفر بس جوابهم مايتعدى النص صفحة والامتحان فية بارت لمها سلام وبارت خاص الى بنات لمياء :wink: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
نقووش يا جعلك بالجنه يارب :love080:
موضوع بطل .. << ناويه تتكي فيه لنهاية الاختبارات :cheese: عسوله :biggrin: زين انك جبتي الجدول :love080: سؤال .. من وين ياخذونه دورت عليه بلوحة الاعلانات ومالقيته :biggrin: الله يحرم يد كل وحده شاركت بهالموضوع من النار :love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
معلقينه ع الجدار بين مكتب السكرتيره ورئيسه القسم
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
يعطيك العافيه يارب يانقوش على هالموضوع .. ويجعله في ميزان حسناتك .. بما انكم ماقصرتو وذكرتو كل شي تقريبا بقولكم وش قالت مس ليلى عن الترجمه تقول تابعو اخبار والاوضاع هالايام وش فيه حدث وبجيبه مثل العام كان عن فيضانات جده هذيك الفتره وجابته بالفاينل حقهم يعني خليك ستاند باي عند السي ان ان :biggrin: بتجيب على 2 من عربي الى انجليزي قصار وواحط طويل من انجلش تو اربيك او العكس اللي تعرف تصحح معلومتي :tongue: وان شاء الله تتسهل علينا الاختبارات :icon9: والله اني شايله هم الشعر الله يستر بس :icon9: الله يوفقنا جميعا يارب |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
[align=center]
اقتباس:
اسئلة شاه وهوما موحده ؟؟ [/align] |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
مو بس مع شكسبير .. مع كتآبة المقال بعد :) أكثرهم أذا مو كل الدكاتره موحد!! قرار من العام مطبق .. |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
الله يعين .. اجل لازم نعرف وش حددت هوما ,لان شاه ما قال لنا اي شي يتعلق بالفاينل الا انه قال بتكون فيه اسئله كرتيكل .. مشكووره على الرد نقوش =] |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
[align=center] [align=center] تكفوون بنات اللي مع هوما , تكتب لنا الكوتيشنز اللي حددتهم معهم لان شاه نواز ما حدد لنا شي ! وبالتوفيق للجيمع ان شاءالله :(204): [/align] [/align] |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
يعطيكم العافيه جميعا كلكم ماقصرتوا في ميزان حسناتكم ان شاء الله ......
راح اقولكم على الترجمه مع سلوى .... قالت لنا ذاكروا النصوص اللي ترجمناها مع بعض بس... يعني .. الخمس النصوص الاولى اللي في الهاند اوت اللي عطتنا اياها واجب اضافه الى النصوص اللي ترجمناها معها في الدفتر................ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
Up
ووينكم يآ طآلبآت هومـآ ؟ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بناااات عليآء شعـــر:bawling:
كيف طريقة الاسئله بتجي ! حآيسه انا مع آلمحآضراات .. وش قالت لكم عن الاسئله و وشو نركز عليه بالضبط .! وهل الاسئله موحده مع فوزيه ولا لا .!! ترآي آستثنآئي يعني سآعدووني !:bawling: وبالتوفيييييييق لكم كليآتكوون :love080: ~ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
ملزمه الكلمات قالت عنها شي؟ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
هذا اقتباس لمشاركه كوثر الله يجزاها خير من موضوع اللغة الانجليزية لسنه ثالث
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
وانا نفس سؤاال اللي فووق :sdfgdsf:
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
كان علقوه ورى مكتب رئيسة القسم بعد ! اقتباس:
بعدين قالت لنا انو راح يكون شورت كويسشنز و مقالي مافي تشويسز س : طيب اللحين تقولون شكسبير موحد .. يعني كلنا حتى بنات ليلى موحد والا بس الباكستانيين موحدين اسئلتهم ( شاه و هوما ) ؟ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
بس الشورت كويسشنز والمقالي تعطينا سؤالين ونختار منها وما قالت لنا مثل ايش :000: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
طبعآ رح تجيب مقطع من قصيده صح ؟! تحملوني ترآني سنه استثنآئيه ومآ كنت احضر شي :icon9: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
الله يبارك فيكم يارب
ويسعدكم ويوفكم ويفتحها على الجميع بفاتحة خير يااارب ... عندي طلب والصراحة مرررة صعب ولا ودي اكلف عليكم بس اني محتاجة وخايفة مررررة من الترجمة ابغى القطع >> اللي هي الواجبات اللي كانت تحلها معانا بالمحاضرة اقتباس:
الله يجزاكم الجنة يارب .... |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
في سؤال مقالي، في فرصة تختارين واحد و تجاوبيه وفي أسئلة قصيرة متل يللي اجتنا باختبار منتصف الفصل ( بنات دكتورة عليا) بالنسبة لشكسبير الأسئلة بتكون موحدة بين دكتورة ليلى، مسز هوما و دكتور شاه ويللي ذكرته مسز هوما مهم جدا جدا جدا جدا جدا( و اللبيب من الإشارة يفهم....) موفقين يارب |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
ومدرري عنها........ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
باختبار الترجمة ماراح يكون في سؤال خاص بالمفردات بس لازم تعرفيها لأنها بتكون موجودة داخل القطع
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بناات د. عليآء من تقدر تحط لنآ أسئلة الاختبآر الميد التيرم ؟
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
قالت خلاص انتوا امتحنتوا من انجلش الى عربي بيجيكم من عربي الى انجليزي وقالت 2 وترا اخبارها عن الميدل ايست + بنات شاه ياليت تكتبون اسئلة الأمتحان اللي قالها وعلى فكرة تراه ماطرا تعاريف شاه مايحب إلا الكرتيكل انليسسز وهو الشي اللي ما امتحنا فيه وقال معاكم بالفاينل |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
الله يجزاكم الجنه كلكمـ ويجعله بميزان حسناتكمـ....
صبايا انا خايفه مرره من الترجمه ودرجتي نازله فيهاا ابي اسالكم وشلون اذاكره واللي عندها قطع مترجمه اوحتى بدون ترجمه ياليت تنزلهاا.... وبالنسبه للنظام اللي تعرف احد بالاقسام الثانيه تسالهم اكيد حذفوا لهم جزئئيه.... بالتوفيق للجميع |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
شاه ما جاب طاري اي تعاريف , فأكيد بيكون الاختبار مقسوم بين اسئلة شاه وهوما وليلى واحنا نختار ,, من ناحية الكرتيكل اتوقع بتكون انليسسز للشخصيات + التوبيكات بس .. صح؟ طيب بالنسبة للكوتيشنز هل نركز على اللي حددتهم هوما ؟؟ لان شاه ما حدد معنا ! |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
انتي عند مين بالترجمه؟ اقتباس:
نفس سؤالك ... |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
انا رحت لها يوم الأربعاء اللي فات قالت قطعتين وحده من عربي إلى إنجليزي وعليها 40 درجه ووحده من إنجليزي إلى عربي وعليه 20 درجه كذا التوتل من 60 والله يوفقكم |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
انا عند مس ليلى..
