Third Year's Students Come Here To Be One Hand

[Angelica]

يعني مرره مآ نذآكرهآ ولا رح يجي منهآ شورت كويسشن ؟

يعني قصدي مآنتعمق بمذآكرتهآ ؟:000:

لا تسألوا عن اشياء ان تبد لكم تسؤكم :cheese:

قالوا محذوفه احذفيها واذا مصره تذاكرينها تراها صفحتين بس :cheese:

وعالعموم الاسئله اختياري يعني لو فرضنا انها جت بالاختبار لا تختارينها

قود لك :love080:

[ThE lEgEnD]

يلا نبدأ بالاحساس... :(284):



احس زي ماسبق وكوثر حست ان الايسااي بيجي عن ذا رام اوف انشنت مارينر..او عن تينترن اببي

الشورت كوستشونز احتمال كبير انها تجي كوتيشونز وانتي تقولن من اي لها هاذا.. مثل

ممكن تجيب دون جوان عن البايرونك هيرو ومواصفاته...
ممكن تجيب الاود تو ذا ويست ويند وتقول وش معروف عن الشيخ شيللي
ممكن تجيب مقارنه بين لامب وتايقر
ممكن تجيب شي من تنترن اببي وتقول اشرحي الصورة
ممكن تجيب اشرحي شي من سوليتاري ريبيير
ممكن تجيب شي من الله اعلم
>>>احس ماخليت شي...


<_<'



g00d luck or us all

واقروو الكهف لاتنسون تراها نورا مابين الجمعتين :love080:

[Lost 3]

:000:
ياكثثثثثثثثثثثثر المعلومات بس
انتفخ رآسي من الايميجز والنيتشر :mad:

[Lost 3]

بنات الحين لمآ نقول كلاسيكال رآيتيرز يعني أي قرن ؟؟

والرومآنتيكس أي قرن ؟

آحس اني لخبطت بين الاسمآء والقرون :icon9:

[Angelica]

الرومانتكس في القرن التاسع عشر

[شتاء عمري]

بنات سوال nature في تنتر ابي وش ممكن اقول عنها ؟ :mh12:

[Lost 3]

بنات سوال nature في تنتر ابي وش ممكن اقول عنها ؟ :mh12:

اذا انتي مع د. عليآء الملزمه 4 و 5 مليااااااااااانه كلام عن النيتشر
وآنتي تقرينهآ حآولي تكتبين تأثير النيتشر ع الكآتب والآيمجيز وكل شي بورقه خآرجيه
وبعدين رتبي افكآرك .. سهل الموضوع بس انتي ركزي شووي:biggrin:

[شتاء عمري]

مع دكتوره فوزيه :smile:

[Angelica]

مع دكتوره فوزيه :smile:

ممكن تسأل عن تأثير النيتشر على وردزوورث لما يتذكرها وهو stressed بالمدينه وتقولين هذيك اللي sensation sweet felt in the blood along the heart and into his purer mind, tranquil restoration , feelings of unremembered pleasure and the blessed mood

ممكن الستيجز اللي مر فيهم من يوم وهو صغير كان يحب النيتشر ومو عارف ليه بعدين صار aware of the effect of nature upon him وبالاخير صار ما يستقبل :cheese: من النيتشر نفس اول بس اكتسب قفت ثانيه ( نسيت وشهي :biggrin: )

[العسل المر]

بنات في قصيدة شيلي ركزو ع الاوبينين اللي عن الشعر بالنسبة لشيلي
poetry for him immortal , inspire a new generation ,lives for ever

[Lost 3]

ممكن الستيجز اللي مر فيهم من يوم وهو صغير كان يحب النيتشر ومو عارف ليه بعدين صار aware of the effect of nature upon him وبالاخير صار ما يستقبل :cheese: من النيتشر نفس اول بس اكتسب قفت ثانيه ( نسيت وشهي :biggrin: )

; he has other gifts. The pleasure of childhood is a gift from God, but we have other gifts as we become adults. For example, we have the gift of mind/ reason. We also have knowledge and experience.



:biggrin:

[Angelica]

lost

Thanx :love080:

بنات ممكن وحده تعطينا اقزامبلات على الماستر سيرفنت ريلاشنشب والسيتي لايف فرسز الكونتري لايف

ادري مو وقت دراما بس اللي تعرف ايتوها حاجه تكتبها ولها جزيل الشكر :love080:

[شتاء عمري]

الماستر سيرفنت هو الي انه هذا نسيت اسمه :41jg:يعامل خادمه معامله افرند


طيب سوال البيرونيك ايش اقول فيها ؟؟ :mh318:
انه يبحث عن بطل واختار جون ؟

[Lost 3]

lost

Thanx :love080:

بنات ممكن وحده تعطينا اقزامبلات على الماستر سيرفنت ريلاشنشب والسيتي لايف فرسز الكونتري لايف

ادري مو وقت دراما بس اللي تعرف ايتوها حاجه تكتبها ولها جزيل الشكر :love080:

المآستر ريليشن شب / علاقة ديفيد الخآدم تبع أكرس وانه كيف يكلمه كأنه صديق له وهكآ :biggrin:
وعلاقة لوسي خآدمة ليديآ انها تجيب الروايات الرومنسيه لها .....

وكيف ان الخدم عمومآ في ذاك العصر عندهم الاسرآر ويستغلون هالشي عشىن الفلووس

<~ اذا غلط قولي هآ :biggrin:

~~

السيتي لآيف فرسز الكونتري / ان لمآ آكرس يحآول يكشخ نفسه لانه من الكونتري سآيد وحالته حاله وعشآن يخقق البنات يعني :biggrin: ومآيبي احد يضحك عليه لانه من الكونتري ..

- وبعد لمآ fag يضحك على caochman اللي هو خدآم سير انتوني ويقوله لازم تتضبط شوي
طبعا الكوتش مان من الكونتري ..


وبسسس :biggrin:

[Lost 3]

صدق البآيرونيك هيرو وش سالفة آمممه :000:؟؟

[العسل المر]

the byronic hero
10 he rebels aganist moral valuse of his society
he is a woanderer always moves from one place to another
he is moody , arrogant ,sensitive,has a great talanted and passion he has many dark qualities

[Angelica]

لوست + شتاء عمري .. شكرا قد السماء :love080:

البايرونيك هيرو لازم تعرفون ان لورد بايرون هو اللي مخترعه ولازم تعرفون مواصفاته وهي انه Attractive, rebellious , doesn't have heroic virtue , proud of himself , his love affairs ends in a disastrous way , intelligent ,always alone
وكل هالمواصفات تنطبق على دون جوان وعشان كذا اختار لورد بايرون هالشخصيه

[Lost 3]

لوست + شتاء عمري .. شكرا قد السماء :love080:

البايرونيك هيرو لازم تعرفون ان لورد بايرون هو اللي مخترعه ولازم تعرفون مواصفاته وهي انه Attractive, rebellious , doesn't have heroic virtue , proud of himself , his love affairs ends in a disastrous way , intelligent ,always alone
وكل هالمواصفات تنطبق على دون جوان وعشان كذا اختار لورد بايرون هالشخصيه

ثآنكسسس :love080::106:
~
آود تو ذآ ويست ويند مآني فآهمه فيها شي ولا هي دآخله مزآجي مو عارفه آذآكرهآ :icon9:

[شتاء عمري]

لوست شوفي موضوع الثاني فيه وحده شرحتها جزاها الله خير :119:

[همس المشااعر]

بات الانجليزي تكفون ابي جدول ثالثه :000:

[Lost 3]

اول اسبوع

شعر
مسرح
نظام
عربي
مقال

الاسبوع الثاني

نقد
ترجمه
نثر
لغويات
شكسبير
:biggrin:

[Lost 3]

لوست شوفي موضوع الثاني فيه وحده شرحتها جزاها الله خير :119:

مشكووورهـ :106:

بس برضو مو دآخلي مزآجي القصيده :biggrin:

[همس المشااعر]

يسسسعد قلبج تسسلمييين

[حلمي كبير]

الصفحه 669 حقت قصيده ثانيه اتوقع قصد[ك
662 اللي هو حق شيلللي
بكتبها لك لانو ماعندي سكان

shelley found that the general public/ his family, and most of his friends regarded him not only as an atheist and revolutionary, but also as a gross immoralist.
therefore he saw himself in the role of an alien and outcast, scorned and rejectedd by the human race to whose welfare he had dedicated his powers and his life.
In these desperate circumstances, in a state sometimes verging on despair, and knowing that he almost entirely lacked an audience, shelley wrote his greatest works.
The poems of Shelley's maturity also show the influence of his study of Plato and the Neoplatonists.
Many of his major poems express his sense of the limits of cwrtain knowledge and his refusal to let his intuitions and hopes harden into a philosophical or religious creed.The hope in the ultimate redemption of life by love and imagination is not a certainty but a moral obligation

بنات احد فاهم اللي مبروز؟؟؟ مافهمته احسه كلام سايح ع بعضه....جزااها الله خير اللي تعرف تشرحه ولو بشكل مبسط :106:

الله يوفقك حبيبتي وفالك a+

[shwshw]

بنات بليز متاكدين من الجدول الاحد مسرررح :sdfgdsf:

[امممم نسيت]

الامتحان بكل بساطه كان يمزح :(177):

[never give up]

بناااااااات الله الله يعافيكم اللي عنده حل الكوتيشانات حق الدراما ينزلها بالمنتدى :sdfgdsf:

[SUMMO]

بناااااااات الله الله يعافيكم اللي عنده حل الكوتيشانات حق الدراما ينزلها بالمنتدى :sdfgdsf:

يازين صديقتي المتوهقة ..:biggrin::love080:

انا ابي الكوتيشنات بكبرها ابي اطبعها ماعندي الا كلمتين منها اذا احد عنده الكوتيشنات كاملة ياليت يسوي لهم كوبي بيست ..

موفقين..

[Lost 3]

يازين صديقتي المتوهقة ..:biggrin::love080:

انا ابي الكوتيشنات بكبرها ابي اطبعها ماعندي الا كلمتين منها اذا احد عنده الكوتيشنات كاملة ياليت يسوي لهم كوبي بيست ..

موفقين..

Jul. Nay, you are wrong entirely. We were contracted before my father’s death. That, and some consequent embarrassments, have delayed what I know to be my Faulkland’s most ardent wish. He is too generous to trifle on such a point—and for his character, you wrong him there, too. No, Lydia, he is too proud, too noble, to be jealous; if he is captious, ’tis without dissembling; if fretful, without rudeness. Unused to the fopperies of love, he is negligent of the little duties expected from a lover—but being unhackneyed in the passion, his affection is ardent and sincere; and as it engrosses his whole soul, he expects every thought and emotion of his mistress to move in unison with his. Yet, though his pride calls for this full return, his humility makes him undervalue those qualities in him which would entitle him to it; and not feeling why he should be loved to the degree he wishes, he still suspects that he is not loved enough. This temper, I must own, has cost me many unhappy hours; but I have learned to think myself his debtor, for those imperfections which arise from the ardour of his attachment.


~


Sir Anth. Zounds! sirrah! the lady shall be as ugly as I choose: she shall have a hump on each shoulder; she shall be as crooked as the crescent; her one eye shall roll like the bull’s in Cox’s Museum; she shall have a skin like a mummy, and the beard of a Jew—she shall be all this, sirrah!—yet I will make you ogle her all day, and sit up all night to write sonnets on her beauty.

~


Faulk. They told me Julia would return directly; I wonder she is not yet come! How mean does this captious, unsatisfied temper of mine appear to my cooler judgment! Yet I know not that I indulge it in any other point: but on this one subject, and to this one subject, whom I think I love beyond my life, I am ever ungenerously fretful and madly capricious! I am conscious of it—yet I cannot correct myself! What tender honest joy sparkled in her eyes when we met! how delicate was the warmth of her expression! I was ashamed to appear less happy—though I had come resolved to wear a face of coolness and upbraiding. Sir Anthony’s presence prevented my proposed expostulations: yet I must be satisfied that she has not been so very happy in my absence. She is coming! Yes!—I know the nimbleness of her tread, when she thinks her impatient Faulkland counts the moments of her stay.

~

faulk. In tears! Stay, Julia: stay but for a moment.—The door is fastened!—Julia!—my soul—but for one moment!—I hear her sobbing!—’Sdeath! what a brute am I to use her thus! Yet stay! Ay—she is coming now:—how little resolution there is in a woman!—how a few soft words can turn them!—No, faith!—she is not coming either.—Why, Julia—my love—say but that you forgive me—come but to tell me that—now this is being too resentful. Stay! she is coming too—I thought she would—no steadiness in anything: her going away must have been a mere trick then—she sha’n’t see that I was hurt by it.—I’ll affect indifference—[Hums a tune; then listens.] No—zounds! she’s not coming!—nor don’t intend it, I suppose.—This is not steadiness, but obstinacy! Yet I deserve it.—What, after so long an absence to quarrel with her tenderness!—’twas barbarous and unmanly!—I should be ashamed to see her now.—I’ll wait till her just resentment is abated—and when I distress her so again, may I lose her for ever! and be linked instead to some antique virago, whose gnawing passions, and long hoarded spleen, shall make me curse my folly half the day and all the night.

~


Abs. ’Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am plotting to run away with! He must not know of my connection with her yet awhile. He has too summary a method of proceeding in these matters. However, I’ll read my recantation instantly. My conversion is something sudden, indeed—but I can assure him it is very sincere. So, so—here he comes. He looks plaguy gruff.

~

آتوقع بآقي كوتيشن قالته ليديآ اللي عندها ياليت تحطه .!

دعوآتكم !:love080:

[نقوش جدار]

مي توو ..
بنات الله يعـآفيكم ..
أبي حل الكوتيشنات للمسرحيه الثآنيه < متوهقه بقوه ..
وحل الأسئله الـ 5 للمسرحيه الثآنيه من ويييين ؟!!!!!

<<<<<< النجده :bawling:

[never give up]

انا عندي حل الاسئله بنزلها بس :53:

[never give up]

The Rivals:
QUOTATIONS
what are we going to talk about?
We will say it is an explicit drama and we will say that there is a setback in the 18 century. In the late 17th century, a modern movement started, and then it was interrupted in the 16th century by Neo-classical drama.
And say why there is a soliloquy , because a writer started to imitate the 16th century writers and soliloquy is one of the features of 16th century writers, like Shakespeare and Ben Johnson.
Richard Sheridanبتاع satireمثلا، عن الMedieval تتكلموا عنها ،عن Cultural elementsلو لقيتوا مثلا
Sheridan is not criticizing the sentimental character. He is sympathizing with him. He arouses sympathy. his satire is not . He is satirizing Faulkland, he is satirizing people who have excess of sentimentality. There is satire, but it is not severe.}

1- Act I, scene ii : JULIA Nay, you are wrong entirely. We were contracted before my father's death. That, and some consequent embarrassments, have delayed what I know to be my Faulkland's most ardent wish. He is too generous to trifle on such a point:—and for his character, you wrong him there, too. No, Lydia, he is too proud, too noble to be jealous; if he is captious, 'tis without dissembling; if fretful, without rudeness. Unused to the fopperies of love, he is negligent of the little duties expected from a lover—but being unhackneyed in the passion, his affection is ardent and sincere; and as it engrosses his whole soul, he expects every thought and emotion of his mistress to move in unison with his. Yet, though his pride calls for this full return, his humility makes him undervalue those qualities in him which would entitle him to it; and not feeling why he should be loved to the degree he wishes, he still suspects that he is not loved enough. This temper, I must own, has cost me many unhappy hours; but I have learned to think myself his debtor, for those imperfections which arise from the ardour of his attachment.
2- Act II, scene i : Sir ANTHONY Zounds! sirrah! the lady shall be as ugly as I choose: she shall have a hump on each shoulder; she shall be as crooked as the crescent; her one eye shall roll like the bull's in Cox's Museum; she shall have a skin like a mummy, and the beard of a Jew—she shall be all this, sirrah!—yet I will make you ogle her all day, and sit up all night to write sonnets on her beauty.
' Harkee' and 'Zounds' are examples of the effect of the 16th century language.

3- Act III, scene i : ABSOLUTE 'Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am plotting to run away with! He must not know of my connection with her yet awhile. He has too summary a method of proceeding in these matters. However, I'll read my recantation instantly. My conversion is something sudden, indeed—but I can assure him it is very sincere. So, so—here he comes. He looks plaguy gruff. [Steps aside.]


4- Act III, scene ii : FAULKLAND They told me Julia would return directly; I wonder she is not yet come! How mean does this captious, unsatisfied temper of mine appear to my cooler judgment! Yet I know not that I indulge it in any other point: but on this one subject, and to this one subject, whom I think I love beyond my life, I am ever ungenerously fretful and madly capricious! I am conscious of it—yet I cannot correct myself! What tender honest joy sparkled in her eyes when we met! how delicate was the warmth of her expression! I was ashamed to appear less happy—though I had come resolved to wear a face of coolness and upbraiding. Sir Anthony's presence prevented my proposed expostulations: yet I must be satisfied that she has not been so very happy in my absence. She is coming! Yes!—I know the nimbleness of her tread, when she thinks her impatient Faulkland counts the moments of her stay.


5- Act III, scene ii: JULIA I know not whither your insinuations would tend:—but as they seem pressing to insult me, I will spare you the regret of having done so.—I have given you no cause for this! [Exit in tears.]
FAULKLAND In tears! Stay, Julia: stay but for a moment.—The door is fastened!—Julia!—my soul—but for one moment!—I hear her sobbing!—'Sdeath! what a brute am I to use her thus! Yet stay!—Ay—she is coming now:—how little resolution there is in a woman!—how a few soft words can turn them!—No, faith!—she is not coming either.—Why, Julia—my love—say but that you forgive me—come but to tell me that—now this is being too resentful. Stay! she is coming too—I thought she would—no steadiness in anything: her going away must have been a mere trick then—she shan't see that I was hurt by it.—I'll affect indifference—[Hums a tune; then listens.] No—zounds! she's not coming!—nor don't intend it, I suppose.—This is not steadiness, but obstinacy! Yet I deserve it.—What, after so long an absence to quarrel with her tenderness!—'twas barbarous and unmanly!—I should be ashamed to see her now.—I'll wait till her just resentment is abated—and when I distress her so again, may I lose her for ever! and be linked instead to some antique virago, whose gnawing passions, and long hoarded spleen, shall make me curse my folly half the day and all the night. [Exit.]


6- Act IV, scene ii: ABSOLUTE
You wrong me, Lydia, you wrong me—only hear——
LYDIA So, while I fondly imagined we were deceiving my relations, and flattered myself that I should outwit and incense them all—behold my hopes are to be crushed at once, by my aunt's consent and approbation—and I am myself the only dupe at last!—[Walking about in a heat.] But here, sir, here is the picture—Beverley's picture! [taking a miniature from her bosom] which I have worn, night and day, in spite of threats and entreaties!—There, sir [Flings it to him.]; and be assured I throw the original from my heart as easily.
ABSOLUTE Nay, nay, ma'am, we will not differ as to that.—Here [taking out a picture], here is Miss Lydia Languish.—What a difference!—ay, there is the heavenly assenting smile that first gave soul and spirit to my hopes!—those are the lips which sealed a vow, as yet scarce dry in Cupid's calendar! and there the half-resentful blush, that would have checked the ardour of my thanks!—Well, all that's past!—all over indeed!—There, madam—in beauty, that copy is not equal to you, but in my mind its merit over the original, in being still the same, is such—that—I cannot find in my heart to part with it. [Puts it up again.]
1-What are the themes of “The Rivals”?

The play has some major and some minor themes. The major themes in the play include the theme of the gap between generations and the father – son relationship. Besides the other minor themes found in the play that are the theme of master- servant relationship and the theme of city life versus country live.

One of the main themes in the play is the theme of the gap between generation. It is about Lydia. She is a very wealthy girl, but she is underage. Her aunt is guardian, so she cannot marry without the acceptance of her aunt. And they talk about hero. Mrs. Malaprop is the guardian of Lydia. Lydia is her ward, underage. Sir Anthony Absolute is the guardian of Julia.
It is in the English law. William Congreve and Richard Sheridan are criticizing the English law, because it puts people underage under the authority of the guardians الوصي .
(This example can be used in answering the question about satire in the play)

Another example that shows the theme of the gap between generations is
Odd! Sir Anthony will stare to see the Captain here!”
We knew from this conversation that Sir Anthony Absolute does not know that his son; Captain Absolute, is in Bath. All of them are from London. The father does not know and he will be surprised. The coachman says that when the father knows that his son is in Bath, he will be very surprised. Because he does not tell him that he will go to Bath.
The old generations do not consider sentiments something respectable and the young generations consider sentiments. This is the effect of philosophers; Anthony Cooper (The Earl of Shaftesbury), and the French philosopher; Jean Jacque Rousseau. Both of them confirmed the importance of sentiments in our lives and related to morality. They considered sentiments (المشاعر و الحب) something immoral. The old generation. So, the old generationsمالهم دعوى بالفلاسفة الجدد they are old-fashion ماشيين على النظام القديم)). They consider sentiments immoral.
When Sir Anthony talks about women education; girls’ education, He says that girls should not get education because education corrupts them and he goes to Malaprop to inform her that he has see Lucy coming out from the circulating libraries and getting sentimental novels for Lydia.
Sir Anthony Absolute goes to Mrs. Malaprop and tells her that he just came to tell her that he has caught Lucy, the maid of Lydia, getting sentimental novels from the circulating libraries. He tells her that Lydia is reading sentimental novels at her back. Here he says his opinion. We have the theme of the gap or the conflict between generations.
In this scene Sir Anthony Absolute says very bad ideas about girls. He says that young girls should not get educated at all. It is better for them not to know how to read and write because when they learn reading, they read sentimental novels and they become disobedient, indecent, and they talk about freedom and love. He is retarded.
These are retarded or backward ideas. Mrs. Malaprop disagrees with him. She pretends to be better and she tells him that she puts Lydia into a boarding school to make her read and talk well because it is important for girls. This is her opinion. She thinks that reading well is important for girls because it's shameful for girls who don't get education to misuse the words. This is ironical.
(we can use this example in answering the question about the technique and about satire)
She taught Lydia to talk elegantly and not to misuse words and she herself misuses words. There is another theme which is part of the first one. Sir Anthony Absolute suggests for Mrs. Malaprop to make his son Captain Absolute marry Lydia. He says he would be a good match because both of them are rich and Mrs. Malaprop is a friend of Sir Anthony Absolute. She accepts saying this is a good idea. They are playing with their wards hearts as if they are toys in their hands.
Then, Mrs. Malaprop asks him if Captain Absolute will agree to marry Lydia or not, He says, " Objection!---let him object if he dare!" he says that he can never object. So, Sir Anthony Absolute is really authoritative father. He is a dictator. He chooses the wife of his son even before telling him.
(This could be included in answering the point about the theme of father-son- relationship)
Sir Anthony Absolute goes and talks to Jack, his son. He tells him that he has a wife for him. So, Jack says wonders that his father chose a wife for him without knowing. Jack objects. He tells his father that he is in love with somebody else and he has promised to marry her. He is talking about Lydia. You know that Sir Anthony Absolute, his opinion of women is very low. He thinks very low of women. He tells him that it is not a problem to break up with her. He doesn’t care about her feelings. He says that women’ they are not worth redeeming’. Jack Absolute tells him plainly that in this case he disobeys him. He will not marry the one he has chosen. Sir Anthony Absolute is very upset and he gives Jack a period of six hours and a half to reconsider his decision. Then Sir Anthony Absolute, because he is very authoritative, he threatens Jack if he refuses to carry on his orders; he will disown and disinherit him.
In a soliloquy, Jack is talking to himself and he says that his father is contradicting himself because he married his mother for love, not for money. This is the character of Anthony Absolute. He is betraying his own principles. He married the mother of Jack for the sake of love when he was young. Anthony Absolute was sentimental when he was young and when he grew old, he changed a lot and he became very harsh and materialistic.
Sir Anthony is surprised to find his son changing his attitude. He submits to his will. He becomes very. He goes and talks to his father and tells him that he’ll do whatever he likes, that he's his obedient son. he’ll do this even if he brings for him a very bad lady, even if she is old, even if she is with a hump, even if she has one eye only.
Act IV, scene i, illustrates the theme of master-servant relationship. In this scene Acres talks to David; his servant. The conversation shows that he is not only a servant but also a friend. He talks to him like a friend. Acres talks to his servant David about the challenge. He tells him that he is going to write a challenge to duel his rival Beverley. David is from the countryside also. He is talking like Acres. You will find the same language, instead of saying look he says, ' Lokee', this language shows that he is from the countryside.
Sir Anthony Absolute took his son Jack Absolute by force into the house of Mrs. Malaprop to meet Lydia. He is reluctant to go, he doesn't want to go. He is very embarrassed because he doesn't know how to meet Lydia and what to tell her.

a second major theme in the play is the theme of relations. for example We have the relationship between the father; Sir Anthony Absolute, and his son; Captain Absolute (father-son relationship). Sir Anthony Absolute was forcing him and told him, I will make you marry a lady with two humps and one eye. This shows how he is very bad dictator. Sir Captain Absolute says when his father was young, he was very sentimental and his father married his mother for love. He was very sentimental. But when he grew up, he changed.
(this is also an example of the theme of the gap between generations )
what the devil do you do with a wig, Thomas? None of the London whips of any degree of ton wear wigs now.
Here, we have The countryside versus the city. We have a kind of comparison between the city life and the countryside or the city people and the country people.















2-Discuss the classical features in the play.
There was a setback. The modern movement that ruled at the end of the 17th century was interrupted in the 18th century. there are many classical features found in the play" the Rivals" first the structure of the play is classical structure. Sheridan is using classical allusions. he also adopts the idea of using allegorical names which is a classical feature. as a classicist, Sheridan follows the three unities in his play. The mistaken identity that is found in the play is also a classical feature.
Concerning the structure of the play, the play consists of 5 acts. It has prologue and epilogue. The play starts with an exposition and then the events rise to a climax. Then we have the resolution. Act I, Scene I is the exposition. When you find an exposition, it means that Richard Sheridan follows the classical traditional technique.
in the exposition we get to know about the main characters, the main themes, the setting, and the style of the writer.
In the exposition we get to know the main characters. So, we knew that the main protagonist is Captain Absolute; the one who loves Miss Lydia Languish. She is very rich, but she has a singular taste. She is sentimental and she loves to marry a poor man. So, Captain Absolute disguises himself as a poor Ensign to attract her attention. Then we knew from this exposition that because Lydia is underage, she has an aunt who controls her fortune and she does not accept her ward to marry such a poor man. The aunt does not know how Ensign Beverley looks like and she did not also meet Captain Absolute. هم الاثنين واحد, but did not see him. If she sees him, she will not know him, because they did not meet at home. So, she does not know how Ensign Beverley looks like.
So, from this exposition we know that Lucy takes money, because all servants are like this.

We know that there are two plots. The main plot is the story of Lydia Languish and Ensign Beverley. And there is a subplot. It is about Mr. Faulkland who is in love with Julia. Julia is staying with Sir Anthony Absolute; the father, because he is her guardian as Her father died ,
As for the allegorical names that Sheridan uses in the play we have Sir Anthony Absolute: what is the meaning of absolute? When we say absolute authority, this means سلطة مطلقة. "Absolute" means tyrannical. مستبد، طاغية he thinks that he is perfect and he expects his son and anybody to obey him. when he says something, nobody should disagree with him. So, he is absolute. الكلمة يلي يقولها ما بتتكرر. Sir Anthony Absolute is the father and Captain Absolute is the son.
Acres= فدادين . ‘Acres’ shows that the character is from the countryside.
Sir Lucius O’Trigger: الزناد بتاع المسدس Trigger is one part of a pistol. The name refers to an Irish man who loves duellingالمبارزة. Duelling is inherited from the middle ages. Until the 18th century still we have influences from the middle ages.
-Fag means servant خادم.
-Coachman. The coachman of Sir Anthony Absolute. Coachman= (carriageيلي بيسوقلوا ال).
-Mrs. Malaprop: The name has French influence. Mal in French is ألم، وجع. ‘Malaprop’ means inappropriate غير لائق. The name refers to a lady who misuses the words.تستخدم الكلمات في مواضع غير سليمة)) she misuses the English words to bring comedy; to bring laughter. Malapropism became a style in comedy.
Lydia Languish: Lydia اسم عادي, but Languish in English means laziness. The name refers to Lydia who is lazy, dreamy and sentimental. One of the sentimental attitudes is to languish on a sofa; to lie on a sofa and read sentimental novels. it was called the age of sentimentality. So, one of the sentimental attitudes is to languish on a sofa; to lie on a sofa and read sentimental novels.
So, it shows that Sheridan applies Ben Johnsonian theory of humors. The names reflect the social attitude of the characters and the characters have allegorical names. Ben Johnson took this idea of allegorical names from the medieval morality plays.
Sheridan keeps the three classical unities of time, action and place. Let we have one setting that is the city of Bath. المشهد في مدينة باث. we have the
Unity of action as the play takes place within 24 hours- within one day
This is a classical influence. (This has to do with the techniques. (Unitiesنتكلم على ال Techniques (في سؤال ال
Richard Sheridan kept the unity of place; all the events of the play happen in the city of Bath. He also kept the unity of time, because all the events happen within one day; 24 hours. No character, travels everywhere; all the events in Bath within 24 hours.

