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كويز الترجمة الابداعية

التسجيل

الكويز
كويز الترجمة الابداعية [أسئلة مراجعة - الترجمة الابداعية - أحمد حليمة] كويز للترجمة الابداعية عدد الأسئلة: 41 - بعد إنهاء حل الكويز يمكنك تحميله بصيغة PDF. - سوف تحصل على نقطة إضافية في التقييم عن كل إجابة صحيحة.
1) Literary texts fulfill
	A clear cut function
	transactional and informational function
	An instructional function
	an effective and aesthetic
2) Literary translation
	is a form of action in a real-world context
	has no links with social context
	Has no links with subject –setting relationship : ideology,identity and ethics
	is form of lonely voice in the word fiction
3) Literary texts are:
	binding and instructional
	personal and emotive
	characterized by rigid texture
	non-fictional
4) Appreciating the translation of a concept that lacks a counterpart in the TL requires
	having direct experience of the essential meaning and purpose of the translated concept
	having general familiarity with the meaning and purpose of the translated concept
	having knowledge of the essential meaning and purpose of the translated concept
	having indirect experience of the meaning and purpose of the translated concept
5) . According to Dagmar Knittlova , creativity in translation
	should make the translated text sound less vivid than its original version
	should make the translated text sound better , more vivid than its original version
	should make the translated text sound better , but not more vivid than its original version
	should not make the translated text sound better , more vivid than its original version
6) M Mumford suggested that creativity involves:
	the production of new ideas in good format
	the production of novel and useful produc
	the production of new products in the market
	the production of fresh ideas but in good format
7) Is the translation of poetry possible?
	Yes it is but with great loss
	No , it is not
	Yes it is
	Yes , it is but with little loss
8) The most important issues in the process of creative translation are:
	equivalence ,communicative purpose and style
	genre , style , communication
	accuracy ,relevance and rhetoric
	accuracy, function and equivalence
9) Text for translation are often viewed as:
	literary and scientific
	both literary and scientific
	either literary or non- scientific
	neither literary nor scientific but rather technical and nontechnical
10) When you are engaged in a creative translation activity, you should remember
	that you are dealing with a amalgamation of advertising and science
	that you are dealing with neither an art nor a science
	that you are dealing with an art not a science
	that you are dealing with both an art and science
11) . Creative translation is defined as a rewriting process which meets three requirements:
	accuracy ,naturalness , communication
	to be new , objective and systematic
	consistency , naturalness , an communication
	to be relevant , communicative and accurate
12) From a linguistic/stylistic perspective, the style of the Quran:
	belongs to a narrative but literary type of style that has its own genre
	belongs to an informative but scientific ttype style that has its own genre
	belongs to an instructional but expository type style that has its own genre
	doesn’t belong to any type of literary texts or genre –types
13) E.Gentzler realize that the creative translation is required to reveal
	Competence as poetry writer ,historian and linguist
	Competence as a literary man interested in translation
	Competence as scientist interested in literature and history
	Competence as a literary critic historical scholar and linguistic technician
14) According to Rollo May, creativity requires :
	keen interest and seriousness
	Delegance and content
	passion and commitment
	accuracy and economy
15) An Example of untranslatable subject matter is:
	A theatrical song
	The Holy Quran
	The Hadeeth of Prophet Muhammad (p.b.b.u.h)
	Poetry
16) The Translation of style in the context of literature is
	crucially unimportant
	significantly superfluous
	really unnecessary
	awfully important
17) The 'skopos' of poetic translation means
	the communicative translation of a message across a cultural and linguistic barrier
	the aim of its translation carrying over the ST function in the Target Text
	the transfer a message into another language
	the main purpose of a message across a cultural and linguistic barrier
18) Religious orations tend to appeal to
	hearts and minds
	hearts only
	minds only
	Neither hearts nor minds but rather one's own interests
19) Translation is considered as being creative when it is
	novel and appropriate
	fresh and imaginative
	new and relevant
	modern and productive
20) The dictionary definition of word ‘creative’ is
	inventive and productive
	inventive and receptive
	inventive and communicative
	inventive and imaginative
21) . The origin of the word ‘creativity’ comes from
	the German term ‘kreativitat’
	the English term ‘creche’