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
حلو .. طيب خلاص بس ذاكري القطع اللي بالهاند اوت + القطع اللي نزلتهم بالكوبي سنتر بآخر المحاضرات .. طبعا ان كنتي تخططين على الكلمات اللي هي تكتبها على السبوره احفظيهم لان تجيبهم بالاختبار > أكيد هذا الشي ! اما من ناحية الجلوسري هي ما حددت كلمات معينه , انتي بس اقريهم واللي تحسينه مهم احفظيه ..ادري ان الكلمات كثيره (بس يعني من باب الاحتياط :biggrin:) بس اهم شي الكلمات اللي هي كتبتهم على السبوره او قالت معانيهم بالكلاس ولا تشيلين هم .. مسز.ليلى تراعي بالتصحيح وأي مرادف تكتبينه تحسبه صح .. :(204): وبالتوفيق للجميع ! |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
الله يسعدك ويريحك مثل ماريحتيني...الله يوفق الجميع وينجحهم..
جزاك الله كل خير ...الله يجزاك الجنه.. |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
معقوووووووووووووووووووووووووله قطعه وحده عليها 40 درجه !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!:sdfgdsf: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
السلام عليكم بنات
الي سالت عن الميدتيرم حق شعر عليا ماكان فيه شورت كويسشن كان 3 مقاطع من القصائد واختاري اثنين وعلقي عليهم .. واربطيهم بالروماتيك بريود بس |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات احد عنده ملازم د. عليا من بعد الميد تيرم ؟؟؟
بليييييييز ابيها |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
انا اتوقع كذا الأسئلة تكون اختياري لأن كل انستركتر له طريقة بالنسبة للكوتيشنز والأشياء الثانية : انا ماراح اذاكر إلا اللي قاله شاه يعني صعبة بآخر الترم اجلس احفظ اشيا لدكاترة ثانيين تووو متشش وبكون مشتتة اصلا والكرتيكل انليسسز زي مثلا ليش جولياس هيرو ليش مو بروتس اتوقع كذا إلا اذا ذكر شي ثاني باخر محاضرة لأني انا فوتت محاضرتين وقد لك حبايبي |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنااات
بقولكم شيء عن شكسبير عشان عندي تجربه من العام كان شاه وليلى يدرسووون بس الاسئله حطوها اثنينهم لان اذكر فيه اسئله لليلى وفيه اسئله لشاااه لاتلخبطوا انفسكم كل وحده تذاكر اللي درسها دكتورها ^___^ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
دكتور سلوى قالت انو بيكون فيه 4 قطع للترجمة ويللي من انجليزي لعربي بيكون عليها الدرجة الأكبر لأن أسهل للطالبات الترجمة من الانكليزي للعربي
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
النظام المالي، محاضرة الأحد ، حذفت لكم شي ، أو تكلمت عن الإختبار ؟؟
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات الشعر نذاكر المحاضره الاولى ؟
بالميد د. فوزيه قالت لا تذاكرونها وحياه الكاتب نفس الشي بالميد قالت لا ... بس ما يندرى بالفاينال تجيبها ؟ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
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حلمي كبير أخت أخوها يعطيكم العافيه على التوضيح .. : ) [/align] |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
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اقتباس:
ناس يقولون داخله معنا , وناس يقولون لأ ! >> بس إحساسي يقول لأ :biggrin: عاد ما يندرى ..بنات اللي عندها علم اكيد ياليت تفيدنا ! [/align] |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
آلله يعطيكم آلعافيه جميعآ:love080:
خلونا كذآ نتعآون ع القوآت المسلحه<محد ملحوس مخه من قطع ليلى:biggrin: آلموهم:النظام انا مع الاحد معرف اسم الدكتور بالضبط قال لنا 40 مالتبل شويسز و30 مقآلي:icon9: يعني من الجلده الى الجلده لانو ماتدرين وين الايساي بيكون وبآلتوفيق للجميع:(204): |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
سسلآآم :cheese:
كيفكم ..؟ أن شآءالله كَويسسين :(204): أدري بتقولون وش جابها ذي >>قاطه :biggrin: بسس عندي سسؤال صغيروني ألآ وهو متى يكون اختباركم >>اقصد الوقت من كم لكم >>:41jg: الله يوفقكم يآآآآآرب ويسهل عليكم :106: :106: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
:cheese:
من 8 الى 10 |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
ثاااااااااااااااانكسس ياعمري :106::106:
كل اختباراتكم نفس الوقت مو يتغير بيوم >>اخر شي والله اخر شي احس بتصطر :cheese: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
إيييييييه صدق والله <~ مفهييييييييييييه
موآدنآ كلها نفس الوقت من 8 الى 10 ؟؟ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
ثآآآآآآآآآآآآآآآنكسس :106::106::106::106::106::106:
يالبببببى قلبكَـ والله :love080::love080::love080::love080::love080::love 080::love080::love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
Lost 3 :love080:
تسسسسسسسلمين ياقلبي ماقصرتي الله يوفقك ويسهل عليك يارب :106: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بناات ابغ ايميل مس هيفاء ؟؟
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات بليز ,, وش قطع الترجمه اللي قالت لكم سلوى بتجيبه بالاختبار بليز احد يصورلي القطع ضروووري .
لانو ليلى ما قالت لنا شئ , :_( وهي اكثر ماده انا خايفه منها "( , <3 |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات هالموضوع مو للاستفسارات بس لوضع معلومات جديده
بلييز بنات ع اللخبطه بس،ـ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
باتكلم عن حشيش < والله اسمها محشش فديتها :biggrin: هههه
اول مسرحيه the way of the world طبعا كلها معانا بس السؤال هو هل نذاكر نفس الاسئله اللي بالميد ترم؟ انا مدري ليه احسها دام قالت ذاكروها كلها . احس بتقول لنا وش الثيمز اللي فيه < احساس قوي عندي اللي هو friendship و love اذا كان ترو والا لا والبلاتونك لوف و etc اما المسرحيه الثانيه فمااااا قصرت بالاسئله . واتوقع فيه وحده هنا حطت الاسئله اللي حددتها عن ال rivals واحلى شي في الموضوع ان احنا مو مجبورين نذاكر كوتيشن من the way of the world لان احنا مخيرين بين كوتيشنين واحد من الاولى وواحد من الثانيه "وهي اللي حددت فيها الكوتيشنز" .. يعني اذاكر بس الكوتيشن حق الرايفلز اسهل لي وسلامتكم وسوري ع الاطاله ~ انتظر ردكم عن the way of the world نذاكر نفس الاسئله والا كله على بعض؟ ولي رجعه في اختبار المسرح ان شاء الله لو كان فيه وقت باسدح لكم اجوبه اسئلتها عن the rivals ,:smile: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
يعني بالعربي .. بالنسبة لThe way of the world ذاكري نفس الاسئله اللي ذاكرناهم بالميدتيرم طبعا بدون كوتيشنات مثل ما انتي عارفه . اما The Rivals ذاكري الاسئله اللي عطتنا اياهم + الكوتيشنز اللي حددتهم وبس ! الله يسهل عليها مثل ما سهلت علينا :) بالتوفيق:(204): |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
ايميل مس هيفا
haifalit@yahoo.com |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
I missed you girlz الله يوفقكمـ .. ويسهل علينا كلنا .. :smile: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات ابي ايميل مسز منيره ضروري ؟
:106: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات ابي اعرف قصائد الشعر كلها وشو ..