Fag
Why then the cause of all this is-L,O,V,E,-love, Thomas, who (as you may get read to you) has been a masquerader ever since the days of Jupiter.

(Since the days of Jupiter) it is a classical allusion. So, here Fag says that love makes people disguise and do other things since the days of Adam and Eve. But here he refers to Jupiter; the god of the gods for the Romans.
Sir Anthony is surprised to find his son changing his attitude. He submits to his will. He becomes very obedient Absolute says,
‘ you before hinted something about a hump or two, one eye, and a few more graces of that kind—‘. This is what Sir Anthony told his son before. Sir Anthony says
,’ What a phlegmatic sot it is!’. This is medieval influence.
Richard Sheridan talks about the old medieval theory of humors. The phlegmatic character is very cold and reasonable.
( you have to explain the phlegmatic character).
Jack tells his father that he accepts to marry the lady he chooses for him. And he doesn’t care about her beauty because he only likes her to be normal in appearance. Sir Anthony accuses him of being phlegmatic. That is to say cold and too reasonable. After that Sir Anthony Absolute tells his son that he will write a note to tell Mrs. Malaprop that Jack will visit her directly. This is to keep the unity of time.
' Harkee' and 'Zounds'

Are examples of the effect of the 16th century language.
3-Discuss the elements of satire as a major technical device in The Rivals play.
In " The Rivals " Richard Sheridan is satirizing the legal corruption. He is satirizing the corruption at the court. Also, Sheridan is satirizing the British laws that make the guardians control the freedom of the world. He is satirizing the excess of emotion. He is satirizing Sir Lucius O’Trigger because he is Irish and because he is catholic.



For example of the corruption in the court Remember in the prologue the lawyer was bribing one of the judges.كان في فساد في المحكمة
And fifty sons of Phoebus in the Fleet!
It is poetic. Lines are rhyming together. They mean that authors usually go to the court. ‘Fleet’ means اسطول , (jailلكن المقصود بيه السجن). They always go to jail because they are poor and they have to pay debts. So, we know now from this prologue that the situation of the authors in the 18th century was very bad. They were poor and they went to jail because of the debts. They could not pay debts for creditors, so they went to jail.
And by the generals voice will stand or fall.
The Serjeant told the attorney that at court people can plead to escape the punishment and leave the court and go to another court. People can plead يستأنفوا and change the court و يغيروا المحكمة . And they can be judged by other judges. However, in theater we cannot do that. The audiences are the same everywhere. So, any people or criminals can do this. Any people were accused of anything can do this at court. But dramatists are not allowed to do this because if a play falls in one theater, you cannot take it for another theater and it will succeed.


Also, Sheridan is satirizing the British laws that make the guardians control the freedom of the worldينتقد القانون البريطاني .
examples. And you could say that these ideas are there because of the effect of the philosophers; Shaftesbury.
It is about Lydia. She is a very wealthy girl, but she is underage. Her aunt is guardian, so she cannot marry without the acceptance of her aunt.
Richard Sheridan is criticizing the English law, because it puts people underage under the authority of the guardians الوصي .


He is satirizing the excess of emotion.
For example: Faulkand and Lydia are the characters he is satirizing for having and showing excess of emotion.
why he is satirizing them and tell me the features of the sentimentality and the dream of elopement.

This is what he is satirizing although he himself was sentimental and he was exactly like the character of Faulkland.
This is why it is called anti-sentimental comedy.
He is satirizing Sir Lucius O’ Trigger because he is Irish and because he is catholic.
He is stereotype of the Irish people. Richard Sheridan satirizes the Irish people, he uses Sir Lucius O'Trigger as a stereotype. Sir Lucius O'Trigger keeps on warming Acres up to go and duel Beverley. And he tells him that he should write a challenge. It is medieval feature. Then he says that dueling will keep Acres's honour. He says that dueling should be this evening (to keep the unity of time).
Acres says that he will go dueling preserve his hour and his ancestors'. He is not fighting for his own honour only. David told him, don't use big words. These are like false slogans. David says that fighting for his own honour and for the ancestors are false slogans. David is against the idea of dueling as if Richard Sheridan uses David to criticize the bad habit of dueling. David says that the challenge is 'a mallcious- looking letter'. It is satirizing the bad habit of dueling. Acres accuses David of being coward. Acres is coward. He is scared, he doesn't really want to go dueling but it seems that Sir Lucius O' Trigger has influenced him and pushed him and involved him in dueling but he doesn't like bloodshed.
four people are involved in dueling: Captain Absolute, Acres, Sir Lucius and Faulkland. Faulkland went with them because when he is desperate, he is not scared of death. Fag told everybody to hurry and come quickly because there will be murder soon. David expresses his hatred towards Sir Lucius O'Trigger and he says that he is the one to be blamed because he is the one who asked everybody to go dueling. This is criticism to Sir Lucius O'Trigger. It is again satire of the Irish people. Richard Sheridan is always blaming the Irish people for this idea of dueling as if it's their invention not the invention of the middle ages. Everybody hurries to prevent the mischief.
Richard Sheridan belongs to the Whigs party and the Whigs in the 18th century called a country party. He belongs to the country party. He does not like the Irish people. So, he wrote this play. He was very severe with the Irish character called Sir Lucius O’Trigger. The audience did not like this play because Sir Lucius O’Trigger looked very bloody and his character was very bad. The Irish people got offended. So, it was taken as if it is against the Irish people and it was very clear. Richard Sheridan rewrote the play in 11 days and he changed the actor because the actor was hated by the people after he played the role of Sir Lucius O’Trigger. Richard Sheridan reduced this kind of attack on the Irish people.

4-Discuss the influence of the philosophers and the public 18th century figures on the characters.
We say that Richard Sheridan has been influenced by Ben Johnson in giving his characters allegorical names. أسامي استعارية And give examples. This is not invented by Ben Johnson, but he took it from the medieval morality plays.
( here you have to mention the meanings of names- give the example of Sir Anthony when he described hi son as being phlegmatic character)
Sheridan was also influenced by George Whitfield and -John Wesley. They are the evangelists.
So, the Serjeant in the court was showing reluctance. عامل مش عايز he is showing unwillingness. He pretends that he does not see the paper. he searches for his spectacles. وين النظارات بتعتي . So, the attorney understood that he needs bribe. . He took the money and then he said,
Serjeant
The scrawl improves-(More [money is given])
He wants more money. He gives him more money. He is bribing him.( هو بيرشيه)
we understand from this that There was corruption in law or at court at that time in the 18th century.
There is a Christian influence in the play. Characters have flaws and are sinful. For example, there is Mrs. Malaprop is lusty. And we have Sir Anthony Absolute is authoritative and backward. And Captain Absolute is materialistic. However, they know, they will be saved.
at the end, Captain Absolute tells everyone that Beverley and Captain Absolute are one and the same. And he begs Lydia to forgive him and accept his love. Of course, the first thing Lydia said, and there will be no elopement. The most important thing in her sentimental dream is to elope with Beverley. She doesn't care about the scandal, it is something to be proud of for her. She tells Captain Absolute that he has ruined her sentimental dream and she doesn't want him anymore. Mrs. Malaprop interfered and she said, you are Beverley, you are the one who told on me 'the old weather- beaten she- dragon', is it you? He is very embarrassed and he asked the help of his father. He told his father, if you don't help me, I'll be finished. So, her father Sir Anthony Absolute interfered and he told Mrs. Malaprop, we are big enough, we are grown-up 'to forget and forgive'. This is a Christian note of forgiveness, a Christian note of reconciliation. Sir Anthony Absolute says, that Christian people should forget the vicious acts and forgive those who have been vicious to him. This is Christian influence in the play. So Mrs. Malaprop simply forgives Captain Absolute. Then Mrs. Malaprop and Sir Anthony Absolute left the stage and they left the couple together. Captain Absolute shows his other face. He starts to talk in a very materialistic way
These are the ideas of Christianity. All people are sinful, but we will be saved; we will reach the salvation at the end.
The play ends with a note of forgiveness. Acres forgives Captain Absolute. Lydia and Sir Lucius forgive Malaprop . Acres forgives Captain Absolute when he comes and tells him that he is Beverly
Lydia and Sir Lucius forgive Malaprop because Mrs. Malaprop pretends to be Celia . Sir Lucius believes that she is a young lady; she is Lydia. Julia forgives Faulkland. That he committed a crime. he killed somebody and he has to leave the country.
Another philosophers who influenced Sheridan was -Anthony Cooper (The Earl of Shaftesbury) and Jean Jacque Rousseau
we know their ideas on sentiments, freedom and individuality.(Young generationباينة مع ال). Both of them talk about sentiments as part of morality.
We have Lydia and Faulkland, they show excess of emotion and they are satirized by Richard Sheridan.
Captain Absolute and Julia can make balance between emotion and reason. So, they are the only sensible character in the play. They are representative the age of sensibility.
Sheridan satirized the guardians who control their ward’s freedom. (lack of sensibility) they are against emotion. They are old-fashion.

5-Discuss the technique of the play.
The setback.
And you will say that features from the 16th century appeared. So, what happened in the 18th century? There was a setback. Drama became explicit. So, are there classical features? We will see the much classical features.

- The classical features. The classical structure (5 acts, prologue, epilogue, exposition, climax, denouement and all these things.)
What are the 16th century features? Language, soliloquies, asides.
In the classical technique there are exposition, climax and there is denouement and in the middle there is disguise which makes mistaken identity which creates dramatic irony. Also, the 5 acts, the epilogue and prologue, the unities all these are part from the classical structure.
- Characterization (how he delineated his characters.) you say that there are sentimental characters and anti-sentimental characters.
Sheridan characterization is distinctive because it is realistic. You can consider Sheridan universal.
- The style of the writer. اي يلي بميز أسلوب الكاتب؟
(satire).
-Autobiographical elements.
Sir Faulkland represents Sheridan. Richard Sheridan lived in Bath. That is why he has chosen the setting at Bath. He met Elizabeth Linley in Bath. He eloped with her first and then he married her. And he fought two duelists for her sake. He fought two of his rivals. This is one of the characteristics of sentimentality. And because of his excess of sentimentality he looked ridiculous. And Elizabeth Linley left him until she died.
We know now from this prologue that the situation of the authors in the 18th century was very bad. They were poor and they went to jail because of the debts. They could not pay debts for creditors, so they went to jail. It was good time for actors, not writers. Writers were very poor at that time, but actors had better chances of living.
It is an autobiographical element. Sheridan himself was so poor and he was a writer. He used to have debts and at the end of his life he sold his all furniture. He entered jail because he could not pay when his creditors could not bear him. He did not remain as a member of parliament and he entered the jail because he could not pay his debts.

The structure (write about how the play is divided into 5 acts, it has a prologue and epilogue- act I scene I is the exposition)
the climax of the play is the discovery scene, it is when Lydia came down from upstairs. She doesn't want to look to Captain Absolute. So, she keeps putting her face in aside ways. Then Captain Absolute starts talking to Lydia aside. He asks her to talk to him but don't get shocked. She said, this is Beverley, how can Beverley fool the father of Captain Absolute?
in this play, we find two prologues. It is something strange to find two prologues. The first prologue was written by Richard Sheridan at the first time when he wrote the play. It is classical feature. Because it is the Neo-classical age. One of these classical features is to begin the play with a prologue and to end it in an epilogue.
(this should be written in answering the question about the classical features in the play)
Here we find like a very short play or a dramatic scene and this is new. Any classical prologue is written in blank verse; poetry. It has a poetic form and it is blank verse. But Richard Sheridan is experimenting with a new form for the prologue. He made something new.
When Richard Sheridan first wrote the play he made this prologue, but it does not have a poetic form, it has dramatic form. It was written in a form of a dramatic scene.
Attorney
Some sons of Phoebus in the courts we meet,
‘some sons of Phoebus’. Here there is a classical allusion; references.
By Phoebus he means the god of poetry at that time and this is classical allusion. The doctor: very good. So, here there is classical allusion. In the prologue Richard Sheridan refers to Phoebus Apollo; the god of poetry. Poetry.In the classical time when they say poetry, they refer to art in general ( يقصدو الفن عامة).
And by the generals voice will stand or fall.
This is the first prologue. This is not a traditional form of a prologue. It is one of the classical elements to write a prologue, however, Richard Sheridan changes in the form of the prologue. Instead of being poetic in form, it was dramatic. It is classical of course to write a prologue in blank verse, however, he made some changes. He made some changes.
He made the prologue, but differently. There is no blank verse. It is poetic, but not blank verse, maybe heroic couplets.
Now, there is the other prologue. After eleven days Richard Sheridan wrote another prologue. Mrs. Bulkley is the one who plays Julia. She is a sensible character متعقلة and she says the prologue. The second prologue is written in heroic couplets. It took the traditional poetic form, however, it is not written in blank verse but in heroic couplets. Mrs. Bulkley the actress who plays Julia says that prologue, she addresses the audience and she talks about comedy and tragedy as two sisters. She says that comedy cheers people up. So, it is better than tragedy that saddens the people. Then she says that the characters in the 18th century comedy are not realistic and often sentimental. Comedy entertains the audience with humor comedy, moral lessons and sentimental scenes while tragedy includes blood, revenge, hatred, plotsحيل and unhappiness. So, she is telling us something about the age. there were two kinds of drama in the 18th century. There was a tragedy called pseudo classical tragedy. The writers were imitating classical tragedy because it was the Neo-classical age. Pseudo= (classical tragedyشبه أو تقليد لل )
It fell and that is why we only study comedy in the 18th century. Comedy was popular. And we used to have comedy of manners and comedy of manner was two kinds; sentimental and anti-sentimental.
So, in the second prologue she is talking about a fact in society. She talks about the fact in theater at that time. Julia is talking about a fact. (بتتكلم عن واقع المسرح في القرن 18). Tragedy and comedy are like sisters. she is talking about this sister and talking about this other sister and comparing them together. So, from the prologue we do not learn about the play. Usually, the prologue and epilogue are addressed to the audience. It does not talk much about the play.
In the 18th century Richard Sheridan was influenced by all the adopted Ben Johnsonian concept of theory of humor. So, he delineated characters as humors. Ben Johnson is from the the 17th century.
( here you have to mention the meanings of the names)
So, it shows that Sheridan applies Ben Johnsonian theory of humors. The names reflect the social attitude of the characters and the characters have allegorical names. Ben Johnson took this idea of allegorical names from the medieval morality plays.
Because he wrote within one day, This is a classical influence. This has to do with the techniques. (Unitiesنتكلم على ال Techniques (في سؤال ال . Richard Sheridan kept the unity of place; all the events of the play happen in the city of Bath. He also kept the unity of time, because all the events happen within one day; 24 hours. No character, travels everywhere; all the events in Bath within 24 hours. All the events happen in Bath. Anywhere in Bath, at park, in front of a house, in a street, all these are within the borders of Bath.يبقى المكان ما تغير طالما داخل حدود مدينة باث)). This is a unity of place.

For example, He will not marry the one he has chosen. Sir Anthony Absolute is very upset and he gives Jack a period of six hours and a half to reconsider his decision. Why is it six hours and a half? Because the time of the whole play is only two hours. It is to keep the unity of time. The play originally two hours. So, he says six hours and a half because Richard Sheridan keeps the unity of time.
( explain how act I scene I is the exposition)
Act I, scene is the exposition. We get to know about the main characters, the main themes, the setting, and the style of the writer.
The play is explicit. there was A setback نكسة، ارتجاع. It was like a beginning of modern movement, but it stopped because there was a setback. There was a return to the traditional classical literature. They imitated the classical literature and drama was no more implicit, it became explicit like the drama of the 16th century, not totally but partly. In the 17th century, it was implicit drama. There was much modern feature.
soliloquies and asides are not classical features. They are features from the 16th century. They are some of the characteristic of renaissance features.
Every now and then we find a soliloquy. The play is full of soliloquies and asides because this is the effect of the 16th century drama or renaissance drama or Elizabethan drama. So the audiences know how the characters are.
There is a mistaken identity. It is a source of humour in the comedy. There is dramatic irony because the audiences know that Captain Absolute and Beverley are one and the same. Whereas Acres believes that Captain Absolute is somebody and Beverley is another person.
Acres use a new method of swearing. He always says like ‘Odds’, bottles and glasses, odds triggers’. It is a new way of swearing and he calls this’ genteel’. This is for the sake of comedy. He calls it sentimental swearing. He says he doesn’t like the way people swear. When people swear in the 18th century, they say ‘ by Jove’, Jove is Jupiter; the god of the gods for the Romans, ‘by Mars, by Venus..’ In the 18th they swear by the Classical Gods. So, this is classical allusion. Acres says that he doesn’t like the way people swear referring to classical Gods like by Jove, Mars, Venus..etc. and he says that he prefers another sentimental way of swearing like ‘Odds’, bottles and glasses, odds triggers’.
Richard Sheridan talks about the old medieval theory of humors. The phlegmatic character is very cold and reasonable. Jack tells his father that he accepts to marry the lady he chooses for him. And he doesn’t care about her beauty because he only likes her to be normal in appearance. Sir Anthony accuses him of being phlegmatic. That is to say cold and too reasonable. After that Sir Anthony Absolute tells his son that he will write a note to tell Mrs. Malaprop that Jack will visit her directly.
we have Lydia, Captain Absolute and Mrs. Malaprop altogether. Here there is mistaken identity. This is part of the traditional classical technique. Mistaken identity appears because of the disguise of somebody. Then the result is dramatic irony. The dramatic irony here is that the audience and Captain Absolute know that Beverley and Captain Absolute are one and the same. But Lydia believes that Beverley is Beverley. Whereas Mrs. Malaprop believes that Captain Absolute is Captain Absolute. The only people who know the truth are Captain Absolute and the audience. Lydia talks to Captain Absolute as if he is Beverley and Mrs. Malaprop talks to Captain Absolute as if he is Captain Absolute. Mrs. Malaprop sees Lydia talking to Captain Absolute as if he is Beverley. And Captain Absolute is still dealing with her, he is nice with her. So, she says this gentleman is very patient. Even Lydia says she 'll be always loyal to Beverley. Mrs. Malaprop believes that Captain Absolute bears her.
Then Sir Lucius O'Trigger visits Acres. They are friends. Acres talks to Sir Lucius O'Trigger and he tells him that he is very upset because Lydia leaves him and she is in love with Beverley. We know that Sir because he is Irish. This is stereotype of the Irish people. In the technique Lucius O'Trigger is bloody we can say that Richard Sheridan changed the play and the actors because he was against him. But still he creates a stereotype of the Irish people
Sir Lucius got shocked and, because it is comedy, everybody laughed. In a comedy, there must be happy ending. The main plot is finished. The subplot, Julia goes to Faulkland and she tells him that she has forgiven him because of her deep love to him and they get reconciled. Sir Anthony Absolute tells Julia that he accepts her marriage from Faulkland because of his sincere love to her. Sir Anthony Absolute decides to marry Mrs. Malaprop. Acres invites everybody to go to the New Rooms where there will be musical party. This is the end of the play. It ends happily because it is a comedy. What kind of comedy of manners is it? it is anti-sentimental comedy.
Sir Lucius O’Trigger: الزناد بتاع المسدس Trigger is one part of a pistol. The name refers to an Irish man who loves duellingالمبارزة. Duelling is inherited from the middle ages. Until the 18th century still we have influences from the middle ages.

[SUMMO]

lost 3

الله يوفقك ماقصررررتي ..:love080:

[دآآآنة الجامعه]

بنات ممكن سؤال؟
نقدر ندخل الدكشنري الألي مهانا بإختبار الترجمه ارجاء الرد للأهميه تكفون؟

الله يوفقكم وتنجحون

[Lost 3]

never give up
الله يوفقك ياااااااااااااااااارب
:love080:

[أخت أخوها]

بالنسبة للدكشنري الالي

اذا مع سلوى

ماترررررررررضى ابد ابد

بس ليلى مادري عنها :biggrin:

[ThE lEgEnD]

كلهم مايرضون دخلي كتاب القاموس انجليزي انجليزي يرضون


جزاكم الله خير بنات

احوبكم...:love080:

[نقوش جدار]

Never Give Up
الله يعطيك ألف عـآفيه ويوووفقك ..

المصيبه الآن تكمن مع الـ كوتيشنز ..
اللي عندها حلهم لآ تقصر ..

وإلآ شكلي بجلس عليهم بعد ما أذاكر هالأسئله و بشوف حلهم ..

[نقوش جدار]

بنااات ..
شرح المسرحيه الثآنيه ..
من الملزمه الـ 8 مو عندي :S
حد يسدحهم هنااااا وبدعيي لها ..
تكفووون مضيعه:sdfgdsf:

[never give up]

DRAMA
LECTURE NINE

ACRES Ha! ha! you've taken notice of it—'tis genteel, isn't it!—I didn't invent it myself though; but a commander in our militia, a great scholar, I assure you, says that there is no meaning in the common oaths, and that nothing but their antiquity makes them respectable;—because, he says, the ancients would never stick to an oath or two, but would say, by Jove! or by Bacchus! or by Mars! or by Venus! or by Pallas, according to the sentiment: so that to swear with propriety, says my little major, the oath should be an echo to the sense; and this we call the oath referential, or sentimental swearing—ha! ha! 'tis genteel, isn't it?
Here we have classical allusion , Sheridan imitates the classical writers because it was the neo classical age.
Then we have a conversation in which the father tells his son that he has chosen a wife for him, he expect him to accept her and he does not tell him who she is , jack gets very angry and he tells his father I will disobey you because he has promised another lady to marry her , he tells him break up with her he is an authoritative father he thinks of his son as if he is a toy in his hand, so he gets very and with his son and tells him I will never call you jack again this is at the end of scene 1 act 2, so jack thinks that the woman his father chose is ugly so his father says:
Sir ANTHONY Zounds! sirrah! the lady shall be as ugly as I choose: she shall have a hump on each shoulder; she shall be as crooked as the crescent; her one eye shall roll like the bull's in Cox's Museum; she shall have a skin like a mummy, and the beard of a Jew—she shall be all this, sirrah!—yet I will make you ogle her all day, and sit up all night to write sonnets on her beauty.
This quotation shows how authoritative and unfair sir Antony is he is really block minded , sir Antony at the end gives his son a period of six hours and a half to reconsider his opinion, why 6 hours and a half???
It is to keep the unity of time and before going deep he threatens his son he says if you refuse I will disinherit and disown you .
ABSOLUTE Mild, gentle, considerate father—I kiss your hands!—What a tender method of giving his opinion in these matters Sir Anthony has! I dare not trust him with the truth.—I wonder what old wealthy hag it is that he wants to bestow on me!—Yet he married himself for love! and was in his youth a bold intriguer, and a gay companion!
He is criticizing his father , saying that his father married for love so how could he force me to have get married without love, he says that his father betrays his own ideals he is contradicting himself when he was young he was searching for love but when he got older he became authoritative forcing his son to marry without love , this shows conflict between generations , when people grow old the change as if there is a stereotype towards old people .
Act 2 scene 2:
We are in a park Lucy is there waiting for sir luscious O'Trigger but before he appears she says a soliloquy اقروها انتو she says that Acers is no more one of the suitors of Lydia because Mrs. Malaprop changed her mind and she accepted that jack absolute to marry Lydia and she says she will meet sir luscius O'Trigger and she will give him a letter from Mrs. Malaprop, signed Celia or Delia luscius thinks that this letter is written by Lydia which means he loves Lydia too he never thought that the letter was written by Mrs. Malaprop مين يصدق انه هالعجوز حاطة عينها على شاب صغير حتى هو ما يجي على باله يطالعها
Who are the rivals in the play? من هم المتنافسون في المسرحية ؟؟؟
Jack absolute ,ensign Beverly, Acers , sir luscius O'Trigger إذا جاء في الاختبار هذا السؤال تتكلمون عن كل شخصية
Sir luscius O'Trigger arrives he meets Lucy she gives him a letter signed Celia or Delia he took the letter and he was very happy and then he tells Lucy that he should propose to Lydia, he will leave the old aunt and propose to Lydia , he is sure that the letters are from Lydia , he gives Lucy money and she takes it she does not tell him that the letters are from Mrs. Malaprop and then he tells her come again in this place I will give you the reply of the letter tonight and if I ask you why tonight ??? it is to keep the unity of time. Before leaving fag saw Lucy and he asks her what is that in your hand you are giving to my master and she says they are love letters sent from Mrs. Malaprop fag also came to his mind that the love letters are from Lydia , then she tells him that sir Antony went to Mrs. Malaprop and told her that he wants his son jack absolute to marry Lydia , this is very important because captain absolute does not know that his father chose the same woman that he loves which is Lydia .
In scene one of act 3 we have a soliloquy by captain Absolute:
Scene I—The North Parade. [Enter CAPTAIN ABSOLUTE.]

ABSOLUTE 'Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am plotting to run away with! He must not know of my connection with her yet awhile. He has too summary a method of proceeding in these matters. However, I'll read my recantation instantly. My conversion is something sudden, indeed—but I can assure him it is very sincere. So, so—here he comes. He looks plaguy gruff. [Steps aside.]
Jack will hide the fact the he love Lydia and that he chose her to be his wife, Lydia is sentimental so he will not tell her now that he will not elope he will leave it for another time , Fag told him that his father chose Lydia for him so now he will talk to his father and he will show complete obedience and tells him I will do whatever you ask me to do. He says I will accept the wife you choose for me .
Sir ANTHONY No—I'll die sooner than forgive him. Die, did I say? I'll live these fifty years to plague him. At our last meeting, his impudence had almost put me out of temper. An obstinate, passionate, self-willed boy! Who can he take after? This is my return for getting him before all his brothers and sisters!—for putting him, at twelve years old, into a marching regiment, and allowing him fifty pounds a year, besides his pay, ever since! But I have done with him; he's anybody's son for me. I never will see him more, never—never—never.
Sir Antony is very angry for the change of attitude of jack he turned to be very obedient to his father , his father tells him that I have chosen Lydia to be your wife, she is a young lady of 17 years old she is beautiful and rich jack says I don't know her any one would do he pretends that he does not know her , the father started to accuse him of being phlegmatic this is very important ,this is a medieval influences sir Antony tells his son that he will write a note to Mrs. Malaprop to tell her that jack is coming to visit her directly , why directly??? To keep the unity of time.
All of the above are examples that shows Richard Sheridan sticks to the unity of time throughout the whole play.
Now we know the character of Falkland through his soliloquy :
I think I love beyond my life, I am ever ungenerously fretful and madly capricious! I am conscious of it—yet I cannot correct myself! What tender honest joy sparkled in her eyes when we met! how delicate was the warmth of her expression! I was ashamed to appear less happy—though I had come resolved to wear a face of coolness and upbraiding. Sir Anthony's presence prevented my proposed expostulations: yet I must be satisfied that she has not been so very happy in my absence. She is coming! Yes!—I know the nimbleness of her tread, when she thinks her impatient Faulkland counts the moments of her stay.
He loves Julia very much more than his life he never meets her without threatening her هو شخصية هوائية
Richard Sheridan makes the audience sympathy Falkland , does Sheridan satirizes Falkland severely??? No he satirizes the sentimental character but not harshly don't forget that Sheridan himself is a character similar to the character of Falkland , there is an auto biographical element here Falkland mirrors Sheridan's character .
FAULKLAND They told me Julia would return directly; I wonder she is not yet come! How mean does this captious, unsatisfied temper of mine appear to my cooler judgment! Yet I know not that I indulge it in any other point: but on this one subject, and to this one subject, whom I think I love beyond my life, I am ever ungenerously fretful and madly capricious! I am conscious of it—yet I cannot correct myself! What tender honest joy sparkled in her eyes when we met! how delicate was the warmth of her expression! I was ashamed to appear less happy—though I had come resolved to wear a face of coolness and upbraiding. Sir Anthony's presence prevented my proposed expostulations: yet I must be satisfied that she has not been so very happy in my absence. She is coming! Yes!—I know the nimbleness of her tread, when she thinks her impatient Faulkland counts the moments of her stay.
Faulkland whenever he meets Julia he controls his emotions and he shows her that he is very cold, some lovers do like this, this is realistic characterization .
Faulkland goes to meet Julia, from their conversation we know he do his best to show that he is cold ,in the second time he meets her he justifies why he was cold ,he cannot show his love to Julia when a third person is there the second reason he says that he knew from her neighbor she was happy when he was absent, when he expected her to be sick and sad for his absence , he tells her that parting lovers should be upset , Julia tells him that she was really sad because he was away , however she pretends to be happy in order to avoid people proposing to her, because if people saw her crying and sad , they will think that she broke up with Faulkland so she keeps making herself look happy , Faulkland blames her that she might not be in love with him she is acting out of gratitude or duty because she is contracted to him , Julia felt very sad and she tells him that she loves him and she says stop having these fears and worries and she cried and she left, she told him to stop tormenting him .
What did he say after Julia left him???:
FAULKLAND In tears! Stay, Julia: stay but for a moment.—The door is fastened!—Julia!—my soul—but for one moment!—I hear her sobbing!—'Sdeath! what a brute am I to use her thus! Yet stay!—Ay—she is coming now:—how little resolution there is in a woman!—how a few soft words can turn them!—No, faith!—she is not coming either.—Why, Julia—my love—say but that you forgive me—come but to tell me that—now this is being too resentful. Stay! she is coming too—I thought she would—no steadiness in anything: her going away must have been a mere trick then—she shan't see that I was hurt by it.—I'll affect indifference—[Hums a tune; then listens.] No—zounds! she's not coming!—nor don't intend it, I suppose.—This is not steadiness, but obstinacy! Yet I deserve it.—What, after so long an absence to quarrel with her tenderness!—'twas barbarous and unmanly!—I should be ashamed to see her now.—I'll wait till her just resentment is abated—and when I distress her so again, may I lose her for ever! and be linked instead to some antique virago, whose gnawing passions, and long hoarded spleen, shall make me curse my folly half the day and all the night. [Exit.]
He is talking to himself like a mad man, he is very scared that she might leave him because she left in tears , he says I have lost her by my actions towards her god will punish me with a viragoيعني حرمة مافيها انوثة متسلطة على زوجها ولسانها أطول منها
Sheridan by presenting sentimental characters as Faulkland is normal but excess sentimentality in Falkland's character tells us that it is a kind sickness he means himself too because Faulkland mirrors Sheridan.