	the Latin Term ‘creo’
	the French Term ‘cri
22) One of the most appropriate approaches to translating poetry is
	a semantic approach.
	an aesthetic approach
	a communicative approach.
	a holistic approach
23) . Creative translation involves
	a literal and accurate draft of the original and then ‘weaning away’ from the original
	a draft of the original and then rewriting it
	a stage for drafting and another for rewriting the draft.
	a three stage approach: drafting, redrafting and then translating
24) A short story is :
	‘a narrative, either true or fictitious, in prose or verse.
	a performance, either true or fictitious, in prose or verse
	‘a report, either true or fictitious, in prose or verse.
	‘a genre, either true or fictitious, in prose or verse
25) Translation of poetry is
	like writing one’s poetry but with a difference.
	less a creative act than writing one’s poetry
	more a creative act than writing one’s poetry.
	as a creative act as writing one’s poetry.
26) . Poetry should be translated into
	neither poetry nor prose on their own
	both poetry and prose
	prose as it is untranslatable
	poetry in its own right
27) An oratory is
	the art of speaking to an audience with good speech
	the art of swaying an audience by eloquent speech
	the art of convincing an audience to accept one’s speech
	the art of talking to an audience with eloquence
28) . The origin of the word ‘drama’ comes from
	.the Greek term ‘drao’
	the English term ‘drop’
	the Latin Term ‘actus
	the French Term ‘acte’
29) culture illusion in translation means
	culture untold references or propositions that the text might have referred in its linguistic context.
	culture untold references or suggestions that the text might have referred in its historical context
	culture untold references or dispositions that the text might have referred in its discoursal context
	culture untold references or compositions that the text might have referred in its social context.
30) creativity in translation is an amalgamation of
	accuracy simplicity and correctness
	surprise, simplicity and utter rightness
	simplicity, objectivity and consistency
	complexity, clarity and rightness
31) creativity in general means
	turning new and imaginative ideas into reality
	turning source texts into target texts
	turning dreams into reality
	turning theories into models
32) any language tends to have concepts that lacks counterparts in the target language this is due to
	the dilemma of linguistic and culture interpretations
	the dilemma of religious and literary interpretations
	the dilemma of cross-cultural interpretations
	the dilemma of inter and intra-lingual interpretations
33) plays are normally translated for
	a theatraical stage only
	play text page only
	page and stage
	neither for page nor for stage
34) Conventional ‘core literary’ genres are
	drama, poetry, philosophy, religion, short stories and novels.
	drama, medicine, philosophy, poetry, short stories and novels
	drama, poetry, short stories, novels and sacred texts
	math, religion, short stories and novels and legal texts.
35) According to Francis Jones, "Creativity" is translation means
	generating product solutions that are both novel and appropriate.
	generating texts that are novel and useful products
	generating new ideas for source language translations
	generating target text solutions that are both novel are appropriate.
36) In any type of translation draft, we are bound to encounter
	a number of gaping holes' and pitfalls
	a number of major cultural problems.
	a number of linguistic difficulties.
	a number of linguistic and cultural queries
37) Religious texts are known as
	scriptures, holy writings or holy books
	scriptures, literary writings or religious books.
	scriptures, writings or holy scrolls
	scriptures, writings or holy speeches
38) According to Linda Naiman, creativity involves
	two processes: thinking then producing
	three processes: thinking, drafting, rewriting
	one process: doing the translation creatively.
	four processes: reading, thinking, drafting and then rewriting creatively
39) in translating literary text
	there is one specific method or approach or even a strategy
	there is no specific method or approach or even strategy
	there are only two methods or approaches or strategies
	there are seven methods or approaches or strategies
40) the main focous in literary translation tends to be on
	source- target text relations
	source target language relations
	source target culture relation
	source target diplomatic relations
41) one of the highest of human creative activities is
	computer-aided translation
	creative translation
	machine translation
	communicative translation

معلومات حول الكويز

كويز الترجمة الابداعية
[أسئلة مراجعة - الترجمة الابداعية - أحمد حليمة]
تفاصيل أخرى:
كويز للترجمة الابداعية
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القسم: E7
مناقشة الكويز: كويز الترجمة الابداعية

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