عشان مانخربط نعرف وش علينا وش ماعلينا .. // ثانيا بنات الغويات د . بدريه وش قالت عن الاكزام ؟ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنااات اكيد كلكم بديتو تذاكرون شعر بليز خلينا نتساعد فيه اشلون بتذاكرونه بتركزون على ايش انا مع مس علياء وهي ابدا ماتركز على شرح البويم تتكلم بشكل عام عن الافكار والثيم وركزت كثير على الاليمنت حقت الرومانتك وطبقتها على كل بويم انتو مس فوزيه تجبلكم عن الماتفور شرح الاين والفيقر اوف سبيتش ولا زي مس علياء؟ لانو اتوقع الي تحط اغلب الاسئله مس فوزيه
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
*
ملاحظه ان الموضوع تحول نقاش :biggrin: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
خليه يتحول الى نقاش :biggrin:
اساسا مستحيــــــــــــــل يبتل الموضوع معلومات بس لانه اكيد فيه بنت بتحكها يدها تكتب سؤال مو فاهمته والثانيه من الفرحه بالمعلومه لازم تشكر الي قالتلها عنها زيي:lllolll: اقتباس:
كوثر انني اوووحيبوكي :love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
نو حياة الكاتب مو معنا بنت سالتها قدامي وقالت لاااااا بس تعرفين لازم تقرينها لانه صحيح ماراح يجيك سؤال مباشر عنها لكن اذا جيتي اتعلقين على مقطع من قصيده لازم تذكرين شعلاقته بالباكراوند حقت الكاتب :(177): الباك رواند وراك وراك والزمن طويل |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
الله يوفقنا جميع :love080: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
The Rime of the Ancient Mariner' is very important, and i doubt that the essay question which carries the highest mark will be about it. It's too long but so beautiful and enjoyable....good luck'
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
I agree with Kawthar
that the essay qs will be about either tintern abbey or the rime of.... good luck and stop commenting here plz |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
سلام عليكم..
صبايا من عندها تفريغ الجزء الثالث من tintern abbeyلفوزيه ضروري ترسله الله يسعدهاا ويوفقهاا |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات تحسون مثلي ؟
محاضرات فوزيه قصيره مره وفاضيه ما احس فيها شي يتذاكر !! خاصه Don Juan و Ode to the wind ShwShw ما اذكر ان د. فوزيه قالت شي عن الرومانتك اليمنتز :/ هي تركز على البرافريز للبويم اكثر شي والثيم والتكنيك زي framing narration في the Rime of the Ancient Mariner وفي دون جوان انه ما بدا بطريقه تقليديه زي ما يبدون الابك من نص الاحداث ..لا هو بدا من البدايه --- كأني سمعت هنااحد قال ان دون جوان عليها بس شورت كوسنز مدري تشويسز :mh12: وش السالفه ؟ وهل رح يكون فيه تشويسز ! |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
يب الاختبار اسي وشورت
قالت فوزيه لي مدري دكتوره علياء تبي تحط جزء خيارات لان بناتها مو مثلكم ماختبر وخيارات بس بنسبه لها بيكون اسي وشورت بنات مين فاهم اخر قصيدتين ابدا ماخشت في مزاجي مافهمتها :icon9::41jg: احد يطوع ويشرح :mh318: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
:love080:بحاول اشرحهم وماابي منكم الا دعوه زينه بظهر الغيب
اخر قصيدتينهم دون جوان واود تو ذا ويست ويند اول شي دون جوان كتبها لورد باييرون وحط فيها البايرونك هيرو وصفاته ان يكون معند بنفسه ومغرور ومليان اخطاء ويكون مزيون والحريم يحبونه باخطائه المهم انشحر لنا بس 5 مقاطع تتكلم عن ستايل الاخ بايرون انه كيف رح يكتب قصيدته وان مايبغاها تكون عاديه زي حقون القدماء زي هوراس بل انه بيحط فيها بطل خارق سوبرمان وبيبداها من البدايه مو من الوسط زيهم وان يوم كتبها ماحط بلوت كتبها كذا ع عماه وان هو ناقد كتبها ع يسخر من مجتمعه وعاداته وكذا بس احس اول المقاطع بس كنه فخور بنفسه وهو يكتيها>>يتكشخ علينا>> والقصيده الاخيره اوذ تو ذا ويست ويند كتبها الاخ شيللي وهو من صغار الرومانسييين وماكان احد ييطيقه لا هو ولا شعر مطنشينه صفر ع الشمال ع كلامه قذر شوي والناس عندها بنات ماترضى ع عيالها المهم صار متحطم وكتب هالقصيده ع يتمنى ان فيه امل للمستقبل ان احد يقرا قصايده مو يصير كنه طرطور كلن معطيه اشكل هي 5 مقاطع كل واحد يتكلم عن شي المقطع يتكلم عن الشجر بفصل الخريف والثاني عن الغيمه بالخريف والثالث عن البحر لما يهيج والرابع والخامس يتكلم عن نفسه ويقارن نفسه باللي سبق وهو يتكلم عن الربيع وباقي الدنيا خريف وباقي ماجاء الشتاء دليييل ع ان عنده امل بقدوم الربيع وعنده امل ان الناس يقرون قصايده يوم من الايام... تقولين كيف عرفنا ان الدنيا عنده ربيع؟؟؟ ان القصيده عن الرياح الغربيه وعندهم الرياح الغربيه تعني اول اشاره من قدوم فصل الربيع :106: :106: :106: :106: :106: :106: ان شاء الله افدتك حاولت القط من التفاريغ وتحويل من عنجليزي لعربيزي وان شاء الله فهمتيها اللحين :smile: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
تسلميين ياقلبي ان شاءالله فل مارك :love080:
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات هذي الكوتيشنز حقت الدرآمآ ذا رآيفلز
بس نآقص كوتيشن اتوقع قالته ليديآ اللي عندهآ تحطه ! Jul. Nay, you are wrong entirely. We were contracted before my father’s death. That, and some consequent embarrassments, have delayed what I know to be my Faulkland’s most ardent wish. He is too generous to trifle on such a point—and for his character, you wrong him there, too. No, Lydia, he is too proud, too noble, to be jealous; if he is captious, ’tis without dissembling; if fretful, without rudeness. Unused to the fopperies of love, he is negligent of the little duties expected from a lover—but being unhackneyed in the passion, his affection is ardent and sincere; and as it engrosses his whole soul, he expects every thought and emotion of his mistress to move in unison with his. Yet, though his pride calls for this full return, his humility makes him undervalue those qualities in him which would entitle him to it; and not feeling why he should be loved to the degree he wishes, he still suspects that he is not loved enough. This temper, I must own, has cost me many unhappy hours; but I have learned to think myself his debtor, for those imperfections which arise from the ardour of his attachment. ~ Sir Anth. Zounds! sirrah! the lady shall be as ugly as I choose: she shall have a hump on each shoulder; she shall be as crooked as the crescent; her one eye shall roll like the bull’s in Cox’s Museum; she shall have a skin like a mummy, and the beard of a Jew—she shall be all this, sirrah!—yet I will make you ogle her all day, and sit up all night to write sonnets on her beauty. ~ Faulk. They told me Julia would return directly; I wonder she is not yet come! How mean does this captious, unsatisfied temper of mine appear to my cooler judgment! Yet I know not that I indulge it in any other point: but on this one subject, and to this one subject, whom I think I love beyond my life, I am ever ungenerously fretful and madly capricious! I am conscious of it—yet I cannot correct myself! What tender honest joy sparkled in her eyes when we met! how delicate was the warmth of her expression! I was ashamed to appear less happy—though I had come resolved to wear a face of coolness and upbraiding. Sir Anthony’s presence prevented my proposed expostulations: yet I must be satisfied that she has not been so very happy in my absence. She is coming! Yes!—I know the nimbleness of her tread, when she thinks her impatient Faulkland counts the moments of her stay. ~ faulk. In tears! Stay, Julia: stay but for a moment.—The door is fastened!—Julia!—my soul—but for one moment!—I hear her sobbing!—’Sdeath! what a brute am I to use her thus! Yet stay! Ay—she is coming now:—how little resolution there is in a woman!—how a few soft words can turn them!—No, faith!—she is not coming either.—Why, Julia—my love—say but that you forgive me—come but to tell me that—now this is being too resentful. Stay! she is coming too—I thought she would—no steadiness in anything: her going away must have been a mere trick then—she sha’n’t see that I was hurt by it.—I’ll affect indifference—[Hums a tune; then listens.] No—zounds! she’s not coming!—nor don’t intend it, I suppose.—This is not steadiness, but obstinacy! Yet I deserve it.—What, after so long an absence to quarrel with her tenderness!—’twas barbarous and unmanly!—I should be ashamed to see her now.—I’ll wait till her just resentment is abated—and when I distress her so again, may I lose her for ever! and be linked instead to some antique virago, whose gnawing passions, and long hoarded spleen, shall make me curse my folly half the day and all the night. ~ Abs. ’Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am plotting to run away with! He must not know of my connection with her yet awhile. He has too summary a method of proceeding in these matters. However, I’ll read my recantation instantly. My conversion is something sudden, indeed—but I can assure him it is very sincere. So, so—here he comes. He looks plaguy gruff. ~ بالتوفيق للجميييييييييع و دعوآتكم :106: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