[never give up]

DRAMA
LECTURE TEN

Jack loves Lydia he keeps feeding her sentimentality but he also loves money exactly like Mirabel in the way of the world, he could win any lady .
Lydia talks to captain absolute and she mentions Ensign Beverly, Mrs. Malaprop is astonished because captain absolute bares Lydia he does not show anger , Mrs. Malaprop thinks that Lydia is rude to mention ensign Beverly in front of captain absolute , and he is showing patience , Lydia thinks that she is talking to Beverly and Mrs. Malaprop thinks that she is talking to captain absolute, here we have mistaken identity which produces dramatic irony , this traditional classical technique .
Scene 4 we have Acersيحاول يتمدن trying to make himself agreeable , he is honest with himself he knows that he comes from the country side and by this he is disagreeable for ladies so he tries to polish himself hr told captain absolute that before and he told him you will polish, so now he is polishing himself and his servant David is helping him, he practices dance movement to be agreeable and make good performance in the ball because it is the only young people meet to have a chance to get to know each other fall in love and get married, but today it is different they meet at colleges at work…then sir luscius O'Trigger came and Acers complains to him that he comes to bath to meet Lydia and she does not want to meet him because she is in love with someone called Beverly O'Trigger is Irish , he is bloody he started to inflame him to fight this ensign Beverly by dueling with him for his honor and the honor of his ancestors , sir luscius O'Trigger dictates Acers the challenge and he will post it on the wall so everybody will know the place and time for challenge, so they decide the place would be in King's-Mead-Fields and the time is this evening, why this evening ??? to keep the unity of time.
In act 4 scene 1:
We have the theme of master servant relation is declared , this is a minor scene in the play, that has a major theme what is it ???the gap between generations is the major and main them of the play.
In this scene Acers talk to David his servant as a friend he tells him about the dueling and David advise him not to fight , the language is the same because they both come from the country , Acers tells him that he wants to fight for the sake of his honor and his ancestors honor, David tells him that these are false slogans and dueling is a bad habit, it seems that Sheridan as his mouth piece to satirize dueling, acres does not listen to David and he writes a challenge , David calls it " a malicious looking letter" Acres tells David that he is a coward, and he wrote the challenge , then captain absolute arrives , Acers give the letter to captain absolute and tells him that you know Beverly so he should give him the challenge. captain absolute took the letter from Acres, then acres tells captain absolute that acres is fierce he kills a man every week, he wants to scare Beverly he says if Beverly got scared this is good because he does not like bloodshed, he wants to clear his honor .
Scene 2 is like the discovery scene like in the way of the world. In this scene sir Antony absolute took his son by force to meet Lydia and Mrs. Malaprop at their place Lydia is turning her face away from jack she does not want to see him , she does not even pay respect to sir Antony and she is acting very rudely Mrs. Malaprop is embarrassed from her action, in an aside jack tells Lydia that it is him Beverly , so she is extremely puzzled, she knows that he cannot laugh at his father and tells him where is your son, she finds that there something is happening , but she keeps talking to him as Beverly and sir Antony absolute is very angry he says his name is jack why do you keep naming him as a Beverly and captain absolute had to say the truth , so he told everybody I disguised myself as ensign Beverly Lydia told him that he has ruined her sentimental dream and captain absolute its fine my father and your aunt accept our marriage , any way she does not accept , Mrs. Malaprop asks him are you the person who mocked me??? captain absolute is embarrassed and he asks the help of his father , so his father interferes and he asks Mrs. Malaprop to forgive and forget , and because Mrs. Malaprop is a Christian forgives and forgets immediately , Lydia got the picture of jack that she has with her and through it at his face and she tells him that she does not need this picture anymore , then he takes out her picture but he says I will not do like you , I will love you and keep your picture with me and she says ok I renounce you and I don't want to see you again and she left , captain absolute is very desperate because he has lost everything love and money .
In scene 3:
Sir luscius O'Trigger is walking in a park nobody is on stage but him in a soliloquy he expresses how much he hates captain absolute because he believes Lydia loves him and he loves Lydia and then captain absolute intervenes their love story then he met him in the park and he told him he wants to go dueling with him , because captain absolute is upset , desperate ,he agrees so he told him to meet at King's-Mead-Fields , after that captain absolute goes to Faulkland and tells him about the dueling, after Lydia left he wanted to die .
Acers and jacks dueling will be in the same place and at the same time after that captain absolute went to Faulkland and he told him that sir luscious wants to duel with you and he does not objects or even ask why because after Lydia left he wanted to die so captain absolute asks Faulkland to go with him so he tells him I will wait for you at home come to my place and we will go together , then Faulkland got an idea , a servant came to Faulkland with a massage from Julia wants to meet so because this idea of dieing and of murder he got an idea to test her love , he always suspects her he goes to meet Julia and he tells her that he was quarreling with a man and by mistake he killed him so he is wanted now and he will leave England immediately she says I want to go with you and he says we do not have any money and she says I do not care because of what happened he might become more threatfull حأرفك اكتر she says she will bare him she will be patient , she tells that she will teach him how to deal with surroundings at this moment he realizes that Julia really loves him so he tells her it was a lie I was laughing at you nothing happened and there is no crime , Julia got mad and she tells him that he has wringed her hear عصر قلبها she will never forgive him for this lie , she breaks her engagement to him and then she told him that she does not want to see him again so he got desperate , he went dueling with the feeling that he want to die. After sometime David and fag , David the servant of Acers and fag is the servant of captain absolute, rush to the stage and they announce that there will be murder , 4 young men are going to fight in a dueling soon and they ask everybody to go and save them from being killed= luscius O'Trigger , Acers ,Faulkland and captain absolute. Of course Lydia was very scared for captain absolute because she really loves him , she cannot prevent herself from loving him , Julia got scared for Faulkland , Mrs. Malaprop got scared for sir luscius O'Trigger, Acers the only person who cares about him is his servant David, he does not have any woman to care about him.
So everybody is going to go to the place of dueling at King's-Mead-Fields and David is very much annoyed from sir luscius O'Trigger and he believes that he is devil like, he is the reason for making everybody going to dueling , we could say that Richard Sheridan does not attribute dueling to the middle ages but attribute dueling to sir luscius O'Trigger this Irish person شريدين أنا قلت لكم انه أعاد كتابة المسرحية بس هيز ساتاير تو اوتريقر مازال موجود وكره للأيرش مازال موجود
In scene 2 captain absolute wait at his home for Faulkland so they can go together to dueling , Faulkland did not show up , he got desperate he went alone ونسي صاحبه so captain absolute decides to go dueling alone , he hid his sward in his chest , his father arrives , he is talking to him and then he touches his chest and felt something metallic so he asks him what is this , and he says this is my sward I am going to Lydia I want her to forgive me , if she does not forgive me I will through myself on the sward and kill myself, he just made up the story and his father believed him , then David came running and he told sir Antony to save people from dueling, tell captain absolute not to go dueling sir Antony realizes that there is a big problem and there might be murder, while sir Antony is talking to fag to understand what is happening from him, captain absolute escaped he went dueling, so all the characters in the play will go to King's-Mead-Fields to save the characters from killing themselves.
This is the last scene the place is King's-Mead-Fields , there is no one on stage except sir luscius O'Trigger and acres, he keep on asking Acers questions whether he wants to give Beverly a near shock or a long shock.
David tells sir Antony absolute في المشهد اللي فات that it is "a bloody sward and gun fighting"
O'Trigger asks acres whether he wants to give Beverly a near shot or a long shot , so he chooses the long one from the conversation we will understand that acres is ميت من الخوف then he asks him if he wishes to write his will and choose the place he would like to be buried in , Acers did not know that it is that serious and that he might die , and it seems that he does not know how to duel.
Captain absolute arrives, he goes to acres and tells him that he has to fight him because he has disguised himself as Beverly to tell him that they are one at this point Acres say I can never ever fight a friend وبكذا هرب من الفايتينق sir luscius O'Trigger got very angry he tells him it's my turn you fight me at this moment all characters come on stage , why ???? because they are concluding the play, sir Antony asks his son why does O'Trigger wants to fight with you??? He says I didn't even ask him , I am upset and ready to die.er So , sir luscius O'Trigger says I will tell everybody why me and Lydia we love each other and captain absolute interferes in the way so Lydia says I love Beverly , I love captain absolute , why do you say so ??!! so sir luscius talks to Lydia saying Celia , Delia do you deny these letters ???? do you deny your handwriting and at this moment Mrs. Malaprop is embarrassed and she says that it is her Celia or Delia and everybody laughed even sir luscius O'Trigger, why ?? because it is a comedy they are concluding , there are no more stories , now the main plot is concluded , the subplot to be concluded Julia goes to Faulkland and tells him that she forgive him only because she loves him and again for the play to end happily, sir Antony absolute says that he will marry Mrs. Malaprop عشان ماتزعلش then acres invites everybody in a place at King's-Mead-Fields to attend a musical party, they will all go there and this is the end of the play.
Julia said the last speech in the play read it with me:
JULIA Then let us study to preserve it so: and while Hope pictures to us a flattering scene of future bliss, let us deny its pencil those colours which are too bright to be lasting.—When hearts deserving happiness would unite their fortunes, Virtue would crown them with an unfading garland of modest hurtless flowers; but ill-judging Passion will force the gaudier rose into the wreath, whose thorn offends them when its leaves are dropped!
Julia says a moral lesson at the end , Sheridan is being didactic, he says the moral lesson directly through Julia.
Why did he choose Julia???
He chose her because she represents the age of sensibility which means balance between reason and emotion.
She sees the faults of Faulkland and she loves him but if she is emotional only she would be blind from his mistakes , she is blind with love. At the end we have an epilogue this is a classical influence , both the prologue and the epilogue are said by actors not by characters and they do not say anything about the content of the play it is just a message from the writer to the audience.

[pepsi_cola]

بنات الله يعافيكم من عندها اوراق النقد بعد ملزمه 9 تكفون الله يعافيكم مره محتاجتهم الحين
الي عندها وترسل لي بدعي لها من قلب :Cry111:

[Lost 3]

بنات الله يعافيكم من عندها اوراق النقد بعد ملزمه 9 تكفون الله يعافيكم مره محتاجتهم الحين
الي عندها وترسل لي بدعي لها من قلب :Cry111:

آي دكتووره ؟؟

[tabula rasa]

مي توو ..
بنات الله يعـآفيكم ..
أبي حل الكوتيشنات للمسرحيه الثآنيه < متوهقه بقوه ..
وحل الأسئله الـ 5 للمسرحيه الثآنيه من ويييين ؟!!!!!

<<<<<< النجده :bawling:





:bawling:
وانا

[pepsi_cola]

آي دكتووره ؟؟


دكتوره هيفا

[Lost 3]

الكوتيشن تبع جوليآ ..!

Jul. Nay, you are wrong entirely. We were contracted before my father’s death....

هذآ لمآ ليديآ وصفت فولكلآند بانه ungrateful

وهذآ الشرح من الملزمه اللي عندي :cool:

. Julia defends her lover Faulkland. Julia has been contracted to Faulkland before her father dies. Once, she was in a boat and the boat shipwrecked. Julia was about to drown. Faulkland swam and he saved her from drowning. Since that time she fell in love with him. Her father was alive and they got contracted. Faulkland is delaying their marriage. He gives pretexts to delay their marriage. This is why Lydia calls him the 'ungrateful Faulkland'. Julia loves him very much and she is defending him. He is very cold when he is with her but she justifies his coldness saying that,' he is too proud, too noble to be jealous; if he is captious, 'tis without dissembling; if fearful, without rudeness.' He frets her all the time. So he is fretful. She says,' his affection is ardent and sincere'. It means he really loves me. 'he still suspects that he is not loved enough'. He always suspects that she doesn't love him that much. 'This temper, I must own, has cost me many unhappy hours;' many times I was unhappy with that. She knows his defects. She doesn't love his defects. She is reasonable; she makes balance between reason and emotion. Sentimental people do not see the defects of their lovers. Julia is not blind with her lover. She can see his defects



~

[Lost 3]

Abs. ’Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am.....

هذآ soliloquy قاله كآبتن جآك

وهذآ الشرح

This soliloquy shows that Jack is very happy that Sir Anthony Absolute has chosen Lydia not anyone else. So, the plot is less much complicated. Sir Anthony is surprised to find his son changing his attitude. He submits to his will. He becomes very obedient after telling him I disagree with you, I object to this marriage, in this point I’ll disobey you. Then after 6 and half hours he goes and talks to him and tells him I’ll do whatever you like, I’m your obedient son. I’ll do this even if you bring for me a very bad lady, even if she is old, even if she is with a hump, even if she has one eye only. Absolute says, ‘ you before hinted something about a hump or two, one eye, and a few more graces of that kind—‘. This is what Sir Anthony told his son before. Sir Anthony says,’ What a phlegmatic sot it is!’. This is medieval influence. Richard Sheridan talks about the old medieval theory of humours. The phlegmatic character is very cold and reasonable.( you have to explain the phlegmatic character). Jack tells his father that he accepts to marry the lady he chooses for him. And he doesn’t care about her beauty because he only likes her to be normal in appearance. Sir Anthony accuses him of being phlegmatic. That is to say cold and too reasonable. After that Sir Anthony Absolute tells his son that he will write a note to tell Mrs. Malaprop that Jack will visit her directly. Directly to keep the unity of time.

هذي اللي عندي للحين اما البآقي وحححده تتبرع وتشرحهآ:biggrin: !

( طبعآ لآتعتمدون على هذآ بس / هذآ بس اللي موجود عندي بس انتو حآولو تختصرونهآ آو ترتبون الشرح على فهمكم )

دعوآتكم :106::love080:

[tabula rasa]

lost:106:

مووفقه ي عمري

الله يسسهل عليك كل امتحاناتك ي ررب

[نقوش جدار]

يووه ثانكس يآ جميلات ..
دعوآتي لكم ..

[Lost 3]

آهم شي الدعوآت الححلوه:mh318:
~



4- Act III, scene ii : FAULKLAND They told me Julia would return directly; I wonder she is not yet come! How mean does this captious, unsatisfied temper of mine appear to my cooler judgment! Yet I know not that I indulge it in any other point........

~

’ This is important to understand the character of Faulkland. He knows that he hurts Julia by showing coldness when he meets her. He loves her very much but when he sees her, he shows coldness. This is realistic. There are people who are like this. Because of this realism in delineating Faulkland, some audiences might sympathies with him. Now he goes to meet Julia. From the conversation we know that they have met before. He showed coldness. So, when he meets her this time, he justifies his cold attitude to her. He says he is shy to show his happiness to her in the presence of a third person. He tells her when there is a third person in the middle, I am shy to show you my love and my happiness to see you. Secondly, He tells her that he got very upset when he heard Acres talking about her cheerfulness and happiness in his absence. He blames her. He is going to fret her. He tells her that he has expected her to be sick, sad but she was happy singing and dancing. He tells her that the parting lovers should never smile. They should cry because this is sentimentality because of the pain of love.

طبعا الكوتيشن طووويل أقروه كآمل !

[sense]

بنات احد عنده حل اسئلة المسرحية الاولى
the way of the world

كانوا عندي بالامتحان الشهري بس مادري وين ضاعووا
بليييز :Cry111:

[najooom]

-Who are the most influential public figures that influenced William Congreve while writing "The Way of the World".?

There were many influential figures and philosophers who influenced William Congreve when writing " The Way of the World" among these figures were Ben Jonson, Thomas Hobbes, John Locke, Moliere and Charles II.
When King Charles I was murdered by the protestant Oliver Cromwell, Cromwell changed the country from a kingdom to a republic. The country was left in extreme Puritanism, and then Charles II came back from his exile in France with his men and restored the kingdom that’s why we call it restoration. In the 17th century, King Charles II restored the throne of England .King Charles II was in exile in France. so he came with his men and restored England. So, we have the influence of the French language, like using some French words making the English language lighter . We have something called the restoration drama.
King Charles II used to patronize literary men and invite them in his court. He encouraged English literature. The French influence is clear in the language that Congreve uses in the play and the use of allegorical names. King Charles II however was immoral. He used to have several mistresses. So there was moral corruption in the country. England changed from extreme Puritanism to extreme liberalism. He came with liberal ideas. These liberal ideas spread after extreme Puritanism, led to social corruption. This is reflected in "The Way of the World". Among the French influences was the influence of Moliere. William Congreve admired very much Moliere and imitated him in style. Congreve imitated the style of Moliere
Examples:
The name Millamant is a lady who has thousands of lovers. This is a French influence.

Thomas Hobbes was a philosopher in the 17th century. He was a secular writer. He does not like what is in the bible that man is created in the image of god and so man has innate kindness, that man is kind by nature. He also says that man is evil by nature, man cannot control himself and man is lusty after desires. He followed his desires like an animal. So, man is animalistic in attitude. He says that in order to control these greedy people in society an authoritarian king or a dictator like the King Stewart II should rule them. Thomas Hobbes believes in leadership. He was advocating King James the 2nd. He believes there should be no strong parliament to bother the king. His influence on William Congreve is quite clear in the
Hobbesian characters in the play; the characters who are innately evil. Mrs. Marwood is one of those characters. She shows no dignity throughout the play. She shows no decency, she is evil. she is envious. She deceives lady Wishfort and Mrs. Fainal and pretends to be their friend when she is not. She has an affair with a married man and she is jealous from Mrs. Fainal and Millamant. Another example is the character of Mr. Fainal. Mr. Fainal is greedy, lusty, animalistic, evil and does not show any dignity. Mrs. Fainal is partly Hobbesian, because she has some kindness in her character. She is a good friend to Mirabel. She sacrifices her love to Mirabel. She does not bother him when he wants to marry her cousin Millamant. She does not do plots against them. She is not evil by nature. Both Foible and Waitwell are fully, totally Hobbesian. They show no dignity. they are after money. They do anything for money. They can even sell themselves for money. Another Hobbesian character is the character of Mrs. Marwood. We call her malicious.
The other philosopher who affected William Congreve is John Locke . He disagrees with Hobbes. He believes in the bible and in the innate kindness of man. He believes that man is born with his mind like a tabula raza , like a blank page. As man grows this sheet is filled with good or bad morals taken from society. So, it is society that corrupts man or reform man. John Locke is against the totalitarian rule of King James II. He belongs to the Whigs party. He is liberal. He advocates the individual freedom and democracy. he does not like dictatorship. He said in economy and politics people should write contracts in everything. William Congreve liked this idea very much and this is very clear in the play. Even in marriage there are contracts, because contracts creates commitment.
In the play, there are Lockian characters. Mirabel is half Hobbesian half Lockian. He makes several plots to reach his aim. He wants the money of Millamant although he loves her. He is materialistic towards her money.
Thomas Hobbes echoes the materialistic philosophy of the 16th c. philosopher Niccolò Machiavelli the Italian philosopher who advised one of the Italian princesses to deceive people to be very materialistic to come to power and he wrote the book : The Prince . Machiavelli said the end justifies the means. So people started to be moral. They started to justify the wrong doings because the end justifies the means. They started not to follow religion. So, we call Mirabel partly Hobbesian and partly Lockian because he loved Millamant very much. He is a noble man. He shows nobility at the end. He will do something very good to Mrs. Fainal at the end.
Millamant is Lockean she does not do anything evil to anybody and she likes individual freedom. Mirabel and Millamant are the only ones who show dignity and decency in the play. According to Locke, society had corrupted them and making them coquettes. However by their own free will they decide to keep their decency and dignity.

William Congreve adopted the idea of contracts from John Locke, and the play is full of contracts. Ex: when Mirabel wanted to control Waitwell and Foible , he contracted them by marriage. Mr. Fainal in order to marry Mrs. Fainal, she wrote him a contract and she gave him the best part of her estate.
Another influential figure on William Congreve in writing " The Way of the World " is Ben Jonson and the Theory of humor. The theory of humor was first started in the Middle Ages. they used to believe that there are four elements in the universe that are: air, fire, water and dust. If the four elements are mixed in a proper proportion ,the man becomes balanced and healthy but if it was in improper proportion , man will become imbalanced . If somebody got excess of air, the body secretes a fluid called sanguis, blood and one becomes moody ,tedious or easily enraged .we call it sanguine l character. If one gets excess of fire, the body secretes a fluid called cholera. Then he becomes active or hasty, we call it choleric. If one gets excess of water, the body secretes phlegm. The person becomes passive or slow. It is called phlegmatic character.
If one gets excess of the earthly element the body secretes a fluid called melancholia, black bile. The person becomes sad and introvert. It is melancholic character. This is in the middle ages. In the 17th century, Ben Jonson criticized the theory of humor. He said they are not realistic and incomplete ,limited , he said that humors should refer to social manners. In the middle ages humors refer to physical changes. He is saying that humor must reflect social manners. For example, if a man is a true miser then he has excess of miseries and this should be reflected on his name. So, he has chosen allegorical names. In the play, we have characters that reflect their social manners.
In " the Way of the World "Congreve delineated his characters as humors in the Johnsonian sense where certain humors dominates each of them . Their names express their manners. Moreover ,he is keen on implying the medieval theory of humors on the same characters.. There were two ways and Congreve used both ways and applied them on his characters.
Congreve copied Ben Johnsons use of allegorical characters so he has chosen names that reflect the social .
For example: The name Witwoud means that wished he would have it
The name Fainal is derived from feign or pretence
The name Mirabel means beautiful mirror or handsome youth
The name petulant means whimsical or capricious
The name Waitwell refers to someone who serves well
The name Wishfort is a character who wishes very strongly
Congreve is referring to the medieval theory of humor claiming that Millamant is a sanguine character because she has excess of air in her character. Air dominates other elements.
Another example of humors characters is:
MILLA. And yet our distemper in all likelihood will be the same; for we shall be
sick of one another. I shan't endure to be reprimanded nor instructed; 'tis so dull
to act always by advice, and so tedious to be told of one's faults, I can't bear it.
Well, I won't have you, Mirabell--I'm resolved--I think--you may go--ha, ha, ha!
What would you give that you could help loving me?

She tells him that’s enough. She is bored with him and that’s the end of their relationship. She is not serious about that. she threatens him that she will turn melancholic.
MIRA. You are merry, madam, but I would persuade you for a moment to be
serious.
He wants her to be serious. This has something to do with humor .
PET. All's one, let it pass. I have a humour to be cruel.
Here you analyze him like the character of Millamant he has excess of air
MRS. FAIN. He has a humour more prevailing than his curiosity, and will
willingly dispense with the hearing of one scandalous story, to avoid giving an
occasion to make another by being seen to walk with his wife. This way, Mr.
Mirabell, and I dare promise you will oblige us both.
Mrs. Fainal is talking about her husband. Here Congreve is referring to the Ben Johnsonian concept of humor and she is referring to the social behavior of her husband not about the effect of the fluid in his body.
We have another example when Millamant feels melancholic. It is a reference to the medieval theory of humors. Things started to change in her body. She has got the excess of dust element. She started to feel sad and pessimistic. She does not want to talk to anybody.
You will find the word humor repeated in the play for example
FAIN. Confess, Millamant and you quarrelled last night, after I left you; my fair
cousin has some humours that would tempt the patience of a Stoic. What, some
coxcomb came in, and was well received by her, while you were by?


• Discuss the technique of " The Way of the World".?

So, you will mention in this question four points:
• the traditional elements,
• non-traditional elements,
• the style of the writer
• The characterization.
in tracing the technique of William Congreve in his play" the Way of the World" , we find that he uses both traditional or classical elements, and non-traditional, or modern elements .
Concerning the classical elements in the play, we find that William Congreve was a friend to Alexander Pope who writes classical poetry. They used to admire the Roman modals. We can find classical characteristics in the restoration drama .
The structure of the play is classical or traditional- like a well-made play. We find suspense, letters, and disguise. For example Mirabel tells Waitwell to disguise as his uncle Roland. We also have examples of written letters. Witwoud says that Petulant like to make himself important in front of people, so he used to write letters to himself and send them. He sends letters for himself and if he is not there he will leave a massage for himself.
By the end of 1st act, we realize that it is a drama where things are said indirectly. We cannot understand what is happening until we finish the whole act. We are kept in suspense, so this is the style of William Congreve.
(this morning)= very important , this is a proof that Congreve is keeping the unity of time, in act 1 Congreve used the technique of narration. Mr. Fainal told Mirabel about what happened the day before , the day before is not acted on stage , it was narrated by Mr. Fainal so we as audience knew what happened the day before from the narration, because Congreve is keen on observing the unity of time , all the events occurred within 24 hours only. The setting is London, so there is unity of place because all the events happened in London.
this is classical influence because the neo classical period was over lapping the restoration period and Congreve was a friend to some neo classical writers like Alexander pope .
Writers in the restoration period like William Congreve started to rebel against some classical characteristics like keeping the unity of action, they liked to use sub-plots, they did not like writing in blank verse. in the 16th century like Shakespeare they used blank verse like the classical models but in the 17th century dramatists do not use blank verse, and they were not strict about the unities some of them use unity of time and others do not.
Although the plot is imaginative, Congreve tackles realistic issues which make him universal.
(Explain the relationship between man and woman)

Concerning the elements of modernity we have implicit expressions, subtle language, witty dialogue; for example, the dialogue between Mirabel and Mr. Fainal. There is no blank verse except for the prologue and epilogue. We have the new social ideas. The pastoral life is criticized and the city life is praised, the new shape of the stage. The actresses were allowed to act, the artificial light and there are curtains that rise and fall between acts and scenes. In Shakespeare times plays were acted in day light because there was no electricity and stages were simple but in the restoration period stages became more modern looking like our stages nowadays. The shape of the stage has been modernized. In the 16th century it was the shape of a horse shoe like the Globe Theater, no curtains, no electricity, plays were performed at day light. The stage was bare. But in the 17th century it had a plat form and an auditorium. there were curtains to drop between acts and sense, fancy stage props . In Shakespeare's plays or in the 16th century women were not allowed to act so they used young men with soft voices to act the role of women, with make-up and wigs to look like women. But in the 17th century Actresses were allowed to act on stage. In the 16th century, it was an explicit drama. Actors feed the audience the whole information by side talking on stage.
because The restoration period overlaps the neoclassical period . In the restoration drama, new social ideas were born in the 17th century . For example, city drama was written. Writer for the first time started to show country life that is full of ignorance and poverty whereas city life is full of wit and wealth. The Londoners make fun of the country people ,

Another point for the technique is the style of William Congreve. It is it is distinguished. He wrote the most decent play in the 17th century. He excluded *** and farce. He imitated the French writer Moliere who was contemporary to him. He ends his acts with heroic couplets. Although the plot is imaginative, he tackles realistic issues which make him universal.
Characterization is a part and parcel of the technique. Characters reflect the age, for example, Foible and Waitwell and the way they deal with their masters. They are daring. They sell themselves to their masters.