اقتباس:
الله يجزآهآ كل خييير يآرب:love080: والله يوفقهآ دنيآ وآخره ~ |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات الله يعافيكم اختبار النظام المالي لين وين ؟ :)
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رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
بنات الله يعافيكم من عندها اوراق النقد بعد ملزمه 9 تكفون الله يعافيكم مره محتاجتهم الحين
الي عندها وترسل لي بدعي لها من قلب |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
:sdfgdsf:
بنات نبي حل الكووتيشنز بليز:icon9: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
الكوتيشن تبع جوليآ ..!
Jul. Nay, you are wrong entirely. We were contracted before my father’s death.... هذآ لمآ ليديآ وصفت فولكلآند بانه ungrateful وهذآ الشرح من الملزمه اللي عندي . Julia defends her lover Faulkland. Julia has been contracted to Faulkland before her father dies. Once, she was in a boat and the boat shipwrecked. Julia was about to drown. Faulkland swam and he saved her from drowning. Since that time she fell in love with him. Her father was alive and they got contracted. Faulkland is delaying their marriage. He gives pretexts to delay their marriage. This is why Lydia calls him the 'ungrateful Faulkland'. Julia loves him very much and she is defending him. He is very cold when he is with her but she justifies his coldness saying that,' he is too proud, too noble to be jealous; if he is captious, 'tis without dissembling; if fearful, without rudeness.' He frets her all the time. So he is fretful. She says,' his affection is ardent and sincere'. It means he really loves me. 'he still suspects that he is not loved enough'. He always suspects that she doesn't love him that much. 'This temper, I must own, has cost me many unhappy hours;' many times I was unhappy with that. She knows his defects. She doesn't love his defects. She is reasonable; she makes balance between reason and emotion. Sentimental people do not see the defects of their lovers. Julia is not blind with her lover. She can see his defects ~ Abs. ’Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am..... هذآ soliloquy قاله كآبتن جآك وهذآ الشرح This soliloquy shows that Jack is very happy that Sir Anthony Absolute has chosen Lydia not anyone else. So, the plot is less much complicated. Sir Anthony is surprised to find his son changing his attitude. He submits to his will. He becomes very obedient after telling him I disagree with you, I object to this marriage, in this point I’ll disobey you. Then after 6 and half hours he goes and talks to him and tells him I’ll do whatever you like, I’m your obedient son. I’ll do this even if you bring for me a very bad lady, even if she is old, even if she is with a hump, even if she has one eye only. Absolute says, ‘ you before hinted something about a hump or two, one eye, and a few more graces of that kind—‘. This is what Sir Anthony told his son before. Sir Anthony says,’ What a phlegmatic sot it is!’. This is medieval influence. Richard Sheridan talks about the old medieval theory of humours. The phlegmatic character is very cold and reasonable.( you have to explain the phlegmatic character). Jack tells his father that he accepts to marry the lady he chooses for him. And he doesn’t care about her beauty because he only likes her to be normal in appearance. Sir Anthony accuses him of being phlegmatic. That is to say cold and too reasonable. After that Sir Anthony Absolute tells his son that he will write a note to tell Mrs. Malaprop that Jack will visit her directly. Directly to keep the unity of time. هذي اللي عندي للحين اما البآقي وحححده تتبرع وتشرحهآ ! ( طبعآ لآتعتمدون على هذآ بس / هذآ بس اللي موجود عندي بس انتو حآولو تختصرونهآ آو ترتبون الشرح على فهمكم ) دعوآتكم :mh318: كتبت الشرح في الموضوع الثآني بس حطيته هنآ عشآن اللي مآيشوف هذآك يشوف هذآ والعكس :biggrin: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
ياحلوين هذا حل الكوتيشنز:53: QUOTATIONS 1- Act I, scene ii :JULIA Nay, you are wrong entirely. We were contracted before my father's death. That, and some consequent embarrassments, have delayed what I know to be my Faulkland's most ardent wish. He is too generous to trifle on such a point:—and for his character, you wrong him there, too. No, Lydia, he is too proud, too noble to be jealous; if he is captious, 'tis without dissembling; if fretful, without rudeness. Unused to the fopperies of love, he is negligent of the little duties expected from a lover—but being unhackneyed in the passion, his affection is ardent and sincere; and as it engrosses his whole soul, he expects every thought and emotion of his mistress to move in unison with his. Yet, though his pride calls for this full return, his humility makes him undervalue those qualities in him which would entitle him to it; and not feeling why he should be loved to the degree he wishes, he still suspects that he is not loved enough. This temper, I must own, has cost me many unhappy hours; but I have learned to think myself his debtor, for those imperfections which arise from the ardour of his attachment. These lines are quoted from The Rivals by Sheridan. They are taken from Act I scene II. These lines are spoken by Julia. She is speaking to Lydia her cousin about Faulkland her lover. From this quotation we get to know about the subplot of the play. We also get to know some of the characteristics of both Faulkland and Julia and the type of relation that is between him and Julia. From this quotation, we get to know about the style of Sheridan in satirizing sentimentality. These lines are said by Julia in a conversation between her and Lydia. Lydia is telling Julia about her problem with her aunt Mrs. Malaprop. She prevented her from going to see Beverly her lover. The character of Julia is quite clear in this quotation. Julia is sensible. She represents the age of sensibility. She makes balance between reason and emotion. She tells Lydia that Beverly is very poor and she is very rich, they don't match together. Julia says this is caprice. Lydia tells Julia, don't talk about caprice because you are capricious because you love the 'ungrateful Faulkland'. This is the opinion of Lydia concerning Faulkland. Lydia blames Julia for loving the 'ungrateful Faulkland'. Julia defends her lover Faulkland. Julia has been contracted to Faulkland before her father dies. Once, she was in a boat and the boat shipwrecked. Julia was about to drown. Faulkland swam and he saved her from drowning. Since that time she fell in love with him. Her father was alive and they got contracted. Faulkland is delaying their marriage. He gives pretexts to delay their marriage. This is why Lydia calls him the 'ungrateful Faulkland'. Julia loves him very much and she is defending him. He is very cold when he is with her but she justifies his coldness saying that,' he is too proud, too noble to be jealous; if he is captious. He frets her all the time. So he is fretful. She says,' his affection