• You should talk about Ben Jonson- that he took the idea of allegorical names from Morality plays of the middle ages
Congreve copied Ben Jonson's use of allegorical characters so he has chosen names that reflect the social.
For example: The name Witwoud means that wished he would have it. The name Fainal is derived from feign or pretence
The name Mirabel means beautiful mirror or handsome youth
The name petulant means whimsical or capricious
The name Waitwell refers to someone who serves well
The name Wishfort is a character who wishes very strongly
Congreve is referring to the medieval theory of humor claiming that Millamant is a sanguine character because she has excess of air in her character. Air dominates other elements.
An important point is the metatheatrical technique.
• the answer of this question is included in the answer of the question of the technique

• What are the aspects of modernity?

We can trace elements of modernism in Congreve's play (The Way Of The World). The language is modernized. it looks somehow like modern language. if we compare it with the 16th century language, we are going to find it different. If we compare it with Shakespeare's writing, we will see the difference the language is more modernized
Writers in the restoration period like William Congreve started to rebel against some classical characteristics like keeping the unity of action, they liked to use sub-plots. they did not like writing in blank verse. In the 16th century like Shakespeare they used blank verse like the classical models but in the 17th century dramatists do not use blank verse. They were not strict about the unities. Some of them use unity of time and others do not.
The shape of the stage has been modernized, in the 16th century it was the shape of a horse shoe like the Globe Theater, no curtains, no electricity. plays were performed at day light. The stage was bare very few stage parts on stage. but in the 17th century it had a plat form and an auditorium ,and there were curtains to drop between acts and sense, fancy stage props ,it was an age of appearances.
In Shakespeare's plays or in the 16th century women were not allowed to act so the used young men with soft voices to act the role of women ,with make-up and wigs to look like women.
But in the 17th century
Actresses were allowed to act on stage. In the 16th century, it was an explicit drama. Actors feed the audience the whole information by side talking on stage. the audience are not expected to be cultured.
The 17th century was the beginning of the implicit drama and language. Every thing is said indirectly. Everything is hidden. Nowadays it is very implicit.
For example, …….. suspects Mirabell that he had an affair with either the wife of Mr. Fainal or Mrs. Marwood his mistress. He does not want to tell him directly that he knows that he has an affair with one of his ladies. So he asks indirectly. All the plays are like this, this is modern drama, language is hidden, things are said indirectly.
We have a soliloquy. After everybody left the room, Mrs. Marwood came out of the closet, very envious and angry . she expressed her hatred to everyone. We rarely find a soliloquy. In the 17th century, restoration drama is the beginning of modern drama .drama started to become implicit and subtle. In modern drama there are no soliloquies but in the 16th century. drama it is full of it.

• Discuss the theme of love in " the Way of the World"
• Discuss the type of love between Mirabell and Millamant.

there is real- true love platonic kind of love and false love
Discuss the love relationship through the eternal triangle.
Use examples- quotation and paraphrase it

In the play "The Way of the World" the theme of love is the dominant theme. We have different kinds of love. We have true love that is platonic and false love.
One characteristic of the 17th century drama or comedy of manners is that the relationships are explained through the eternal triangle. It is like having two lovers and somebody bothering them. For example, we have the love relationship between Mirabel and Millamant which is true and platonic love. The one who is bothering these two lovers is Mrs. Fainal.
Mirabel used to have a relationship with Mrs. Fainal. He got bored of her so he married her to Mr., Fainal. He convinced the man that if he marries her, he will become very rich because she is rich. It was an age of materialism, so the man married her not for love, but to take her money.
Mirabel loved the cousin of Mrs. Fainal. She was a young girl called Millamant and he loved her very much. She was beautiful and attractive not only to him but to everyone. He wanted to marry her. The problem is her aunt lady Wishfort who does not like Mirabell. According to the tradition of the English law, lady Wishfort is in control of Millamant's fortune. Because she is under age, lady Wishfort must approve to the man Millamant is going to marry. If she does not agree and Millamant marries without permission, she loses her fortune or a big part of it. William Congreve is criticizing the law and showing that it is unfair, it restricts individual freedom.
another example of the eternal triangle in the play is the marriage between Mr. and Mrs. Finial. Mr. Finial married Mrs. Finial for her money and he had an affair with Mrs. .Marwood.
MILLA. O silly! Ha, ha, ha! I could laugh immoderately. Poor Mirabell! His constancy to me has quite destroyed his complaisance for all the world beside. I
Swear I never enjoined it him to be so coy. If I…..
The love relationship between Mirabell and Millamant is a platonic kind of love. For example, she says that she is still shy in the presence of Mirabell. She loves him pure love. She is talking about the platonic kind of love. During this time a group of people believed that couples should love each other purely. It has erotic feelings but they don't sleep together before marriage. She is chaste.
Fainal is talking to Mirabell again about Millamant and Mirabell

MIRA. And for a discerning man somewhat too passionate a lover, for I like her
with all her faults; nay, like her for her faults. Her follies are so natural, or so
artful, that they become her, and those affectations which in another woman
would be odious serve but to make her more agreeable. I'll tell thee, Fainall, she once used me with that insolence that in revenge I took her to pieces, sifted her, and separated her failings: I studied 'em and got 'em by rote. The catalogue was
so large that I was not without hopes, one day or other, to hate her heartily. To
which end I so used myself to think of 'em, that at length, contrary to my design
and expectation, they gave me every hour less and less disturbance, till in a few
days it became habitual to me to remember 'em without being displeased. They
are now grown as familiar to me as my own frailties, and in all probability in a
little time longer I shall like 'em as well.
In this quotation Mirabell says that he loves Millamant with all her faults. they fight with each other but he gets familiar with such things. It means true love, what makes William Congreve's play is very good . it has a humanitarian aspect. It discusses real feelings; it develops from locality to universality. People all over the world appreciate what he says about feelings. Now in the post contemporary period we can appreciate what he says about true love, or what is love.
When a person loves someone with all his faults it means that he forgives him. This is true love but when one can't forgive then what he feels is not true love. In platonic love, transformation happens in the lovers. It is love that happens at first sight. So the lover changes . He becomes very sweet and tender accepting mistakes , very tolerant .
You are enjoying Congreve because he is very realistic this is one of the best 17th century drama. he is discussing serious themes . he is discussing humanity.

*Discuss the classical influences in "The Way of the World".

We can trace the classical influences in the play. first we have the idea of platonic love, the structure of the play which is classical, the form of the play, the three unities, the use of classical allusions,
In the classical structure there are; five acts, unities, prologue at the beginning, epilogue at the end. Act one scene one is the exposition of the play. We find the main character being introduced, it tells us about the main theme of the play and the style of the writer.
There are few soliloquies and asides but they are not classical characteristics.
(Mention the example of the soliloquy)
We have a soliloquy. After everybody left the room, Mrs. Marwood came out of the closet, very envious and angry. She expressed her hatred to everyone.
The events develop according to Aristotle's theory of probabilities, for example, one action leads to the other. The play develops systematically from an exposition to a denouement. The events get gradually complicated until there is a climax or a knot. Then, the knot gets unraveled at the end. This is similar to what modern critics call a well-made play. It is a well-knit play. There are secrets, letters, and confrontations, suspense, tricks, coincidences, mistaken identity
(mention the examples of letters, suspense, disguise)
there is a confrontation at the end of the play to make the revolution. It is when Mirabell made confrontation. He confronted Mr. Fainal. Also, there is the dramatic irony which comes from disguise. For example, Sir Rowland, we know as audiences that he is Waitwell but Lady Wishfort at the beginning doesn't know he is Waitwell. She thinks that he is the uncle of Mirabell. This is called dramatic irony. It arouses laughter.
We have a prologue at the beginning and at the end we have an epilogue and they are written in blank verse but drama is written in prose. Having five acts is a classical characteristic. If you go to post contemporary drama you can find it two or three acts and different number of scenes.
an example of letters in the play:
MILLA. Oh, ay, letters--I had letters--I am persecuted with letters--I hate letters.
Nobody knows how to write letters; and yet one has 'em, one does not know
why. They serve one to pin up one's hair.
WIT. Is that the way? Pray, madam, do you pin up your hair with all your
letters? I find I must keep copies.
MILLA. Only with those in verse, Mr. Witwoud. I never pin up my hair with


(Write a paragraph about Platonic love- the same as in the question about the theme of love- mention the example )

• How does " The Way of the World" reflect the 17th century society?

discusses cultural ideas( man-woman relationship - love as based on materialistic reasons – the importance of reputation- fearing from scandals – religion- historical facts- Charles II- his influences- the French influences – the influence of the philosophers of the age-
characterization
theory of humor- medieval influences
The play reflects the age that is the 17th century society. It discusses types of human relationships, the theme of love that is based on materialistic reasons. We also have examples of how people in the 17th century feared from scandals and that they cared much about their reputations. Another cultural aspect found in the play is the effect of King Charles II and the French influences on Congreve in writing the play. We can also trace the influence of the philosophers of the 17th century ion Congreve. Regardless to the theory of humors that is also found in the play. Characterization in the play also reflect the 17th century society.
FAIN. No, I'll give you your revenge another time, when you are not so
indifferent; you are thinking of something else now, and play too negligently:
the coldness of a losing gamester lessens the pleasure of the winner. I'd no more play with a man that slighted his ill fortune than I'd make love to a woman who undervalued the loss of her reputation.

This is an example to show that people in the 17th century cared much about their reputation. They are playing cards in the chocolate house. Fainal mentioned a woman who does not care about her reputation.
The society lacks heroism. that’s why people like to watch heroes in literature. it was a society of appearance, men in the 17th century lacked manhood they were fobs-coxcombs- dandies and women were coquettes, it was an age of immorality.
They watched comedy of manners because it was mainly about *** and farce, they laugh at the clownish character, there is no serious theme. Comedy of manners was full of ***ual themes, so critics started to criticize comedy of manners, they described it as immoral .
William Congreve defended the comedy of manners he wanted to prove to the critics that the 17th century writers can discuss serious themes in the comedy of manners so he wrote The Way Of The World and he said that comedy of manners is meant to improve the morals of the people ,hypocrisy and immorality in order to reform people . when people laugh at their follies they change and stop being immoral . the function of comedy is to satirize the immoral behavior of people . The Way Of The World is the most decent comedy of manners in the 17th century. it discussed serious themes no obscene language.
For example in act II
Mrs. Fainal is talking to Mirabell she tells him why he made her to marry Mr. Fainal
MRS. FAIN. You have been the cause that I have loved without bounds, and
would you set limits to that aversion of which you have been the occasion? Why
did you make me marry this man?
MIRA. Why do we daily commit disagreeable and dangerous actions? To save
that idol, reputation. If the familiarities of our loves had produced that
consequence of which you were apprehensive, where could you have fixed a
father's name with credit but on a husband? I knew Fainall to be a man lavish of
his morals, an interested and professing friend, a false and a designing lover, yet
one whose wit and outward fair behaviour have gained a reputation with the
town, enough to make that woman stand excused who has suffered herself to be
won by his addresses. A better man ought not to have been sacrificed to the
occasion; a worse had not answered to the purpose. When you are weary of him
you know your remedy.
This is the way of the world in order to save their reputation. They do things they don’t like. He wanted to save the reputation of Mrs. Fainal. She was having an affair with Mirabell. So ,he realized that she is going to have a bad reputation and to save her reputation he lets her marry Mr. Fainal because he was a man of good reputation at that time. So, when he is married to her nobody could talk bad about her. She is innocent. They do not know that Mr. Fainal is immoral .also, he accepts to marry her for her money and he has a relationship with Mrs. Marwood. This is the way of the world, the social corruption in the 17th century.
Another situation that reflects the 17th century society is when Mrs. Marwood tells Mr. Fainal why doesn’t Mirabell instead of threatening Lady Wishfort ,why doesn't he go and threaten lady Wishfort , and tell her that he knows that her daughter is having an affair , that he is going to scandalize her . He is going to give her a very bad reputation in the city . So, lady Wishfort is going to be threatened when she hears the word reputation. She fears bad reputation for her daughter. She is going to sacrifice all her fortune. So he is going to blackmail her, so he is going to threaten her and she will give him all the money, and Mr. Fainal likes the idea.

*What are the main themes in the play?
Discuss the theme of love in "The Way of the World".
Discuss the concept of friendship in " The Way of the World".

In " The Way of the World" there are two main themes. First, the theme of ,love whether it is true or false love. Second, we have the theme of friendship whether true or false friendship. Another minor theme in the play is the theme of the life in the city versus life in the country.
Regarding the theme of love, we have the true platonic love between Millamant and Mirabell. We have another type of love which is false that is materialistic. For example the love between Mr. Fainal and his wife, we have also the relationship between Mr. Fainal and Mrs. Marwood and between Waitwell and Foible.
Another theme is the theme of friendship. There is a true and false friendship. False friendship is like the relationship between Mrs. Marwood and Lady Wishfort which is false. Her friendship to Mrs. Fainal is false also. There are two examples of true friendship; the one between Mirabell and Mrs. Fainal .then the friendship of Sir Willful, Witwoud and Mirabell is true. Mr. Fainal is full of suspicion. he suspects his friend. Everybody is pretending to be friend to somebody who is not real friend to him.
Mirabell and Fainal keep talking about Witwoud. They say that he is stupid and disagreeable. Then Witwoud arrives. He comes to make fun of his half brother Willful. Then Mirabell and Fainal keep on urging Witwoud to laugh at Petulant. He says that Petulant is his friend but he makes fun of him and laugh at him. The dandies are talking about each other, they are making fun of each other, and nobody respect anybody. This is their life. They spend all their time in coffee houses, playing cards. They are not doing anything serious, they look for money. They even marry for money.
We should not forget the friendship between Mr. Mirabel and Mr. Fainal and the friendship between Mrs. Marwood and Mrs. Fainal. The friendship between those two ladies shows no honesty. They talk together about men. Mrs. Marwood says that she hates all men and she keeps telling Mrs. Fainal that men are very bad. They give hard time to women. She despises men; at the same time we know she had an affair with Mr. Fainal, the husband of her supposed friend Mrs. Fainal.
So, when she talks like this Mrs. Fainal tells her that she herself hates her husband. Marwood is very happy to hear this because she loves Fainal and she has an affair with him. Then she tells Mrs. Fainal that when women stick together, love each other and even make love to each other that is good. So, she asks her if she is talking about lesbianismسحاقى. It sounds that she is a lesbian. She is immoral. She pretends that she hates men and loves the community of women. So, what she says is not really true. maybe, she wants to deceive Mrs. Fainal . maybe she wants to hear from her that she hates Mr. Fainal.
We realize that Marwood is not honest. She tells Fainal that she hates Mirabel, which we know that this is not true so she is lying.
(This paragraph can be written in answering the question about how the play reflects the 17th century society)
Another theme is social corruption. when Mr. Fainal enters, he acts like a loving husband and Mrs. Fainal acts like a doting wife as if the love each other very much, their marriage is based on materialism this is hypocrisy . This reflects the corruption of the 17th century. The social relations are based on affliction; that is when someone says something pretending to act or do. That is social immorality in the 17th century.
Everybody is deceiving one another. This is social corruption, lady Wishfort is scared because foible told her that Sir Roland wants to marry her. Because if she marries him and have a baby , an heir (of course she is not because she is old but this is a comedy ). If she has a baby Sir Roland is going to disinherit Mirabell.
Marwood pretends to be a friend to lady Wishfort and to her daughter Mrs. Fainal. This is not true. Marwood is the mistress of Mr. Fainal.
Mr. Fainal tells Marwood that she should help him not hinder the marriage of Mirabel and Millamant. He wants Mirabell to marry Millamant. It is for our own good because if they marry Millamant is going to lose half her fortune and the other half will go to lady Wishfort. After lady Wishfort dies, the fortune will go to Mrs. Fainal and he would take the money from her and divorce her after taking the money .so this is his plan. He wants Mirabell to marry Millamant. He wants to make money from the three ladies, Millamant, lady Wishfort and his wife.
We know from this conversation that he is very materialistic
Mirabel is scared to let Waitwell marry lady Wishfort, to take her money. So, he made him contracted to the bible because in Christianity there is no divorce and there is no polygamy . So, he made him marry somebody. This is to guarantee that Foible will not betray them and she is going to work with them.
We also have the theme of the country life versus the city life. For example
SIR WIL. The fashion's a fool and you're a fop, dear brother. 'Sheart, I've
suspected this--by'r lady I conjectured you were a fop, since you began to change the style of your letters,
He realized from the change of letters that he changed into being a city man. Originally, he is from the village. so . He showed ill manners but because he left the village long time ago he began to change. Here we have the theme of the city versus the country life.



Some of the ill manners of sir Willful Witwoud are shown when he went to dine with lady Wishfort and others. then he started taking off his dirty shoes on the dining table. So, lady Wishfort got shocked He is ill mannered, again this is the theme of living in the city with a countryside style, rustic life.

• (You should mention the husband- wife relationship, the mother-daughter relationship, the husband-wife relationship.
• You should talk about the affairs and the eternal triangle. Then master-servant relationship. They all show the social corruption.

Discuss the concept of man ship in the 17th century from your understanding.
how it is affected by the time , by "The Way of the World "in 17th century world
In England when a man knows that his wife is betraying him he is a cuckold with two horns. So Mr. Fainal suspects Mrs. Fainal. He believes that she is betraying him because he is betraying her. There is no relation between them. So he does not believe that she is being pure and chaste. When Mrs. Marwood asks him why he is with her, what he is waiting for, if he is waiting to divorce her. He says that he can't divorce her as he's waiting for her money, that her money luster him. His horns shine more every time her money or fortune increases and becomes more
FAIN. Why, then, Foible's a bawd, an errant, rank match-making bawd. And I, it
seems, am a husband, a rank husband, and my wife a very errant, rank wife,--all
in the way of the world. 'Sdeath, to be a cuckold by anticipation, a cuckold in
When the man knows that his wife betrays him he becomes a cuckold .
FAIN. Damn him, that had been mine--had you not made that fond discovery.That had been forfeited, had they been married. My wife had added lustre to my horns by that increase of fortune: I could have worn 'em tipt with gold, thoughmy forehead had been furnished like a deputy-lieutenant's hall.

This is the way of the world in the 17th century England .it's an old fashion to ask a man where his wife is. The husband is supposed not to know where his wife is. his wife can go anywhere with anybody.

MILLA. Oh, I ask your pardon for that. One's cruelty is one's power, and when
one parts with one's cruelty one parts with one's power, and when one has parted
with that, I fancy one's old and ugly.
We can use her philosophy to interpret why men after marriage are cruel…after being so loving and doting, they are cruel by nature.
Mirabell told Millamant that he has one condition before marriage which is that she doesn’t make him a cuckold. This was natural in the 17th century. A man turns into a cuckold because his wife betrays him and he asks her not to talk to bad women because they will show her other men to have an affair with, not drink wine with men.

the term –contract- refers to a dominant philosophy in " The Way of the World"
The term "contract" is a key word to an important dominant philosophy in "The Way of the World". Discuss. ?
• Here you should discuss John Locke's idea of a “contract".
• In one paragraph you write the theory
• In another one you mention examples.
one of the philosophers who affected William Congreve is John Locke . He believes in the bible and in the innate kindness of man. He believes that man is born with his mind like a tabula Raza , like a blank page. As man grows this sheet is filled with good or bad morals taken from society. So, it is society that corrupts man or reform man. John Locke is liberal. He advocates the individual freedom and democracy. he does not like dictatorship. He said that in economy and politics, people should write contracts in everything. William Congreve liked this idea very much and this is very clear in the play. Even in marriage there are contracts, because contracts creates commitment.
There are several contracts in "The Way of the World".



Marwood tells Mr. Fainal that when sir Roland is there hiding the contract of marriage with lady Wishfort , he is going to send at the same moment he will send her a letter signed unknown .he is going to tell her that the man he is going to marry is the servant Waitwell not sir Roland.
FAIN. If the worst come to the worst, I'll turn my wife to grass. I have already adeed of settlement of the best part of her estate, which I wheedled out of her, and that you shall partake at least.
Deed means contract. So, here we have evidence that the price of the marriage is that deed to give him the best part of her estate
She starts telling him some conditions before marriage. So, we go back again to the idea of contracts. She tells him her conditions. He also said some conditions. She tells him that she is going to choose the time of marriage and she is not going to care about the house work very much. she will stay in bed as long as she pleases. she asks him not to call her names after marriage like wife, dear. he has to call her Millamant before and after marriage. She is a serious woman. They will not make love in front of people. This is indecent. She wants to keep decent. When they appear together, they should appear as if they are not married. She is not going to the Hyde Park where married couples go on their first Sunday together to make love and show off and it is the only Sunday they go there. She says that she does not want that. She does not like that idea that tradition. She will pay and receive visits from whom she pleases and he should not show her any twisted faces when she receives letters from people. She is free to have dinner anywhere with or without him. He has to knock before he enters.
Any other man would not like such conditions but Mirabell accepts her conditions because he loves her and does not want to lose her. Mirabell understands women in the patriarchal society. He believes he should give some freedom to Millamant. We can say that he is civilized. We said he is Lockian because he believes in individual freedom.
Mirabell told her that he has one condition which is that she doesn’t make him a cuckold. This was natural in the 17th century. A man turns into a cuckold because his wife betrays him and he asks her not to talk to bad women because they will show her other men to have an affair with, not drink wine with men .
MIRA. And for a discerning man somewhat too passionate a lover, for I like her
with all her faults; nay, like her for her faults. Her follies are so natural, or so
artful, that they become her, and those affectations which in another woman
would be odious serve but to make her more agreeable. I'll tell thee, Fainall, she once used me with that insolence that in revenge I took her to pieces, sifted her, and separated her failings: I studied 'em and got 'em by rote. The catalogue was
so large that I was not without hopes, one day or other, to hate her heartily. To
which end I so used myself to think of 'em, that at length, contrary to my design
and expectation, they gave me every hour less and less disturbance, till in a few
days it became habitual to me to remember 'em without being displeased. They
are now grown as familiar to me as my own frailties, and in all probability in a
little time longer I shall like 'em as well.
In this quotation Mirabell says that he loves Millamant with all her faults. They fight with each other but he gets familiar with such things. It means true love, what makes William Congreve's play is very good .


• Trace the medieval features in "The Way of the World".
• Discuss the medieval features in the play .
(You have the model answer for the medieval features)
The first medieval feature in the play is the affect of Ben Jonson and the use of allegorical names
(use the same answer in the last questions concerning the effect of Ben Jonson and the use of allegorical names).
Ben Jonson himself imitated the medieval morality play in using allegorical names. Ben Jonson himself copied this idea of allegorical names from the medieval dramatists.
Another medieval feature in the play is the idea of the face of Islam which was blackened in the Middle Ages and this idea was transferred to the 17th century.
SIR WIL. Turks? No; no Turks, aunt. Your Turks are infidels, and believe not in
the grape. Your Mahometan, your Mussulman is a dry stinkard. No offence,
Mahometan is prophet Mohammad (peace be upon him). they cannot pronounce the name right. This is a reference to Islam in the 17th century. Hence the picture of Islam was very bad in Europe since the middle ages. They used to believe that Islam is a kind of paganism and that prophet Mohammad is inferno punished for being pagan and Muslims are pagans this was the image of Islam. in the middle ages during the crusaders made a propaganda against Islam, and told the Europeans that Muslims were pagans, violent and with tails like animals. To make all the Christians of Europe unite and fight against Muslims in Jerusalem. This is medieval influence, Congreve is like the others. He does not understand that Islam is a religion coming from God like Christianity and that Muslims worship one God so, this is medieval influence that came in the 17th century.
Another example of the medieval features in the play is ,
WIT. Do, wrap thyself up like a woodlouse, and dream revenge. And, hear me, if thou canst learn to write by to-morrow morning, pen me a challenge. I'll carry it for thee.
This is the medieval habit of dueling for the sake of honor or love. This was a bad middle age habit in the 17th century. It became against the law. So, this is criticism on these bad habits.

- How far William Congreve is a realistic writer
give the definition of realism
Discuss imaginary events that might probably happen.
the play is about human nature – nature of man( when woman gets old, she likes to look younger. men like the independent women and women who have personality-
the cultural influences in the play as part of realism in the play

• The realism comes from his reference to the English culture in the 17th century.
• 2-He tells us historical facts about the 17th century; Charles II, French influences, and the bad idea about Muslims and dueling.
• 3-He talks about human nature. Millamant talks about the nature of men. They do not like the most decent women, the women who always agree with them, they like the women who argue against them. He also talks about the nature of women. For example, Lady Wishfort; when women grow old, they always like to look young.
• In the medieval idea of humors they think that a character is changeable. It can be Sanguine sometimes and melancholic other time. Ben Jonson says that there is permanent humor. For example, the miser person is always miser, he doesn't change.
• We are enjoying Congreve because he is very realistic this is one of the best 17th century dramas. He is discussing serious themes. He is discussing humanity.
• Congreve's play is very good . It has a humanitarian aspect. It discusses real feelings; it develops from locality to universality. People all over the world appreciate what he says about feelings. Now in the post contemporary period we can appreciate what he says about true love, or what is love.

[najooom]

sense

صاير الكلام سايح على بعضه انتي رتبيه:lllolll:

[sense]

شكررررا نجوووم :love080:

[Angelica]

:Cry111:

تو استوعب ان الدراما مصيبه !
وش ذا الحوسه الاسئله في وادي والاجوبه بوادي والكوتيشنات حلها مو راكب عليها :bawling:

[ILMMSFM]

احس نفسي طفشانه :064: مرررررررررررررررررررررره

كأن صارلي سنه اختبر!!:41jg:

:mh12:ياربي يعدي بكره على خير!

مو قادره اذاكر..و بكره بنذاكر نظام مالي بعد!!!
ودؤي يا مزيكا!!!! :33_asmilies-com::53:

[حلمي كبير]

:Cry111:

تو استوعب ان الدراما مصيبه !
وش ذا الحوسه الاسئله في وادي والاجوبه بوادي والكوتيشنات حلها مو راكب عليها :bawling:

بقوووووووووووووووووة

بس انتي ماعليك خذي الأمثلة وركبي الكلام من عندك لأني لو اعتمد كلامهم صدقيني انجح بـ D

بنااااات سؤال طاير

شالفرق بين الكلاسيكال تكنيكس والكلاسيكال فييتشر

هل التكنيكس يعني الستركتشر .؟؟ هل هو انها ابو 5 اكتات ويونتي وايبلوق وبرلوق واكسبوزشن

والفييتشرز وشو انه فيه اسايد وسوليلوكيز ولا هذا من التكنيكس .!!
:sdfgdsf:

[ILMMSFM]

شالفرق بين الكلاسيكال تكنيكس والكلاسيكال فييتشر

هل التكنيكس يعني الستركتشر .؟؟ هل هو انها ابو 5 اكتات ويونتي وايبلوق وبرلوق واكسبوزشن

والفييتشرز وشو انه فيه اسايد وسوليلوكيز ولا هذا من التكنيكس .!!
:sdfgdsf:


I guess that they're both the same.

MIND YOU, ASIDES ARE 16TH CENTURY FEATURES ; don't mix 'em up!