is ardent and sincere'. It means he really loves her. He always suspects that she doesn't love him that much. many times she was unhappy with that. She knows his defects. She doesn't love his defects. She is reasonable; she makes balance between reason and emotion. Sentimental people do not see the defects of their lovers. Julia is not blind with her lover. She can see his defects. Lydia asks Julia whether she loves him because he saved her from drowning. Julia says no, it is not gratitude, she really loves him. So, we now that Julia is really in love with Faulkland. The problem of the subplot is Faulkland. Although he has the acceptance of the father who has died and the acceptance of Julia still not confident that Julia is in love with him. He wants to make sure, may be he is a jealous man. She goes on describing his qualities. He delays their marriage as distrusts, he is not sure that she loves him. This lake of confidence is not because he thinks that she is evil but because he doesn’t believe in his own qualities; that he is worthy of her love and that is why she is not in love with him. He says that he loves her so much so she forgives him; she believes that she is indebt to him because he had saved her from drowning. Lydia believes that Julia is in love with Faulkland as she feels that she owns him; she is indebt with him, because he saved her life from drowning from the boat they were in which had turned over and he saved her from drowning. Julia says that she loved him even before he had saved her life. From all this conversations we got lots of information about the quarrel between Faulkland and Julia and why he is not yet married to Julia, how he had saved her life in the past and . Here, Sheridan is referring to the theory of humor. He is criticizing the character of Faulkland as being melancholic. He tends to be sad all the time. He does not enjoy his being in love. He blames Julia for being happy in his absence. Sheridan is not criticizing the sentimental character. He is sympathizing with him. He arouses sympathy. His satire is not severe . He is satirizing Faulkland. he is satirizing people who have excess of sentimentality. There is satire, but it is not severe. 2- Act II, scene i : Sir ANTHONY Zounds! sirrah! the lady shall be as ugly as I choose: she shall have a hump on each shoulder; she shall be as crooked as the crescent; her one eye shall roll like the bull's in Cox's Museum; she shall have a skin like a mummy, and the beard of a Jew—she shall be all this, sirrah!—yet I will make you ogle her all day, and sit up all night to write sonnets on her beauty. these lines are quoted from The Rivals by Sheridan. They are taken from act II Scene I. these lines are said by Sir Anthony Absolute. He is speaking to his son Captain Absolute. This quotation reflects two of the major themes in the play that is the son-father relationship and the theme of the gap between generations. there is a meeting between Sir Anthony and his son and we try to think about the parent - son relationship. In the scene between Sir Anthony and his son; Sir Anthony told his son, ‘I am not going to call you Jack again’, and when Jack was young he used to punish him by hitting and kicking him. There is no understanding between the father and the son. The father is a tyrant, a father who is not ready to discuss anything with his son. We learned from act 1 that Sir Anthony was a rash man. He never thought about his decision. He never stopped to think and this is very unwise. So there is folly in this man. The defect of the father is that he is foolish and unwise. His decisions are not to be respected. He tells his son that if the girl he has chosen him has one eye, if she is wrinkled like mummy, if she has a beard like a Jew or if she has a hump on her back, the son should marry her and obey his father’s orders without discussion if he wanted that. This is ironic because the father himself had fallen in love with Jack’s mother. He ran away with her. He disobeyed his old father. Yet he does not appreciate love. Absolute asked his father, if he disobeyed his father and ran away with the one he loved, then why now he forces him to marry this girl without letting him make decision. Sir Anthony answered that there is a difference between him self and the grandfather. The difference is that he is more indulgent with his son; he gives more things to his son. That is why Sir Anthony is severe on his son. Knowing what he did to his own father, how he ran away with the mother and that was against his father, he is not ready to have his son to do this to him. Instead of being more lenient to his son, he becomes a severer person exactly like Mrs. Malaprop .because she was in love, instead of understanding what love is, instead of being more considerate, she is worse and severer on Lydia. Sir Anthony because he himself had married for love, he thinks he will not allow his son to fall in love. Absolute is wondering what is his father himself had married for loved denying him from this kind of love. Here we have the behavior of the father to the son . We will see the hypocrisy of Jack Absolute .the hypocrisy of the son and the tyranny of the father. We will see both, how the son is hypocrite. He says words in his fathers back and say differently before his father’s face. He is not willing to listen to any words of the father. He is worried that his father heard any thing about the reason behind his being in Bath. He doesn’t want his father to know he has been here for Lydia. The son has ill feelings towards the father. He wishes his father has been ill so that he had been remained in Devonshire. he wishes his father illness .he doesn't want his father to be healthy . He has bad feelings for the father. Now when that father appears the second minute, he says he is so happy to see him in good health, it is good that he is here. He is hypocrite. Because he came so quickly that made him think that he is so ill and he wants to come to the health resort. He is so worried about his health. All of this shows that he is a liar and a hypocrite. The father does not trust him. He starts by showing consideration. He starts to show him that he is a very considerate father thinking of his son’s future. But we realized that instead of giving him the money he makes him through himself, he is going to make him marry a woman . Her dowry is what she has been inherited and so he will get a lot of money. Sir Anthony is thinking of marriage as extra income to his son. It is not a matter of the marriage it self Sir Anthony has seen the girl and he doesn’t mind that the girl is featherbrain or that she is in love with some body else. He doesn’t mind any of that as along as the girl has the money. She is beautiful and she has money .he says that even if she is not beautiful, if he will tell his son to marry, he should marry. So, money is a very important issue in Sir Anthony’s decision. Here we have the theme of arranged marriage. in the 18th century marriage was arranged among families. Sir Anthony and Mrs. Malaprop are arranged for the marriage of their young without letting them chose or even know about this arrangement. This also reflects the theme of the gap between generations. There is no understanding between the father and the son. Sir Anthony Absolute goes and talks to Jack, his son. He tells him that he has a wife for him. So, Jack says, wife for me without knowing. So, he tells him yes, why is it surprising for you? I have picked the wife for you. Jack objects. He tells his father that he is in love with somebody else and he has promised to marry her. He is talking about Lydia. We know that Sir Anthony Absolute, his opinion of women is very low. He thinks very low of women. He tells him that it is not a problem to break up with her, simply like this. He doesn’t care about her feelings. He says that women’ they are not worth redeeming’. Jack Absolute tells him plainly that in this case he disobeys him. He will not marry the one he has chosen. Sir Anthony Absolute is very upset and he gives Jack a period of six hours and a half to reconsider his decision. Why is it six hours and a half? Because the time of the whole play is only two hours. It is to keep the unity of time. The play originally two hours. So, he says six hours and a half because Richard Sheridan keeps the unity of time. Then Sir Anthony Absolute because he is very authoritative, he threatens Jack if he refuses to carry on his orders, he will disown and disinherit him. 