[Lost 3]

:000::000::000::000::000::000::000::000:

[غرك غلاك]

ياحلوين هذا حل الكوتيشنز:53:



QUOTATIONS


1- Act I, scene ii :JULIA Nay, you are wrong entirely. We were contracted before my father's death. That, and some consequent embarrassments, have delayed what I know to be my Faulkland's most ardent wish. He is too generous to trifle on such a point:—and for his character, you wrong him there, too. No, Lydia, he is too proud, too noble to be jealous; if he is captious, 'tis without dissembling; if fretful, without rudeness. Unused to the fopperies of love, he is negligent of the little duties expected from a lover—but being unhackneyed in the passion, his affection is ardent and sincere; and as it engrosses his whole soul, he expects every thought and emotion of his mistress to move in unison with his. Yet, though his pride calls for this full return, his humility makes him undervalue those qualities in him which would entitle him to it; and not feeling why he should be loved to the degree he wishes, he still suspects that he is not loved enough. This temper, I must own, has cost me many unhappy hours; but I have learned to think myself his debtor, for those imperfections which arise from the ardour of his attachment.
These lines are quoted from The Rivals by Sheridan. They are taken from Act I scene II. These lines are spoken by Julia. She is speaking to Lydia her cousin about Faulkland her lover. From this quotation we get to know about the subplot of the play. We also get to know some of the characteristics of both Faulkland and Julia and the type of relation that is between him and Julia. From this quotation, we get to know about the style of Sheridan in satirizing sentimentality.
These lines are said by Julia in a conversation between her and Lydia. Lydia is telling Julia about her problem with her aunt Mrs. Malaprop. She prevented her from going to see Beverly her lover. The character of Julia is quite clear in this quotation.
Julia is sensible. She represents the age of sensibility. She makes balance between reason and emotion. She tells Lydia that Beverly is very poor and she is very rich, they don't match together. Julia says this is caprice. Lydia tells Julia, don't talk about caprice because you are capricious because you love the 'ungrateful Faulkland'. This is the opinion of Lydia concerning Faulkland. Lydia blames Julia for loving the 'ungrateful Faulkland'. Julia defends her lover Faulkland. Julia has been contracted to Faulkland before her father dies. Once, she was in a boat and the boat shipwrecked. Julia was about to drown. Faulkland swam and he saved her from drowning. Since that time she fell in love with him. Her father was alive and they got contracted. Faulkland is delaying their marriage. He gives pretexts to delay their marriage. This is why Lydia calls him the 'ungrateful Faulkland'. Julia loves him very much and she is defending him. He is very cold when he is with her but she justifies his coldness saying that,' he is too proud, too noble to be jealous; if he is captious. He frets her all the time. So he is fretful. She says,' his affection is ardent and sincere'. It means he really loves her. He always suspects that she doesn't love him that much. many times she was unhappy with that. She knows his defects. She doesn't love his defects. She is reasonable; she makes balance between reason and emotion. Sentimental people do not see the defects of their lovers. Julia is not blind with her lover. She can see his defects. Lydia asks Julia whether she loves him because he saved her from drowning. Julia says no, it is not gratitude, she really loves him. So, we now that Julia is really in love with Faulkland. The problem of the subplot is Faulkland. Although he has the acceptance of the father who has died and the acceptance of Julia still not confident that Julia is in love with him. He wants to make sure, may be he is a jealous man.
She goes on describing his qualities. He delays their marriage as distrusts, he is not sure that she loves him. This lake of confidence is not because he thinks that she is evil but because he doesn’t believe in his own qualities; that he is worthy of her love and that is why she is not in love with him. He says that he loves her so much so she forgives him; she believes that she is indebt to him because he had saved her from drowning. Lydia believes that Julia is in love with Faulkland as she feels that she owns him; she is indebt with him, because he saved her life from drowning from the boat they were in which had turned over and he saved her from drowning.

Julia says that she loved him even before he had saved her life.


From all this conversations we got lots of information about the quarrel between Faulkland and Julia and why he is not yet married to Julia, how he had saved her life in the past and .

Here, Sheridan is referring to the theory of humor. He is criticizing the character of Faulkland as being melancholic. He tends to be sad all the time. He does not enjoy his being in love. He blames Julia for being happy in his absence.

Sheridan is not criticizing the sentimental character. He is sympathizing with him. He arouses sympathy. His satire is not severe . He is satirizing Faulkland. he is satirizing people who have excess of sentimentality. There is satire, but it is not severe.

2- Act II, scene i : Sir ANTHONY Zounds! sirrah! the lady shall be as ugly as I choose: she shall have a hump on each shoulder; she shall be as crooked as the crescent; her one eye shall roll like the bull's in Cox's Museum; she shall have a skin like a mummy, and the beard of a Jew—she shall be all this, sirrah!—yet I will make you ogle her all day, and sit up all night to write sonnets on her beauty.
these lines are quoted from The Rivals by Sheridan. They are taken from act II Scene I. these lines are said by Sir Anthony Absolute. He is speaking to his son Captain Absolute. This quotation reflects two of the major themes in the play that is the son-father relationship and the theme of the gap between generations.
there is a meeting between Sir Anthony and his son and we try to think about the parent - son relationship. In the scene between Sir Anthony and his son; Sir Anthony told his son, ‘I am not going to call you Jack again’, and when Jack was young he used to punish him by hitting and kicking him. There is no understanding between the father and the son. The father is a tyrant, a father who is not ready to discuss anything with his son. We learned from act 1 that Sir Anthony was a rash man. He never thought about his decision. He never stopped to think and this is very unwise. So there is folly in this man. The defect of the father is that he is foolish and unwise. His decisions are not to be respected. He tells his son that if the girl he has chosen him has one eye, if she is wrinkled like mummy, if she has a beard like a Jew or if she has a hump on her back, the son should marry her and obey his father’s orders without discussion if he wanted that. This is ironic because the father himself had fallen in love with Jack’s mother. He ran away with her. He disobeyed his old father. Yet he does not appreciate love. Absolute asked his father, if he disobeyed his father and ran away with the one he loved, then why now he forces him to marry this girl without letting him make decision. Sir Anthony answered that there is a difference between him self and the grandfather. The difference is that he is more indulgent with his son; he gives more things to his son.
That is why Sir Anthony is severe on his son. Knowing what he did to his own father, how he ran away with the mother and that was against his father, he is not ready to have his son to do this to him. Instead of being more lenient to his son, he becomes a severer person exactly like Mrs. Malaprop .because she was in love, instead of understanding what love is, instead of being more considerate, she is worse and severer on Lydia. Sir Anthony because he himself had married for love, he thinks he will not allow his son to fall in love. Absolute is wondering what is his father himself had married for loved denying him from this kind of love.
Here we have the behavior of the father to the son . We will see the hypocrisy of Jack Absolute .the hypocrisy of the son and the tyranny of the father. We will see both, how the son is hypocrite. He says words in his fathers back and say differently before his father’s face. He is not willing to listen to any words of the father. He is worried that his father heard any thing about the reason behind his being in Bath. He doesn’t want his father to know he has been here for Lydia. The son has ill feelings towards the father. He wishes his father has been ill so that he had been remained in Devonshire. he wishes his father illness .he doesn't want his father to be healthy . He has bad feelings for the father. Now when that father appears the second minute, he says he is so happy to see him in good health, it is good that he is here. He is hypocrite.
Because he came so quickly that made him think that he is so ill and he wants to come to the health resort. He is so worried about his health. All of this shows that he is a liar and a hypocrite. The father does not trust him.
He starts by showing consideration. He starts to show him that he is a very considerate father thinking of his son’s future. But we realized that instead of giving him the money he makes him through himself, he is going to make him marry a woman . Her dowry is what she has been inherited and so he will get a lot of money. Sir Anthony is thinking of marriage as extra income to his son. It is not a matter of the marriage it self Sir Anthony has seen the girl and he doesn’t mind that the girl is featherbrain or that she is in love with some body else. He doesn’t mind any of that as along as the girl has the money. She is beautiful and she has money .he says that even if she is not beautiful, if he will tell his son to marry, he should marry. So, money is a very important issue in Sir Anthony’s decision.
Here we have the theme of arranged marriage. in the 18th century marriage was arranged among families. Sir Anthony and Mrs. Malaprop are arranged for the marriage of their young without letting them chose or even know about this arrangement. This also reflects the theme of the gap between generations. There is no understanding between the father and the son. Sir Anthony Absolute goes and talks to Jack, his son. He tells him that he has a wife for him. So, Jack says, wife for me without knowing. So, he tells him yes, why is it surprising for you? I have picked the wife for you. Jack objects. He tells his father that he is in love with somebody else and he has promised to marry her. He is talking about Lydia. We know that Sir Anthony Absolute, his opinion of women is very low. He thinks very low of women. He tells him that it is not a problem to break up with her, simply like this. He doesn’t care about her feelings. He says that women’ they are not worth redeeming’. Jack Absolute tells him plainly that in this case he disobeys him. He will not marry the one he has chosen. Sir Anthony Absolute is very upset and he gives Jack a period of six hours and a half to reconsider his decision. Why is it six hours and a half? Because the time of the whole play is only two hours. It is to keep the unity of time. The play originally two hours. So, he says six hours and a half because Richard Sheridan keeps the unity of time. Then Sir Anthony Absolute because he is very authoritative, he threatens Jack if he refuses to carry on his orders, he will disown and disinherit him.
'Zounds' is an examples of the effect of the 16th century language.

3- Act III, scene i : ABSOLUTE 'Tis just as Fag told me, indeed. Whimsical enough, faith! My father wants to force me to marry the very girl I am plotting to run away with! He must not know of my connection with her yet awhile. He has too summary a method of proceeding in these matters. However, I'll read my recantation instantly. My conversion is something sudden, indeed—but I can assure him it is very sincere. So, so—here he comes. He looks plaguy gruff. [Steps aside.]
These lines are quoted from the Rivals by Sheridan. This quotation is taken from act III scene I. it is a soliloquy of Jack Absolute. He is alone of the stage speaking to himself and the audience can hear him. Every now and then we find a soliloquy. The play is full of soliloquies and asides because this is the effect of the 16th century drama or renaissance drama or Elizabethan drama. So the audiences know how the characters are thinking .
Jack is talking to himself and he says that his father is contradicting himself because he married his mother for love, not for money. This is the character of Anthony Absolute. He is betraying his own principles. He married the mother of Jack for the sake of love when he was young. Anthony Absolute was sentimental when he was young and when he grew old, he changed a lot and he became very harsh and materialistic. This soliloquy shows that Jack is very happy that Sir Anthony Absolute has chosen Lydia not anyone else. So, the plot is less much complicated. Sir Anthony is surprised to find his son changing his attitude. He submits to his will. He becomes very obedient after telling him he disagrees with him, he objects to this marriage, in this point he’ll disobey him. Then after 6 and half hours he goes and talks to him and tells him he’ll do whatever he likes, he's his obedient son. he’ll do this even if he brings for him a very bad lady, even if she is old, even if she is with a hump, even if she has one eye only. Absolute says, ‘ you before hinted something about a hump or two, one eye, and a few more graces of that kind—‘. This is what Sir Anthony told his son before. Sir Anthony says,’ What a phlegmatic sot it is!’. This is medieval influence. Richard Sheridan talks about the old medieval theory of humors. The phlegmatic character is very cold and reasonable.( you have to explain the phlegmatic character). Jack tells his father that he accepts to marry the lady he chooses for him. And he doesn’t care about her beauty because he only likes her to be normal in appearance. Sir Anthony accuses him of being phlegmatic. That is to say cold and too reasonable. After that Sir Anthony Absolute tells his son that he will write a note to tell Mrs. Malaprop that Jack will visit her directly. Directly to keep the unity of time.
Captain Absolute is going to meet his father he pretended to be penitent. He was not penitent or any thing. He wasn’t trying to ask for forgiveness. All what he realized that he should not quarrel with his father because the girl that his father has chosen is the same girl of his choice?
What are the reasons he doesn’t tell his father right away that his choice is his choice. He keeps this from him. He keeps his father in deception. He tells his father that he is penitent and out of duty to his father he s ready even to marry the aunt. Why he didn’t tell his father that his choice is his choice. He is afraid that his father is so quick that he will go and tell Mrs. Malaprop the whole thing and as he has to take things gradually. At the same time why not make the father believe that his son is obedient and beautiful and makes him believe that his son will make anything that his father asks him to do. What a hypocrite, although he knows he will be cheating very quickly I will be able to pretend that I am really sincere, although he knows that. And the father now is not ready to hear a word
So, here is a penitent Jack, giving all those words how his father has been a condescending man, how he has been a good man , kind man, how is it duty ,the authority of the father and the final conclusion is his own decision. His decision is to sacrifice every feeling he has in order to satisfy his father.
We are not blaming him of being a hypocrite, and using all the language to pretend that he is obedient and he is loving to the kind father. we find that the humiliation that the father imposes on his who is a captain, to call him puppy or to abuse him in that manner even to talk about him behind his back as he talked to Mrs. Malaprop was most inconsiderate. How could a father trying to propose his son for marriage talk to him as a man of no say in the subject that he would hit him or through him, and the son will have to make what he wants with no discussion, all this will make out of his son not a respectable man. As we blame the son of hypocrisy and disrespect to his father and we blame the father for the humiliation and the tyrannical attitude he had towards his son. He behaves so quickly, he doesn't understand what is behind the mask which means he believed that his son is a penitent. Behind the mask, there is a man who is not penitent at all.
Sir Anthony does not reserve respect. He is a tyrant and unwise man who think that he is going to force things on others. His morals are very liberal. He exposes himself of having a very liberal attitude towards women. We saw him speaking about the physical beauty of Lydia which is something that is not supposed to be the central of this man's attention. He disregarded her moral behavior as being in love with somebody else. He only concentrated on her money and her physical beauty. As choosing a wife for his son he should be looking for her moral behavior, for the maturity of her brain, whether she is obedient or disobedient for her family, whether she is educated or not, whether she is able to behave according to the moral conduct of the family or just do whatever she likes as sending letters to her lover, wanting to run away with him, going behind the level of her family trying to marry a poor man. All this tells us about the immaturity of Lydia, or may be immoral. He never worried about all these things thinking that they will be forgotten. What is most important or him that she just obeys her aunt if she is locked in a room, starve, marry against her will. What is significant is her money and her beauty.
In spite of this, Sheridan makes Absolute to obey him, not to marry against the will of his father.
We have the follies of the parents, not only the follies of the sons.

4- Act III, scene ii : FAULKLAND They told me Julia would return directly; I wonder she is not yet come! How mean does this captious, unsatisfied temper of mine appear to my cooler judgment! Yet I know not that I indulge it in any other point: but on this one subject, and to this one subject, whom I think I love beyond my life, I am ever ungenerously fretful and madly capricious! I am conscious of it—yet I cannot correct myself! What tender honest joy sparkled in her eyes when we met! how delicate was the warmth of her expression! I was ashamed to appear less happy—though I had come resolved to wear a face of coolness and upbraiding. Sir Anthony's presence prevented my proposed expostulations: yet I must be satisfied that she has not been so very happy in my absence. She is coming! Yes!—I know the nimbleness of her tread, when she thinks her impatient Faulkland counts the moments of her stay.
These lines are quoted from the Rivals by Sheridan. It is taken from Act III scene II. It is a soliloquy of Faulkland. He is waiting in Julia's dressing room
Every now and then we find a soliloquy. The play is full of soliloquies and asides because this is the effect of the 16th century drama or renaissance drama or Elizabethan drama. So the audiences know how the characters are. from this soliloquy we get to know about the character of Faulkland. it also reflects the type of relation that is between him and Julia, the hero and the heroine of the subplot.
This is important to understand the character of Faulkland. He knows that he hurts Julia by showing coldness when he meets her. He loves her very much but when he sees her, he shows coldness. This is realistic. There are people who are like this. Because of this realism in delineating Faulkland, some audiences might sympathies with him. Now he goes to meet Julia. From the conversation we know that they have met before. He showed coldness. So, when he meets her this time, he justifies his cold attitude to her. He says he is shy to show his happiness to her in the presence of a third person. He tells her when there is a third person in the middle, he is shy to show her his love and his happiness to see her. Secondly, He tells her that he got very upset when he heard Acres talking about her cheerfulness and happiness in his absence. He blames her. He is going to fret her. He tells her that he has expected her to be sick, sad but she was happy singing and dancing. He tells her that the parting lovers should never smile. They should cry because this is sentimentality because of the pain of love. Julia defends herself and she tells Faulkland that she was really sad to be away from him. However, she pretends to be happy because people will talk about her. People will think that she has broken up with Faulkland if she cries or shows sadness. As usual they quarrel. Julia tells him that he always likes to be unkind to her. She tells him that she loves him not out of gratitude or duty but out of love. She loves him and she stays with him because she loves him not because she is grateful to him, because he always has worries that she accepts to marry him because of gratitude, because he saved her from drowning or duty, and because she is contracted to him. Then he keeps on tormenting her. He tortures her with his doubts. Then she leaves him and she cries. This is a soliloquy for Faulkland after she leaves. This soliloquy shows that he has a psychological problem. He keeps on thinking that she will come back and apology to him. He says I feel she is coming then she doesn’t come. So, he blames himself and says that he shouldn’t have fretted her this time. He is a man who is filled with fears and doubts. He is imbalanced. The sentimental character is an imbalanced character. He loves her and he is scared that she least left him and he loses her forever.
Here Faulkland is describing his behavior as being captious. It is not only absolute who said this about him in act II. He says this about himself. He says that he is only behaving in this manner with Julia and the matter of love. He speaks of his two weaknesses, being capricious and being captious. He admits that these are his problems. Being capricious means being guided by whims, being whimsical.
He admits that he can not correct himself. We have examples of this behavior with Julia.
This is the first time we see the hero and the heroine of the subplot together. We have see Faulkland complaining from Julia, being upset that she has been happy, she danced, sang while he was absent. Acres told him that Julia who is his neighbor was really having fun.
We have seen Julia defending Faulkland to Lydia, how she thought that she did not believe that there are some qualities in him that make people love him. He is always unsure whether he is loved or not, whether he deserves that love. He has no belief in Julia who loves him. He always tries to make sure that she loves him. There are many reasons for Julia to love him but he does not want her to love him for his looks, not for the oath her father had given, nor because of gratitude.
The weakness in him is something that is very difficult to correct. Absolute tells him that there is no hope of correcting him.
In act III, we find that Faulkland is in action with Julia. Whatever he does is out of two follies in him. He is captious= he quarrels with a person through his own words and capricious, whimsical person= one minute he is happy, the next minute he is unhappy. here, Sheridan is referring to the theory of humor of Ben Jonson. This is the effect of 16th century on him. The follies that he has are called inborn follies. It belongs to comedy of humors. Inborn folly is a folly that can not be corrected. We laugh at it, make fun at it but there is no hope of correcting it. Comedy of humors is not only for laughter but it ends in correcting. The argument is that it is difficult to correct a humor rather than correcting an acquired folly. There is always a correction how can Faulkland be corrected. He is so difficult to correct. He always goes to the same mistake. It is part of him. He is unable to change. This inability to change makes it waste of time to try to correct him.
In act III, we have satire of Romance. Sheridan is laughing at those stories of romance. He was not against love, but he was for love, but for treating love in more realistic way.
5- Act III, scene ii
FAULKLAND In tears! Stay, Julia: stay but for a moment.—The door is fastened!—Julia!—my soul—but for one moment!—I hear her sobbing!—'Sdeath! what a brute am I to use her thus! Yet stay!—Ay—she is coming now:—how little resolution there is in a woman!—how a few soft words can turn them!—No, faith!—she is not coming either.—Why, Julia—my love—say but that you forgive me—come but to tell me that—now this is being too resentful. Stay! she is coming too—I thought she would—no steadiness in anything: her going away must have been a mere trick then—she shan't see that I was hurt by it.—I'll affect indifference—[Hums a tune; then listens.] No—zounds! she's not coming!—nor don't intend it, I suppose.—This is not steadiness, but obstinacy! Yet I deserve it.—What, after so long an absence to quarrel with her tenderness!—'twas barbarous and unmanly!—I should be ashamed to see her now.—I'll wait till her just resentment is abated—and when I distress her so again, may I lose her for ever! and be linked instead to some antique virago, whose gnawing passions, and long hoarded spleen, shall make me curse my folly half the day and all the night. [Exit.]

These lines are quoted from " the Rivals" a play by Sheridan. They are taken from act III Scene II. These lines are said by Faulkland after the exit of Julia in tears. It is a soliloquy of Faulkland. Every now and then we find soliloquy in the play. It is the effect of the 16th century. This shows that the play belongs to the explicit drama. The audiences are informed with every thing. Nothing is hidden. This quotation reflects the character of Faulkland and the type of relation that is between him and Julia the hero and the heroine of the subplot.
Faulkland goes to explain why he is upset. He accuses Julia of always trying to put his love in a trail, questioning his love to her. Even if Faulkland had made her unhappy, she never showed to her friends that she is unhappy because she had to admit that the cause of her unhappiness is Faulkland. She did not want to complain against Faulkland. She is loving and forgiving that she will not speak behind his back or try to complain about him. He admits that he is brute. he is waiting for her to come back and apologize for him.
She says that even if he finds something wrong with her behavior she hopes that she will be taken as an example of liberty and ingratitude. She will not reach the point of disrespecting him or of being ingratitude to him.
This is why he is a captious person. He takes her own words and quarrels over that. He does not want her to love him as she in grateful to him. He thinks that she admits that her feeling towards him is not love but gratitude.
If it is for his brain, it is not love but esteem. He hopes that she does not love him because he is handsome. He wants her to love him for no quality, just to love him.
He does not want her to stick to him just because of the contract her father had given him. He wants to be sure, hadn't they this contract, she would not have changed her mind. She tells him to break the contact to let him see whether she loves him or not.
All the time he is trying whether she truly loves him or not.
She asks him to give her the chance whether she loves him not out of the contract, out because of the oath, not out of gratitude, not because of his looks but just because she chose to be with him.
( mention the characteristics of Faulkland – theory of humor as being criticized by Sheridan- )
"Zounds" is an example of the effect of the 16th century language.



6- Act IV, scene ii: LYDIA So, while I fondly imagined we were deceiving my relations, and flattered myself that I should outwit and incense them all—behold my hopes are to be crushed at once, by my aunt's consent and approbation—and I am myself the only dupe at last!—[Walking about in a heat.] But here, sir, here is the picture—Beverley's picture! [taking a miniature from her bosom] which I have worn, night and day, in spite of threats and entreaties!—There, sir [Flings it to him.]; and be assured I throw the original from my heart as easily.

These lines are quoted from "the Rivals" by Sheridan. They are taken from Act Iv scene II. In these lines, Lydia is speaking to Captain Absolute.

We call this scene the discovery scene.Sir Anthony and Absolute comes in. this is the scene where the deception is disclosed. The problem is not that it is Mrs. Malaprop who has to agree, but the problem is that Lydia has to mature to accept Beverly as Absolute.

Sir Anthony Absolute took his son Jack Absolute by force into the house of Mrs. Malaprop to meet Lydia. He is reluctant to go. He is very embarrassed because he doesn't know how to meet Lydia and what to tell her. Lydia came down from upstairs. She doesn't want to look to Captain Absolute. So, she keeps putting her face in aside ways. Then Captain Absolute starts talking to Lydia aside. He tells her, please talk to me but don't get shocked. She said, this is Beverley, how can Beverley fool the father of Captain Absolute. It is the climax of the play. Lydia is very confused. She starts talking to him as Beverley. Mrs. Malaprop is there and Sir Anthony Absolute is there also. They think that Lydia is mad. Because they say that this is Captain Absolute, how can she talks to him as Beverley. they think that she is crazy. Then Sir Anthony Absolute starts to suspect his son. Sir Anthony Absolute is foolish. He thinks that Captain Absolute is not his son. So, Captain Absolute tells him that he is his son flesh and blood. Captain Absolute tells everyone that Beverley and Captain Absolute are one and the same. And he begs Lydia to forgive him and accept his love. Of course, the first thing Lydia said, and there will be no elopement. The most important thing in her sentimental dream is to elope with Beverley. She doesn't care about the scandal, it is something to be proud of for her. She tells Captain Absolute that he has ruined her sentimental dream and she doesn't want him anymore. He is very embarrassed and he asked the help of his father. He told his father, if he doesn’t help me, he 'll be finished. So, his father Sir Anthony Absolute interfered and he told Mrs. Malaprop, we are big enough, we are grown-up 'to forget and forgive'. This is a Christian note of forgiveness, a Christian note of reconciliation. Sir Anthony Absolute says, that Christian people should forget the vicious acts and forgive those who have been vicious to him. This is Christian influence in the play. So Mrs. Malaprop simply forgives Captain Absolute. Then Mrs. Malaprop and Sir Anthony Absolute left the stage and they left the couple together. Captain Absolute shows his other face. He starts to talk in a very materialistic way. He tells her everything is ok now, her aunt and his father agree that they can marry, so they should go and talk to the lawyer or better they should hurry and get the license so that she can get her fortune. Lydia calls him an impostor because he has laughed at her and all what he cares for is the money. She tells him that she doesn't bear him anymore. She says that she renounces him. He lost Lydia.

The first problem in cat I was not that her aunt is going to object to her marriage to Beverly. This is one of the problems- getting the acceptance of the aunt, but not the major problem. The major problem is the odd nature of the girl that she was not ready to marry through a traditional marriage. Lydia is not ready to marry Beverly as absolute.
This is why scene Iii act Iv is going to end in a break where Lydia is going to tell her aunt that for too long she has been asking her not to marry this man.
Lydia renounces Beverly for ever. Now, she is going to be obedient to her aunt and to leave this man. This scene is the discovery of the two selves in front of the parents and Lydia.
Absolute asks his father to leave him alone with Lydia. The father does not want to go away. Still he believes that his son comes to marry Lydia out of obedience to his father, that he does not care whether she is beautiful or not.
He is stuttering, stammering. This is how he pretends in front of his father to be obedient, modest, bashful person. His modest is not allowing him to say a word.
This embarrassing situation that Absolute is in is due to his own follies, his own deception, his own hypocrisy. He has to face the situation. He has to speak to every body.
He discloses his identity to his father, Mrs. Malaprop and to Lydia. He tells her that because of her nature, He tried to go below his standard and he hopes that she will accept him.
In that speech, he collects all the words that Absolute had used to speak of his behavior as an obedient son. He speaks of duty, obedient, penitence.
His father qualifies him as a hypocrite.

Here, we have the theme of mistaken identity- the theme of the gap between generations- criticism of the sentimental characters represented in Lydia.

دعواتكم لي ياحلوين بالتوفيق بكره جد خايفه منه :Cry111:

[حلمي كبير]

i guess that they're both the same.

Mind you, asides are 16th century features ; don't mix 'em up!

ميغسي حبيبتي

كونتري فرسس كونتري لايف هذا من اي آيج .؟؟

[ILMMSFM]

كونتري فرسس كونتري لايف هذا من اي آيج .؟؟


city life versus country life is one of the minor themes tackeled in the play, it doesn't belong to an age

دعواتك :love080:

[شتاء عمري]

احس الثيم مهم :064:

[لارا]

منى حشيش حششت علينا من جد :sdfgdsf:

من عقلها كل الكوتيشن كل هذا شرح :41jg:

خبري الكوتيشن من تكلم ومع من واسم المسرحيه والزبدا من الحوار وش هالمعلقات المكتوبه :41jg:

[ThE lEgEnD]

منى حشيش حششت علينا من جد :sdfgdsf:

من عقلها كل الكوتيشن كل هذا شرح :41jg:

خبري الكوتيشن من تكلم ومع من واسم المسرحيه والزبدا من الحوار وش هالمعلقات المكتوبه :41jg:
:hahahahahah: :hahahahahah: :hahahahahah:


حتا انا ماازكر انها قالت هالكلام كله يمكن زايد ولا شي ...:(107):

[ThE lEgEnD]

>>>>>>زايد ولا ناقص



:lllolll: :lllolll: :lllolll: :lllolll:

[Angelica]

منى حشيش حششت علينا من جد :sdfgdsf:

:41jg:

:53:

[نقوش جدار]

هذه الأنسآنه تحب الأطناب ..
كل ما كثرتي حكي عطتك درجه < عاد لآ تطلعوآ من أبو الموضوع ..
وريحوآ وتفلسفوآ عليهآ كم فلسفه واربطوها بالعصر ..
صدقوني وقت الأمتحان بيطلع كلام كثيير ..
صلوآ على محمد ..
ترى الكلام كثير بس مكرر :hahahahahah:< تحاول تسلي نفسها :biggrin:
بالتوفيييق ..
ويآرب يسهل علينا كلنآ ..
ومبين من دكتورتنا انها طيوبه و عندها 7 درجات رحمه على قولتها < آلله لآ يحوجنا لهم يآرب بس أبي أريحكم
تراه سهل بس يبي له تركيز :cheese:
قود لآك فور آول < يلعن الهبآل :lllolll:

[شتاء عمري]

بنااااات تحسون الكلام يعيد نفسه :064:
بس يبيلنا نرتب افكارنا وبس :119:

[jawaher]

بنات بسااالكم
الي عند دكتو احمد الكومي ايش قال طريقة الاسئلة
وش بجيب كل شيء من برة منهج
موحد او لا مع دكتور سليم

[jane.eyre]

:(204):حبيباااااتي الله يسهل عليكم ويوفقكم وينجحكم وسمو بالرحمن وانتو تدرسون وانتو تحلون في كل شي اي عمل ما تذكرون فيه اسم الله فهو ابتر شدوا حيلكم:love080: نبي الوجيه والخشش كذا من الوناسة:71::53:

[ThE lEgEnD]

الله يصلح ويسامح من قال لها ان النظام يحتوي يع ان الاختبار يكون 2 مسرحيه كان ارتحنا من الاخت ميلامون وعمايلها

يبغالي اعاده برمجه ع اقدر افهم المسرحيه الاولى والقهر ان عليها سؤاااااال واحد....اهئ اهئ



بس عادي وناسه>>>>خليكم اوبتيميستيكس
وكل ماحسيتو نفسكم بتخورونها قولوا اسم الله علي اقدر....هع


احم... احم...