'Zounds' is an examples of the effect of the 16th century language. 3- Act III, scene i : ABSOLUTE 'Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am plotting to run away with! He must not know of my connection with her yet awhile. He has too summary a method of proceeding in these matters. However, I'll read my recantation instantly. My conversion is something sudden, indeed—but I can assure him it is very sincere. So, so—here he comes. He looks plaguy gruff. [Steps aside.] These lines are quoted from the Rivals by Sheridan. This quotation is taken from act III scene I. it is a soliloquy of Jack Absolute. He is alone of the stage speaking to himself and the audience can hear him. Every now and then we find a soliloquy. The play is full of soliloquies and asides because this is the effect of the 16th century drama or renaissance drama or Elizabethan drama. So the audiences know how the characters are thinking . Jack is talking to himself and he says that his father is contradicting himself because he married his mother for love, not for money. This is the character of Anthony Absolute. He is betraying his own principles. He married the mother of Jack for the sake of love when he was young. Anthony Absolute was sentimental when he was young and when he grew old, he changed a lot and he became very harsh and materialistic. This soliloquy shows that Jack is very happy that Sir Anthony Absolute has chosen Lydia not anyone else. So, the plot is less much complicated. Sir Anthony is surprised to find his son changing his attitude. He submits to his will. He becomes very obedient after telling him he disagrees with him, he objects to this marriage, in this point he’ll disobey him. Then after 6 and half hours he goes and talks to him and tells him he’ll do whatever he likes, he's his obedient son. he’ll do this even if he brings for him a very bad lady, even if she is old, even if she is with a hump, even if she has one eye only. Absolute says, ‘ you before hinted something about a hump or two, one eye, and a few more graces of that kind—‘. This is what Sir Anthony told his son before. Sir Anthony says,’ What a phlegmatic sot it is!’. This is medieval influence. Richard Sheridan talks about the old medieval theory of humors. The phlegmatic character is very cold and reasonable.( you have to explain the phlegmatic character). Jack tells his father that he accepts to marry the lady he chooses for him. And he doesn’t care about her beauty because he only likes her to be normal in appearance. Sir Anthony accuses him of being phlegmatic. That is to say cold and too reasonable. After that Sir Anthony Absolute tells his son that he will write a note to tell Mrs. Malaprop that Jack will visit her directly. Directly to keep the unity of time. Captain Absolute is going to meet his father he pretended to be penitent. He was not penitent or any thing. He wasn’t trying to ask for forgiveness. All what he realized that he should not quarrel with his father because the girl that his father has chosen is the same girl of his choice? What are the reasons he doesn’t tell his father right away that his choice is his choice. He keeps this from him. He keeps his father in deception. He tells his father that he is penitent and out of duty to his father he s ready even to marry the aunt. Why he didn’t tell his father that his choice is his choice. He is afraid that his father is so quick that he will go and tell Mrs. Malaprop the whole thing and as he has to take things gradually. At the same time why not make the father believe that his son is obedient and beautiful and makes him believe that his son will make anything that his father asks him to do. What a hypocrite, although he knows he will be cheating very quickly I will be able to pretend that I am really sincere, although he knows that. And the father now is not ready to hear a word So, here is a penitent Jack, giving all those words how his father has been a condescending man, how he has been a good man , kind man, how is it duty ,the authority of the father and the final conclusion is his own decision. His decision is to sacrifice every feeling he has in order to satisfy his father. We are not blaming him of being a hypocrite, and using all the language to pretend that he is obedient and he is loving to the kind father. we find that the humiliation that the father imposes on his who is a captain, to call him puppy or to abuse him in that manner even to talk about him behind his back as he talked to Mrs. Malaprop was most inconsiderate. How could a father trying to propose his son for marriage talk to him as a man of no say in the subject that he would hit him or through him, and the son will have to make what he wants with no discussion, all this will make out of his son not a respectable man. As we blame the son of hypocrisy and disrespect to his father and we blame the father for the humiliation and the tyrannical attitude he had towards his son. He behaves so quickly, he doesn't understand what is behind the mask which means he believed that his son is a penitent. Behind the mask, there is a man who is not penitent at all. Sir Anthony does not reserve respect. He is a tyrant and unwise man who think that he is going to force things on others. His morals are very liberal. He exposes himself of having a very liberal attitude towards women. We saw him speaking about the physical beauty of Lydia which is something that is not supposed to be the central of this man's attention. He disregarded her moral behavior as being in love with somebody else. He only concentrated on her money and her physical beauty. As choosing a wife for his son he should be looking for her moral behavior, for the maturity of her brain, whether she is obedient or disobedient for her family, whether she is educated or not, whether she is able to behave according to the moral conduct of the family or just do whatever she likes as sending letters to her lover, wanting to run away with him, going behind the level of her family trying to marry a poor man. All this tells us about the immaturity of Lydia, or may be immoral. He never worried about all these things thinking that they will be forgotten. What is most important or him that she just obeys her aunt if she is locked in a room, starve, marry against her will. What is significant is her money and her beauty. In spite of this, Sheridan makes Absolute to obey him, not to marry against the will of his father. We have the follies of the parents, not only the follies of the sons. 4- Act III, scene ii : FAULKLAND They told me Julia would return directly; I wonder she is not yet come! How mean does this captious, unsatisfied temper of mine appear to my cooler judgment! Yet I know not that I indulge it in any other point: but on this one subject, and to this one subject, whom I think I love beyond my life, I am ever ungenerously fretful and madly capricious! I am conscious of it—yet I cannot correct myself! What tender honest joy sparkled in her eyes when we met! how delicate was the warmth of her expression! I was ashamed to appear less happy—though I had come resolved to wear a face of coolness and upbraiding. Sir Anthony's presence prevented my proposed expostulations: yet I must be satisfied that she has not been so very happy in my absence. She is coming! Yes!