[jessica]

ليجند ابتوميستيك صفه والصفات ماتنجمع

بدون السين اللي بالاخير يعني ههههه :p >>

وقوود لك ايفري بدي بالاكزااام القمييييييل

[حلمي كبير]

:(204):حبيباااااتي الله يسهل عليكم ويوفقكم وينجحكم وسمو بالرحمن وانتو تدرسون وانتو تحلون في كل شي اي عمل ما تذكرون فيه اسم الله فهو ابتر شدوا حيلكم:love080: نبي الوجيه والخشش كذا من الوناسة:71::53:

ميغسي ياعسسل

والله يجزاك خير

[حلمي كبير]

الله يصلح ويسامح من قال لها ان النظام يحتوي يع ان الاختبار يكون 2 مسرحيه كان ارتحنا من الاخت ميلامون وعمايلها

يبغالي اعاده برمجه ع اقدر افهم المسرحيه الاولى والقهر ان عليها سؤاااااال واحد....اهئ اهئ



بس عادي وناسه>>>>خليكم اوبتيميستيكس
وكل ماحسيتو نفسكم بتخورونها قولوا اسم الله علي اقدر....هع


احم... احم...


نفس الحالة :s

[حلمي كبير]

city life versus country life is one of the minor themes tackeled in the play, it doesn't belong to an age

دعواتك :love080:

فالك الـ a+

[jessica]

اكره الثيوري اوف هيومر !!!!!!!!!!!!!!!!!!!!!!

[Angelica]

بنات وش سالفة النيتشر اوف مان والنيتشر اوف وومن

<< اذكر اني ذاكرت هالشئ بالمد بس اللحين يوم ادوره فجأه ضاع :(

[tabula rasa]

غرك غلاك
الله يوفقك حبيبتي

...هوونيهآ وتهون كبريهآ وتككبر

ياالله يارب تسسهل علينا ججميع

[ILMMSFM]

باااااااااااااااقي ساعه عالاختباااااااااااار

ياسلام ياسلام ياسلالالالالام

[شموخي قهر عذالي]

هاااااااي بنوتــــــــات
بليز ابي أتأكد من الجدول بكرة علينا نظام مال صح؟؟؟؟
والاسئلة كيف بتكون؟؟؟؟؟
الله يوفقها وييسر أمرها اللي بترد علي:cheese:

[LMo0o]

هاااااااي بنوتــــــــات
بليز ابي أتأكد من الجدول بكرة علينا نظام مال صح؟؟؟؟
والاسئلة كيف بتكون؟؟؟؟؟
الله يوفقها وييسر أمرها اللي بترد علي:cheese:


البنات هنا قالوا انه 40 اختياري و30 مقالي
مدري كيف تقسيم الدرجات بس المهم انه يجمع النوعين
ومن ناحيتي انصحك تركزين على باب الزكاة

بالتووووووفيق:love080:

[حلمي كبير]

ما تلاحظون أن الساعتين ماعادت تكفي ...!!!

اخر سؤال حتى كونكلووجن ماكتبت له :Cry111:

حسافة الأسئلة كانت حلوة :(

[حلمي كبير]

:biggrin:

عندنا محذوف صفحة 203 - 204 - 205 فقط لاغير

والاسئلة بتجي سؤال مقالي والباقي اختيار متعدد
بس يقولوا مررررررررررررررررة دقيق " وركزوا لما تجوا تذاكروا " :24_asmilies-com: !!

موفقين

سنس من موضوع نقوش

[jessica]

ما تلاحظون أن الساعتين ماعادت تكفي ...!!!

اخر سؤال حتى كونكلووجن ماكتبت له :Cry111:

حسافة الأسئلة كانت حلوة :(

من جد ماعااادت تكفي أبداااااا !!

اجل وش بنسوي بالمقال الي يبيله تأليييييف :icon9:

[العسل المر]

سنه ثآلثه " أنجليزي " للأمتحآنآت:) Fighting
مرحبا بنات
بالنسبه لمادة النقد هاذي اسئله من امتحان عام 1429/28
انا اشوف ان الدكتوره نجلاء تكرر الاسئله كل سنه لكن بس صيغة السؤال يمكن تختلف

write an essay
-to show the nobleness of the poet,sidny compares him with the philosopher and the historian.explain.
-in dryden's essay on dramatic poesy,Crites and Eugenius represent two opposite points of view concerning the superiority of either the ancients or the modrens in illustrating the rules of writing drama.explain.

short notes:
the argument in Sidney's essay between the historian and the philosopher where each tries to prove that he is better than the other.
-describe the construction of the plot according to Aristotle.
answer five of the following giving short answers without details;
1-what is meant by magnetic chain according to plato?
2-what are the four characteristics of manners or characters according to Aristotle?
3-what arethe accusations against poetry that are given in Sidney's essay?
4-how are discoveries achieved according to Aristotle?
5-why does plato cosider the artist an immitator?
6-what does Neander in Dryden's essay say about tragic- comedy

[ThE lEgEnD]

:41jg:


وجااااااء النظام

[never give up]

بنات في شي محذوف ؟

[يوونا]

كيف اختبار المسرح منى حشيش جابت من الاسئله للي في الشهري ولا لا

[لاتغرك ضحكتي]

بنات روحوا موضوع نقوش جدار

جبت ليكو حاقه حلوه للنظام :biggrin::53:

[never give up]

اي في سؤال كانت جايبته بالميد ترم بس الاختبار كان حلو وسهل:(204):

[Miss.LoLo]

بنات من حظر اخر لكتشر مع الدكتوره نظام مالي اش قالت عن الامتحان
كيف الاسئله كله مقالي ومافي شي محذوف لان معقدتني لما يجي كم قول في الحاجه كل مذهب
يقول شي

[حلمي كبير]

كيف اختبار المسرح منى حشيش جابت من الاسئله للي في الشهري ولا لا

سؤال واحد تقريبا

جابت لنا تريس ذا بوليتكل وليترري بمسرحية ذا واي او ذا ورلد جانا بالميد

[حلمي كبير]

بنات ارجعوا لموضوع نقوش


ركزي على الفصل الخامس (الزكاه) + السابع (الرقابة المالية)
طبعا هذا حسب كلام استاذة شمه قالت انهم مهمين
و ذاكري الديتيلز الدقيييييييقه مثل المقادير بالغرام وهيك اشياء
و قالت ان الادله نحفظ اللي نبي سواء من الكتاب او السنة
ما قيدتنا نحفظ نوع محدد وتقول وعلى ذمة الراوي ان الاسئله " تطمن " :biggrin:
طبعا بتكون موحده من دكاترة جميييع الاقسام ..
و توزيع الدرجات كالآتي : 80 فقرة اوبجكتف من 40 درجه
و 30 درجة مقالي = المجموع سبعون درجة :oao:

شطحة خارج السرب : يازين الفصل الثامن وووه بس :love080::biggrin:


هذا كلام لاتغرك بموضوع نقوش

الله يجزاك خير ياعسل وفالك a+

[سيموسا]

بنات من حظر اخر لكتشر مع الدكتوره نظام مالي اش قالت عن الامتحان
كيف الاسئله كله مقالي ومافي شي محذوف لان معقدتني لما يجي كم قول في الحاجه كل مذهب
يقول شي

الاسئلة كلها آلية باستثناء سؤال واحد مقالي امكن يكون تعداد او دللي..
بس تقول اقرو بتركيز لاتحفظون ..لان كلها الية حتى سؤال المقالي سهل حله يعني لو تكوني قارية بتحلين..

بس يعني ان شاء الله يكون سهل..

بنات من عندها ملزمة المقال المحلولة حطوها لنا بفجر الطالب اللي عند الكلية..

خلونا نستفيد والله نحتاجها مره..:icon9:

[حلمي كبير]

من جد ماعااادت تكفي أبداااااا !!

اجل وش بنسوي بالمقال الي يبيله تأليييييف :icon9:

قولي النقــد :000:

[Just a Lady ~]

اقتباس:
المشاركة الأصلية كتبت بواسطة حلمي كبير http://www.ckfu.org/vb/ram1-imp4d.com/buttons/viewpost.gif (http://www.ckfu.org/vb/showthread.php?p=2475870#post2475870)
قولي النقــد :000:


مقال / نقد

و قولوا النــثر بعد :(


يحطون سؤال مقالي عليه ذيك الدرجة الفلانية ! و مهما تكتبين معلومات تحسين انها ما تكفي و ما تجيب الدرجة اللي حاطينها ..

:/

[لارا]

بنات بالنظام المالي

باب الأنفاق تهقون يجي مقالي

[ThE lEgEnD]

احس المقالي عن الفصل السابع





ياااارب يجي سهل واسهل من السهل والواحد يحله من معلوماته الشخصيه>>>قوييه بس مشووها

[ThE lEgEnD]

اخسس شي ان كل واحد عنده رأي واخاف يجي سؤال من هو رأيه فيذا...

وتخبص الدنيا علينا.,


بس الله يستر

[نقوش جدار]

أعلآن هـآم جدآ ..

في بنووته آلله يعطيهآ العافيه ويسهل أمورها وينجحها ويقضي كل حوآئجهآ يآرب ..
نزلت ملزمة المقآل بمكتبه فجر محلوله ..

توني داقه عليهم وقآلوآ لي انها موجوده ..
دعوآتكم لهآ ..
وبالتوفيق ..

[Miss.LoLo]

الله يوفقها ماقصرت
بنات الله يسعدكم اللي عندها محاضرات العربي
من بعد 8 تنزلها بالمنتدى

[حلمي كبير]

احس المقالي عن الفصل السابع





ياااارب يجي سهل واسهل من السهل والواحد يحله من معلوماته الشخصيه>>>قوييه بس مشووها

انا بعد احس كذا ..

وفي شغلات يقدر الواحد يربطها بسهولة

اما اللي يمكن الواحد يفحط فيه اشياء الزكاة

بالتوفيق ياحلوين

[حلمي كبير]

أعلآن هـآم جدآ ..

في بنووته آلله يعطيهآ العافيه ويسهل أمورها وينجحها ويقضي كل حوآئجهآ يآرب ..
نزلت ملزمة المقآل بمكتبه فجر محلوله ..

توني داقه عليهم وقآلوآ لي انها موجوده ..
دعوآتكم لهآ ..
وبالتوفيق ..

كنت أدورك اليوم بالموضوع أبغاك تتنبئين لنا بالأسئلة بس الظاهر ماعندك نظام :mh318:

الله يعطيك العافية ويجزاها خير ( قلووب )

[نقوش جدار]

كنت أدورك اليوم بالموضوع أبغاك تتنبئين لنا بالأسئلة بس الظاهر ماعندك نظام :mh318:

الله يعطيك العافية ويجزاها خير ( قلووب )


هههههه لآ ماعندي نظآم .. عندي حضآره ناسيتها وماتذكرت أني ما أخذتها إلآ توني السنه ..
بالتوفيق أن شآلله ..
ومآعلى الله بعسير ..
:)

[حلمي كبير]

هههههه لآ ماعندي نظآم .. عندي حضآره ناسيتها وماتذكرت أني ما أخذتها إلآ توني السنه ..
بالتوفيق أن شآلله ..
ومآعلى الله بعسير ..
:)

قدامك التوفيق ان شالله :love080:

[luly]

هههههه لآ ماعندي نظآم .. عندي حضآره ناسيتها وماتذكرت أني ما أخذتها إلآ توني السنه ..
بالتوفيق أن شآلله ..
ومآعلى الله بعسير ..
:)



me 2
الحمد لله في احد معاااي

معقدني ورااااسي صلع
صبرك يا رب

الله يووووووووووفق الجميع

[جسد]

=(
يالله انك تسسهل علينا
ماغير الابل كم والبقر كم
كانا جالسين بمرعى

[حلمي كبير]

بنات انتوا متأكدين ان الأسئلة موحدة لكل الأقسام .!!!!!!!

اذا كذا انا اخذت فرة على مواضيع الأقسام الباقي بهالمادة

للأمانة اغلبهم قالوا الكتاب كله معانا والشي الوحيد المشترك طريقة الأسئلة

جبت لكم كلامهم

بس هآآآآآآآ
اذا الأسئلة مو موحدة لاتاخذون على الكلام

مو بكرة تجون وتبلشوني :d


هذاا نسخ من كلام البناات عن المااده


حنا يدرسنا المبروك

قال لنا الاسئلة متنوعه بين المقالي والموضوعي

الموضوعي آلي 80 فقرة عليه 40

والمقالي 30 درجة

المقالي :اشرحي -بيني - عللي - قارني- دللي .

بالتوفيق


انا من قسم انجليزي و قالت الاستاذه ان كل الكتاب معانا بحكم انها ما حطت الاسئله

تقول انها اطلعت على ورقه الاسئله و راح يكون مقالي و موضوعي
ما تكلمت عن توزيع الدرجات بس الظاهر ان الاغلب على الموضوعي

تقول ان الاسئله جدا دقيقه و يبيلها مذاكره دقيقه
و فهمت من كلامها ان جزء الزكاة و جزء الرقابه مهم

ص 203 "تطبيقات من الرقابه على الاموال العامه بالاسلام" تقول للقراءة
و شروط الحسبه ص 199 مهم

بالتوفيق ان شاء الله



المهماات من العام

هذي اسئلة الدكتور محمود مبارك

ان شاء الله تكون نفسها او يجيب منها



شوفي السؤال الاول كان كل تعريفات

10 تعريفات عليهم 20 درجه

منهم((الفيء _ الزكاه _العشور _النظام المالي والاقتصادي_المال النامي والمتقوم...لاسف

مااذكرهم كلهم


السؤال الثاني؛25 درجه

1-عددي خصائص النظام المالي والاقتصادي واشرحي 2 منهم

2-عددي الاموال الربوبيه مع ذكر الدليل من السنه؟<<الذهب والفضه والبر والشعير ...


السؤال الثالث :25 درجه


1- عددي مصارف الزكاه مع ذكر الدليل من القرآن؟<<الفقراء والمساكين....

2- عرفي الحجر واذكري انواعه مع التمثيل لكل نوع؟؟


الله يوفقكم ...بشرووني





مرحبا

الاختبار آلي ومقالي مثل ما وضحت بتول

* التعاريف نحفظ المختار فقط.
* الآيات نحفظ أول ثلاث إذا كانوا كثير.
* الأحاديث نحفظ القصير فقط أما الطويل نحفظ موضع الشاهد والباقي بالمعنى.
* إذا كان في التمهيد شي مفيد نذاكره.
* الفصل الخامس المبحث الأول (الزكاة) مهم جدا جدا.

المحذوف

من 147 إلى 157 الموارد المالية الأخرى.
165وعن مصارف الفيء... ، وعن مصارف الغنيمة... .
170، 171، 172، 173 سبب الخلاف.
182، 183، 184 مصارف بيت المال، مصارف خمس الغنائم، مصارف الفيء.

[جسد]

الذين يشاهدون محتوى الموضوع الآن : 6 ( الأعضاء 2 والزوار 4)
‏جسد, ‏طيرالحب

<< مآحد بوه غير مي وطير
شكل البنات ساحبين ع النظآم ونايمين
اهى اهى < ماخلصصصصت
باقي علي 3 فصصصول =(

[jessica]

أفااااا جسد وأنا وين رحت ؟؟؟ :wink:


الحال من بعضوووو نفس الشي باقي 3 فصوول -جزئية الميد تيرم -

الله لا يضيع تعبنا وسهرنااا

قولو آآمين

[sense]

المحذوف

من 147 إلى 157 الموارد المالية الأخرى.
165وعن مصارف الفيء... ، وعن مصارف الغنيمة... .
170، 171، 172، 173 سبب الخلاف.
182، 183، 184 مصارف بيت المال، مصارف خمس الغنائم، مصارف الفيء.

معقوووووووووولة !!!

[جسد]

لآلآلآلآلآلآلآلآلآلآ
تقصد حق العام لآتخربطوا بنات :wink:

جسسيكآ امين ياقلبي:love080:
< خلاص تعبت بقووهـ
بكره الصبح اقراء جزئيه الشهري :bawling:
:Cry111:

بالتوفيق بنآأت:smile:

[حلمي كبير]

معقوووووووووولة !!!

نقلت الكلام الموجود ولا ادري

اذا انحذفت هالصفحات معناتها مابقى شي :p

[حلمي كبير]

لآلآلآلآلآلآلآلآلآلآ
تقصد حق العام لآتخربطوا بنات :wink:

جسسيكآ امين ياقلبي:love080:
< خلاص تعبت بقووهـ
بكره الصبح اقراء جزئيه الشهري :bawling:
:Cry111:

بالتوفيق بنآأت:smile:

هآآآآآآ شقلت انااا لاتوهقوني قلت لو الأسئلة موحدة :biggrin:

انا اخذت الكلام من مواضيع الأقسام الثانية

وما اتوقع في احد يذكر اسئلة المادة هذي للعام :000:

[حلمي كبير]

صبآح الذهب والفضة

والأبل والغنم


بالتوفيـــــق يآحلويين :love080:

[حلمي كبير]

أفااااا جسد وأنا وين رحت ؟؟؟ :wink:


الحال من بعضوووو نفس الشي باقي 3 فصوول -جزئية الميد تيرم -

الله لا يضيع تعبنا وسهرنااا

قولو آآمين

ثقي بهالشي ثقة عميآآء
:106:

[sense]

صبآح الذهب والفضة

والأبل والغنم



لوووووووووووووووووول

موفقين يارب

[Just a Lady ~]

صباح الخيرات و تعب الإختبارات
p:


بنات الله يعافيكم ممكن أحد يفيدنا بطريقة أسئلة العربي كيف راح تكون ؟

مقالية ولا اختيارية ولا كلهم ؟

:/

[Just a Lady ~]

الله يوفق البنت اللي فرغتهم : )

:love080:


بسم الله الرحمن الرحيم .. وبه نستعين ..



اللغة العربية .. (6)


الاختبار من 20 درجه موضوعي ومقالي .الأسئلة رح تكون من الكلام إلي نذكره في المحاضرة فقط .. و10 درجات رح تكون حضور وغياب + اختبار قصير ورح يكون في واجبات ..
المحاضرة اليوم من كتاب فن القصة .. ما هي القصة ؟ القصة هي مجموعه من الأحداث يرويها الكاتب وهي تتناول حادثه أو مجموعه من الحوادث وتتعلق بشخصيات إنسانيه مختلفة تتباين وتختلف هذه الشخصيات على مثل ما تتباين فيه الشخصيات على وجه الأرض ويكون نصيب هذه الشخصيات في القصة متفاوتا من حيث التأثر والتأثير .. التعريف موجود في كتاب فن القصة في الصفحة الأولى أول 4 اسطر ..
الاختلاف بين القصة والأقصوصة؟؟
القصة تتناول فتره كاملة من حياة خاصة.
الأقصوصة تتناول شريحة أو موقفا من الحياة.
في القصة يحاول الكاتب أن يروي سلسلة من الأحداث وفقا لتدرج التاريخ والزمني أما في الأقصوصة يظهر الكاتب صوره متألقة من موقف واحد من الحياة .
ويظهر الفرق أيضا بين الأقصوصة و القصة بما يسمى بـ وحدة التأثير
ما هي مهمة القاص ؟؟
المهمة الأساسية للقاص محاولة جذب انتباه القارئ إلى حياة القصة وإتاحة الفرصة له بالاندماج مع شخصيات وأحداث القصة .كيف يستطيع القاص جذب انتباه القارئ؟ عندما يصور الشخصيات في الحياة الطبيعية الخاصة.
ما هي الوسيلة التي يستخدمها الكاتب في الوصول لهذه الغاية ؟ هل يستخدم الشعر أو النثر ؟ النثر لأن الشعر يحتوي على عواطف متأججة وخيال جامح وعلى موسيقى خارجية هذه العناصر لا تمكن القاص من ترتيب الأحداث على فترة زمنيه وتطوير الشخصيات عبر هذه الأحداث .
ما هو العنصر السائد في القصة ؟ العنصر السائد هو الأثر الذي تركته الحوادث والشخصيات والأفكار والبيئة .
القارئ عندما يقرأ أي قصه لابد أن يحدد العنصر السائد في القصة .عندما يستطيع القارئ أن يحدد العنصر السائد بالقصة هذا يعني أن القصة ناجحة أما إذا اختلط على القارئ العناصر دون أن يحدد أي عنصر فهذا يعني أن القصة أخفقت في ترك اثر أي عنصر .
ما هي العناصر ؟ 1- الأحداث 2- الشخصيات 3- الأفكار 4- البيئة .

بروز عنصر الأحداث هو من أكثر العناصر شيوعاً في القصص . مثال : قصة دراكولا لستوكر هذه القصة برزت فيها الأحداث أكثر من أي عنصر آخر . وكذلك قصة الفرسان الثلاثة لدوماس .
بروز الأحداث على غيرها من العناصر الأخرى مع مرور الزمن نجد أن مستوى هذه القصص بدأ ينخفض عن غيره من القصص الأخرى ..
بروز عنصر الشخصية .. مثال : صورة سيدة لهنري جيمس بعض الكتاب يحاول أن يحلل شخصيات القصة ويبين خصائصها ومميزاتها وصفاتها عندما يعمد الكاتب إلى تحليل هذه الشخصية لا يجعل للقارئ فرصة المشاركة الذهنية . نجد أن القارئ يشارك القاص بالمشاركة الوجدانية دون الذهنية .

عنصر البيئة . ماذا نقصد بالبيئة : هي العوامل التي تحيط بالفرد وتؤثر بتصرفاته وتوجهاته بالحياة . ومثال على ذلك من القصص التي ظهرت فيها الطبيعة كعنصر فعال قصة توماس هاردي اغلب قصص هذا الكاتب اظهر فيها الطبيعة كعنصر فعال . ليست الطبيعة فقط هناك الحياة الاجتماعية أو حياة الجماعه مثل : الشارع الرئيسي لـ لويس .

عنصر الأفكار :أي فكرة ممكن أن تجذب القارئ كالأفكار الاجتماعية ,الإصلاح الاجتماعي والفكرة الأخلاقية أو السخرية من بعض النقائض الاجتماعية . الكتاب في تلك الحالة عندما يريدون أن يبرزوا فكرة اجتماعية يحاول وان يصطنعوا بعض الشخصيات ويسخرون الأحداث لهذه الشخصيات . وغالبا الأفكار الاجتماعية تكون القصص فيها قصيرة الأجل .ماذا نقصد ببروز فكرة من الأفكار ؟ نقصد بها الإصلاح الاجتماعي أو الأفكار الأخلاقية . مثال : كوخ العم توم .
لا نستطيع أن نحصر الأفكار بالإصلاح الاجتماعي قد يكون هناك أفكار فلسفيه مثل فكره مطاردة القدر للإنسان وهي فكرة قديمة ولا تزال موجودة إلى الوقت الحالي وتظهر هذه الفكرة عن الكاتب توماس هاردي
-تنوع عقليات القراء و تباين تجاربهم بالحياة هي العناصر التي تحدد مصدر المتعة بالأثر الأدبي ..
تطوير الأحداث من العناصر المهمة والفعالة لماذا ؟ لأن تطوير الأحداث يبعث الحركة بالقصة فيشوق القارئ لمتابعة القصة . مثل : قصص المغامرات والقصص البوليسية . تعتبر قصة كم من روائع القصص التي احتلت مكانه كبيره ليس لتصويرها لطبيعة الهند أو رسم الشخصيات تميزت بما لها من براعة في بث الحركة في تطوير الأحداث وجذب انتباه القارئ إليها ..
ثلاث أنواع للحركة ؟ 1- بسيطة . 2- معقدة .. 3- غامضة تؤدي إلى الملل للقارئ.
على القارئ عندما يريد أن يتفهم طبيعة الحركة يجب أن يعي الخطة التي يرسمها الكاتب أولا حتى يستطيع أن يحدد مدى تطور هذه الأحداث ويكشف النتيجة من خلالها . أيضا عليه أن يعرف من الكاتب من وحده منسجمة تناولت وحدة الحادثة و وحدة الحياة و وحده العمل القصصي .

وحدة العمل القصصي : تطور الأحداث وتسلسلها الزمني حتى تصل إلى النتيجة المنطقية من ترابط الأحداث . مثل : قصة الكبرياء والهوى.
أما وحدة الحادثة : هو أن تكون الحادثة نفسها مترابطة ولا يكون بينهم الروابط السببية أو الحتمية .يعني الحادثة الأولى لا تكون سبب للحادثة الثانية كما في وحدة العمل القصصي.
لماذا نشعر برغبة في متابعة القراءة لقصة ما ؟؟صــ32 يكمن في بداية القصة وعنوانها..الكاتب يستطيع أن يجذب انتباه القارئ من بداية القصة مثال : إميليا وربكا .. هاتين الفتاتين مثلتا في قصة سوق الغرور مظهر هاتين الفتاتين وعلاقتهم بمديرة المدرسة هو ما جذب القراء لهذه القصة .
في هذه القصة الكاتب لم يشأ أن يصور حياة إميليا وربكا . بل اهتم أن يصور طبيعة المجتمع الإنجليزي في النصف الأول من القرن 19 واستخدم هذه الشخصيات كوسيلة ليصل للفكرة التي يريد أن يعبر عنها .

تختلف وسائل التأثير على القارئ باختلاف الكتاب .ما هي الأشياء التي تكون موجودة في القصص وتؤدي إلى جذب الانتباه ؟ 1- تصوير الطبيعة والبحار الغريبة والأجواء المدهشة 2-البعض يهتم بتصوير العلاقة الإنسانية المعقدة 3- البعض يهتم بتصوير العقول المستنيرة المهذبة .
عندما ينجح الكاتب بجذب انتباه القارئ ويبدأ بعملية التشويق من البداية يبدأ بعدها بعرض الأحداث حتى يصل إلى العقد هاو الذروة فتطرب الأحاسيس والعواطف فيتشوق القارئ بشكل اكبر بعد ذلك تبدأ التصفية حتى تصل إلى النتيجة للقصة .

صنف الكتاب إلى 1- رومانسيين 2- واقعيين.

الواقعين : يتجه الواقعيين إلى سرد قصصهم على منوال الحياة الإنسانية الطبيعية يتجنبون العنف وإثارة العواطف.
الرومانسيين : يجنحون إلى الخيال ويريدون المفاجئات المستغربة .
صـ36

[Just a Lady ~]

الله يوفق البنت اللي فرغتهم : )

:love080:


بسم الله الرحمن الرحيم .. وبه نستعين ..



اللغة العربية .. (7 )



ما هي الوسائل التي يستطيع بها كاتب القصة أن يجذب القراء إليه ؟ ذكرناها في المحاضرة السابقة .
ما هي العناصر الموجودة في القصة والتي يستطيع بها الكاتب أن يجذب القراء إلى قراءة هذه القصة ؟
إذا اعتمد على عنصر التشويق.. عقدة الأحداث .. المماطلة التي تأتي بعد التشويق .. البيئة وما تحويه من طبيعة .. ترابط الأحداث برابط السببية .. صـ42
عللي تعتبر الشخصية الإنسانية مصدر إمتاع وتشويق في القصة ؟ ذلك لأن للإنسان ميل طبيعي للتحليل النفسي الشخصيات ودراستها .
القصص التي تعتمد على ظهور الشخصية في القصة ويعمد القارئ إلى تحليلها .تسمى بالقصص النفسية التحليلية ..
متى ظهرت القصص النفسية التحليلية ؟ هي موجودة قديما منذ القرون الوسطى .
عناصر التشويق والمتعة أين تظهر بالقصص النفسية التحليلية ؟؟ يظهر الإمتاع في محاولة القارئ الكشف عن العقل الإنساني وفي دراسة التصرفات التي صدرت من الإنسان في القصة .

المتعة التي يجدها القارئ حينما يتتبع فيها سير القصة تكون ناتجة هذه المتعة من 1- الروابط التي ربطت بين القارئ وبين الشخصية التي في القصة ..
الروابط التي تربط مابين القارئ والشخصية تكون في :
أن يجد القارئ شبه بينه وبين الشخصية .أن يحس بما تحس به الشخصية أن يشعر أن أي نجاح لهذه الشخصية هو نجاح له وأي إخفاق هو إخفاق له . وهذا ما يسمى بعلم النفس بالإشعاع أو العدوى ..
ما هو الإشعاع أو العدوى : هو التشابه والإحساس بين القارئ والشخصية في القصة .
2- متعة التعرف على شخصيات جديدة تتمثل في صفات ومثل عليا تلقى صداها في نفس القارئ .

ما هي القصة الجيدة في نظر القارئ ؟ هي التي تبعث اللذة والمتعة والسرور في نفس القراء . مثل : القصص البوليسية ومثل قصص المغامرات يعيش القارئ بها في خياله وتزيد المتعة ..