—I know the nimbleness of her tread, when she thinks her impatient Faulkland counts the moments of her stay. These lines are quoted from the Rivals by Sheridan. It is taken from Act III scene II. It is a soliloquy of Faulkland. He is waiting in Julia's dressing room Every now and then we find a soliloquy. The play is full of soliloquies and asides because this is the effect of the 16th century drama or renaissance drama or Elizabethan drama. So the audiences know how the characters are. from this soliloquy we get to know about the character of Faulkland. it also reflects the type of relation that is between him and Julia, the hero and the heroine of the subplot. This is important to understand the character of Faulkland. He knows that he hurts Julia by showing coldness when he meets her. He loves her very much but when he sees her, he shows coldness. This is realistic. There are people who are like this. Because of this realism in delineating Faulkland, some audiences might sympathies with him. Now he goes to meet Julia. From the conversation we know that they have met before. He showed coldness. So, when he meets her this time, he justifies his cold attitude to her. He says he is shy to show his happiness to her in the presence of a third person. He tells her when there is a third person in the middle, he is shy to show her his love and his happiness to see her. Secondly, He tells her that he got very upset when he heard Acres talking about her cheerfulness and happiness in his absence. He blames her. He is going to fret her. He tells her that he has expected her to be sick, sad but she was happy singing and dancing. He tells her that the parting lovers should never smile. They should cry because this is sentimentality because of the pain of love. Julia defends herself and she tells Faulkland that she was really sad to be away from him. However, she pretends to be happy because people will talk about her. People will think that she has broken up with Faulkland if she cries or shows sadness. As usual they quarrel. Julia tells him that he always likes to be unkind to her. She tells him that she loves him not out of gratitude or duty but out of love. She loves him and she stays with him because she loves him not because she is grateful to him, because he always has worries that she accepts to marry him because of gratitude, because he saved her from drowning or duty, and because she is contracted to him. Then he keeps on tormenting her. He tortures her with his doubts. Then she leaves him and she cries. This is a soliloquy for Faulkland after she leaves. This soliloquy shows that he has a psychological problem. He keeps on thinking that she will come back and apology to him. He says I feel she is coming then she doesn’t come. So, he blames himself and says that he shouldn’t have fretted her this time. He is a man who is filled with fears and doubts. He is imbalanced. The sentimental character is an imbalanced character. He loves her and he is scared that she least left him and he loses her forever. Here Faulkland is describing his behavior as being captious. It is not only absolute who said this about him in act II. He says this about himself. He says that he is only behaving in this manner with Julia and the matter of love. He speaks of his two weaknesses, being capricious and being captious. He admits that these are his problems. Being capricious means being guided by whims, being whimsical. He admits that he can not correct himself. We have examples of this behavior with Julia. This is the first time we see the hero and the heroine of the subplot together. We have see Faulkland complaining from Julia, being upset that she has been happy, she danced, sang while he was absent. Acres told him that Julia who is his neighbor was really having fun. We have seen Julia defending Faulkland to Lydia, how she thought that she did not believe that there are some qualities in him that make people love him. He is always unsure whether he is loved or not, whether he deserves that love. He has no belief in Julia who loves him. He always tries to make sure that she loves him. There are many reasons for Julia to love him but he does not want her to love him for his looks, not for the oath her father had given, nor because of gratitude. The weakness in him is something that is very difficult to correct. Absolute tells him that there is no hope of correcting him. In act III, we find that Faulkland is in action with Julia. Whatever he does is out of two follies in him. He is captious= he quarrels with a person through his own words and capricious, whimsical person= one minute he is happy, the next minute he is unhappy. here, Sheridan is referring to the theory of humor of Ben Jonson. This is the effect of 16th century on him. The follies that he has are called inborn follies. It belongs to comedy of humors. Inborn folly is a folly that can not be corrected. We laugh at it, make fun at it but there is no hope of correcting it. Comedy of humors is not only for laughter but it ends in correcting. The argument is that it is difficult to correct a humor rather than correcting an acquired folly. There is always a correction how can Faulkland be corrected. He is so difficult to correct. He always goes to the same mistake. It is part of him. He is unable to change. This inability to change makes it waste of time to try to correct him. In act III, we have satire of Romance. Sheridan is laughing at those stories of romance. He was not against love, but he was for love, but for treating love in more realistic way. 5- Act III, scene ii FAULKLAND In tears! Stay, Julia: stay but for a moment.—The door is fastened!—Julia!—my soul—but for one moment!—I hear her sobbing!—'Sdeath! what a brute am I to use her thus! Yet stay!—Ay—she is coming now:—how little resolution there is in a woman!—how a few soft words can turn them!—No, faith!—she is not coming either.—Why, Julia—my love—say but that you forgive me—come but to tell me that—now this is being too resentful. Stay! she is coming too—I thought she would—no steadiness in anything: her going away must have been a mere trick then—she shan't see that I was hurt by it.—I'll affect indifference—[Hums a tune; then listens.] No—zounds! she's not coming!—nor don't intend it, I suppose.—This is not steadiness, but obstinacy! Yet I deserve it.—What, after so long an absence to quarrel with her tenderness!—'twas barbarous and unmanly!—I should be ashamed to see her now.