متى تظهر الحيوية في بعض القصص ؟ الحيوية في القصة تتجلى في أمور عدة .1-عندما نلمح المرح والنعومة والتحايل في الشخصيات وفي الحبكة وفي البيئة. هذه القصص تعتبر قصص جيده لكنها لا تعالج المشاكل السلوكية والاجتماعية إنما فقط تكتفي في تصوير الحياة .
2- تحمل الأفكار العميقة تدعو إلى المزيد من التركيز والتأمل . مثل قصص هاردي تعكس لنا ملامح تفكير الكاتب العميق خاصة في يتعلق بمشاكل الخير والشر في الحياة .
3- القصص التي تظهر فيها القدرة في رسم الشخصيات في صوره مطابقة لشخصيات الموجودة في الحياة الواقعية 4- القصص التي يستطيع بها الكاتب أن يرسم بيئة جديدة كل الجدة أو و أن يرسم بيئة تكون مألوفة لكنه لم يرها من قبل . وتمثلت هذه القصص في قصص نجيب محفوظ.
عرفي حبكة القصة :هي سلسلة من الحوادث التي تربط برابط السببية والحتمية وهي لا تفصل عن الشخصية إلا بشكل مؤقت .
من أين تستمد موادها الأولية ؟ ترجع إلى مجالات متنوعة من واقع الحياة .

. متى يستطيع الكاتب أن ينجح في كتابته للقصة ؟عندما يعبر عن مجاله الخاص يعبر عن بيئته الخاصة لكن بعض الكتاب يلجأ إلى بيئة أو طبقه تختلف عن التي يعيش فيها دون أن يتعرف على البيئة الأخرى فيخفق في كتابته للقصة .
ما هو مجال القاص ؟ هي التجربة الإنسانية التي يعيشها أو التي لديه خبره بها .وهذا المجال يتوقف على طبيعة الكاتب أو على بيئته فقط .
وتعتبر الكاتبة جين اوستن هي مثل خالد على إخلاص الكاتب لمجاله الخاص لأنها استطاعت تصوير البيئة تصوير صحيح .صـ56
الكاتب هاردي تعدى نطاقه الخاص فنتقل إلى طبقة أخرى أعلى من طبقته اخفق في كتابة قصته لأنه كتب عن طبقة أخرى تختلف عن طبقته .
أيضا في صـ57 الكاتب محمود تيمور وهو كاتب مصري كان لا يتقيد في مجاله القصصي فمثلا قصته نداء المجهول فهو يصور رحلته إلى لبنان هذه الرحلة قام بها الراوي لكنه اخطأ في تصوير البيئة المكانية و الزمنية وكذلك أخطأ في التاريخ وفي المكان الجغرافي . لأنه في القصة ذكر أن الرسالة وضع عليها طابع سوري وفي ذلك الوقت لم تكن سوريا موجودة وإنما ولاية عثمانيه . كذلك تحدث عن صحراء شاسعة في لبنان ولا يوجد صحراء شاسعة في لبنان .ذكر أن مدة الرحلة التي قطعها 10 أيام وبإمكانه قطعها في يومين .لم يتقيد في مجاله القصصي لذلك اخفق في قصته نداء المجهول .

القصة تنقسم من حيث تركيب الحبكة إلى نوعين : 1- قصة ذات حبكة مفككه 2- وقصة ذات حبكة متماسكة.
الحبكة المفككة : هي سلسلة من الحوادث المنفصلة التي لا ترتبط برباط ما .
الوحدة التي تحكم هذا العمل هل ترتبط بهذه الأحداث المفككة ؟ لا وحدة العمل القصصي لا تعتمد على تسلسل الأحداث إنما تعتمد على البيئة والشخصية الواردة في القصة .
مثال على الحبكة المفككة : قصة الحرب والسلام
الحبكة المتماسكة :هي عكس الحبكة المفككة قصة تعتمد على حوادث مترابطة برباط السببية .. مثل: دعاء الكروان وعودة الروح .
هل الحبكة المتماسكة أفضل من الحبكة المفككة ؟ لا لأن للحبكة المتماسكة بعض المساوئ ممكن أن تنقلب القصة إلى عمل آلي مثل قصة السراب وممكن أنها تؤدي إلى الافتعال والصدفة .

يجب أن يتوفر شرطين بالحبكة القصصية المتقنة ؟ 1- أن تتحرك بطريقة طبيعيه خاليه من الصدفة والانفعال . 2- أن تكون مرتبة بطريقة مقبولة حتى تبتعد عن العمل الآلي .
مثل : قصص اغاثا كرستي خير من يمثل الحبكة المتقنة القصصية .

الحبكة القصصية تنقسم من حيث موضوعها إلى:1- حبكة بسيطة 2 - حبكة مركبة.
الحبكة البسيطة: تبنى على حكاية واحدة .
الحبكة المركبة: تتكون من حكايتين .. مثال : سوق الغرور . قائمة على حكايتين لـ اميليا وربكا .الكاتب أراد أن يجذب انتباه القارئ من هذه القصة لكن كان هدفه هو تصوير المجتمع الانجليزي في ذلك الوقت .
ما هي طرق عرض الحوادث في القصص والروايات ؟ 1- أن يلجأ الكاتب إلى طريقة السرد المباشر
2- طريقة الترجمة الذاتية 3- طريقة الوثائق والرسائل المتبادلة . طريقة السرد المباشر يقوم بها الكاتب كمثل المؤرخ الذي يدون التاريخ من خلال الشخصيات التاريخية .أما الترجمة الذاتية فيظهر في القصة ضمير المتكلم والذي يضع نفسه في مكان البطل أو الشخصيات الثانوية ليتحدث على لسانها .. مثل رواية الحب الضائع لـ طه حسين
الطريقة الأولى هي الأكثر شيوعا .. الطريقة الثالثة تعتبر من أحدث الطرق والتطورات في فن القصة .

[Just a Lady ~]

الله يوفق البنت اللي فرغتهم : )

:love080:


بسم الله الرحمن الرحيم .. وبه نستعين ..



اللغة العربية .. (8 )



هذه المحاضرة مو داخلة باختبار الشهر ..
الواجبات عليها 10 درجات إما ورقة عمل فردي ..أو بور بوينت مجموعة خمس طالبات يقدم على سي دي ..
الشخصية الإنسانية صـ75: من أين يأتي الكاتب بشخصياته في القصة ؟ 1- يأخذها من ملاحظاته المباشرة في الحياة .والملاحظات هذه تختلف من كاتب إلى كاتب آخر .2- يسمع بها في أحد المجالس من طريق الأصحاب أو الأصدقاء . 3- قد يقرأ عنها في كتاب أو صحيفة 4- من خيال الكاتب .

ما موقف الكاتب من شخصياته التي يعرضها في هذه القصة ؟ 1-قد يكون موقف الكاتب بالنسبة لهذه الشخصيات موقف الإعجاب والتقدير حتى يصل إلى عبادة هذه الشخصية . فبذلك هو يهمل العناصر الأخرى .2- موقف الاحتقار والعنف والقسوة . يبين الكاتب اثر المجتمع القاسي لهذه الشخصية قد يصل فيها إلى النهاية التعيسة . 3- قد يكون موقف الكاتب موقف محايد يبن ما في هذه الشخصية من مساوئ ومحاسن . 4- قد يكون موقف الكاتب موقف المحب لشخصياته فيبرز من خلال هذه الشخصية عطفه وحبه وينقل مشاعره وعواطفه من خلالها .
ما هي وسائل رسم الشخصية في القصة ؟ 1- الطريقة التحليلية وهي طريقة مباشره .
2- الطريقة التمثيلية وهي غير مباشره.

الطريقة التحليلية معناها: انه يرسم هذه الشخصية من الخارج يدع لشخصيه ذاتها ثم يشرح عواقب هذه الشخصية وكذلك أحاسيسها و أفكارها ويعقب الكاتب على تصرفات هذه الشخصية وعلى أفكارها ..

الطريقة التمثيلية لغير مباشره : يترك لشخصية حرية التعبير عن نفسها وعن أحداثها وعن تصرفاتها الخاصة ولا يعقب بنفسه عن الشخصية يترك التعليق لشخصيات أخرى بالقصة .. مثال .: قصة سوق الغرور .

هناك نوعان من الشخصيات القصصية : 1- الشخصية المسطحة 2- الشخصية النامية .
المسطحة : تكون على حال واحده من بداية القصة إلى النهاية . مثال : قصص المغامرات .
النامية : هي التي تنمو بنمو أحداث القصة وتتفاعل مع هذه الأفعال .

عرفي بيئة القصة ؟ هي حقيقة القصة الزمنية والمكانية .أي كل ما يتصل بوسطها الطبيعي وبأخلاق الشخصيات وتصرفاتها وأساليبها بالحياة .
ما هي الوسائل التي يستطيع بها الكاتب رسم بيئته القصصية ؟1 - ملاحظته المباشرة 2- من وحي الخيال 3- من قراءته الخاصة للكتب 4- تجارب الآخرين عن طريق الحديث معهم عن البيئات .

أنواع البيئات : 1- بيئة محلية 2- بيئة بحرية 3- صناعية 4- اجتماعية 5- تجارية 6- زراعية 7- ريفية .

تعتبر الكاتبة جين أوستن من أكثر الكتاب مقدرة على الاقتصار على تصوير بيئة واحدة دقيقة واضحة دون أن تسهب فيها ذلك لأنها صورت بيئتها الخاصة . عبرت عن تجربتها الشخصية .

البيئة الاجتماعية يظهر لنا أثرها بشكل كبير في القصص والروايات كـ حديث عيسى بن هشام للمويلحي وعودة الروح لتوفيق الحكيم زقاق المدق لنجيب محفوظ .
المويلحي صور قصة حياة المجتمع المصري بعد الاحتلال الإنجليزي .. وتوفيق الحكيم صور الوعي القومي في مصر . ونجيب محفوظ بين اثر الحرب العالمية الثانية على المجتمع المصري .

أما البيئة الطبيعية ..الاهتمام بهذه البيئة من خلال الكاتب مختلف هناك من يصورها بشكل مفصل دقيق وهناك من يصورها بشكل عام وسريع .
واختلاف الكتاب من حيث مقدرتهم على تصوير الطبيعة من شخص إلى آخر 1-هناك من يقدم صورة طبيعيه جميله لكن هذه البيئة لا تتصل بحياة القصة مثال: قصة زينب لأحمد هيثم
2-وهناك أشخاص يجعلون الطبيعة عامل مؤثر في الحوادث والشخصيات . تكون الطبيعة متصلة بأحداث وشخصيات القصة وتكون جزء من تطورهم .
3-هناك من يجعل البيئة تمهيداً لما سيحدث من أحداث سارة أو محزنه . وهذه الطريقة من أكثر الكتب انتشارا بين الكتاب .

[ILMMSFM]

عزيزاتي

اختبار العربي راح يكون مقالي و آلي

بالنسبه للمقالي بيكون (عددي-فراغات-مقال)

بالتوفيق للجميع

[حلمي كبير]

عزيزاتي

اختبار العربي راح يكون مقالي و آلي

بالنسبه للمقالي بيكون (عددي-فراغات-مقال)

بالتوفيق للجميع


يعطيك العافية

[ThE lEgEnD]

عزيزاتي

اختبار العربي راح يكون مقالي و آلي

بالنسبه للمقالي بيكون (عددي-فراغات-مقال)

بالتوفيق للجميع


حبيبتي ممكن توضحين اكثر. يعني هل انتي سألتيها؟ او ايش يعني مقال؟؟

زي كذا ويعطيك العافيه:wink:

[Susikun]

بنات الله يعافيكم ويوفقكم اللي عندها تفريغ محاضرات العربي من بعد الميد
ياليت تفيدنا .. : )

[امممم نسيت]

احد يعرف صفحه كم انتهينا بكتاب فن القصه الصغير ؟
او اذا المحاضره الـ8 فيه بعدها محاضره او لا ؟

[never give up]

عزيزاتي

اختبار العربي راح يكون مقالي و آلي

بالنسبه للمقالي بيكون (عددي-فراغات-مقال)

بالتوفيق للجميع

الله يجززاك خيررررر:106:

[منتدياتي]

اخر محاضرة كانت محاضرة رقم 8

[امممم نسيت]

اخر محاضرة كانت محاضرة رقم 8

الف شكر :love080:

[آم سلوم]

منتديآتي ,, قصدك آخر محاضره خذيناه رقم 8 ولّا آخر محاضرة تفرغت ؟؟
:love080:
بليز آحد يرد:Cry111:

[نقوش جدار]

بنات الله يعافيكم ويوفقكم اللي عندها تفريغ محاضرات العربي من بعد الميد
ياليت تفيدنا .. : )


من بعد الميد ترم ما أخذنا ألآ محاضره وحده ..!!
وإلآ يتهيأ لي أنـآ ؟؟

اللي هي اللي من الكتآب الصغير القصه الانسانيه ..

[ThE lEgEnD]

الظاهر اخر شي

[ILMMSFM]

حبيبتي ممكن توضحين اكثر. يعني هل انتي سألتيها؟ او ايش يعني مقال؟؟

زي كذا ويعطيك العافيه:wink:


جاني الخبر من مصدر موثوق جدا جدا

مقال يعني بيكون شئ بسيط مش شئ يخوف -مو زي منى حشيش:cheese: -

بالتوفيق للجميع :*
و دعواتكم

[Roony bnt 7sony]

بنات ابي اسأل المقآل د. سليم وين وقفنا .. وش اخر فصل معنا !

يعني من وين لوين :biggrin:

/

ثانيا شكسبير كم ملزمه انا عندي لـ 10 هي اخر شي ؟ !

/

ثانيا عندي سؤال عن اللغويات ..

اللي فاهممه تششرح لي :bawling:..

الدكتوره عطتنا كلمات وقالت حددي نوعها اذا هي درايفيشنل او انفلكشنل و كم العدد !

هالسؤال جبت فيه العيد :mh001:



على اي اساس احدد اذا الكلمه D او in وكيف ارقمهم ..!!!

[آم سلوم]

شكرن صبآيا وخصوصاً ThE lEgEnD (http://www.ckfu.org/vb/u7441.html)

:love080::love080:
الله يوفقنا ويسهل علينا وييسر لنا يا ربي يا كريم~

[Just a Lady ~]

جاني الخبر من مصدر موثوق جدا جدا

مقال يعني بيكون شئ بسيط مش شئ يخوف -مو زي منى حشيش:cheese: -

بالتوفيق للجميع :*
و دعواتكم



ههههههههه

حشيش مافي مثل أسئلتها

:biggrin:

[نقوش جدار]

:love080: العربي سهل .!
أحسن شي سوته أنها امتحنتنا بالشهري كل الماده هههه
صآير كأنه مرآجعه :biggrin:
أحس أن كتآب الطهطاوي وأسلوبه شي مهم ..
والفرق بين كتآبه وحديث عيسى بن هشام بعد مهم ..
ذآكروا عدددل :cheese:
بالتوفيق

[اخت فجر]

اخر محاضره كانت شارحتها الاستاذه الى صفحه 92 من الكتاب الصغنوون
ومن بعدها غااابت يعني هي اخر محاضره
صح صبايا و الا انا غلطانه :g2:

[نقوش جدار]

صحيييين :biggrin:

[Roony bnt 7sony]

بنات ابي اسأل المقآل د. سليم وين وقفنا .. وش اخر فصل معنا !

يعني من وين لوين :biggrin:

/

ثانيا شكسبير كم ملزمه انا عندي لـ 10 هي اخر شي ؟ !

/

ثانيا عندي سؤال عن اللغويات ..

اللي فاهممه تششرح لي :bawling:..

الدكتوره عطتنا كلمات وقالت حددي نوعها اذا هي درايفيشنل او انفلكشنل و كم العدد !

هالسؤال جبت فيه العيد :mh001:



على اي اساس احدد اذا الكلمه D او in وكيف ارقمهم ..!!!





بنات لاتشقحووون ردي :bawling:..

ردو بليزززز

[نقوش جدار]

ياهلا ..
بالنسبه للمقال بنت نزلتها بفجر محلوله كامل .. لصفحه : 138 ,

بالنسبه لشكسبير .. فهو 10 ملازم تقريبآ ..

اللغويات ماذاكرته لسسه اذا ذاكرته أفدتك ..

بالتوفيق ..

[Roony bnt 7sony]

تسسسسسسسسلمين ياقلبي :love080:

جزاك الله كل الخير ..

[منتدياتي]

منتديآتي ,, قصدك آخر محاضره خذيناه رقم 8 ولّا آخر محاضرة تفرغت ؟؟

:love080:
بليز آحد يرد:cry111:


رقم 8 هي اخر محاضرة اخذناها ماخذنا بعدها شي

يعني من بعد المد بس 8 ماختبرناه

[E x i T]

.
بنات المقال دآخلي ولآ خارجي !

وش الموآضيع اللي معنآ !

[يوونا]

بكره امتحان العربي ولا لا

[ǎήǎ`ήổήǎ *_*]

السلام عليكم ..

العربي 8 محاضرات بس ..كلها اخذناها قبل الميد .. من بعد الميد ماأخذنا شي ..
الشهري كان داخل معنا 7 محاضرات ..
وأنا سألتها عن طريقة الأسئله قالت بيكون جزء مقالي وجزء آلي الجزء اآلي بيكون عليه الدرجات اكثر .. وقالت ذاكرو بتركيز وسهل إن شاء الله ووواضح ..
وقالت كلامي بالمحاضره كاافي مارح اطلع منه ..
بالتوفيـــــــــــــق يااارب ,,:love080:

[tabula rasa]

السلام عليكم ..

العربي 8 محاضرات بس ..كلها اخذناها قبل الميد .. من بعد الميد ماأخذنا شي ..
الشهري كان داخل معنا 7 محاضرات ..
وأنا سألتها عن طريقة الأسئله قالت بيكون جزء مقالي وجزء آلي الجزء اآلي بيكون عليه الدرجات اكثر .. وقالت ذاكرو بتركيز وسهل إن شاء الله ووواضح ..
وقالت كلامي بالمحاضره كاافي مارح اطلع منه ..
بالتوفيـــــــــــــق يااارب ,,:love080:



فديتك انتي ومعلوماتك الي تششرح الصصدر

فآلك الآي بلس بجميع المواد ي رب:53::love080:

[لارا]

النظام المالي اليوم دماااار :017:

الله يعوض بالعربي :24_asmilies-com:

بنات وين اول محاضرات العربي تعرفون بأي صفحه القاها تعبت ادور راح وقتي وانا ادور بين الردود :biggrin:

[رنومه..]

النظام المالي اليوم دماااار :017:

الله يعوض بالعربي :24_asmilies-com:

بنات وين اول محاضرات العربي تعرفون بأي صفحه القاها تعبت ادور راح وقتي وانا ادور بين الردود :biggrin:

http://www.ckfu.org/vb/t132967.html

هوون في رد عسوله،،
:love080:

[لارا]

http://www.ckfu.org/vb/t132967.html

هوون في رد عسوله،،
:love080:
تسلمين حبيبتي موفقه يارب :love080:

[شموخي قهر عذالي]

بنات بكرة عليكم عربي؟؟؟؟؟
والمقال الاربعاء صح؟؟؟؟؟؟:24_asmilies-com:

[عسولة الشرقية]

اي صح


بنات بالنسبه للعربي الي اذكره اننا اخذنا محاضره وحده بعد 8 حقت الانسانيه والله اعلم

[شموخي قهر عذالي]

تيب مين اللي مع احمد ابراهيم بالمقال ؟؟؟؟
الى اي صفحة معنا؟؟؟؟
وياليت احد يساعدني ويحط المواضيع اللي معنا :Cry111:ماأعرفهمPlease girls:sdfgdsf:

[ǎήǎ`ήổήǎ *_*]

اي صح


بنات بالنسبه للعربي الي اذكره اننا اخذنا محاضره وحده بعد 8 حقت الانسانيه والله اعلم


امممم ما اخذنا محاضره بعد الشهر ...أنا فرغت اخر شي 8 .. وصعدت لها يوم المحاضره الي يعد الاختبار وقالت خلصنا مافي شي بعد الميد ..

بالتوفييق يااااارب .. :love080::love080:

[عسولة الشرقية]

انتي الي اتفرغين المحاضرات!! :71:


انني اوحيــــــــــــــــــــــــــــــــــــبووووووووو ووووووكي:love080:



الله يوفقك دنيا واخره يارب


يونجحك بكل المواد ان شاء الله

[luly]

بنااات في بعض الاساامي مخربط الاسبلنق حقها
انا شيكت عليها من الكتااب
مثل
جووردي زيدان خطاا هووه جرجي زيدان
وكمان تلخيص الابريز في تاريخ باريز هذا خطا الصح تلخيص الابريز في تلخيص باريز


مشكله مع اللي يتتبع عوراات اخوه المسلم
الاخت اللي فرررغت تسلم الاياادي
ارفع لك العقااال:biggrin:

[ǎήǎ`ήổήǎ *_*]

انتي الي اتفرغين المحاضرات!! :71:


انني اوحيــــــــــــــــــــــــــــــــــــبووووووووو ووووووكي:love080:



الله يوفقك دنيا واخره يارب


يونجحك بكل المواد ان شاء الله


:love080::love080::love080:
وإيـــــــــــــــاك يــــــــــــارب .. :106: والجميييع

[Just a Lady ~]

امممم ما اخذنا محاضره بعد الشهر ...أنا فرغت اخر شي 8 .. وصعدت لها يوم المحاضره الي يعد الاختبار وقالت خلصنا مافي شي بعد الميد ..

بالتوفييق يااااارب .. :love080::love080:



أجل إنتي اللي تفرغين !

من جد فكيتي أزماات للبنات

الله يعطيك ألف عافية و يوفقك

:106::love080:

[حكايا الورد]

تيب مين اللي مع احمد ابراهيم بالمقال ؟؟؟؟
الى اي صفحة معنا؟؟؟؟
وياليت احد يساعدني ويحط المواضيع اللي معنا :Cry111:ماأعرفهمPlease girls:sdfgdsf:

مادري الى أي صفحة .،

بس هذي المواضيع
internet
unpleasant camping experience
changing school
my room is a mess
future plans

[ThE lEgEnD]

بنات فيه شي جميل وغريب بخصوص عدد المحاضرات
انا مرقمه معها المحاضرات وهي 7 وكامله وانا سكشن الربوع نهاية الدوام
فيه التفريغ الرقم هو 8
>>how come






....>>مشكلة الواحد لا يبي يطلع سالفه ع مايذاكر :000:
بس من جد اللي تعرف تقول لاني احترت شوي يمكن والحل الراجح انها جمعت لنا محاضرتين بيوم واحد فراح رقم والله اعلم


هع

[luly]

بنات فيه شي جميل وغريب بخصوص عدد المحاضرات
انا مرقمه معها المحاضرات وهي 7 وكامله وانا سكشن الربوع نهاية الدوام
فيه التفريغ الرقم هو 8
>>how come






....>>مشكلة الواحد لا يبي يطلع سالفه ع مايذاكر :000:
بس من جد اللي تعرف تقول لاني احترت شوي يمكن والحل الراجح انها جمعت لنا محاضرتين بيوم واحد فراح رقم والله اعلم


هع



عزيزتي ليجند لاتفررحين انتو هذيك المره مااجاات وجمعتلكم محاااضرتين في وااحد

[عسولة الشرقية]

انا نونا ما شاء الله تبارك الله جهد رائع وتشكرين عليه صراحه


الله يوفقك ويجزاك كل خير يارب:love080:

[حلمي كبير]

ياهلا ..
بالنسبه للمقال بنت نزلتها بفجر محلوله كامل .. لصفحه : 138 ,

بالنسبه لشكسبير .. فهو 10 ملازم تقريبآ ..

اللغويات ماذاكرته لسسه اذا ذاكرته أفدتك ..

بالتوفيق ..

كيفك نقوش .؟ :mh318:

بشري شسويتي بأمتحان اليوم .؟

[حلمي كبير]

آخر شي بما اني استخدم الكتاب ص.92

الفصل الثالث : بيئة القصة

قود لك حبايبي
:119:

[نقوش جدار]

كيفك نقوش .؟ :mh318:

بشري شسويتي بأمتحان اليوم .؟


يآهلآ وغلآ ..
الحمدلله تمـآآم :biggrin: ..
حلوو وخفيف ع القلب < مع انه كان ثقيل بالمذآكره هههه ..
وأنتي شسويتي؟؟
أسمع البنآت يعآنون من هالنظآم !!
عسى بس حليتي زين؟

[حلمي كبير]

يآهلآ وغلآ ..
الحمدلله تمـآآم :biggrin: ..
حلوو وخفيف ع القلب < مع انه كان ثقيل بالمذآكره هههه ..
وأنتي شسويتي؟؟
أسمع البنآت يعآنون من هالنظآم !!
عسى بس حليتي زين؟

الحمدلله وعقبال باقي المواد

أما النظام

كان تســاهيل الحمدلله

شكرا ع السؤال ويعلم الله أني أحبك فيه :love080:

[Angelica]

أنا فرغت اخر شي 8 . :love080::love080:

أنتي اللي تفرغييييييين :53:
واحنا من اليوم نتسائل مين الشخصه الجميله اللي انقذتنا :love080:

الله يجزاااك خير وفالك الآي بلص بكل المواااد :love080:

واذا اخذتي فن المسرحيه الترم الجاي لا تنسينا << ما تنعطى وجه :cheese:

بالتوفيق جميعاااا :(204):

[نقوش جدار]

:(284): تصبحوون على خيير ..
والله الله بالعربي بكره < يقال هي اللي بتصلح الاوراق ..
ركزوآ ع طبيعة الروآيه الفنيه وعوامل ظهورهآ < مصدقه نفسسهـآ هي اللي حآطه الأسئله ..
:53: عذرآ ع الاستهبال ..
موفقين جميعـآ ..
بآي ..

[ThE lEgEnD]

:106:



ساااااااااااارعييي للمجد والعلياااااا مجددددددي لخالق السممممماااااااء
وارررفعععي الخفااااق الاخضر يحمل النور المسطر ردددي الله امبر ياموطني

وطننننني قد عاد الوطن للعلم والوطن:106::106:

[عسولة الشرقية]

:106:



ساااااااااااارعييي للمجد والعلياااااا مجددددددي لخالق السممممماااااااء
وارررفعععي الخفااااق الاخضر يحمل النور المسطر ردددي الله امبر ياموطني

وطننننني قد عاد الوطن للعلم والوطن:106::106:


رجعت حاله الاختبارات لجند :cheese:



اللحين بنشوف الابداعات كل وحده بتحط اغنية :lllolll:









































حلمت بالسعاده حلمت بالحياة


مدري وشو على خدي الدمعه



ياااااااااااااااااااااااااااااااااااااا



يا صاحب الظل الطويـــــــــــــــــــــــــــــل




قود لاك :53:

[sense]

اعزائي المهستريييين ...>> أجل سارعي :biggrin:
سؤالين مالهم عولاقة بامتحان بكرة

1- المقال وشو نذاكر فيه ؟؟ والله هالمادة مو عارفة لها من جد

2- الإجازة كم اسبووع :53: ؟؟


بالتوفيق

[M.A.S]

امممم ما اخذنا محاضره بعد الشهر ...أنا فرغت اخر شي 8 .. وصعدت لها يوم المحاضره الي يعد الاختبار وقالت خلصنا مافي شي بعد الميد ..

بالتوفييق يااااارب .. :love080::love080:

أنتي اللي تفررغيين :love080::love080::love080::(204):
ماشاء الله كسبتي أجر في البنات .. والكل يدعي لك :106:

[M.A.S]

بنات توني باديه مذاكره :24_asmilies-com:
وحتى بالشهري ما كنت مذاكره زين :(177):
فـ اللي ذاكرو تحسون التغريغ شامل ؟
وايش نذكر بالضبط من الكتاب ؟
بليز :sdfgdsf:

[طيرالحب]

هااي صباياا ...

ملزمه المقال باي فجر الصغيره والا الكبيره؟؟؟:hhheeeart4:ع صيغه السوال تاثير الامتحانات

ونزل ملازم النقد حقت نجلاء والا لا؟؟

[رنومه..]

بنات توني باديه مذاكره :24_asmilies-com:
وحتى بالشهري ما كنت مذاكره زين :(177):
فـ اللي ذاكرو تحسون التغريغ شامل ؟
وايش نذكر بالضبط من الكتاب ؟
بليز :sdfgdsf:

التفريغ،،
من 1<<8،،
شامل للي درسنآه،،
ماله داعي للكتآب،،



:love080:

[طيرالحب]

[QUOTE=طيرالحب;2490208]
هااي صباياا ...