—I'll wait till her just resentment is abated—and when I distress her so again, may I lose her for ever! and be linked instead to some antique virago, whose gnawing passions, and long hoarded spleen, shall make me curse my folly half the day and all the night. [Exit.] These lines are quoted from " the Rivals" a play by Sheridan. They are taken from act III Scene II. These lines are said by Faulkland after the exit of Julia in tears. It is a soliloquy of Faulkland. Every now and then we find soliloquy in the play. It is the effect of the 16th century. This shows that the play belongs to the explicit drama. The audiences are informed with every thing. Nothing is hidden. This quotation reflects the character of Faulkland and the type of relation that is between him and Julia the hero and the heroine of the subplot. Faulkland goes to explain why he is upset. He accuses Julia of always trying to put his love in a trail, questioning his love to her. Even if Faulkland had made her unhappy, she never showed to her friends that she is unhappy because she had to admit that the cause of her unhappiness is Faulkland. She did not want to complain against Faulkland. She is loving and forgiving that she will not speak behind his back or try to complain about him. He admits that he is brute. he is waiting for her to come back and apologize for him. "Zounds" is an example of the effect of the 16th century language.She says that even if he finds something wrong with her behavior she hopes that she will be taken as an example of liberty and ingratitude. She will not reach the point of disrespecting him or of being ingratitude to him. This is why he is a captious person. He takes her own words and quarrels over that. He does not want her to love him as she in grateful to him. He thinks that she admits that her feeling towards him is not love but gratitude. If it is for his brain, it is not love but esteem. He hopes that she does not love him because he is handsome. He wants her to love him for no quality, just to love him. He does not want her to stick to him just because of the contract her father had given him. He wants to be sure, hadn't they this contract, she would not have changed her mind. She tells him to break the contact to let him see whether she loves him or not. All the time he is trying whether she truly loves him or not. She asks him to give her the chance whether she loves him not out of the contract, out because of the oath, not out of gratitude, not because of his looks but just because she chose to be with him. ( mention the characteristics of Faulkland – theory of humor as being criticized by Sheridan- ) 6- Act IV, scene ii: LYDIA So, while I fondly imagined we were deceiving my relations, and flattered myself that I should outwit and incense them all—behold my hopes are to be crushed at once, by my aunt's consent and approbation—and I am myself the only dupe at last!—[Walking about in a heat.] But here, sir, here is the picture—Beverley's picture! [taking a miniature from her bosom] which I have worn, night and day, in spite of threats and entreaties!—There, sir [Flings it to him.]; and be assured I throw the original from my heart as easily. These lines are quoted from "the Rivals" by Sheridan. They are taken from Act Iv scene II. In these lines, Lydia is speaking to Captain Absolute. We call this scene the discovery scene.Sir Anthony and Absolute comes in. this is the scene where the deception is disclosed. The problem is not that it is Mrs. Malaprop who has to agree, but the problem is that Lydia has to mature to accept Beverly as Absolute. Sir Anthony Absolute took his son Jack Absolute by force into the house of Mrs. Malaprop to meet Lydia. He is reluctant to go. He is very embarrassed because he doesn't know how to meet Lydia and what to tell her. Lydia came down from upstairs. She doesn't want to look to Captain Absolute. So, she keeps putting her face in aside ways. Then Captain Absolute starts talking to Lydia aside. He tells her, please talk to me but don't get shocked. She said, this is Beverley, how can Beverley fool the father of Captain Absolute. It is the climax of the play. Lydia is very confused. She starts talking to him as Beverley. Mrs. Malaprop is there and Sir Anthony Absolute is there also. They think that Lydia is mad. Because they say that this is Captain Absolute, how can she talks to him as Beverley. they think that she is crazy. Then Sir Anthony Absolute starts to suspect his son. Sir Anthony Absolute is foolish. He thinks that Captain Absolute is not his son. So, Captain Absolute tells him that he is his son flesh and blood. Captain Absolute tells everyone that Beverley and Captain Absolute are one and the same. And he begs Lydia to forgive him and accept his love. Of course, the first thing Lydia said, and there will be no elopement. The most important thing in her sentimental dream is to elope with Beverley. She doesn't care about the scandal, it is something to be proud of for her. She tells Captain Absolute that he has ruined her sentimental dream and she doesn't want him anymore. He is very embarrassed and he asked the help of his father. He told his father, if he doesn’t help me, he 'll be finished. So, his father Sir Anthony Absolute interfered and he told Mrs. Malaprop, we are big enough, we are grown-up 'to forget and forgive'. This is a Christian note of forgiveness, a Christian note of reconciliation. Sir Anthony Absolute says, that Christian people should forget the vicious acts and forgive those who have been vicious to him. This is Christian influence in the play. So Mrs. Malaprop simply forgives Captain Absolute. Then Mrs. Malaprop and Sir Anthony Absolute left the stage and they left the couple together. Captain Absolute shows his other face. He starts to talk in a very materialistic way. He tells her everything is ok now, her aunt and his father agree that they can marry, so they should go and talk to the lawyer or better they should hurry and get the license so that she can get her fortune. Lydia calls him an impostor because he has laughed at her and all what he cares for is the money. She tells him that she doesn't bear him anymore. She says that she renounces him. He lost Lydia. The first problem in cat I was not that her aunt is going to object to her marriage to Beverly. This is one of the problems- getting the acceptance of the aunt, but not the major problem. The major problem is the odd nature of the girl that she was not ready to marry through a traditional marriage. Lydia is not ready to marry Beverly as absolute. This is why scene Iii act Iv is going to end in a break where Lydia is going to tell her aunt that for too long she has been asking her not to marry this man. Lydia renounces Beverly for ever. Now, she is going to be obedient to her aunt and to leave this man. This scene is the discovery of the two selves in front of the parents and Lydia. Absolute asks his father to leave him alone with Lydia. The father does not want to go away. Still he believes that his son comes to marry Lydia out of obedience to his father, that he does not care whether she is beautiful or not. He is stuttering, stammering. This is how he pretends in front of his father to be obedient, modest, bashful person. His modest is not allowing him to say a word. This embarrassing situation that Absolute is in is due to his own follies, his own deception, his own hypocrisy. He has to face the situation. He has to speak to every body. He discloses his identity to his father, Mrs. Malaprop and to Lydia. He tells her that because of her nature, He tried to go below his standard and he hopes that she will accept him. In that speech, he collects all the words that Absolute had used to speak of his behavior as an obedient son. He speaks of duty, obedient, penitence. His father qualifies him as a hypocrite. Here, we have the theme of mistaken identity- the theme of the gap between generations- criticism of the sentimental characters represented in Lydia. دعواتكم لي ياحلوين بالتوفيق بكره جد خايفه منه :Cry111: |
رد: إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
الله يسهل علينا ن شاء الله وجزاك الله خير:love080:
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