ملزمه المقال باي فجر الصغيره والا الكبيره؟؟؟:hhheeeart4:ع صيغه السوال تاثير الامتحانات

ونزل ملازم النقد حقت نجلاء والا لا؟؟

[ردواااا صباياااا لاتنطشوني...

[رنومه..]

هااي صباياا ...

ملزمه المقال باي فجر الصغيره والا الكبيره؟؟؟:hhheeeart4:ع صيغه السوال تاثير الامتحانات

ونزل ملازم النقد حقت نجلاء والا لا؟؟



ممممم كبيره ولاصغيره،،
مادري والله،،
بس هي باللي دايركت قدام كلية العلوم،،
:love080:

[جسد]

يب نزلت ملزمه نقد

يلآ تصبحون ع خير
يآآرب تسسسآهيل بالعربي :icon9:

[عسولة الشرقية]

اعزائي المهستريييين ...>> أجل سارعي :biggrin:
سؤالين مالهم عولاقة بامتحان بكرة

1- المقال وشو نذاكر فيه ؟؟ والله هالمادة مو عارفة لها من جد

2- الإجازة كم اسبووع :53: ؟؟


بالتوفيق




خوذي الملزمه الي بفجر وذاكريها :biggrin:



مدري اذا كامله ولا لا بس ماتوقع البنت نزلتها للدفعه الا وهي حاله فيها



+



ادخلي على هالرابط انا متكلمه فيه عن المقال



http://www.ckfu.org/vb/t132967.html




لله يهديك وراه ما تقرين الروابط كلها اول قبل لا تسالين



هالامتحانات ما اتخلي الواحد يقرا شي:(177):



شيسمونه اتوقع امتحان سلوم موحد مع احمد فالي كاتبته بيخدمك زي ما يخدمنا



موفقه يا حلوة

[sense]

خوذي الملزمه الي بفجر وذاكريها :biggrin:



مدري اذا كامله ولا لا بس ماتوقع البنت نزلتها للدفعه الا وهي حاله فيها



+



ادخلي على هالرابط انا متكلمه فيه عن المقال



إستعدادات سنه ثآلثه " أنجليزي " للأمتحآنآت:) fighting (http://www.ckfu.org/vb/t132967.html)




لله يهديك وراه ما تقرين الروابط كلها اول قبل لا تسالين



هالامتحانات ما اتخلي الواحد يقرا شيhttp://www.ckfu.org/vb/images/shrqwea/%28177%29.gif



شيسمونه اتوقع امتحان سلوم موحد مع احمد فالي كاتبته بيخدمك زي ما يخدمنا



موفقه يا حلوة

اوه اسفة حبيبتي
مع اني اقرا الصفحات بس لانو حسيت الكلام شوي متنوع وكثير عن المقال فحبيت احد يقولي الزبدة
شكرا جزيلاا وعذرا مرة ثانية

[حلمي كبير]

السين والأن سين كله درجته وحدة .!!!!!

ولا زي ماسوى احمد بالميد الأن سين عليه درجة أكثر .!!

[نقوش جدار]

وييينك ترى جانا مطر أحيا شوارعنا ..
كل الشوارع أمطرت مآ غير شـآرعنـآ ..

أهدآء إلى " شكسبير " " آخر يوم من أيآم الأمتحآنـآت " :cheese:

دعواتي ::
لكل أستاذ وأستاذه سهلوآ علينا الماده والأمتحآن ..
الحمدلله والله يوفقهم ..
العربي كان شي خطير :biggrin:

[ThE lEgEnD]

وييينك ترى جانا مطر أحيا شوارعنا ..
كل الشوارع أمطرت مآ غير شـآرعنـآ ..

أهدآء إلى " شكسبير " " آخر يوم من أيآم الأمتحآنـآت " :cheese:

دعواتي ::
لكل أستاذ وأستاذه سهلوآ علينا الماده والأمتحآن ..
الحمدلله والله يوفقهم ..
العربي كان شي خطير :biggrin:
:hahahahahah:

وش دخل شكسبير ولا ماعلك مواد خلاص..الا شكسبير يعني:(269):

[نقوش جدار]

إلآ عندي بس مستعجله ع آخر يوم :cheese:

[عسولة الشرقية]

بنات ابي ايميل دكتور سليم ضرووووووووووووري

[شتاء عمري]

بنات سوال بلييييز موضوع الانترنت لو جاء
ايش النقاط الي اتكلم عنها ماعرفت :000::mh318:

[pepsi_cola]

بنات الله يعافيكم من عنده نقد 12 مع د.هيفاء جزاكم الله خير

[Angelica]

المقال موحد والا ؟

[never give up]

:000:بنات الملازم اللي حقه نقد بفجر تفريغ محاضرات ولا اشياء اضافيه ؟

[Lost 3]

:000:بنات الملازم اللي حقه نقد بفجر تفريغ محاضرات ولا اشياء اضافيه ؟

نفس سؤالي .!

وشي ثآني بعد / النقد كم محآضره مع هيفآء ؟؟
11 ولا 12 ؟؟؟

~

[Miss.LoLo]

ياحلوين الملزمه نفس اللي ندرس منها بس محلوله للي مو حال الاكسرسايز
وانا سالت الدكتور الكومي عن الامتحان قال راح يجي نفس التمارين اللي بالملزمه
ونكتب 200 كلمه في المقال وممكن يكون سيين وممكن ان سيين ومايفتكر اذا حط دفنشنز
والاسئله موحده مع سليم
الله يعين

[Angelica]

وش تقصدون بـ سين وان سين ؟؟

[never give up]

وش تقصدون بـ سين وان سين ؟؟
سين يكون من الموضوعات الخمسه اللي عطانا اياهم و ان سين يعني موضوع خارجي :biggrin:

[حلمي كبير]

ياحلوين الملزمه نفس اللي ندرس منها بس محلوله للي مو حال الاكسرسايز
وانا سالت الدكتور الكومي عن الامتحان قال راح يجي نفس التمارين اللي بالملزمه
ونكتب 200 كلمه في المقال وممكن يكون سيين وممكن ان سيين ومايفتكر اذا حط دفنشنز
والاسئله موحده مع سليم
الله يعين

دام الأسئلة موحدة مافي دفنشنز

لأن احمد قال 90% اكسرسايزز مابقى إلا 10 اللي هو حق الأساي

بس مو كأن احمد قال ابغى اكثر من 200 .!! ولا

[حلمي كبير]

بنات سوال بلييييز موضوع الانترنت لو جاء
ايش النقاط الي اتكلم عنها ماعرفت :000::mh318:

بالنسبة لأحمد كان الموضوع كذا المرتس ودي مرتس للأنترنت

اما اذا جا الموضوع الأنترنت لك مطلق الحرية تخصصينه

قود لك

[حلمي كبير]

بنات لازم ترتبون الثوتتس يعني ماتكتبون اي شي

الأنترودكشن لازم تحتوي على ثيسزس

وكل ثيسزس تتكلمين عنها ببودي

والكونكلوجن يبقى اسهل الباراقرافات

قود لك :119:

[never give up]

بنات تتوقعون يجيب موضوعين ونختار واحد ولا ؟

[شتاء عمري]

بالنسبة لأحمد كان الموضوع كذا المرتس ودي مرتس للأنترنت

اما اذا جا الموضوع الأنترنت لك مطلق الحرية تخصصينه

قود لك

مافهمت :mh318:
ايش قصدك بالمرتس ودي ميرتس :mh12::mh318:

[SUMMO]

merits

مزايا
.
.

demerits

عيوب

[نور الـ ع ـيون]

:Cry111:


بنات اخر صفحات مو محلولة عندنا

والجو مايساعد نطلع

ياليت اللي حالتهم تصورهم او تساعدنا

بليييييييييييييييييييييز :mh12:

[Miss.LoLo]

بنات من فاهم النارو والبرود في الاكسرسايز تشرحها بليز
عاد فديتكم الله يعينكم عليه كل ما امر بشي مو فاهمته بسالكم
ان شاء الله ماتقصرون

[طيرالحب]

سلااام عليكم..
صبايا نزلت ملازم النقد حقت نجلاء بعد الشهري والالالا في مكتبه فجر.........

تكفون ردوا ضروري ..

[حلمي كبير]

For final exam Dr. Ahmad recommended to use these
things:-

For intro
- Questions
-Quotation

For conclusion

-Question
-Predication or recommendation

[حلمي كبير]

بنات من فاهم النارو والبرود في الاكسرسايز تشرحها بليز
عاد فديتكم الله يعينكم عليه كل ما امر بشي مو فاهمته بسالكم
ان شاء الله ماتقصرون

صفحة كم .؟؟

[طيرالحب]

سلااام عليكم..
صبايا نزلت ملازم النقد حقت نجلاء بعد الشهري والالالا في مكتبه فجر.........

تكفون ردوا ضروري ..

:106::106::sdfgdsf::106::106:

[Susikun]

for final exam dr. Ahmad recommended to use these

things:-

for intro
- questions
-quotation

for conclusion

-question

-predication or recommendation


ممكن توضحين أكثر .. ؟
يعني كيف بالمقدمه يبي اسئلة+إقتباس ..
وبالنهاية يبي سؤال وتأكيد .. مدري ما فهمت المطلوب بالضبط !

[نقوش جدار]

بنات من فاهم النارو والبرود في الاكسرسايز تشرحها بليز
عاد فديتكم الله يعينكم عليه كل ما امر بشي مو فاهمته بسالكم
ان شاء الله ماتقصرون


نارو يعني ضيق جدا ..
يعني من الخطأ انك تكتبين عنوانك مقالك ضيق جدا ..
يعني ما يعطيك مجال تعبرين عنه بعدين ..
مثلا : انتشر شي ما في القرن كذا بشكل كبير وصار كذا وكذآ < ماخليتي شي للمقآل يصير

براود العكس ..
تعطين التوبك السنتس عنوان سايح ع بعضه وينفهم منه مليوون شي
مثلآ : المراه والرجل مختلفين..
طيب درينا انهم مختلفين .. أي أختلآف اللي بتتكلمين عنه هذآ ؟؟

فهمتي قصدي؟
موفقين ..


< وحده مالها خلق تذآكر حد يشجعهاا :000: بليز.!

[نقوش جدار]

بالمقدمه يبي أقتباس من أشخاص مشهورين ..
وهالشي ماقال انه لازم < يعني بتنقصين لو ماحطيتيه ..
بس قال حبذآ ..
يعني تبدين المقدمه بقوسين الاقتبآس "" < ذيلي و تكتبين مقولة شخص مشهور بعنوان المقآل اللي بتكتبين عنه ..
وفي مواقع كثيير موجود فيها اقتباسات بكل العناوين ..لو حابه بعطيك ..
أو ..
أنك تبدين المقال حقك بسؤآل < أستهبالي تقريبآ ..
يعني مثلآ لو بتتكلمين عن النت ..
تقولين ..
الكثير منا يتسائل ماهي أضرار النت ؟ << مثلآ أنا أقول عذرآ ع العباطه ف السؤآل ..

نفس الشي تسوين بالخاتمه ..
تلخصين كلامك بشكل مرتب ..
وتأكدين جواب السؤال الأستهبالي ..

بالتوفيق ..
أي سؤآل آخر :cheese: < صدقت نفسها هاع

[نقوش جدار]

ضروري اذاكر ؟
:24_asmilies-com:

[Susikun]

نقوش
مشكوره ع التوضيح :biggrin: :biggrin:


وفي مواقع كثيير موجود فيها اقتباسات بكل العناوين ..لو حابه بعطيك ..



ياليت والله .. عشان الكل يستفيد :119:

سؤال ثاني ..
د.أحمد وش قال بخصوص السؤال المقالي ...
هل الـ seen بيكون عليه درجات أقل من الـunseen - مثل ما سوى بالميد - ؟
وكم برجراف يبي ؟

[نقوش جدار]

نقوش
مشكوره ع التوضيح :biggrin: :biggrin:



ياليت والله .. عشان الكل يستفيد :119:

سؤال ثاني ..
د.أحمد وش قال بخصوص السؤال المقالي ...
هل الـ seen بيكون عليه درجات أقل من الـunseen - مثل ما سوى بالميد - ؟
وكم برجراف يبي ؟





Famous Quotes and Authors, Famous Quotations for all Occasions (http://www.famousquotesandauthors.com/)

هذآ الموقع ..

يبي 5 برآجرآفات ..
مقدمه وثلآث براجافات عن الموضوع وخاتمه ..
بحدود الـ 300 كلمه ..
واذا على الحركه ع الحركه اللي سواها بالميد مادري والله ..
بس يسويها اخونآ ..

[نقوش جدار]

:cheese: < من الطفش تفرفر بالمنتدى ولاحظت شي
درآسـآت مشرديين ههه ..
وثلاثه ارباع القسسم مواضيع مضيعه لهم ..
فديتنـآ .. متعآونين ولآمين نفسنا بموضوع وآحد < أقول طيري لآ يجيك قصف :biggrin:

[حلمي كبير]

ممكن توضحين أكثر .. ؟
يعني كيف بالمقدمه يبي اسئلة+إقتباس ..
وبالنهاية يبي سؤال وتأكيد .. مدري ما فهمت المطلوب بالضبط !











بالمقدمه يبي أقتباس من أشخاص مشهورين ..
وهالشي ماقال انه لازم < يعني بتنقصين لو ماحطيتيه ..
بس قال حبذآ ..
يعني تبدين المقدمه بقوسين الاقتبآس "" < ذيلي و تكتبين مقولة شخص مشهور بعنوان المقآل اللي بتكتبين عنه ..
وفي مواقع كثيير موجود فيها اقتباسات بكل العناوين ..لو حابه بعطيك ..
أو ..
أنك تبدين المقال حقك بسؤآل < أستهبالي تقريبآ ..
يعني مثلآ لو بتتكلمين عن النت ..
تقولين ..
الكثير منا يتسائل ماهي أضرار النت ؟ << مثلآ أنا أقول عذرآ ع العباطه ف السؤآل ..

نفس الشي تسوين بالخاتمه ..
تلخصين كلامك بشكل مرتب ..
وتأكدين جواب السؤال الأستهبالي ..

بالتوفيق ..
أي سؤآل آخر :cheese: < صدقت نفسها هاع


ماقصرت :wink:

[clever girl]

بنات صحيح احمد ابراهيم يبي المقال 300 كلمه؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟

[حلمي كبير]

نقوش
مشكوره ع التوضيح :biggrin: :biggrin:



ياليت والله .. عشان الكل يستفيد :119:

سؤال ثاني ..
د.أحمد وش قال بخصوص السؤال المقالي ...
هل الـ seen بيكون عليه درجات أقل من الـunseen - مثل ما سوى بالميد - ؟
وكم برجراف يبي ؟



انا نفسك ماعندي خبر

بس اتوقع جمب كل موضوع بيحط المارك

[امممم نسيت]

بنات كأني شفت ان عسوله كاتبه ان الملزمه اللي بفجر ناقصه صفحاتها

حقت فجرر تنتهي 138
ايش ناقص فيها ؟

[حلمي كبير]

بنات صحيح احمد ابراهيم يبي المقال 300 كلمه؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟؟

انا اللي اتذكره اي

بس هنا وحدة قالت 200 :000:

[نقوش جدار]

اي صحييييح يا كليفر :bawling:
الله يعيين ..

كلوآ جوز بالصبح يابناااات ..
يقولون يفتح المخ كان تطلع معنا هالـ 300 ..

أنا عن نفسسي بعاند وبكتب له 299 < بلآ خفة دم ..
بس معلومه عشآن أريحكم ..

الدكتور أول ما بيستلم المقآل بيعد البرآجرافات ..
اذا طلعوآ 5 تماام ..
بعدها بيقرآ المقدمه والخاتمه ..
عجبوه تمام التمام ..
بيقرآ الموضوع ..
وبيقيمك ..
ما بيجلس يحسب هذي البنت كتبت كم كلمه وهذي كم ..!!
ع النظر ..
< كبروا الخط شوي << بتنطقين ههههههههههههههه

[نقوش جدار]

حلمي كبير ..
والله الانسآن طمووح ..
بالشهري كان يبيها 200
النهائي زادت طموحه صآرت 300 ..
سنه رآبعه بنألف كتب أبشرك :cheese:

[عسولة الشرقية]

بنات كأني شفت ان عسوله كاتبه ان الملزمه اللي بفجر ناقصه صفحاتها

حقت فجرر تنتهي 138
ايش ناقص فيها ؟



نوووووووووووووووو نوووووووووووووو نوووووووووووووو



والله اني مفهيه


مو انا كاتبه اني شريت الملزمه من فجر وليتني ما شريتها لانها عندي وناقصه كمن صفحه بالاخير



النقص طلع بملزمتي مو ملزمه فجر



<---- ابو الفهاوه



قود لاك ايفري ون الملزمه كامله

[نقوش جدار]

سئمت تكآليف الحياه ومن يعش ..
ثمآنين حولآ لآ أب له يسئم ..


< البنت حولت عربي :mh001:

[Susikun]

مشكووره وماقصرتي نقوش ع التوضيح :)
جعله في موازين حسناتك يارب !

طيب سؤال عام > ما تنعطى وجه xD

كأني سمعت من بنات سليم ان قال لهم ما راح يجيب عرفي او عددي > THEORETICAL QUESTIONS
بس في آخر محاضره لدكتور أحمد قال إحتمال تجي ..
نمشي ع كلام مين ؟؟

بس من رأيي أقوول نقرأ التعاريف ونفهمها عشان في حالة لو أحمد جابهم نكون عندنا خلفية عنهم .. ولا شرايكم ؟ :(107):

[حكايا الورد]

عندي بكرا أختبار دراما مع المقال وللآن ماخلصته ومالي خلق أفتح المقال :000:

[نقوش جدار]

الذين يشاهدون محتوى الموضوع الآن : 23 ( الأعضاء 12 والزوار 11) ‏نقوش جدار (http://www.ckfu.org/vb/u45845.html), ‏aio0osh (http://www.ckfu.org/vb/u16180.html), ‏Aro0oj (http://www.ckfu.org/vb/u44812.html), ‏امممم نسيت (http://www.ckfu.org/vb/u47213.html), ‏clever girl (http://www.ckfu.org/vb/u53796.html), ‏حلمي كبير (http://www.ckfu.org/vb/u7666.html), ‏ILMMSFM (http://www.ckfu.org/vb/u45491.html), ‏Lost 3 (http://www.ckfu.org/vb/u53112.html), ‏شتاء عمري (http://www.ckfu.org/vb/u45978.html), ‏Susikun (http://www.ckfu.org/vb/u41739.html), ‏عسولة الشرقية (http://www.ckfu.org/vb/u5455.html), ‏طيرالحب (http://www.ckfu.org/vb/u53734.html)



كل هذيلي ضيووفك يآ المقآل ...
ويين القهووه ؟
صبوآ الشآي يآ بنآت ..


< يُقترح على الطالبه المفهيه أعلآه " يمكن أدناه مدري " المهم " أنـآ " أن تقوم لتذآكر لآ أجي أعلقهآ مظلآت عن مطر بكره .. < لآ عتب لآ عتب لآ عتب ...

آللهم ثبت عقولنآ ..
آللهم أصلح حآلنآ ..
آللهم يسر أمورنآ ..
وفرج عنـآ ..
وأنهي هالامتحانات ع خير ..


ترى مخي بدى ينحدر أنحدارا خطيرا ..
ويفقد جزء كبيرا من مدري شنو < طيري


موفقين ..
الماده سهله وحلوه وربي ..
زآكروآ ..
زآكروآ ..
زآكروآ ..

آلله ينجحكم ومآتشوفون بملفاتكم إلآ حرفي الجميل من فوق لتحت .. (A)

[نقوش جدار]

مشكووره وماقصرتي نقوش ع التوضيح :)
جعله في موازين حسناتك يارب !

طيب سؤال عام > ما تنعطى وجه xD

كأني سمعت من بنات سليم ان قال لهم ما راح يجيب عرفي او عددي > THEORETICAL QUESTIONS
بس في آخر محاضره لدكتور أحمد قال إحتمال تجي ..
نمشي ع كلام مين ؟؟

بس من رأيي أقوول نقرأ التعاريف ونفهمها عشان في حالة لو أحمد جابهم نكون عندنا خلفية عنهم .. ولا شرايكم ؟ :(107):



شوووفي يآ طآلبه .. ههه
انا عن نفسي مش ومش ومش حزآكرهم ..
لآن سليم قال ما بتجي ..
وأحمد أبرآهيم ماوده يحذفهم ققآل أحتمآل ..
بس من أجل الصحه والسلآمه ..
وتجنبآ للمصآئب التي قد تكون حين نستلم الأورآق ..
يفضل أنك تقرينهم ع الأقل ..

وشكرآ ..
وزآرة التربيه والتعليم :cheese: < لحد يصدق

[شتاء عمري]

بنات ايش vague and specifi support ?
:000:

[Miss.LoLo]

نارو يعني ضيق جدا ..
يعني من الخطأ انك تكتبين عنوانك مقالك ضيق جدا ..
يعني ما يعطيك مجال تعبرين عنه بعدين ..
مثلا : انتشر شي ما في القرن كذا بشكل كبير وصار كذا وكذآ < ماخليتي شي للمقآل يصير

براود العكس ..
تعطين التوبك السنتس عنوان سايح ع بعضه وينفهم منه مليوون شي
مثلآ : المراه والرجل مختلفين..
طيب درينا انهم مختلفين .. أي أختلآف اللي بتتكلمين عنه هذآ ؟؟

فهمتي قصدي؟
موفقين ..


< وحده مالها خلق تذآكر حد يشجعهاا :000: بليز.!
الله يعطيك الف عافيه فالك a+

[never give up]

الذين يشاهدون محتوى الموضوع الآن : 23 ( الأعضاء 12 والزوار 11) ‏نقوش جدار (http://www.ckfu.org/vb/u45845.html), ‏aio0osh (http://www.ckfu.org/vb/u16180.html), ‏Aro0oj (http://www.ckfu.org/vb/u44812.html), ‏امممم نسيت (http://www.ckfu.org/vb/u47213.html), ‏clever girl (http://www.ckfu.org/vb/u53796.html), ‏حلمي كبير (http://www.ckfu.org/vb/u7666.html), ‏ILMMSFM (http://www.ckfu.org/vb/u45491.html), ‏Lost 3 (http://www.ckfu.org/vb/u53112.html), ‏شتاء عمري (http://www.ckfu.org/vb/u45978.html), ‏Susikun (http://www.ckfu.org/vb/u41739.html), ‏عسولة الشرقية (http://www.ckfu.org/vb/u5455.html), ‏طيرالحب (http://www.ckfu.org/vb/u53734.html)



كل هذيلي ضيووفك يآ المقآل ...
ويين القهووه ؟
صبوآ الشآي يآ بنآت ..


< يُقترح على الطالبه المفهيه أعلآه " يمكن أدناه مدري " المهم " أنـآ " أن تقوم لتذآكر لآ أجي أعلقهآ مظلآت عن مطر بكره .. < لآ عتب لآ عتب لآ عتب ...

آللهم ثبت عقولنآ ..
آللهم أصلح حآلنآ ..
آللهم يسر أمورنآ ..
وفرج عنـآ ..
وأنهي هالامتحانات ع خير ..


ترى مخي بدى ينحدر أنحدارا خطيرا ..
ويفقد جزء كبيرا من مدري شنو < طيري


موفقين ..


آلله ينجحكم ومآتشوفون بملفاتكم إلآ حرفي الجميل من فوق لتحت .. (A)

اميييييييييييييييييييييييييييييين يارب:106::love080:

[طيرالحب]

هااي صباياا...

اتوقع المقال بس 4 براجرافات ليه تقولون 5؟؟
اتوقع بعد ان الكتويشن مواجباري فيه عدة طرق ...:hhheeeart4:ع التوقعاات..

بالتوفيق للجميع

[Susikun]

نقووش
هههه كلامك عين العقل والصواب :biggrin::biggrin:
مشكوره ع التوضيح !
جعله في موازين حسناتك يارب ... :)

والله يوفقك و يوفق الجميع ياااارب ~

[طيرالحب]

هاا بناات اخركلام 5 والا4 براجرافاات ؟؟
ردوووا

[ThE lEgEnD]

:106:الله يستر من مفاجآت السيد احمد



:000:


استودعتكم اللهــ

[شتاء عمري]

5 في الميد سمح ب4 بس قال فاينل لزم 5 :biggrin:

[لاتغرك ضحكتي]

ربنا يجيب العوااااقب سليمه :mh12:

[طيرالحب]

كيف تكون 5 براجرافاات ؟؟
مثل موضوع النت مقدمه

فوائده

اضراره

خاتمه

[E x i T]

السلآم عليكم

قال سليم بيجب مقال نكملة ؟:000:

ولا بس بس مقال واحد نكتبة

[Miss.LoLo]

[quote=طيرالحب;2500698]كيف تكون 5 براجرافاات ؟؟
مثل موضوع النت مقدمه

فوائده

اضراره

خاتمه[/quoصح انا بعد احس ماتجي 5

[SUMMO]

انني لم انته بعد .. ولا ألوي على شيء سوى ان افتح المنتدى و اتفحص المشاركات لعلي اجد فيها ما يزيح عن كاهلي فقرة لم اذاكرها او يشور علي ان اسحب على امه وانام ..

لقد تعبتتتتتتتتتتتتتتتتتتت :Cry111::icon9::bawling::24_asmilies-com::71:

[لاتغرك ضحكتي]

انني لقد مثلكي يا اختاااااااااه
لم انته بعد :24_asmilies-com:
ولا اعرف هل هذا الهرج مفيد ام انني اضيع وقتي على الفاضي :(177):
انني عالقة في الصفحه الثمانون :000:

[SUMMO]

انني عالقة في الصفحه الثمانون :000:
ياعمري عليك ..:icon9:
.
.

انا عالقة في وسط الصفحة الخامسة بعد المائة ..
.
.
من جد اللي يشوف مصيبة غيره تهون عليه مصيبته .. >> بتكحلها عمتها ..

يمدحون النوم ..

تصبحون على خير ومطر ..:love080:

[لاتغرك ضحكتي]

يااااويلتي ويلتااااااااااااه :mh12:
ان فرائصي ترتعد خوفا و بردا :000:
سوف افحححححححط الى ان اكمل المائة و سبع و عشرون صفحة
و الله لا يعوق بشر (كـ نعاس مفاجئ مثلا ) :biggrin:

[لاتغرك ضحكتي]

بناااااااااااااات
اللي ما خلصت زيي ترفع لي منديلها :53:
خلوني احس بالمشاركة الاخويه الوجدانيه
2b 1 hand
مثل ما كوثر كاتبه بالموضوع :biggrin:

[E x i T]

السلآم عليكم

قال سليم بيجب مقال نكملة ؟:000:

ولا بس بس مقال واحد نكتبة



:icon9:
ردوآ علي ؟

[لاتغرك ضحكتي]

^^

انا مع حمودي :biggrin:
ما قال لنا هيك شي
بس توقعاتي تقول ان الاكسرسايزز بما ان عليها اغلب الدرجات
اكيد بتكون اكسرسايزز من النوع الدسم :000:
مستحيل بيجيب تمارين تافهه
يعني اتوقع بيجيب اشياء تحتاج نكتب فيها
مثلا نكمل السبيسفكس او ممكن بارقراف ونكتب له ثيسز .... اور وات ايفر
و الله اعلم :oao:

[لاتغرك ضحكتي]

على فكرررررره
حبيت ابشرررررررررررررركم :mh001:





















































وصلت ص 90 :71:

>> آآآآآآآآآآآآآآآآآآآآآووووووووووووت :biggrin:

[jessica]

نحن هنااا نحن هناااا

جميع الصفحات تحت السيطره والامن مستتب

و هناك قليل من الصفحات تحاول اثارة الشغب والفوضى

ولكن قوات المذاكره تعد بالسيطره عليها في أقرب وقت ممكن

حول .. حول
:biggrin: :biggrin:

[لاتغرك ضحكتي]

تمت السحبه على العديد من الصفحات
و الشقح الى اللتي تليها :biggrin:

حوووول حووووول

:(284):

[لاتغرك ضحكتي]

شارفت الانسه لا تغرك على الانتهاء :71:

>> بدررررررررري :cheese:

[نور الـ ع ـيون]

صباح المقال


:24_asmilies-com:من جد تم تخطي كثير من الصفحات ههههههههههه :sdfgdsf:


انا مع سليم

قال 40 درجة اكسرسايز
و20 نكتب مقال

والاكسرسايز نفس الهاند اوت

ولما سألناة ان بنات احمد اخذو تعاريف وتعداد فالميد ؟؟ :064:

عصب وقال انا ماعلمتكم ع كذا التزمو بس اللي ناخذة بالمحاضرة :g2:

بالتوفيق ويارب يارب يجيب المقالة عن الانترنت :(269):